Chichinautzin volcanic field, Mexico City, D.F. This volcanic field immediately south of Mexico City represents and present volcanic threat to Mexico City and environs. Stretching some 90 kilometers east and west south of the city, the field contains more than 220 eruptive vents. Many of the largest are seen in this photograph taken from the top of the Latin American Tower in January 1974. In the far background, two of the three highest volcanic peaks of Mexico are seen: Iztaccíhuatl and Popocatepetl, one of Mexico's most active volcano attaining nearly 18,000 feet above sea level while Iztaccíhuatl is slightly lower and has not erupted in historical times. Thinking we were acclimatized to high altitude by staying in Mexico City (elevation above 7,000 feet) for more than a week, we set out to conquer Volcán Popocatepetl, but alas we failed after a four day effort due to my case of high altitude sickness. We managed to make about the 16,000 level on foot with our back packs. Overnights were extremely cold. We slept inside our tent, inside our down filled sleeping bags with our downfilled jackets and clothes on and our boots with wool socks. We could have been fried as well had the volcano erupted while we slept instead of just letting off a cloud of steam. My headache caused by the high altitude would not sufficiently abate even with the taking of Darvon in an effort to quell the pain, so we took the medical authorities' advice being told if conditions didn't change, go down to a lower elevation. Shoot. We've never been that high on foot again. We did walk down a good portion of the mountain on our way down, camping and hiking to the entrance to the National Park. Landscape is awesome.

 

To our particular interest are the volcanic stuctures which are seen in the near back ground just beyond the city buildings:

Volcán Pelado, and Cerro Chichinautzin. The significance of this view is to show a few of the hundreds of volcanic vents that occupy the Valley of Mexico and the contemporary danger the volcanoes present. Today everything is quiet except for the nearly daily detonations of distant Popocatepetl hidden in this view by clouds. One of the cones, Xitle, erupted 1600 years ago and covered important prehistoric urban centers - a threat that continues today. For a comparison of the Valley of Mexico in the 19th century to 1974, see this link to a painting by José María Velasco, the famous 19th Century landscape painter of Mexico.

 

ka-perseus-images.s3.amazonaws.com/cfa98cadec908d579fa47b...

 

To see some of his other work and the significance of his art, check out the link below. We viewed his work at the Museum of Anthropology which itself is at the foot of a recent (geologically speaking) lava flow.

 

www.khanacademy.org/humanities/ap-art-history/later-europ...

 

And Dr. Atl's interpretation of the same valley:

 

www.artnet.com/artists/dr-atl-gerardo-murillo/los-volcane...

 

If you ever make it to Mexico City and Covid is under control, both the Museums of Anthropology and Modern Art at Chapultepec Park are not to be missed.

 

35mm slide taken with Konica AutoreflexA w/Hexanon AR lens, 1974

 

The represents the kind of views many of my vintage National Geographic magazines from the 1915 to 1920 era would proudly portray as the modern and efficient "Future Of Industry". By the mid 1970s, they looked awfully tired and dated.

 

I remember reading a book about Jersey City written in the 1930s describing it as a industrial city "without trees". Of course... who needed trees and the niceties of life when you've got countless brick warehouses, hundreds of factories and endless railroads which sliced through every neighborhood? It was all about business, pure business.

 

The same place today:

www.google.com/maps/@40.7220077,-74.0380614,3a,75y,194.68...

 

This is a still from a work scan of a Super 8 movie some friends and I shot. When the high-def DVD version returns back from the professional movie scanner, I'll post more images from this film.

This head of a colossal statue of Hatshepsut would once have crowned one of the Osirian pillars that decorated the portico of the third terrace of the queen's temple at Deir el-Bahri. It was discovered there in 1926 by the mission of the New York Metropolitan Museum of Art.

The portico was divided into two by a granite portal which preceded the 'Festival Hall', on to which opened the more intimate rooms of the temple and the sanctuary of Amun.

Some of the characteristic stylistic features of the statuary of Hatshepsut are present in this head. The face is triangular and the features are very delicate. The striking almond-shaped eyes, decorated with a line of kohl extending to the temples, have large dilated pupils, imparting a sense of innocence and purity. The slightly arched nose is long and slim. The small mouth is set in a faint smile. The same face is found not only on many other statues of the queen but also on those representing private individuals of the same period.

One unusual element is the dark red colour of the skin, usually a feature of male images, it is justified in this case by the fact that the queen is represented here as a pharaoh in Osirian form. The false beard painted blue emphasizes the divine nature of the 'king'. The blue colour of lapis lazuli, together with gold, signified divinity.

From what remains of the queen's headdress, it can be deduced that she wore the Double Crown symbolizing the union between Upper and Lower Egypt.

JE 56259 A - 56262

 

Egyptian Museum, Cairo

This photo represents me moving on and starting new.

 

I wanted to create this new account because I really need a fresh start. I created my old Flickr account back in 2009 and, frankly, I loathe my old Flickr URL. It's so bad.

 

But, please check out some of my old work! There are some hidden gems in there:)

 

I plan on uploading more. There have been a lot of broken sets that I've never finished and I really want to restart them or just trash them. So yes, I will get back to my Deadly Seven;)

 

xoxoxox!!

  

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My initial idea was to represent a lighthouse, but it turned out so attractive, so I put some shells and stones to compose, a dramatic tonality in the edit gave a special touch, I love this photograph, I hope I can do others with the same feeling.

 

Enjoy more about my photographic and artistic adventures.

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Displate: Murielarts

displate.com/murielarts/photography-room?art=5d507f8ae5789

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Instagram Arts: @muriell.vii

www.instagram.com/muriel.vii/ | www.instagram.com/mikeuriell/

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The oldest part of the complex is represented by the Shrine of San Vittore in Golden Sky , built in the fourth century by Bishop Maternus to preserve the remains of St. Victor and important example of early Christian architecture. Adjacent to it, heading north, the bishop of Milan Ambrose built, between 379 and 386, the Martyrum Basilica, the first version of the early Christian basilica, whose name came from the fact that it was built in an area where martyrs of the Roman persecutions had been buried. The name was changed to the present one later when Ambrose was buried inside it. The current version of the Romanesque basilica with three naves with vaulted ribbed cruise, is characterized by an alternating system of major and minor pillars that allow the transition from four spans in the main nave to eight in the lateral naves. However, there is no agreement on the exact dating of almost all structural parts of the basilica, in the light of the many changes that have taken place over the centuries. The absidiale part is in any case the oldest part, assigned to the centuries VIII, IX or X depending on the author. The church was heavily damaged during the bombings of the Second World War, which destroyed in 1943 especially the outside of the porch, damaged the dome of the basilica and other areas of the basilica complex, and caused the loss of significant art works, including a fresco by Tiepolo that decorated the ceiling of the sacristy. Immediately after the war the restoration works took start. They were completed in the fifties, bringing the church to its former glory.

 

Дата строительства базилики Св. Амвросия теряется в далеком 4 веке н. э., времени бескомпромиссной борьбы никейского и арианского исповеданий христианства. Ее основатель — один из четырех отцов церкви Амвросий Медиоланский, равно почитаемый католиками и православными. Поводом послужило обретение им поблизости утерянных столетием ранее останков Гервасия и Протасия, замученных во времена Нерона. Отсюда и второе название храма — базилика Мучеников. Сам святитель тоже нашел последний приют в саркофаге между раками найденных им мощей.

Represents an aeroplane operated by the Air Fighting Development Unit, based at Duxford in 1942, although an original photograph in the Imperial War Museum archives shows AA937 to have had ‘clipped’ wingtips when operating with the AFDU.

Duxford Airfield, Cambridgeshire, UK

17th October 2020

portfolio shoot with model Moibe in Bohuslän, Sweden

 

Moibe is represented by Avenuemodeller

 

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Pointe er long, Locmariaquer, 11 octobre 2020, 19h11-2

The Glasshouse is an international centre for musical education and concerts on the Gateshead bank of Quayside in northern England. Opened in 2004 as Sage Gateshead and occupied by North Music Trust The venue's original name honours a patron: the accountancy software company The Sage Group.

 

History

Planning for the centre began in the early 1990s, when the orchestra of Sage Gateshead, Royal Northern Sinfonia, with encouragement from Northern Arts, began working on plans for a new concert hall. They were soon joined by regional folk music development agency Folkworks, which ensured that the needs of the region's traditional music were taken into consideration and represented in Sage Gateshead's programme of concerts, alongside Rock, Pop, Dance, Hip Hop, classical, jazz, acoustic, indie, country and world, Practice spaces for professional musicians, students and amateurs were an important part of the provision.

 

The planning and construction process cost over £70 million, which was raised primarily through National Lottery grants. The contractor was Laing O'Rourke. The centre has a range of patrons, notably Sage Group which contributed a large sum of money to have the building named after it. Sage plc has helped support the charitable activities of Sage Gateshead since its conception. The venue opened over the weekend 17–19 December 2004.

 

Sage Gateshead was developed by Foster and Partners following an architectural design competition launched in 1997 and managed by RIBA Competitions. Over 100 architects registered their interest and 12 – a mixture of local, national and international talent – were invited to prepare concept designs. A shortlist of six was then interviewed with Foster and Partners unanimously selected as the winner. The Design has gone on to win a number of awards: the RIBA Inclusive Design Award, Civic Trust Award and The Journal North East Landmark of the Year Award.

 

As a conference venue, the building hosted the Labour Party's Spring conference in February 2005 and the Liberal Democrat Party conference in March 2012. On 18 August 2009, Sage Gateshead was selected to host the 2010 and 2011 National Union of Students annual conference. The 2010 Annual Conference took place 13–15 April 2010.

 

In 2022 The Sage Group announced that they were also sponsoring a new development that is being built next to Sage Gateshead which will be called The Sage. Sage Gateshead announced that they will be finding a new name for the venue prior to The Sage opening in 2024. On 13 September 2023 the venue announced its new name, The Glasshouse International Centre for Music.

 

Building

The centre occupies a curved glass and stainless steel building designed by Foster and Partners, Buro Happold (structural engineering), Mott MacDonald (engineering consultants) and Arup (acoustics), with views of Newcastle and Gateshead Quaysides, the Tyne Bridge and the Gateshead Millennium Bridge.

 

The Glasshouse contains three performance spaces; a 1,700-seater, a 450-seater, and a smaller rehearsal and performance hall, the Northern Rock Foundation Hall. The rest of the building was designed around these three spaces to allow for maximum attention to detail in their acoustic properties. Structurally it is three separate buildings, insulated from each other to prevent noise and vibration travelling between them. The gaps between them may be seen as one walks around inside. A special 'spongy' concrete mix was used in the construction, with a higher-than-usual air capacity to improve the acoustic. These three buildings are enclosed (but not touched) by the now-famous glass and steel shell. Sage One was intended as an acoustically perfect space, modelled on the Musikverein in Vienna. Its ceiling panels may be raised and lowered and curtains drawn across the ribbed wooden side walls, changing the sound profile of the room to suit any type of music. Sage Two is a smaller venue, possibly the world's only ten-sided performance space.

 

The building is open to the public throughout the day.

 

Concerts

The Glasshouse will host concerts from a wide range of internationally famous artists, and those who have played at the venue include Above and Beyond, Blondie, James Brown, Bonobo, Andy Cutting, De La Soul, Nick Cave, George Clinton, Bill Callahan, Crosby, Stills & Nash, Dillinger, Grace Jones, Gretchen Peters, Elbow, Explosions in the Sky, the Fall, Herbie Hancock, Mogwai, Morrissey, Mumford & Sons, Pet Shop Boys, Sunn O))), Nancy Sinatra, Snarky Puppy, Sting, Yellowman, Shane Filan of Westlife and others. In February 2015, it was one of the hosts of the second annual BBC Radio 6 Music Festival.

 

It is also home to Royal Northern Sinfonia, of which The Guardian wrote there is "no better chamber orchestra in Britain", and frequently hosts other visiting orchestras from around the world. The current music director for Royal Northern Sinfonia is the pianist and conductor Lars Vogt. In late 2014, Royal Northern Sinfonia collaborated with John Grant, performing at Sage Gateshead, and other venues throughout the UK. Recordings from this tour were made available as a limited edition CD and 12" record via Rough Trade Records in 2015.

 

Opinion

There has been popular debate surrounding what was Sage Gateshead. The venue is popular in the local area because of its concerts, and also its accessible learning courses for all ages and its constant interaction with local schools and academies through programmes such as Sing Up and the option of school visits.

 

Awards

2019: UK National Lottery 25th Birthday Award - Best Arts, Culture and Film

2019: Julie's Bicycle Creative Green 2 Star

2019: Gold Standard - Attitude is Everything

2018: Gold Award for Inclusive Tourism (North East Tourism Awards)

2018: Gold Award for Business Tourism (Visit England Awards for Excellence)

2005: Local Authority Building of the Year

2005: British Construction Industry Awards

2005: RIBA Award for Inclusive Design

 

Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.

 

Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.

 

In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.

 

History

Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.

 

A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.

 

Early

There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.

 

The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).

 

During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.

 

Industrial revolution

Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.

 

In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.

 

Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.

 

In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.

 

Regeneration

In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.

 

In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.

 

Governance

In 1835, Gateshead was established as a municipal borough and in 1889 it was made a county borough, independent from Durham County Council.

 

In 1870, the Old Town Hall was built, designed by John Johnstone who also designed the previously built Newcastle Town Hall. The ornamental clock in front of the old town hall was presented to Gateshead in 1892 by the mayor, Walter de Lancey Willson, on the occasion of him being elected for a third time. He was also one of the founders of Walter Willson's, a chain of grocers in the North East and Cumbria. The old town hall also served as a magistrate's court and one of Gateshead's police stations.

 

Current

In 1974, following the Local Government Act 1972, the County Borough of Gateshead was merged with the urban districts of Felling, Whickham, Blaydon and Ryton and part of the rural district of Chester-le-Street to create the much larger Metropolitan Borough of Gateshead.

 

Geography

The town of Gateshead is in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne at a latitude of 54.57° N and a longitude of 1.35° W. Gateshead experiences a temperate climate which is considerably warmer than some other locations at similar latitudes as a result of the warming influence of the Gulf Stream (via the North Atlantic drift). It is located in the rain shadow of the North Pennines and is therefore in one of the driest regions of the United Kingdom.

 

One of the most distinguishing features of Gateshead is its topography. The land rises 230 feet from Gateshead Quays to the town centre and continues rising to a height of 525 feet at Queen Elizabeth Hospital in Sheriff Hill. This is in contrast to the flat and low lying Team Valley located on the western edges of town. The high elevations allow for impressive views over the Tyne valley into Newcastle and across Tyneside to Sunderland and the North Sea from lookouts in Windmill Hills and Windy Nook respectively.

 

The Office for National Statistics defines the town as an urban sub-division. The latest (2011) ONS urban sub-division of Gateshead contains the historical County Borough together with areas that the town has absorbed, including Dunston, Felling, Heworth, Pelaw and Bill Quay.

 

Given the proximity of Gateshead to Newcastle, just south of the River Tyne from the city centre, it is sometimes incorrectly referred to as being a part of Newcastle. Gateshead Council and Newcastle City Council teamed up in 2000 to create a unified marketing brand name, NewcastleGateshead, to better promote the whole of the Tyneside conurbation.

 

Economy

Gateshead is home to the MetroCentre, the largest shopping mall in the UK until 2008; and the Team Valley Trading Estate, once the largest and still one of the larger purpose-built commercial estates in the UK.

 

Arts

The Baltic Centre for Contemporary Art has been established in a converted flour mill. The Glasshouse International Centre for Music, previously The Sage, a Norman Foster-designed venue for music and the performing arts opened on 17 December 2004. Gateshead also hosted the Gateshead Garden Festival in 1990, rejuvenating 200 acres (0.81 km2) of derelict land (now mostly replaced with housing). The Angel of the North, a famous sculpture in nearby Lamesley, is visible from the A1 to the south of Gateshead, as well as from the East Coast Main Line. Other public art include works by Richard Deacon, Colin Rose, Sally Matthews, Andy Goldsworthy, Gordon Young and Michael Winstone.

 

Traditional and former

The earliest recorded coal mining in the Gateshead area is dated to 1344. As trade on the Tyne prospered there were several attempts by the burghers of Newcastle to annex Gateshead. In 1576 a small group of Newcastle merchants acquired the 'Grand Lease' of the manors of Gateshead and Whickham. In the hundred years from 1574 coal shipments from Newcastle increased elevenfold while the population of Gateshead doubled to approximately 5,500. However, the lease and the abundant coal supplies ended in 1680. The pits were shallow as problems of ventilation and flooding defeated attempts to mine coal from the deeper seams.

 

'William Cotesworth (1668-1726) was a prominent merchant based in Gateshead, where he was a leader in coal and international trade. Cotesworth began as the son of a yeoman and apprentice to a tallow - candler. He ended as an esquire, having been mayor, Justice of the Peace and sheriff of Northumberland. He collected tallow from all over England and sold it across the globe. He imported dyes from the Indies, as well as flax, wine, and grain. He sold tea, sugar, chocolate, and tobacco. He operated the largest coal mines in the area, and was a leading salt producer. As the government's principal agent in the North country, he was in contact with leading ministers.

 

William Hawks originally a blacksmith, started business in Gateshead in 1747, working with the iron brought to the Tyne as ballast by the Tyne colliers. Hawks and Co. eventually became one of the biggest iron businesses in the North, producing anchors, chains and so on to meet a growing demand. There was keen contemporary rivalry between 'Hawks' Blacks' and 'Crowley's Crew'. The famous 'Hawks' men' including Ned White, went on to be celebrated in Geordie song and story.

 

In 1831 a locomotive works was established by the Newcastle and Darlington Railway, later part of the York, Newcastle and Berwick Railway. In 1854 the works moved to the Greenesfield site and became the manufacturing headquarters of North Eastern Railway. In 1909, locomotive construction was moved to Darlington and the rest of the works were closed in 1932.

 

Robert Stirling Newall took out a patent on the manufacture of wire ropes in 1840 and in partnership with Messrs. Liddell and Gordon, set up his headquarters at Gateshead. A worldwide industry of wire-drawing resulted. The submarine telegraph cable received its definitive form through Newall's initiative, involving the use of gutta-percha surrounded by strong wires. The first successful Dover–Calais cable on 25 September 1851, was made in Newall's works. In 1853, he invented the brake-drum and cone for laying cable in deep seas. Half of the first Atlantic cable was manufactured in Gateshead. Newall was interested in astronomy, and his giant 25-inch (640 mm) telescope was set up in the garden at Ferndene, his Gateshead residence, in 1871.

 

Architecture

JB Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that "no true civilisation could have produced such a town", adding that it appeared to have been designed "by an enemy of the human race".

 

Victorian

William Wailes the celebrated stained-glass maker, lived at South Dene from 1853 to 1860. In 1860, he designed Saltwell Towers as a fairy-tale palace for himself. It is an imposing Victorian mansion in its own park with a romantic skyline of turrets and battlements. It was originally furnished sumptuously by Gerrard Robinson. Some of the panelling installed by Robinson was later moved to the Shipley Art gallery. Wailes sold Saltwell Towers to the corporation in 1876 for use as a public park, provided he could use the house for the rest of his life. For many years the structure was essentially an empty shell but following a restoration programme it was reopened to the public in 2004.

 

Post millennium

The council sponsored the development of a Gateshead Quays cultural quarter. The development includes the Gateshead Millennium Bridge, erected in 2001, which won the prestigious Stirling Prize for Architecture in 2002.

 

Former brutalism

The brutalist Trinity Centre Car Park, which was designed by Owen Luder, dominated the town centre for many years until its demolition in 2010. A product of attempts to regenerate the area in the 1960s, the car park gained an iconic status due to its appearance in the 1971 film Get Carter, starring Michael Caine. An unsuccessful campaign to have the structure listed was backed by Sylvester Stallone, who played the main role in the 2000 remake of the film. The car park was scheduled for demolition in 2009, but this was delayed as a result of a disagreement between Tesco, who re-developed the site, and Gateshead Council. The council had not been given firm assurances that Tesco would build the previously envisioned town centre development which was to include a Tesco mega-store as well as shops, restaurants, cafes, bars, offices and student accommodation. The council effectively used the car park as a bargaining tool to ensure that the company adhered to the original proposals and blocked its demolition until they submitted a suitable planning application. Demolition finally took place in July–August 2010.

 

The Derwent Tower, another well known example of brutalist architecture, was also designed by Owen Luder and stood in the neighbourhood of Dunston. Like the Trinity Car Park it also failed in its bid to become a listed building and was demolished in 2012. Also located in this area are the Grade II listed Dunston Staithes which were built in 1890. Following the award of a Heritage Lottery Fund grant of almost £420,000 restoration of the structure is expected to begin in April 2014.

 

Sport

Gateshead International Stadium regularly holds international athletics meetings over the summer months, and is home of the Gateshead Harriers athletics club. It is also host to rugby league fixtures, and the home ground of Gateshead Football Club. Gateshead Thunder Rugby League Football Club played at Gateshead International Stadium until its purchase by Newcastle Rugby Limited and the subsequent rebranding as Newcastle Thunder. Both clubs have had their problems: Gateshead A.F.C. were controversially voted out of the Football League in 1960 in favour of Peterborough United, whilst Gateshead Thunder lost their place in Super League as a result of a takeover (officially termed a merger) by Hull F.C. Both Gateshead clubs continue to ply their trade at lower levels in their respective sports, thanks mainly to the efforts of their supporters. The Gateshead Senators American Football team also use the International Stadium, as well as this it was used in the 2006 Northern Conference champions in the British American Football League.

 

Gateshead Leisure Centre is home to the Gateshead Phoenix Basketball Team. The team currently plays in EBL League Division 4. Home games are usually on a Sunday afternoon during the season, which runs from September to March. The team was formed in 2013 and ended their initial season well placed to progress after defeating local rivals Newcastle Eagles II and promotion chasing Kingston Panthers.

 

In Low Fell there is a cricket club and a rugby club adjacent to each other on Eastwood Gardens. These are Gateshead Fell Cricket Club and Gateshead Rugby Club. Gateshead Rugby Club was formed in 1998 following the merger of Gateshead Fell Rugby Club and North Durham Rugby Club.

 

Transport

Gateshead is served by the following rail transport stations with some being operated by National Rail and some being Tyne & Wear Metro stations: Dunston, Felling, Gateshead Interchange, Gateshead Stadium, Heworth Interchange, MetroCentre and Pelaw.

 

Tyne & Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central, Newcastle Airport , Sunderland, Tynemouth and South Shields Interchange.

 

National Rail services are provided by Northern at Dunston and MetroCentre stations. The East Coast Main Line, which runs from London Kings Cross to Edinburgh Waverley, cuts directly through the town on its way between Newcastle Central and Chester-le-Street stations. There are presently no stations on this line within Gateshead, as Low Fell, Bensham and Gateshead West stations were closed in 1952, 1954 and 1965 respectively.

 

Road

Several major road links pass through Gateshead, including the A1 which links London to Edinburgh and the A184 which connects the town to Sunderland.

 

Gateshead Interchange is the busiest bus station in Tyne & Wear and was used by 3.9 million bus passengers in 2008.

 

Cycle routes

Various bicycle trails traverse the town; most notably is the recreational Keelmans Way (National Cycle Route 14), which is located on the south bank of the Tyne and takes riders along the entire Gateshead foreshore. Other prominent routes include the East Gateshead Cycleway, which connects to Felling, the West Gateshead Cycleway, which links the town centre to Dunston and the MetroCentre, and routes along both the old and new Durham roads, which take cyclists to Birtley, Wrekenton and the Angel of the North.

 

Religion

Christianity has been present in the town since at least the 7th century, when Bede mentioned a monastery in Gateshead. A church in the town was burned down in 1080 with the Bishop of Durham inside.[citation needed] St Mary's Church was built near to the site of that building, and was the only church in the town until the 1820s. Undoubtedly the oldest building on the Quayside, St Mary's has now re-opened to the public as the town's first heritage centre.

 

Many of the Anglican churches in the town date from the 19th century, when the population of the town grew dramatically and expanded into new areas. The town presently has a number of notable and large churches of many denominations.

 

Judaism

The Bensham district is home to a community of hundreds of Jewish families and used to be known as "Little Jerusalem". Within the community is the Gateshead Yeshiva, founded in 1929, and other Jewish educational institutions with international enrolments. These include two seminaries: Beis Medrash L'Morot and Beis Chaya Rochel seminary, colloquially known together as Gateshead "old" and "new" seminaries.

 

Many yeshivot and kollels also are active. Yeshivat Beer Hatorah, Sunderland Yeshiva, Nesivos Hatorah, Nezer Hatorah and Yeshiva Ketana make up some of the list.

 

Islam

Islam is practised by a large community of people in Gateshead and there are 2 mosques located in the Bensham area (in Ely Street and Villa Place).

 

Twinning

Gateshead is twinned with the town of Saint-Étienne-du-Rouvray near Rouen in France, and the city of Komatsu in Japan.

 

Notable people

Eliezer Adler – founder of Jewish Community

Marcus Bentley – narrator of Big Brother

Catherine Booth – wife of William Booth, known as the Mother of The Salvation Army

William Booth – founder of the Salvation Army

Mary Bowes – the Unhappy Countess, author and celebrity

Ian Branfoot – footballer and manager (Sheffield Wednesday and Southampton)

Andy Carroll – footballer (Newcastle United, Liverpool and West Ham United)

Frank Clark – footballer and manager (Newcastle United and Nottingham Forest)

David Clelland – Labour politician and MP

Derek Conway – former Conservative politician and MP

Joseph Cowen – Radical politician

Steve Cram – athlete (middle-distance runner)

Emily Davies – educational reformer and feminist, founder of Girton College, Cambridge

Daniel Defoe – writer and government agent

Ruth Dodds – politician, writer and co-founder of the Little Theatre

Jonathan Edwards – athlete (triple jumper) and television presenter

Sammy Johnson – actor (Spender)

George Elliot – industrialist and MP

Paul Gascoigne – footballer (Newcastle United, Tottenham Hotspur, Lazio, Rangers and Middlesbrough)

Alex Glasgow – singer/songwriter

Avrohom Gurwicz – rabbi, Dean of Gateshead Yeshiva

Leib Gurwicz – rabbi, Dean of Gateshead Yeshiva

Jill Halfpenny – actress (Coronation Street and EastEnders)

Chelsea Halfpenny – actress (Emmerdale)

David Hodgson – footballer and manager (Middlesbrough, Liverpool and Sunderland)

Sharon Hodgson – Labour politician and MP

Norman Hunter – footballer (Leeds United and member of 1966 World Cup-winning England squad)

Don Hutchison – footballer (Liverpool, West Ham United, Everton and Sunderland)

Brian Johnson – AC/DC frontman

Tommy Johnson – footballer (Aston Villa and Celtic)

Riley Jones - actor

Howard Kendall – footballer and manager (Preston North End and Everton)

J. Thomas Looney – Shakespeare scholar

Gary Madine – footballer (Sheffield Wednesday)

Justin McDonald – actor (Distant Shores)

Lawrie McMenemy – football manager (Southampton and Northern Ireland) and pundit

Thomas Mein – professional cyclist (Canyon DHB p/b Soreen)

Robert Stirling Newall – industrialist

Bezalel Rakow – communal rabbi

John William Rayner – flying ace and war hero

James Renforth – oarsman

Mariam Rezaei – musician and artist

Sir Tom Shakespeare - baronet, sociologist and disability rights campaigner

William Shield – Master of the King's Musick

Christina Stead – Australian novelist

John Steel – drummer (The Animals)

Henry Spencer Stephenson – chaplain to King George VI and Queen Elizabeth II

Steve Stone – footballer (Nottingham Forest, Aston Villa and Portsmouth)

Chris Swailes – footballer (Ipswich Town)

Sir Joseph Swan – inventor of the incandescent light bulb

Nicholas Trainor – cricketer (Gloucestershire)

Chris Waddle – footballer (Newcastle United, Tottenham Hotspur and Sheffield Wednesday)

William Wailes – stained glass maker

Taylor Wane – adult entertainer

Robert Spence Watson – public benefactor

Sylvia Waugh – author of The Mennyms series for children

Chris Wilkie – guitarist (Dubstar)

John Wilson - orchestral conductor

Peter Wilson – footballer (Gateshead, captain of Australia)

Thomas Wilson – poet/school founder

Robert Wood – Australian politician

This pic really represents how I've been feeling lately. I though I was alone in the middle of the dark, but I've discovered you can always do something to change it. It's like s bit of light in the middle of the darkness. I like the result, that's what I expected to get.Don't forget visiting my Facebook page: www.facebook.com/BAriasPhotography

Lancahsire's only population of wild Red Deer is found at Leighton Moss and in the Silverdale area. They are thought to have crossed over from Cumbria where they occur in forests, moors and on the mountains. At Leighton Moss they are found in reedbeds, showing their versatile nature.

 

The Red Deer (Cervus elaphus) is one of the largest deer species. The Red Deer inhabits most of Europe, the Caucasus Mountains region, Asia Minor and parts of western and central Asia. It also inhabits the Atlas Mountains region between Morocco and Tunisia in northwestern Africa, being the only species of deer to inhabit Africa. Red Deer have been introduced to other areas including Australia, New Zealand and Argentina. In many parts of the world the meat (venison) from Red Deer is used as a food source.

Red Deer are ruminants, characterized by an even number of toes, and a four-chambered stomach. Recent DNA evidence indicates that the Red Deer (Cervus elaphus) and the East Asian and North American Elk (Wapiti) (Cervus canadensis) represent two distinct species. They also hint at an additional primordial subgroup of Central Asian Red Deer.[2] The ancestor of all Red Deer probably originated in Central Asia and probably resembled Sika Deer.[3]

Although at one time Red Deer were rare in some areas, they were never close to extinction. Reintroduction and conservation efforts, especially in the United Kingdom, have resulted in an increase of Red Deer populations, while other areas, such as North Africa, have continued to show a population decline.

Description

The Red Deer is the fourth largest deer species behind moose, elk (wapiti) and sambar deer. It is a ruminant, eating its food in two stages and having an even number of toes on each hoof, like camels, goats and cattle. European Red Deer have a relatively long tail compared to their Asian and North American relatives. There are subtle differences in appearance between the various subspecies of Red Deer primarily in size and antlers, with the smallest being the Corsican Red Deer found on the islands of Corsica and Sardinia and the largest being the Caspian red deer[citation needed] (or maral) of Asia Minor and the Caucasus Region to the west of the Caspian Sea. The deer of Central and Western Europe vary greatly in size with some of the largest deer found in the Carpathian Mountains in Central Europe.[3] West European Red Deer historically, grew to large size given ample food supply (including peoples' crops), and descendants of introduced populations living in New Zealand and Argentina have grown quite large in size and antlers. Large Red Deer stags, like the Caspian Red Deer or those of the Carpathian Mountains may rival the Wapiti in size. Female Red Deer are much smaller than their male counterparts.

Generally, the male (stag or hart) Red Deer is typically 175 to 230 cm (69 to 91 in) long and weighs 160 to 240 kg (350 to 530 lb); the female is 160 to 210 cm (63 to 83 in) long and weighs 120 to 170 kg (260 to 370 lb).[citation needed] The tail adds another 12 to 19 cm (4.7 to 7.5 in) and shoulder height is about 105 to 120 cm (41 to 47 in). Size varies in different subspecies with the largest, the huge but small-antlered deer of the Carpathian Mountains (C. e. elaphus), weighing up to 500 kg (1,100 lb). At the other end of the scale, the Corsican Red Deer (C. e. corsicanus) weighs about 80 to 100 kg (180 to 220 lb), although Red Deer in poor habitats can weigh as little as 53 to 112 kg (120 to 250 lb).[4] European Red Deer tend to be reddish-brown in their summer coats. The males of many subspecies also grow a short neck mane ("mane" of hair around their necks) during the autumn. The male deer of the British Isles and Norway tend to have the thickest and most noticeable neck manes. Male Caspian Red Deer (Cervus elaphus maral) and Spanish Red Deer (Cervus elaphus hispanicus) do not carry neck manes. Male deer of all subspecies, however, tend to have stronger and thicker neck muscles than female deer, which may give them an appearance of having neck manes. Red Deer hinds (females) do not have neck manes. The European Red Deer is adapted to a woodland environment.[5]

Only the stags have antlers which start growing in the spring and are shed each year, usually at the end of winter. Antlers are made of bone which can grow at a rate of 2.5 cm (1.0 in) a day. A soft covering known as velvet helps to protect newly forming antlers in the spring. European red deer antlers are distinctive in being rather straight and rugose, with the fourth and fifth tines forming a "crown" or "cup" in larger males. Any tines in excess of the fourth and fifth tine will grow radially from the "cup". "Cups" are generally absent in the antlers of smaller red deer such as Corsican Red Deer. West European Red Deer antlers feature bez (second) tines that are either absent or smaller than the brow tine. However, bez tines occur frequently in Norwegian Red Deer. Antlers of Caspian Red Deer carry large bez (second) tines and form less-developed "cups" than West European red deer, their antlers are thus more like the "throw back" top tines of the wapiti (Cervus canadensis sp.)and these are known as maraloid characteristics. A stag can (exceptionally) have antlers with no tines, and is then known as a switch. Similarly, a stag that doesn't grow antlers is a hummel. The antlers are testosterone-driven and as the stag's testosterone levels drop in the autumn, the velvet is shed and the antlers stop growing.[6] Red Deer produce no testosterone in their bodies while they are growing antler.[clarification needed] With the approach of autumn, the antler begin to calcify and the stags testosterone production builds for the approaching rut (mating season).

During the autumn, all Red Deer subspecies grow a thicker coat of hair which helps to insulate them during the winter. Autumn is also when some of the stags grow their neck manes.[3] It is in the autumn/winter coat that most subspecies are most distinct. The Caspian Red Deer's winter coat is greyer and has a larger and more distinguished light rump-patch (like Elk and some Central Asian Red Deer) compared to the West European Red Deer which has more of a greyish-brown coat with a darker yellowish rump patch in the winter. By the time summer begins, the heavy winter coat has been shed; the animals are known to rub against trees and other objects to help remove hair from their bodies. Red Deer have different colouration based on the seasons and types of habitats, with grey or lighter colouration prevalent in the winter and a more reddish and darker coat in the summer.[7] Most European Red Deer wear a reddish-brown summer coat, and some individuals may have a few spots on the backs of their summer coats.

 

Distribution

Cervus genus ancestors of Red Deer first appear in fossil records 12 million years ago during the Miocene in Eurasia.[8] An extinct genus known as the Irish Elk (Megaloceros), not related to the red deer but to the fallow deer, is the largest member of the deer family known from the fossil record.[9]

The European Red Deer is one of the largest game animals found in Southwestern Asia (Asia Minor and Caucasus regions), North Africa and Europe. The Red Deer is the largest non-domesticated mammal still existing in some European countries such as the United Kingdom and Ireland.[8] The Barbary stag (which resembles the West European Red Deer) is the only member of the deer family that is represented in Africa, with population centred in the northwestern region of the continent in the Atlas Mountains.[10] As of the mid 1990s, Morocco, Tunisia and Algeria were the only African countries known to have Red Deer.[11]

In the UK there are indigenous populations in Scotland, the Lake District and the South West of England (principally on Exmoor). Not all of these are of entirely pure bloodlines as some of these populations have been supplemented with deliberate releases of deer from parks like Warnham or Woburn Abbey in an attempt to increase antler sizes and body weights. Edinburgh University found that in Scotland there has been extensive hybridisation with the closely related Sika Deer.[12] There are several other populations that have originated either with carted deer kept for stag hunts being left out at the end of the hunt, escapes from deer farms or deliberate releases. Carted deer were kept by stag hunts with no wild red deer in the locality and were normally recaptured after the hunt and used again; although the hunts are called "stag hunts" the Norwich Staghounds only hunted hinds (female red deer) and in 1950 at least eight hinds (some of which may have been pregnant) were known to be at large near Kimberley and West Harling[13] and formed the basis of a new population based in Thetford Forest in Norfolk. There are now further substantial red deer herds that originated from escapes or deliberate releases in the New Forest, the Peak District, Suffolk, Brecon Beacons and West Yorkshire as well as many other smaller populations scattered throughout England, and they are all generally increasing in numbers and range. A recent census of deer populations in 2007 coordinated by the British Deer Society records red deer as having expanded range their range in England and Wales since 2000, with expansion most notable in the Midlands and East Anglia. ref [1]

In New Zealand, and to a lesser degree in Australia, the red deer were introduced by acclimatisation societies along with other deer and game species. The first red deer to reach New Zealand were a pair sent by Lord Petre in 1851 from his herd at Thorndon Park, Essex to the South Island but the hind was shot before they had a chance to breed. Lord Petre sent another stag and two hinds in 1861 and these were liberated near Nelson from where they quickly spread. The first deer to reach the North Island were a gift to Sir Frederick Weld from Windsor Great Park and were released near Wellington and these were followed by further releases up to 1914.[14] Between 1851 and 1926 there were 220 separate liberations of red deer involving over 800 deer.[15] In 1927 the State Forest Service introduced a bounty for red deer shot on their land and in 1931 Government control operations were commenced and between 1931 and March 1975 1,124,297 deer were killed on official operations.

In New Zealand introduced Red Deer have adapted much better and are widely hunted on both islands, many of the 220 introductions used deer originating from Scotland (Invermark) or one of the major deer parks in England, principally Warnham, Woburn Abbey or Windsor Great Park. There is some hybridisation with the closely related Wapiti or American Elk (Cervus canadensis nelsoni) introduced in Fiordland in 1921. New Zealand red deer produce very large antlers and are regarded as amongst the best in the world by hunters. Along with the other introduced deer species they are however officially regarded as a noxious pest and are still heavily culled using professional hunters working with helicopters, or even poisoned.

The first red deer to reach Australia were probably the six that Prince Albert sent in 1860 from Windsor Great Park to Thomas Chirnside who was starting a herd at Werribee Park, south west of Melbourne in Victora. Further introductions were made in New South Wales, Queensland, South Australia and Western Australia. Today the red deer range in Australia ranges from Queensland down through New South Wales into Victoria and across to South Australia, with the numbers increasing. The Queensland, Victorian and most New South Wales strains can still be traced to the early releases, but South Australia's population along with all others is now largely recent farmed escapees. This is having adverse affects on the integrity of wild herds as now more and more larger herds are being grown due to the superior genetics that have been attained by select breeding.

Red Deer populations in Africa and southern Europe are generally declining. In Argentina, where the Red Deer has had a potential adverse impact on native animal species, the International Union for Conservation of Nature and Natural Resources has labelled the animal as one of the world's 100 worst invaders.

Migration

Red Deer in Europe generally spend their winters in lower altitudes and more wooded terrain. During the summer, they migrate to higher elevations where food supplies are greater for the calving season.

Taxonomy

Until recently biologists considered that Red Deer and Wapiti (or Elk) are the same species forming, a continuous distribution throughout temperate Eurasia and North America. This belief was based largely on the fully fertile hybrids that can be produced under captive conditions.

However, recent DNA studies conducted on hundreds of samples from Red Deer and Elk subspecies concluded that there are no more than 9 distinct subspecies of Red Deer and Wapiti and that they fall into two separate species: the Red Deer from Europe, western Asia and North Africa, and the Wapiti or Elk from Northern and Eastern Asia and North America. Surprisingly, from DNA evidence the Elk appear more closely related to Sika Deer and to Thorold's deer than to Red Deer.

Subspecies

Additionally there are some central Asiatic subspecies (Tarim group, including Bactrian deer and Yarkand deer), which are geographically isolated from Wapiti and western Red Deer by the Takla Makan and the Pamir Mountains. They appear to represent a primordial subgroup, genetically more related to the Red Deer than to the Wapiti. It remains unclear which clade the Kashmir stag belongs in,[2] though it, in terms of zoogeography, is most likely to belong in the central Asian group.

The International Union for Conservation of Nature and Natural Resources originally listed nine subspecies of Red Deer (Cervus elaphus): three as endangered, one as vulnerable, one as near threatened, and four without enough data to give a category ("Data Deficient"). The species as a whole, however, is listed as least concern.[1] However, this was based on the traditional classification of Red Deer as one species (Cervus elaphus), including the Elk.

Listed below are the subspecies of Red Deer (Cervus elaphus), including the primordial subgroup from central Asia.

Subspecies

Additionally there are some central Asiatic subspecies (Tarim group, including Bactrian deer and Yarkand deer), which are geographically isolated from Wapiti and western Red Deer by the Takla Makan and the Pamir Mountains. They appear to represent a primordial subgroup, genetically more related to the Red Deer than to the Wapiti. It remains unclear which clade the Kashmir stag belongs in,[2] though it, in terms of zoogeography, is most likely to belong in the central Asian group.

The International Union for Conservation of Nature and Natural Resources originally listed nine subspecies of Red Deer (Cervus elaphus): three as endangered, one as vulnerable, one as near threatened, and four without enough data to give a category ("Data Deficient"). The species as a whole, however, is listed as least concern.[1] However, this was based on the traditional classification of Red Deer as one species (Cervus elaphus), including the Elk.

Listed below are the subspecies of Red Deer (Cervus elaphus), including the primordial subgroup from central Asia.

Breeding, gestation and lifespan

Red Deer mating patterns usually involve a dozen or more mating attempts before the first successful one. There may be several more matings before the stag will seek out another mate in his harem. Females in their second autumn can produce one and very rarely two offspring per year. The gestation period is 240 and 262 days and the offspring weigh about 15 kg (33 lb). After two weeks, fawns are able to join the herd and are fully weaned after two months.[20] Female offspring outnumber male offspring more than two to one and all Red Deer fawns are born spotted, as is common with many deer species, and lose their spots by the end of summer. However, as in many species of Old World Deer, some adults do retain a few spots on the backs of their summer coats.[3] The offspring will remain with their mothers for almost one full year, leaving around the time that the next season offspring are produced.[5] The gestation period is the same for all subspecies.

Red Deer live up to over 20 years in captivity and in the wild they average 10 to 13 years,, though some subspecies with less predation pressure average 15 years.

Protection from predators

Male Red Deer retain their antlers for more than half the year and are less gregarious and less likely to group with other males when they have antlers. The antlers provide self-defence as does a strong front-leg kicking action which is performed by both sexes when attacked. Once the antlers are shed, stags tend to form bachelor groups which allow them to cooperatively work together. Herds tend to have one or more members watching for potential danger while the remaining members eat and rest.[5]

After the rut, females form large herds of up to 50 individuals. The newborn calves are kept close to the hinds by a series of vocalizations between the two, and larger nurseries have an ongoing and constant chatter during the daytime hours. When approached by predators, the largest and most robust females may make a stand, using their front legs to kick at their attackers. Guttural grunts and posturing is used with all but the most determined of predators with great effectiveness. Aside from humans and domestic dogs, the Wolf is probably the most dangerous predator that most European Red Deer encounter. Occasionally, the Brown bear will predate on European Red Deer as well.[5] Eurasian Lynx and wild boars sometimes prey on the calves. The leopard in Asia Minor (now extinct) probably preyed on East European Red Deer. Both Barbary Lion and Barbary Leopard probably once preyed on Atlas stags in the Atlas Mountains, although Barbary Lion is now extinct in the wild, and Barbary Leopard either very rare or extinct.

Red Deer in folklore

Red Deer are widely depicted in cave art and are found throughout European caves, with some of the artwork dating from as early as 40,000 years ago, during the Upper Paleolithic. Siberian cave art from the Neolithic of 7,000 years ago has abundant depictions of Red Deer, including what can be described as spiritual artwork, indicating the importance of this mammal to the peoples of that region (Note: these animals were most likely Wapiti (Cervus canadensis) in Siberia, not Red Deer).[21] Red deer are also often depicted on Pictish stones (c.550-850 AD), from the early medieval period in Scotland, usually as prey animals for human or animal predators. In Medieval hunting the red deer was the most prestigious quarry, especially the mature stag, which in England was called a 'hart'.

Red Deer products

Red Deer are held in captivity for a variety of reasons. The meat of the deer, called venison, is not generally harvested for human consumption on a large scale, though speciality restaurants seasonally offer venison which is widely considered to be both flavourful and nutritious. Venison is higher in protein and lower in fat than either beef or chicken.[22] In some countries in central Asia, elk is still hunted as a primary source of meat.

The red deer can produce 10 to 15 kg (22 to 33 lb) of antler velvet annually.[citation needed] On ranches in New Zealand, China, Siberia, and elsewhere[23] this velvet is collected and sold to markets in East Asia, where it is used for holistic medicines, with South Korea being the primary consumer. In Russia, a medication produced from antler velvet is sold under the brand name Pantokrin (Russian: Пантокри́н; Latin: Pantocrinum).[citation needed] The antlers themselves are also believed by East Asians to have medicinal purposes and are often ground up and used in small quantities.

Historically, related deer species such as Central Asian Red Deer, Wapiti, Thorold's Deer, and Sika Deer have been reared on deer farms in Central and Eastern Asia by Han Chinese, Turkic peoples, Tungusic peoples, Mongolians, and Koreans.[citation needed] In modern times, Western countries such as New Zealand and United States have taken to farming European Red Deer for similar purposes.

Deer antlers are also highly sought after worldwide for decorative purposes and have been used for artwork, furniture and other novelty items.

 

2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary by publishing a book to showcase some of the members work, past and present, from 1971 to the present day.

 

The book contains 14 chapters and 144 pages of photographs depicting the work of over 50 accomplished railway photographers with many differing styles and approaches. It takes an alternative view on photographing the railway scene over the past 50 years.

 

The book, called 50 Years of Phoenix will be published on 14th May 2021 with pre-orders now being taken – click on this link to order your copy: www.mortonsbooks.co.uk/product/view/productCode/15554

 

Why not take a look at the PRPC web site at www.phoenix-rpc.co.uk/index.html.

sim build for represent (2017)

Representing a more modern version of the number 1 bus route is Daimler Fleetline 3780 KOX 780F. The bus is taking part in Wythall Transport Museum's celebration of 100 years of the Birmingham number one bus route. The bus is seen at Westbourne Crescent in Edgbaston.

Copyright Geoff Dowling; all rights reserved

extra dresak con stik peñalolein

The Church of the Holy Sepulchre is a church in the Christian Quarter of the Old City of Jerusalem. According to traditions dating back to the 4th century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, at a place known as Calvary or Golgotha, and Jesus's empty tomb, where he is believed by Christians to have been buried and resurrected. Each time the church was rebuilt, some of the antiquities from the preceding structure were used in the newer renovation. The tomb itself is enclosed by a 19th-century shrine called the Aedicule. The Status Quo, an understanding between religious communities dating to 1757, applies to the site.

 

Within the church proper are the last four stations of the Cross of the Via Dolorosa, representing the final episodes of the Passion of Jesus. The church has been a major Christian pilgrimage destination since its creation in the 4th century, as the traditional site of the resurrection of Christ, thus its original Greek name, Church of the Anastasis ('Resurrection').

 

Control of the church itself is shared, a simultaneum, among several Christian denominations and secular entities in complicated arrangements essentially unchanged for over 160 years, and some for much longer. The main denominations sharing property over parts of the church are the Roman Catholic, Greek Orthodox and Armenian Apostolic, and to a lesser degree the Coptic, Syriac, and Ethiopian Orthodox churches.

 

Following the siege of Jerusalem in AD 70 during the First Jewish–Roman War, Jerusalem had been reduced to ruins. In AD 130, the Roman emperor Hadrian began the building of a Roman colony, the new city of Aelia Capitolina, on the site. Circa AD 135, he ordered that a cave containing a rock-cut tomb be filled in to create a flat foundation for a temple dedicated to Jupiter or Venus. The temple remained until the early 4th century.

 

After allegedly seeing a vision of a cross in the sky in 312, Constantine the Great began to favor Christianity, signed the Edict of Milan legalising the religion, and sent his mother, Helena, to Jerusalem to look for Christ's tomb. With the help of Bishop of Caesarea Eusebius and Bishop of Jerusalem Macarius, three crosses were found near a tomb; one which allegedly cured people of death was presumed to be the True Cross Jesus was crucified on, leading the Romans to believe that they had found Calvary. Constantine ordered in about 326 that the temple to Jupiter/Venus be replaced by a church. After the temple was torn down and its ruins removed, the soil was removed from the cave, revealing a rock-cut tomb that Helena and Macarius identified as the burial site of Jesus. A shrine was built, enclosing the rock tomb walls within its own.

 

In 327, Constantine and Helena separately commissioned the Church of the Nativity in Bethlehem to commemorate the birth of Jesus.

 

The Church of the Holy Sepulchre, planned by the architect Zenobius, was built as separate constructs over the two holy sites: a rotunda called the Anastasis ("Resurrection"), where Helena and Macarius believed Jesus to have been buried, and across a courtyard to the east, the great basilica, an enclosed colonnaded atrium (the Triportico, sometimes called the Martyrium) with the traditional site of Calvary in one corner. The church was consecrated on 13 September 335. The Church Of The Holy Sepulchre site has been recognized since early in the 4th century as the place where Jesus was crucified, buried, and rose from the dead.

 

This building was destroyed by a fire in May of AD 614, when the Sassanid Empire, under Khosrau II, invaded Jerusalem and captured the True Cross. In 630, the Emperor Heraclius rebuilt the church after recapturing the city. After Jerusalem came under Islamic rule, it remained a Christian church, with the early Muslim rulers protecting the city's Christian sites, prohibiting their destruction or use as living quarters. A story reports that the caliph Umar ibn al-Khattab visited the church and stopped to pray on the balcony, but at the time of prayer, turned away from the church and prayed outside. He feared that future generations would misinterpret this gesture, taking it as a pretext to turn the church into a mosque. Eutychius of Alexandria adds that Umar wrote a decree saying that Muslims would not inhabit this location. The building suffered severe damage from an earthquake in 746.

 

Early in the 9th century, another earthquake damaged the dome of the Anastasis. The damage was repaired in 810 by Patriarch Thomas I. In 841, the church suffered a fire. In 935, the Christians prevented the construction of a Muslim mosque adjacent to the Church. In 938, a new fire damaged the inside of the basilica and came close to the rotunda. In 966, due to a defeat of Muslim armies in the region of Syria, a riot broke out, which was followed by reprisals. The basilica was burned again. The doors and roof were burnt, and Patriarch John VII was murdered.

 

On 18 October 1009, Fatimid caliph al-Hakim bi-Amr Allah ordered the complete destruction of the church as part of a more general campaign against Christian places of worship in Palestine and Egypt. The damage was extensive, with few parts of the early church remaining, and the roof of the rock-cut tomb damaged; the original shrine was destroyed. Some partial repairs followed. Christian Europe reacted with shock and expulsions of Jews, serving as an impetus to later Crusades.

 

In wide-ranging negotiations between the Fatimids and the Byzantine Empire in 1027–28, an agreement was reached whereby the new Caliph Ali az-Zahir (al-Hakim's son) agreed to allow the rebuilding and redecoration of the church. The rebuilding was finally completed during the tenures of Emperor Constantine IX Monomachos and Patriarch Nicephorus of Constantinople in 1048. As a concession, the mosque in Constantinople was reopened and the khutba sermons were to be pronounced in az-Zahir's name. Muslim sources say a by-product of the agreement was the renunciation of Islam by many Christians who had been forced to convert under al-Hakim's persecutions. In addition, the Byzantines, while releasing 5,000 Muslim prisoners, made demands for the restoration of other churches destroyed by al-Hakim and the reestablishment of a patriarch in Jerusalem. Contemporary sources credit the emperor with spending vast sums in an effort to restore the Church of the Holy Sepulchre after this agreement was made. Still, "a total replacement was far beyond available resources. The new construction was concentrated on the rotunda and its surrounding buildings: the great basilica remained in ruins."

 

The rebuilt church site consisted of "a court open to the sky, with five small chapels attached to it." The chapels were east of the court of resurrection (when reconstructed, the location of the tomb was under open sky), where the western wall of the great basilica had been. They commemorated scenes from the passion, such as the location of the prison of Christ and his flagellation, and presumably were so placed because of the difficulties of free movement among shrines in the city streets. The dedication of these chapels indicates the importance of the pilgrims' devotion to the suffering of Christ. They have been described as 'a sort of Via Dolorosa in miniature'... since little or no rebuilding took place on the site of the great basilica. Western pilgrims to Jerusalem during the 11th century found much of the sacred site in ruins." Control of Jerusalem, and thereby the Church of the Holy Sepulchre, continued to change hands several times between the Fatimids and the Seljuk Turks (loyal to the Abbasid caliph in Baghdad) until the Crusaders' arrival in 1099.

 

Many historians maintain that the main concern of Pope Urban II, when calling for the First Crusade, was the threat to Constantinople from the Turkish invasion of Asia Minor in response to the appeal of Byzantine Emperor Alexios I Komnenos. Historians agree that the fate of Jerusalem and thereby the Church of the Holy Sepulchre was also of concern, if not the immediate goal of papal policy in 1095. The idea of taking Jerusalem gained more focus as the Crusade was underway. The rebuilt church site was taken from the Fatimids (who had recently taken it from the Abassids) by the knights of the First Crusade on 15 July 1099.

 

The First Crusade was envisioned as an armed pilgrimage, and no crusader could consider his journey complete unless he had prayed as a pilgrim at the Holy Sepulchre. The classical theory is that Crusader leader Godfrey of Bouillon, who became the first Latin ruler of Jerusalem, decided not to use the title "king" during his lifetime, and declared himself Advocatus Sancti Sepulchri ("Protector [or Defender] of the Holy Sepulchre"). By the Crusader period, a cistern under the former basilica was rumoured to have been where Helena had found the True Cross, and began to be venerated as such; the cistern later became the Chapel of the Invention of the Cross, but there is no evidence of the site's identification before the 11th century, and modern archaeological investigation has now dated the cistern to 11th-century repairs by Monomachos.

 

According to the German priest and pilgrim Ludolf von Sudheim, the keys of the Chapel of the Holy Sepulchre were in hands of the "ancient Georgians", and the food, alms, candles and oil for lamps were given to them by the pilgrims at the south door of the church.

 

Eight 11th- and 12th-century Crusader leaders (Godfrey, Baldwin I, Baldwin II, Fulk, Baldwin III, Amalric, Baldwin IV and Baldwin V — the first eight rulers of the Kingdom of Jerusalem) were buried in the south transept and inside the Chapel of Adam. The royal tombs were destroyed by the Greeks in 1809–1810. It is unclear if the remains of those men were exhumed; some researchers hypothesize that some of them may still be in unmarked pits under the church.

 

William of Tyre, chronicler of the Crusader Kingdom of Jerusalem, reports on the renovation of the Church in the mid-12th century. The Crusaders investigated the eastern ruins on the site, occasionally excavating through the rubble, and while attempting to reach the cistern, they discovered part of the original ground level of Hadrian's temple enclosure; they transformed this space into a chapel dedicated to Helena, widening their original excavation tunnel into a proper staircase. The Crusaders began to refurnish the church in Romanesque style and added a bell tower. These renovations unified the small chapels on the site and were completed during the reign of Queen Melisende in 1149, placing all the holy places under one roof for the first time. The church became the seat of the first Latin patriarchs and the site of the kingdom's scriptorium. It was lost to Saladin, along with the rest of the city, in 1187, although the treaty established after the Third Crusade allowed Christian pilgrims to visit the site. Emperor Frederick II (r. 1220–50) regained the city and the church by treaty in the 13th century while under a ban of excommunication, with the curious consequence that the holiest church in Christianity was laid under interdict. The church seems to have been largely in the hands of Greek Orthodox patriarch Athanasius II of Jerusalem (c. 1231–47) during the Latin control of Jerusalem. Both city and church were captured by the Khwarezmians in 1244.

 

There was certainly a recognisable Nestorian (Church of the East) presence at the Holy Sepulchre from the years 1348 through 1575, as contemporary Franciscan accounts indicate. The Franciscan friars renovated the church in 1555, as it had been neglected despite increased numbers of pilgrims. The Franciscans rebuilt the Aedicule, extending the structure to create an antechamber. A marble shrine commissioned by Friar Boniface of Ragusa was placed to envelop the remains of Christ's tomb, probably to prevent pilgrims from touching the original rock or taking small pieces as souvenirs. A marble slab was placed over the limestone burial bed where Jesus's body is believed to have lain.

 

After the renovation of 1555, control of the church oscillated between the Franciscans and the Orthodox, depending on which community could obtain a favorable firman from the "Sublime Porte" at a particular time, often through outright bribery. Violent clashes were not uncommon. There was no agreement about this question, although it was discussed at the negotiations to the Treaty of Karlowitz in 1699. During the Holy Week of 1757, Orthodox Christians reportedly took over some of the Franciscan-controlled church. This may have been the cause of the sultan's firman (decree) later developed into the Status Quo.

 

A fire severely damaged the structure again in 1808, causing the dome of the Rotunda to collapse and smashing the Aedicule's exterior decoration. The Rotunda and the Aedicule's exterior were rebuilt in 1809–10 by architect Nikolaos Ch. Komnenos of Mytilene in the contemporary Ottoman Baroque style.[citation needed] The interior of the antechamber, now known as the Chapel of the Angel, was partly rebuilt to a square ground plan in place of the previously semicircular western end.

 

Another decree in 1853 from the sultan solidified the existing territorial division among the communities and solidified the Status Quo for arrangements to "remain in their present state", requiring consensus to make even minor changes.

 

The dome was restored by Catholics, Greeks and Turks in 1868, being made of iron ever since.

 

By the time of the British Mandate for Palestine following the end of World War I, the cladding of red marble applied to the Aedicule by Komnenos had deteriorated badly and was detaching from the underlying structure; from 1947 until restoration work in 2016–17, it was held in place with an exterior scaffolding of iron girders installed by the British authorities.

 

In 1948, Jerusalem was divided between Israel and Jordan and the Old City with the church were made part of Jordan. In 1967, Israeli forces captured East Jerusalem in the Six Day War, and that area has remained under Israeli control ever since. Under Israeli rule, legal arrangements relating to the churches of East Jerusalem were maintained in coordination with the Jordanian government. The dome at the Church of the Holy Sepulchre was restored again in 1994–97 as part of extensive modern renovations that have been ongoing since 1959. During the 1970–78 restoration works and excavations inside the building, and under the nearby Muristan bazaar, it was found that the area was originally a quarry, from which white meleke limestone was struck.

 

East of the Chapel of Saint Helena, the excavators discovered a void containing a second-century[dubious – discuss] drawing of a Roman pilgrim ship, two low walls supporting the platform of Hadrian's second-century temple, and a higher fourth-century wall built to support Constantine's basilica. After the excavations of the early 1970s, the Armenian authorities converted this archaeological space into the Chapel of Saint Vartan, and created an artificial walkway over the quarry on the north of the chapel, so that the new chapel could be accessed (by permission) from the Chapel of Saint Helena.

 

After seven decades of being held together by steel girders, the Israel Antiquities Authority (IAA) declared the visibly deteriorating Aedicule structure unsafe. A restoration of the Aedicule was agreed upon and executed from May 2016 to March 2017. Much of the $4 million project was funded by the World Monuments Fund, as well as $1.3 million from Mica Ertegun and a significant sum from King Abdullah II of Jordan. The existence of the original limestone cave walls within the Aedicule was confirmed, and a window was created to view this from the inside. The presence of moisture led to the discovery of an underground shaft resembling an escape tunnel carved into the bedrock, seeming to lead from the tomb. For the first time since at least 1555, on 26 October 2016, marble cladding that protects the supposed burial bed of Jesus was removed. Members of the National Technical University of Athens were present. Initially, only a layer of debris was visible. This was cleared in the next day, and a partially broken marble slab with a Crusader-style cross carved was revealed. By the night of 28 October, the original limestone burial bed was shown to be intact. The tomb was resealed shortly thereafter. Mortar from just above the burial bed was later dated to the mid-fourth century.

 

On 25 March 2020, Israeli health officials ordered the site closed to the public due to the COVID-19 pandemic. According to the keeper of the keys, it was the first such closure since 1349, during the Black Death. Clerics continued regular prayers inside the building, and it reopened to visitors two months later, on 24 May.

 

During church renovations in 2022, a stone slab covered in modern graffiti was moved from a wall, revealing Cosmatesque-style decoration on one face. According to an IAA archaeologist, the decoration was once inlaid with pieces of glass and fine marble; it indicates that the relic was the front of the church's high altar from the Crusader era (c. 1149), which was later used by the Greek Orthodox until being damaged in the 1808 fire.

 

The courtyard facing the entrance to the church is known as the parvis. Two streets open into the parvis: St Helena Road (west) and Suq ed-Dabbagha (east). Around the parvis are a few smaller structures.

 

South of the parvis, opposite the church:

 

Broken columns—once forming part of an arcade—stand opposite the church, at the top of a short descending staircase stretching over the entire breadth of the parvis. In the 13th century, the tops of the columns were removed and sent to Mecca by the Khwarezmids.

The Gethsemane Metochion, a small Greek Orthodox monastery (metochion).

On the eastern side of the parvis, south to north:

 

The Monastery of St Abraham (Greek Orthodox), next to the Suq ed-Dabbagha entrance to the parvis.

The Chapel of St John the Evangelist (Armenian Orthodox)

The Chapel of St Michael and the Chapel of the Four Living Creatures (both are disputed between the Copts and Ethiopians), giving access to Deir es-Sultan (also disputed), a rooftop monastery surrounding the dome of the Chapel of St Helena.

North of the parvis, in front of the church façade or against it:

 

Chapel of the Franks (Chapel of Our Lady of Sorrows): a blue-domed Roman Catholic Crusader chapel dedicated to Our Lady of Sorrows, which once provided exclusive access to Calvary. The chapel marks the 10th Station of the Cross (the stripping of Jesus's garments).

Oratory of St. Mary of Egypt: a Greek Orthodox oratory and chapel, directly beneath the Chapel of the Franks, dedicated to St. Mary of Egypt.

The tomb (including a ledgerstone) of Philip d'Aubigny aka Philip Daubeney (died 1236), a knight, tutor, and royal councilor to Henry III of England and signer of the Magna Carta—is placed in front of, and between, the church's two original entrance doors, of which the eastern one is walled up. It is one of the few tombs of crusaders and other Europeans not removed from the Church after the Khwarizmian capture of Jerusalem in 1244. In the 1900s, during a fight between the Greeks and Latins, some monks damaged the tomb by throwing stones from the roof. A stone marker[clarification needed] was placed on his tomb in 1925, sheltered by a wooden trapdoor that hides it from view.[citation needed]

A group of three chapels borders the parvis on its west side. They originally formed the baptistery complex of the Constantinian church. The southernmost chapel was the vestibule, the middle chapel the baptistery, and the north chapel the chamber in which the patriarch chrismated the newly baptized before leading them into the rotunda north of this complex. Now they are dedicated as (from south to north)

 

The Chapel of St. James the Just (Greek Orthodox),

The Chapel of St. John the Baptist (Greek Orthodox),

The Chapel of the Forty Martyrs of Sebaste (Greek Orthodox; at the base of the bell tower).

 

The 12th-century Crusader bell tower is just south of the Rotunda, to the left of the entrance. Its upper level was lost in a 1545 collapse. In 1719, another two storeys were lost.

 

The wooden doors that compose the main entrance are the original, highly carved arched doors. Today, only the left-hand entrance is currently accessible, as the right doorway has long since been bricked up. The entrance to the church leads to the south transept, through the crusader façade in the parvis of a larger courtyard. This is found past a group of streets winding through the outer Via Dolorosa by way of a souq in the Muristan. This narrow way of access to such a large structure has proven to be hazardous at times. For example, when a fire broke out in 1840, dozens of pilgrims were trampled to death.

 

According to their own family lore, the Muslim Nuseibeh family has been responsible for opening the door as an impartial party to the church's denominations already since the seventh century. However, they themselves admit that the documents held by various Christian denominations only mention their role since the 12th century, in the time of Saladin, which is the date more generally accepted. After retaking Jerusalem from the Crusaders in 1187, Saladin entrusted the Joudeh family with the key to the church, which is made of iron and 30 centimetres (12 in) long; the Nuseibehs either became or remained its doorkeepers.

 

The 'immovable ladder' stands beneath a window on the façade.

 

Just inside the church entrance is a stairway leading up to Calvary (Golgotha), traditionally regarded as the site of Jesus's crucifixion and the most lavishly decorated part of the church. The exit is via another stairway opposite the first, leading down to the ambulatory. Golgotha and its chapels are just south of the main altar of the catholicon.

 

Calvary is split into two chapels: one Greek Orthodox and one Catholic, each with its own altar. On the left (north) side, the Greek Orthodox chapel's altar is placed over the supposed rock of Calvary (the 12th Station of the Cross), which can be touched through a hole in the floor beneath the altar. The rock can be seen under protective glass on both sides of the altar. The softer surrounding stone was removed when the church was built. The Roman Catholic (Franciscan) Chapel of the Nailing of the Cross (the 11th Station of the Cross) stretches to the south. Between the Catholic Altar of the Nailing to the Cross and the Orthodox altar is the Catholic Altar of the Stabat Mater, which has a statue of Mary with an 18th-century bust; this middle altar marks the 13th Station of the Cross.

 

On the ground floor, just underneath the Golgotha chapel, is the Chapel of Adam. According to tradition, Jesus was crucified over the place where Adam's skull was buried. According to some, the blood of Christ ran down the cross and through the rocks to fill Adam's skull. Through a window at the back of the 11th-century apse, the rock of Calvary can be seen with a crack traditionally held to be caused by the earthquake that followed Jesus's death;[78] some scholars claim it is the result of quarrying against a natural flaw in the rock.

 

Behind the Chapel of Adam is the Greek Treasury (Treasury of the Greek Patriarch). Some of its relics, such as a 12th-century crystal mitre, were transferred to the Greek Orthodox Patriarchate Museum (the Patriarchal Museum) on Greek Orthodox Patriarchate Street.

 

Just inside the entrance to the church is the Stone of Anointing (also Stone of the Anointing or Stone of Unction), which tradition holds to be where Jesus's body was prepared for burial by Joseph of Arimathea, though this tradition is only attested since the crusader era (notably by the Italian Dominican pilgrim Riccoldo da Monte di Croce in 1288), and the present stone was only added in the 1810 reconstruction.

 

The wall behind the stone is defined by its striking blue balconies and taphos symbol-bearing red banners (depicting the insignia of the Brotherhood of the Holy Sepulchre), and is decorated with lamps. The modern mosaic along the wall depicts the anointing of Jesus's body, preceded on the right by the Descent from the Cross, and succeeded on the left by the Burial of Jesus.

 

The wall was a temporary addition to support the arch above it, which had been weakened after the damage in the 1808 fire; it blocks the view of the rotunda, separates the entrance from the catholicon, sits on top of four of the now empty and desecrated Crusader graves and is no longer structurally necessary. Opinions differ as to whether it is to be seen as the 13th Station of the Cross, which others identify as the lowering of Jesus from the cross and located between the 11th and 12th stations on Calvary.

 

The lamps that hang over the Stone of Unction, adorned with cross-bearing chain links, are contributed by Armenians, Copts, Greeks and Latins.

 

Immediately inside and to the left of the entrance is a bench (formerly a divan) that has traditionally been used by the church's Muslim doorkeepers, along with some Christian clergy, as well as electrical wiring. To the right of the entrance is a wall along the ambulatory containing the staircase leading to Golgotha. Further along the same wall is the entrance to the Chapel of Adam.

 

The rotunda is the building of the larger dome located on the far west side. In the centre of the rotunda is a small chapel called the Aedicule in English, from the Latin aedicula, in reference to a small shrine. The Aedicule has two rooms: the first holds a relic called the Angel's Stone, which is believed to be a fragment of the large stone that sealed the tomb; the second, smaller room contains the tomb of Jesus. Possibly to prevent pilgrims from removing bits of the original rock as souvenirs, by 1555, a surface of marble cladding was placed on the tomb to prevent further damage to the tomb. In October 2016, the top slab was pulled back to reveal an older, partially broken marble slab with a Crusader-style cross carved in it. Beneath it, the limestone burial bed was revealed to be intact.

 

Under the Status Quo, the Eastern Orthodox, Roman Catholic, and Armenian Apostolic Churches all have rights to the interior of the tomb, and all three communities celebrate the Divine Liturgy or Holy Mass there daily. It is also used for other ceremonies on special occasions, such as the Holy Saturday ceremony of the Holy Fire led by the Greek Orthodox patriarch (with the participation of the Coptic and Armenian patriarchs). To its rear, in the Coptic Chapel, constructed of iron latticework, lies the altar used by the Coptic Orthodox. Historically, the Georgians also retained the key to the Aedicule.

 

To the right of the sepulchre on the northwestern edge of the Rotunda is the Chapel of the Apparition, which is reserved for Roman Catholic use.

 

In the central nave of the Crusader-era church, just east of the larger rotunda, is the Crusader structure housing the main altar of the Church, today the Greek Orthodox catholicon. Its dome is 19.8 metres (65 ft) in diameter, and is set directly over the centre of the transept crossing of the choir where the compas is situated, an omphalos ("navel") stone once thought to be the center of the world and still venerated as such by Orthodox Christians (associated with the site of the Crucifixion and the Resurrection).

 

Since 1996 this dome is topped by the monumental Golgotha Crucifix, which the Greek Patriarch Diodoros I of Jerusalem consecrated. It was at the initiative of Israeli professor Gustav Kühnel to erect a new crucifix at the church that would not only be worthy of the singularity of the site, but that would also become a symbol of the efforts of unity in the community of Christian faith.

 

The catholicon's iconostasis demarcates the Orthodox sanctuary behind it, to its east. The iconostasis is flanked to the front by two episcopal thrones: the southern seat (cathedra) is the patriarchal throne of the Greek Orthodox patriarch of Jerusalem, and the northern seat is for an archbishop or bishop. (There is also a popular claim that both are patriarchal thrones, with the northern one being for the patriarch of Antioch — which has been described as a misstatement, however.)

 

South of the Aedicule is the "Place of the Three Marys", marked by a stone canopy (the Station of the Holy Women) and a large modern wall mosaic. From here one can enter the Armenian monastery, which stretches over the ground and first upper floor of the church's southeastern part.

 

West of the Aedicule, to the rear of the Rotunda, is the Syriac Chapel with the Tomb of Joseph of Arimathea, located in a Constantinian apse and containing an opening to an ancient Jewish rock-cut tomb. This chapel is where the Syriac Orthodox celebrate their Liturgy on Sundays.

 

The Syriac Orthodox Chapel of Saint Joseph of Arimathea and Saint Nicodemus. On Sundays and feast days it is furnished for the celebration of Mass. It is accessed from the Rotunda, by a door west of the Aedicule.

 

On the far side of the chapel is the low entrance to an almost complete first-century Jewish tomb, initially holding six kokh-type funeral shafts radiating from a central chamber, two of which are still exposed. Although this space was discovered relatively recently and contains no identifying marks, some believe that Joseph of Arimathea and Nicodemus were buried here. Since Jews always buried their dead outside the city, the presence of this tomb seems to prove that the Holy Sepulchre site was outside the city walls at the time of the crucifixion.

 

The Franciscan Chapel of St. Mary Magdalene – The chapel, an open area, indicates the place where Mary Magdalene met Jesus after his resurrection.

 

The Franciscan Chapel of the Apparition (Chapel of the Blessed Sacrament), directly north of the above – in memory of Jesus's meeting with his mother after the Resurrection, a non-scriptural tradition. Here stands a piece of an ancient column, allegedly part of the one Jesus was tied to during his scourging.

 

The Arches of the Virgin are seven arches (an arcade) at the northern end of the north transept, which is to the catholicon's north. Disputed by the Orthodox and the Latin, the area is used to store ladders.

 

In the northeast side of the complex, there is the Prison of Christ, alleged to be where Jesus was held. The Greek Orthodox are showing pilgrims yet another place where Jesus was allegedly held, the similarly named Prison of Christ in their Monastery of the Praetorium, located near the Church of Ecce Homo, between the Second and Third Stations of the Via Dolorosa. The Armenians regard a recess in the Monastery of the Flagellation at the Second Station of the Via Dolorosa as the Prison of Christ. A cistern among the ruins beneath the Church of St. Peter in Gallicantu on Mount Zion is also alleged to have been the Prison of Christ. To reconcile the traditions, some allege that Jesus was held in the Mount Zion cell in connection with his trial by the Jewish high priest, at the Praetorium in connection with his trial by the Roman governor Pilate, and near the Golgotha before crucifixion.

 

The chapels in the ambulatory are, from north to south: the Greek Chapel of Saint Longinus (named after Longinus), the Armenian Chapel of the Division of Robes, the entrance to the Chapel of Saint Helena, and the Greek Chapel of the Derision.

 

Chapel of Saint Helena – between the Chapel of the Division of Robes and the Greek Chapel of the Derision are stairs descending to the Chapel of Saint Helena. The Armenians, who own it, call it the Chapel of St. Gregory the Illuminator, after the saint who brought Christianity to the Armenians.

 

Chapel of St Vartan (or Vardan) Mamikonian – on the north side of the Chapel of Saint Helena is an ornate wrought iron door, beyond which a raised artificial platform affords views of the quarry, and which leads to the Chapel of Saint Vartan. The latter chapel contains archaeological remains from Hadrian's temple and Constantine's basilica. These areas are open only on request.

 

Chapel of the Invention of the Cross (named for the Invention (Finding) of the Holy Cross) – another set of 22 stairs from the Chapel of Saint Helena leads down to the Roman Catholic Chapel of the Invention of the Holy Cross, believed to be the place where the True Cross was found.

 

An Ottoman decree of 1757 helped establish a status quo upholding the state of affairs for various Holy Land sites. The status quo was upheld in Sultan Abdülmecid I's firman (decree) of 1852/3, which pinned down the now-permanent statutes of property and the regulations concerning the roles of the different denominations and other custodians.

 

The primary custodians are the Roman Catholic, Greek Orthodox and Armenian Apostolic churches. The Greek Orthodox act through the Greek Orthodox Patriarchate as well as through the Brotherhood of the Holy Sepulchre. Roman Catholics act through the Franciscan Custody of the Holy Land. In the 19th century, the Coptic Orthodox, the Ethiopian Orthodox and the Syriac Orthodox also acquired lesser responsibilities, which include shrines and other structures in and around the building.

 

None of these controls the main entrance. In 1192, Saladin assigned door-keeping responsibilities to the Muslim Nusaybah family. The wooden doors that compose the main entrance are the original, highly carved doors. The Joudeh al-Goudia (al-Ghodayya) family were entrusted as custodian to the keys of the Holy Sepulchre by Saladin in 1187. Despite occasional disagreements, religious services take place in the Church with regularity and coexistence is generally peaceful. An example of concord between the Church custodians is the full restoration of the Aedicule from 2016 to 2017.

 

The establishment of the modern Status Quo in 1853 did not halt controversy and occasional violence. In 1902, 18 friars were hospitalized and some monks were jailed after the Franciscans and Greeks disagreed over who could clean the lowest step of the Chapel of the Franks. In the aftermath, the Greek patriarch, Franciscan custos, Ottoman governor and French consul general signed a convention that both denominations could sweep it. On a hot summer day in 2002, a Coptic monk moved his chair from its agreed spot into the shade. This was interpreted as a hostile move by the Ethiopians and eleven were hospitalized after the resulting fight. In another incident in 2004, during Orthodox celebrations of the Exaltation of the Holy Cross, a door to the Franciscan chapel was left open. This was taken as a sign of disrespect by the Orthodox and a fistfight broke out. Some people were arrested, but no one was seriously injured.

 

On Palm Sunday, in April 2008, a brawl broke out when a Greek monk was ejected from the building by a rival faction. Police were called to the scene but were also attacked by the enraged brawlers. On Sunday, 9 November 2008, a clash erupted between Armenian and Greek monks during celebrations for the Feast of the Cross.

 

In February 2018, the church was closed following a tax dispute over 152 million euros of uncollected taxes on church properties. The city hall stressed that the Church of the Holy Sepulchre and all other churches are exempt from the taxes, with the changes only affecting establishments like "hotels, halls and businesses" owned by the churches. NPR had reported that the Greek Orthodox Church calls itself the second-largest landowner in Israel, after the Israeli government.

 

There was a lock-in protest against an Israeli legislative proposal which would expropriate church lands that had been sold to private companies since 2010, a measure which church leaders assert constitutes a serious violation of their property rights and the Status Quo. In a joint official statement the church authorities protested what they considered to be the peak of a systematic campaign in:

 

a discriminatory and racist bill that targets solely the properties of the Christian community in the Holy Land ... This reminds us all of laws of a similar nature which were enacted against the Jews during dark periods in Europe.

 

The 2018 taxation affair does not cover any church buildings or religious related facilities (because they are exempt by law), but commercial facilities such as the Notre Dame Hotel which was not paying the municipal property tax, and any land which is owned and used as a commercial land. The church holds the rights to land where private homes have been constructed, and some of the disagreement had been raised after the Knesset had proposed a bill that will make it harder for a private company not to extend a lease for land used by homeowners. The church leaders have said that such a bill will make it harder for them to sell church-owned lands. According to The Jerusalem Post:

 

The stated aim of the bill is to protect homeowners against the possibility that private companies will not extend their leases of land on which their houses or apartments stand.

 

In June 2019, a number of Christian denominations in Jerusalem raised their voice against the Supreme Court's decision to uphold the sale of three properties by the Greek Orthodox Patriarchate to Ateret Cohanim – an organization that seeks to increase the number of Jews living in the Old City and East Jerusalem. The church leaders warned that if the organization gets to control the sites, Christians could lose access to the Church of the Holy Sepulchre. In June 2022, the Supreme Court upheld the sale and ended the legal battle.

 

The site of the church had been a temple to Jupiter or Venus built by Hadrian before Constantine's edifice was built. Hadrian's temple had been located there because it was the junction of the main north–south road with one of the two main east–west roads and directly adjacent to the forum (now the location of the Muristan, which is smaller than the former forum). The forum itself had been placed, as is traditional in Roman towns, at the junction of the main north–south road with the other main east–west road (which is now El-Bazar/David Street). The temple and forum together took up the entire space between the two main east–west roads (a few above-ground remains of the east end of the temple precinct still survive in the Alexander Nevsky Church complex of the Russian Mission in Exile).

 

From the archaeological excavations in the 1970s, it is clear that construction took over most of the site of the earlier temple enclosure and that the Triportico and Rotunda roughly overlapped with the temple building itself; the excavations indicate that the temple extended at least as far back as the Aedicule, and the temple enclosure would have reached back slightly further. Virgilio Canio Corbo, a Franciscan priest and archaeologist, who was present at the excavations, estimated from the archaeological evidence that the western retaining wall of the temple itself would have passed extremely close to the east side of the supposed tomb; if the wall had been any further west any tomb would have been crushed under the weight of the wall (which would be immediately above it) if it had not already been destroyed when foundations for the wall were made.

 

Other archaeologists have criticized Corbo's reconstructions. Dan Bahat, the former city archaeologist of Jerusalem, regards them as unsatisfactory, as there is no known temple of Aphrodite (Venus) matching Corbo's design, and no archaeological evidence for Corbo's suggestion that the temple building was on a platform raised high enough to avoid including anything sited where the Aedicule is now; indeed Bahat notes that many temples to Aphrodite have a rotunda-like design, and argues that there is no archaeological reason to assume that the present rotunda was not based on a rotunda in the temple previously on the site.

 

The New Testament describes Jesus's tomb as being outside the city wall,[l] as was normal for burials across the ancient world, which were regarded as unclean. Today, the site of the Church is within the current walls of the old city of Jerusalem. It has been well documented by archaeologists that in the time of Jesus, the walled city was smaller and the wall then was to the east of the current site of the Church. In other words, the city had been much narrower in Jesus's time, with the site then having been outside the walls; since Herod Agrippa (41–44) is recorded by history as extending the city to the north (beyond the present northern walls), the required repositioning of the western wall is traditionally attributed to him as well.

 

The area immediately to the south and east of the sepulchre was a quarry and outside the city during the early first century as excavations under the Lutheran Church of the Redeemer across the street demonstrated.[citation needed]

 

The church is a part of the UNESCO World Heritage Site Old City of Jerusalem.

 

The Christian Quarter and the (also Christian) Armenian Quarter of the Old City of Jerusalem are both located in the northwestern and western part of the Old City, due to the fact that the Holy Sepulchre is located close to the northwestern corner of the walled city. The adjacent neighbourhood within the Christian Quarter is called the Muristan, a term derived from the Persian word for hospital – Christian pilgrim hospices have been maintained in this area near the Holy Sepulchre since at least the time of Charlemagne.

 

From the ninth century onward, the construction of churches inspired by the Anastasis was extended across Europe. One example is Santo Stefano in Bologna, Italy, an agglomeration of seven churches recreating shrines of Jerusalem.

 

Several churches and monasteries in Europe, for instance, in Germany and Russia, and at least one church in the United States have been wholly or partially modeled on the Church of the Resurrection, some even reproducing other holy places for the benefit of pilgrims who could not travel to the Holy Land. They include the Heiliges Grab ("Holy Tomb") of Görlitz, constructed between 1481 and 1504, the New Jerusalem Monastery in Moscow Oblast, constructed by Patriarch Nikon between 1656 and 1666, and Mount St. Sepulchre Franciscan Monastery built by the Franciscans in Washington, DC in 1898.

 

Author Andrew Holt writes that the church is the most important in all Christendom.

 

Jerusalem is an ancient city in West Asia, on a plateau in the Judaean Mountains between the Mediterranean and the Dead Sea. It is one of the oldest cities in the world, and is considered holy to the three major Abrahamic religions—Judaism, Christianity, and Islam. Both Israel and Palestine claim Jerusalem as their capital; Israel maintains its primary governmental institutions there, and the State of Palestine ultimately foresees it as its seat of power. Neither claim, however, is widely recognized internationally.

 

Throughout its long history, Jerusalem has been destroyed at least twice, besieged 23 times, captured and recaptured 44 times, and attacked 52 times. The part of Jerusalem called the City of David shows first signs of settlement in the 4th millennium BCE, in the shape of encampments of nomadic shepherds. During the Canaanite period (14th century BCE), Jerusalem was named as Urusalim on ancient Egyptian tablets, probably meaning "City of Shalem" after a Canaanite deity. During the Israelite period, significant construction activity in Jerusalem began in the 10th century BCE (Iron Age II), and by the 9th century BCE, the city had developed into the religious and administrative centre of the Kingdom of Judah. In 1538, the city walls were rebuilt for a last time around Jerusalem under Suleiman the Magnificent of the Ottoman Empire. Today those walls define the Old City, which since the 19th century has been divided into four quarters – the Armenian, Christian, Jewish, and Muslim quarters. The Old City became a World Heritage Site in 1981, and is on the List of World Heritage in Danger. Since 1860, Jerusalem has grown far beyond the Old City's boundaries. In 2022, Jerusalem had a population of some 971,800 residents, of which almost 60% were Jews and almost 40% Palestinians. In 2020, the population was 951,100, of which Jews comprised 570,100 (59.9%), Muslims 353,800 (37.2%), Christians 16,300 (1.7%), and 10,800 unclassified (1.1%).

 

According to the Hebrew Bible, King David conquered the city from the Jebusites and established it as the capital of the United Kingdom of Israel, and his son, King Solomon, commissioned the building of the First Temple. Modern scholars argue that Jews branched out of the Canaanite peoples and culture through the development of a distinct monolatrous—and later monotheistic—religion centred on El/Yahweh. These foundational events, straddling the dawn of the 1st millennium BCE, assumed central symbolic importance for the Jewish people. The sobriquet of holy city (Hebrew: עיר הקודש, romanized: 'Ir ha-Qodesh) was probably attached to Jerusalem in post-exilic times. The holiness of Jerusalem in Christianity, conserved in the Greek translation of the Hebrew Bible, which Christians adopted as their own "Old Testament", was reinforced by the New Testament account of Jesus's crucifixion and resurrection there. In Sunni Islam, Jerusalem is the third-holiest city, after Mecca and Medina. The city was the first qibla, the standard direction for Muslim prayers (salah), and in Islamic tradition, Muhammad made his Night Journey there in 621, ascending to heaven where he speaks to God, according to the Quran. As a result, despite having an area of only 0.9 km2 (3⁄8 sq mi), the Old City is home to many sites of seminal religious importance, among them the Temple Mount with its Western Wall, Dome of the Rock and al-Aqsa Mosque, and the Church of the Holy Sepulchre.

 

Today, the status of Jerusalem remains one of the core issues in the Israeli–Palestinian conflict. During the 1948 Arab–Israeli War, West Jerusalem was among the areas captured and later annexed by Israel while East Jerusalem, including the Old City, was captured and later annexed by Jordan. Israel captured East Jerusalem from Jordan during the 1967 Six-Day War and subsequently effectively annexed it into Jerusalem, together with additional surrounding territory.[note 6] One of Israel's Basic Laws, the 1980 Jerusalem Law, refers to Jerusalem as the country's undivided capital. All branches of the Israeli government are located in Jerusalem, including the Knesset (Israel's parliament), the residences of the Prime Minister (Beit Aghion) and President (Beit HaNassi), and the Supreme Court. The international community rejects the annexation as illegal and regards East Jerusalem as Palestinian territory occupied by Israel.

 

Etymology

The name "Jerusalem" is variously etymologized to mean "foundation (Semitic yry' 'to found, to lay a cornerstone') of the pagan god Shalem"; the god Shalem was thus the original tutelary deity of the Bronze Age city.

 

Shalim or Shalem was the name of the god of dusk in the Canaanite religion, whose name is based on the same root S-L-M from which the Hebrew word for "peace" is derived (Shalom in Hebrew, cognate with Arabic Salam). The name thus offered itself to etymologizations such as "The City of Peace", "Abode of Peace", "Dwelling of Peace" ("founded in safety"), or "Vision of Peace" in some Christian authors.

 

The ending -ayim indicates the dual, thus leading to the suggestion that the name Yerushalayim refers to the fact that the city initially sat on two hills.

 

Ancient Egyptian sources

The Execration Texts of the Middle Kingdom of Egypt (c. 19th century BCE), which refer to a city called rwšꜣlmm or ꜣwšꜣmm, variously transcribed as Rušalimum, or Urušalimum, may indicate Jerusalem. Alternatively, the Amarna letters of Abdi-Heba (1330s BCE), which reference an Úrušalim, may be the earliest mention of the city.

 

Hebrew Bible and Jewish sources

The form Yerushalem or Yerushalayim first appears in the Bible, in the Book of Joshua. According to a Midrash, the name is a combination of two names united by God, Yireh ("the abiding place", the name given by Abraham to the place where he planned to sacrifice his son) and Shalem ("Place of Peace", the name given by high priest Shem).

 

Oldest written mention of Jerusalem

One of the earliest extra-biblical Hebrew writing of the word Jerusalem is dated to the sixth or seventh century BCE and was discovered in Khirbet Beit Lei near Beit Guvrin in 1961. The inscription states: "I am Yahweh thy God, I will accept the cities of Judah and I will redeem Jerusalem", or as other scholars suggest: "Yahweh is the God of the whole earth. The mountains of Judah belong to him, to the God of Jerusalem". An older example on papyrus is known from the previous century.

 

In extra-biblical inscriptions, the earliest known example of the -ayim ending was discovered on a column about 3 km west of ancient Jerusalem, dated to the first century BCE.

 

Jebus, Zion, City of David

An ancient settlement of Jerusalem, founded as early as the Bronze Age on the hill above the Gihon Spring, was, according to the Bible, named Jebus. Called the "Fortress of Zion" (metsudat Zion), it was renamed as the "City of David", and was known by this name in antiquity. Another name, "Zion", initially referred to a distinct part of the city, but later came to signify the city as a whole, and afterwards to represent the whole biblical Land of Israel.

 

Greek, Roman and Byzantine names

In Greek and Latin, the city's name was transliterated Hierosolyma (Greek: Ἱεροσόλυμα; in Greek hieròs, ἱερός, means holy), although the city was renamed Aelia Capitolina for part of the Roman period of its history.

 

Salem

The Aramaic Apocryphon of Genesis of the Dead Sea Scrolls (1QapGen 22:13) equates Jerusalem with the earlier "Salem" (שלם), said to be the kingdom of Melchizedek in Genesis 14. Other early Hebrew sources, early Christian renderings of the verse and targumim, however, put Salem in Northern Israel near Shechem (Sichem), now Nablus, a city of some importance in early sacred Hebrew writing. Possibly the redactor of the Apocryphon of Genesis wanted to dissociate Melchizedek from the area of Shechem, which at the time was in possession of the Samaritans. However that may be, later Rabbinic sources also equate Salem with Jerusalem, mainly to link Melchizedek to later Temple traditions.

 

Arabic names

In Arabic, Jerusalem is most commonly known as القُدس, transliterated as al-Quds and meaning "the holy" or "the holy sanctuary", cognate with Hebrew: הקדש, romanized: ha-qodesh. The name is possibly a shortened form of مدينة القُدس Madīnat al-Quds "city of the holy sanctuary" after the Hebrew nickname with the same meaning, Ir ha-Qodesh (עיר הקדש). The ق (Q) is pronounced either with a voiceless uvular plosive (/q/), as in Classical Arabic, or with a glottal stop (ʔ) as in Levantine Arabic. Official Israeli government policy mandates that أُورُشَلِيمَ, transliterated as Ūrušalīm, which is the name frequently used in Christian translations of the Bible into Arabic, be used as the Arabic language name for the city in conjunction with القُدس, giving أُورُشَلِيمَ-القُدس, Ūrušalīm-al-Quds. Palestinian Arab families who hail from this city are often called "Qudsi" (قُدسي) or "Maqdasi" (مقدسي), while Palestinian Muslim Jerusalemites may use these terms as a demonym.

 

Given the city's central position in both Jewish nationalism (Zionism) and Palestinian nationalism, the selectivity required to summarize some 5,000 years of inhabited history is often influenced by ideological bias or background. Israeli or Jewish nationalists claim a right to the city based on Jewish indigeneity to the land, particularly their origins in and descent from the Israelites, for whom Jerusalem is their capital, and their yearning for return. In contrast, Palestinian nationalists claim the right to the city based on modern Palestinians' longstanding presence and descent from many different peoples who have settled or lived in the region over the centuries. Both sides claim the history of the city has been politicized by the other in order to strengthen their relative claims to the city, and that this is borne out by the different focuses the different writers place on the various events and eras in the city's history.

 

Prehistory

The first archaeological evidence of human presence in the area comes in the form of flints dated to between 6000 and 7000 years ago, with ceramic remains appearing during the Chalcolithic period, and the first signs of permanent settlement appearing in the Early Bronze Age in 3000–2800 BCE.

 

Bronze and Iron Ages

The earliest evidence of city fortifications appear in the Mid to Late Bronze Age and could date to around the 18th century BCE. By around 1550–1200 BCE, Jerusalem was the capital of an Egyptian vassal city-state, a modest settlement governing a few outlying villages and pastoral areas, with a small Egyptian garrison and ruled by appointees such as king Abdi-Heba. At the time of Seti I (r. 1290–1279 BCE) and Ramesses II (r. 1279–1213 BCE), major construction took place as prosperity increased. The city's inhabitants at this time were Canaanites, who are believed by scholars to have evolved into the Israelites via the development of a distinct Yahweh-centric monotheistic belief system.

 

Archaeological remains from the ancient Israelite period include the Siloam Tunnel, an aqueduct built by Judahite king Hezekiah and once containing an ancient Hebrew inscription, known as the Siloam Inscription; the so-called Broad Wall, a defensive fortification built in the 8th century BCE, also by Hezekiah; the Silwan necropolis (9th–7th c. BCE) with the Monolith of Silwan and the Tomb of the Royal Steward, which were decorated with monumental Hebrew inscriptions; and the so-called Israelite Tower, remnants of ancient fortifications, built from large, sturdy rocks with carved cornerstones. A huge water reservoir dating from this period was discovered in 2012 near Robinson's Arch, indicating the existence of a densely built-up quarter across the area west of the Temple Mount during the Kingdom of Judah.

 

When the Assyrians conquered the Kingdom of Israel in 722 BCE, Jerusalem was strengthened by a great influx of refugees from the northern kingdom. When Hezekiah ruled, Jerusalem had no fewer than 25,000 inhabitants and covered 25 acres (10 hectares).

 

In 587–586 BCE, Nebuchadnezzar II of the Neo-Babylonian Empire conquered Jerusalem after a prolonged siege, and then systematically destroyed the city, including Solomon's Temple. The Kingdom of Judah was abolished and many were exiled to Babylon. These events mark the end of the First Temple period.

 

Biblical account

This period, when Canaan formed part of the Egyptian empire, corresponds in biblical accounts to Joshua's invasion, but almost all scholars agree that the Book of Joshua holds little historical value for early Israel.

 

In the Bible, Jerusalem is defined as lying within territory allocated to the tribe of Benjamin though still inhabited by Jebusites. David is said to have conquered these in the siege of Jebus, and transferred his capital from Hebron to Jerusalem which then became the capital of a United Kingdom of Israel, and one of its several religious centres. The choice was perhaps dictated by the fact that Jerusalem did not form part of Israel's tribal system, and was thus suited to serve as the centre of its confederation. Opinion is divided over whether the so-called Large Stone Structure and the nearby Stepped Stone Structure may be identified with King David's palace, or dates to a later period.

 

According to the Bible, King David reigned for 40 years and was succeeded by his son Solomon, who built the Holy Temple on Mount Moriah. Solomon's Temple (later known as the First Temple), went on to play a pivotal role in Jewish religion as the repository of the Ark of the Covenant. On Solomon's death, ten of the northern tribes of Israel broke with the United Monarchy to form their own nation, with its kings, prophets, priests, traditions relating to religion, capitals and temples in northern Israel. The southern tribes, together with the Aaronid priesthood, remained in Jerusalem, with the city becoming the capital of the Kingdom of Judah.

 

Classical antiquity

In 538 BCE, the Achaemenid King Cyrus the Great invited the Jews of Babylon to return to Judah to rebuild the Temple. Construction of the Second Temple was completed in 516 BCE, during the reign of Darius the Great, 70 years after the destruction of the First Temple.

 

Sometime soon after 485 BCE Jerusalem was besieged, conquered and largely destroyed by a coalition of neighbouring states. In about 445 BCE, King Artaxerxes I of Persia issued a decree allowing the city (including its walls) to be rebuilt. Jerusalem resumed its role as capital of Judah and centre of Jewish worship.

 

Many Jewish tombs from the Second Temple period have been unearthed in Jerusalem. One example, discovered north of the Old City, contains human remains in a 1st-century CE ossuary decorated with the Aramaic inscription "Simon the Temple Builder". The Tomb of Abba, also located north of the Old City, bears an Aramaic inscription with Paleo-Hebrew letters reading: "I, Abba, son of the priest Eleaz(ar), son of Aaron the high (priest), Abba, the oppressed and the persecuted, who was born in Jerusalem, and went into exile into Babylonia and brought (back to Jerusalem) Mattathi(ah), son of Jud(ah), and buried him in a cave which I bought by deed." The Tomb of Benei Hezir located in Kidron Valley is decorated by monumental Doric columns and Hebrew inscription, identifying it as the burial site of Second Temple priests. The Tombs of the Sanhedrin, an underground complex of 63 rock-cut tombs, is located in a public park in the northern Jerusalem neighbourhood of Sanhedria. These tombs, probably reserved for members of the Sanhedrin and inscribed by ancient Hebrew and Aramaic writings, are dated to between 100 BCE and 100 CE.

 

When Alexander the Great conquered the Achaemenid Empire, Jerusalem and Judea came under Macedonian control, eventually falling to the Ptolemaic dynasty under Ptolemy I. In 198 BCE, Ptolemy V Epiphanes lost Jerusalem and Judea to the Seleucids under Antiochus III. The Seleucid attempt to recast Jerusalem as a Hellenized city-state came to a head in 168 BCE with the successful Maccabean revolt of Mattathias and his five sons against Antiochus IV Epiphanes, and their establishment of the Hasmonean Kingdom in 152 BCE with Jerusalem as its capital.

 

In 63 BCE, Pompey the Great intervened in a struggle for the Hasmonean throne and captured Jerusalem, extending the influence of the Roman Republic over Judea. Following a short invasion by Parthians, backing the rival Hasmonean rulers, Judea became a scene of struggle between pro-Roman and pro-Parthian forces, eventually leading to the emergence of an Edomite named Herod. As Rome became stronger, it installed Herod as a client king of the Jews. Herod the Great, as he was known, devoted himself to developing and beautifying the city. He built walls, towers and palaces, and expanded the Temple Mount, buttressing the courtyard with blocks of stone weighing up to 100 tons. Under Herod, the area of the Temple Mount doubled in size. Shortly after Herod's death, in 6 CE Judea came under direct Roman rule as the Iudaea Province, although the Herodian dynasty through Agrippa II remained client kings of neighbouring territories until 96 CE.

 

Roman rule over Jerusalem and Judea was challenged in the First Jewish–Roman War (66–73 CE), which ended with a Roman victory. Early on, the city was devastated by a brutal civil war between several Jewish factions fighting for control of the city. In 70 CE, the Romans destroyed Jerusalem and the Second Temple. The contemporary Jewish historian Josephus wrote that the city "was so thoroughly razed to the ground by those that demolished it to its foundations, that nothing was left that could ever persuade visitors that it had once been a place of habitation." Of the 600,000 (Tacitus) or 1,000,000 (Josephus) Jews of Jerusalem, all of them either died of starvation, were killed or were sold into slavery. Roman rule was again challenged during the Bar Kokhba revolt, beginning in 132 CE and suppressed by the Romans in 135 CE. More recent research indicates that the Romans had founded Aelia Capitolina before the outbreak of the revolt, and found no evidence for Bar Kokhba ever managing to hold the city.

 

Jerusalem reached a peak in size and population at the end of the Second Temple Period, when the city covered two km2 (3⁄4 sq mi) and had a population of 200,000.

 

Late Antiquity

Following the Bar Kokhba revolt, Emperor Hadrian combined Iudaea Province with neighbouring provinces under the new name of Syria Palaestina, replacing the name of Judea. The city was renamed Aelia Capitolina, and rebuilt it in the style of a typical Roman town. Jews were prohibited from entering the city on pain of death, except for one day each year, during the holiday of Tisha B'Av. Taken together, these measures (which also affected Jewish Christians) essentially "secularized" the city. Historical sources and archaeological evidence indicate that the rebuilt city was now inhabited by veterans of the Roman military and immigrants from the western parts of the empire.

 

The ban against Jews was maintained until the 7th century, though Christians would soon be granted an exemption: during the 4th century, the Roman emperor Constantine I ordered the construction of Christian holy sites in the city, including the Church of the Holy Sepulchre. Burial remains from the Byzantine period are exclusively Christian, suggesting that the population of Jerusalem in Byzantine times probably consisted only of Christians.

 

Jerusalem.

In the 5th century, the eastern continuation of the Roman Empire, ruled from the recently renamed Constantinople, maintained control of the city. Within the span of a few decades, Jerusalem shifted from Byzantine to Persian rule, then back to Roman-Byzantine dominion. Following Sassanid Khosrau II's early 7th century push through Syria, his generals Shahrbaraz and Shahin attacked Jerusalem (Persian: Dej Houdkh) aided by the Jews of Palaestina Prima, who had risen up against the Byzantines.

 

In the Siege of Jerusalem of 614, after 21 days of relentless siege warfare, Jerusalem was captured. Byzantine chronicles relate that the Sassanids and Jews slaughtered tens of thousands of Christians in the city, many at the Mamilla Pool, and destroyed their monuments and churches, including the Church of the Holy Sepulchre. This episode has been the subject of much debate between historians. The conquered city would remain in Sassanid hands for some fifteen years until the Byzantine emperor Heraclius reconquered it in 629.

 

Middle Ages

After the Muslim conquest of the Levant, Byzantine Jerusalem was taken by Umar ibn al-Khattab in 638 CE. Among the first Muslims, it was referred to as Madinat bayt al-Maqdis ("City of the Temple"), a name restricted to the Temple Mount. The rest of the city "was called Iliya, reflecting the Roman name given the city following the destruction of 70 CE: Aelia Capitolina". Later the Temple Mount became known as al-Haram al-Sharif, "The Noble Sanctuary", while the city around it became known as Bayt al-Maqdis, and later still, al-Quds al-Sharif "The Holy, Noble". The Islamization of Jerusalem began in the first year A.H. (623 CE), when Muslims were instructed to face the city while performing their daily prostrations and, according to Muslim religious tradition, Muhammad's night journey and ascension to heaven took place. After 13 years, the direction of prayer was changed to Mecca. In 638 CE the Islamic Caliphate extended its dominion to Jerusalem. With the Muslim conquest, Jews were allowed back into the city. The Rashidun caliph Umar ibn al-Khattab signed a treaty with Christian Patriarch of Jerusalem Sophronius, assuring him that Jerusalem's Christian holy places and population would be protected under Muslim rule. Christian-Arab tradition records that, when led to pray at the Church of the Holy Sepulchre, one of the holiest sites for Christians, the caliph Umar refused to pray in the church so that Muslims would not request conversion of the church to a mosque. He prayed outside the church, where the Mosque of Umar (Omar) stands to this day, opposite the entrance to the Church of the Holy Sepulchre. According to the Gaullic bishop Arculf, who lived in Jerusalem from 679 to 688, the Mosque of Umar was a rectangular wooden structure built over ruins which could accommodate 3,000 worshipers.

 

When the Arab armies under Umar went to Bayt Al-Maq

IM SERIOUS.

DRS 20s & 37 seen in store at Carnforth Steamtown.

 

The coaling plant at Carnforth is listed at Grade II* for the following principal reasons: * Technology: the plant represents the peak of technological development for the refuelling of steam locomotives; * Rarity: the only steam-age mechanical coaling plant retaining its mechanism that survives nationally, also thought to be a rare survival internationally; * Efficiency: the London Midland Scottish Railway led the way nationally in improving operating efficiency and developed an ultra-efficient design for their Motive Power Depots, these representing the peak of development for steam traction, the coaling plant being an important, high-tech component of the depot; * Distinctiveness: the widely known and modelled structure that marks the high point of steam technology, being the most memorable feature of the last British Rail depot to close to steam locomotives; * Group value: part of a remarkably complete survival of a steam-age Motive Power Depot.

 

In 1846 the first railway station was opened at Carnforth as a simple wayside halt. By 1880 it had become an important junction between the London and North Western Railway's (LNWR) London to Glasgow main line, the Furness Railway to Furness and the joint Furness Midland Railway to Leeds, with all three railway companies having servicing facilities for their locomotives at the junction. With the formation of the London Midland and Scottish Railway (LMS) in 1923, Carnforth passed into single ownership, remaining an important junction and centre for the servicing and stabling of locomotives. In 1938-44 the LMS, which led the way nationally with improving operational efficiency, modernised the depot to conform to their standard depot layout developed in 1933, designed to service and stable large numbers of steam locomotives efficiently.

 

Commissioned in 1938, built in 1939 and operational by April 1940, the coaling plant, along with the associated ash plant, was a key feature of the modernised Motive Power Depot (MPD) and represented state-of-the-art technology. The coaling plant was based on the typical LMS cenotaph design with two 75 ton capacity hoppers, but modified with an extra pair of side chutes. These extra chutes allowed engines to be coaled on both the road immediately to the west of the structure as well as that which passes underneath. One hopper was used for class 1 and 2 coal used by passenger and heavy freight trains, the second hopper for class 3 and 4 coal used for locomotives with less demanding duties. The hoppers were filled directly from 15 ton open coal wagons which were electrically winched up the east face of the tower and inverted, water sprays being used to limit the spread of fine dust particles. The plant was operated from a control cabin at the top of the tower and was far more efficient in operation than previous practice which employed manual labour. The LMS built a number of these coaling plants across its network in its drive for increased efficiency, when other companies, such as the Great Western Railway, were still constructing traditional coaling stages employing manual labour.

 

Carnforth was the last MPD in the country to close to steam locomotives in August 1968, finally closing to all British Rail traffic in March 1969. However from December 1968, Carnforth became a base for steam locomotive preservation, first as Steamtown (a museum and steam locomotive restoration facility) and from the late 1990s as the base of West Coast Railways which operates private charter trains hauled by both steam and diesel traction. It is not known when the coaling plant was last operational. Both the ash and coaling plants have been the basis of models produced by a number of model railway manufacturers.

Right and left of the house are the two old wells by Josef Gasser. They represent opposing worlds. On your left, it depens on your position: "music, dance, joy, levity", right: "Loreley, sadness, love, revenge". This one stands for music...

 

History of the Vienna State Opera

132 years house on the Ring

(you can see pictures by clicking on the link at the end of page!)

State Opera (K.K. Court Opera) 1901

About three and a half centuries, until the early Baroque period, the tradition of Viennese opera goes back. Emperor Franz Joseph I decreed in December 1857 to tear down the old city walls and fortifications around the city center of Vienna and to lay out a wide boulevard with new buildings for culture and politics, the ring road.

The two Court Theatres (a speech and a musical theater) should find a new place on the ring. For the Imperial and Royal Court Opera House was chosen a prominent place in the immediate area of ​​the former Kärntnertortheatre. This by the public that much loved opera theater was demolished in 1709 due to its confinement .

State Opera (K.K. Court Opera) 1903

The new opera house was built by the Viennese architect August Sicardsburg, who designed the basic plan, and Eduard van der Null, who designed the interior decoration. But other eminent artists had been involved: just think of Moritz von Schwind, who painted the frescoes in the foyer and the famous "Magic Flute", cycle of frescoes in the loggia. The two architects did not experience the opening of "their" opera house any more. The sensitive van der Null committed suicide since the Wiener (Viennes people) denigrated the new house as lacking in style, his friend Sicardsburg succumbed a little later to a stroke.

1869 - 1955

On 25 May 1869 the House was with Mozart's DON JUAN in the presence of Emperor Franz Joseph, the highest building owner, and Empress Elisabeth opened.

However, with the artistic charisma under the first directors Franz von Dingelstedt, Johann Herbeck, Franz Jauner and Wilhelm Jahn grew the popularity of the building. A first highlight experienced the Vienna Opera under the director Gustav Mahler, renewing the outdated performance system from scratch, strengthening precision and ensemble spirit and also using significant visual artists (including Alfred Roller) for the shaping of the new stage aesthetic.

In the ten-year-period of his Directorate (1897-1907) continued Gustav Mahler, this very day, in the concert halls of the world as the most important member of a Symphony Orchestra at the turn of the 20th century omnipresent, the intensive fostering of Wagner, Mozart's operas and Beethoven's Fidelio were redesigned, the with Richard Strauss initiated connection to Verdi was held upright. Austrian composers were promoted (Hugo Wolf), the Court Opera was opened to European modernism.

Image: Emperor Franz Joseph I and Emperor Wilhelm II during a gala performance at the Vienna Court Opera in 1900 resulting from the "Book of the Emperor", edited by Max Herzig.

Technique: Lithography

from www.aeiou.at

In addition to the classics of the Italian repertoire were and are especially Mozart, Wagner and Richard Strauss (himself 1919-1924 director of the House), the musical protection gods of the Vienna State Opera.

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The modern also always had its place: the twenties and thirties witnessed the Vienna premieres of Krenek's Jonny spielt auf, Cardillac Hindemith, Korngold MIRACLE OF Héliane and Berg's Wozzeck (under President Clemens Krauss). This tradition was interrupted with the seizure of power by the National Socialists, yes, after the devastating bomb hits, on 12 March 1945 the house on the ring largely devastating, the care of the art form itself was doubtful.

The Viennese, who had preserved a lively cultural life during the war, were deeply shocked to see the symbol of the Austrian musical life in ruins.

But the spirit of the opera was not destroyed. On 1 May 1945 "State Opera Volksoper" was opened with a brilliant performance of Mozart's THE MARRIAGE OF FIGARO, on 6 October 1945 was followed by the re-opening of the hastily restored Theater an der Wien with Beethoven's Fidelio. Thus there were two venues for the next ten years, while the actual main building was rebuilt at great expense.

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Visitors flock to the opera. Reopening on 5th November, 1955.

Image from © www.staatsvertrag.at / bildarchiv austria / ÖGZ / Hilscher

As early as 24 May 1945 the State Secretary of Public Works, Julius Raab, had announced the reconstruction of the Vienna State Opera, which should be placed in the hands of the Austrian architects Erich Boltenstern and Otto Prossinger. Only the main façade, the grand staircase and the Schwindfoyer (evanescence foyer) had been spared from the bombs - with a new auditorium and modernized technology, the Vienna State Opera was brilliant with Beethoven's Fidelio under Karl Böhm on 5 November 1955 reopened. The opening ceremonies were broadcasted from Austrian television and in the whole world at the same time as a sign of life of the resurrected 2nd Republic understood.

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State ceremony to the reopening on 5 November 1955. On the far right under the box of the Federal President a television camera of the Austrian Broadcasting Corporation is visible which broadcasted the event. Image from © www.staatsvertrag.at / ÖGZ / Cermak

1955 to 1992

The dictum that the Vienna State Opera survives every director, is attributed to Egon Seefehlner which himself for many years run the businessses of the house. And yet marked he and the thirty-one other directors of the Vienna State Opera since 1869, great musicians or musical administrators, in their own way the profile of this world-famous institution:

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Performance for the reopening of the Vienna State Opera on 5 November, 1955.

Image from © www.staatsvertrag.at / bildarchiv austria / ÖGZ / Hilscher

After the Second World War there were first the conductors directors Karl Böhm and Herbert von Karajan - the latter insisted on the title "Artistic Director" and opened the Ensemble house to the international singer market, had the opera rehearsed in original language and oriented his plans to "co-productions" with foreign opera houses, however, which were only realized after his term.

It followed as directors Egon Hilbert, Heinrich Reif-Gintl, Rudolf Gamsjäger and the mentioned Egon Seefehlner, who was appointed for a second time at the top of the house after the departure of his successor in office Lorin Maazel. Claus Helmut Drese (State Opera director from 1986 to 1991) stood with Claudio Abbado an internationally renowned music director by his side. At the beginning of the 90s the forrmer star baritone Eberhard Waechter, at that time director of the Volksoper (People's Opera), charged with the direction. Only seven months have been granted to him as a director.

The era Ioan Holender (1992 to 2010)

After Waechter's tragic death in March 1992 took over general secretary Ioan Holender, a former singer (baritone) and owner of a singer Agency, the office to continue the tradition of perhaps the most important opera institution in the world over the millennium to 2010.

His play plan design relies besides an extremely wide repertoire with the columns Mozart, Wagner, Verdi and Strauss mainly on premieres. Mention may be made of Bellini's I Puritani (1993 /94), Massenet Hérodiade (1994 /95), Verdi's Jerusalem and Britten's PETER GRIMES (1995 /96), Verdi's Stiffelio and Enescu OEDIPE (1996 /97), Rossini's GUILLAUME TELL and Lehár's operetta THE MERRY WIDOW (1998/99) and Schoenberg's THE JAKOBSLEITER, Hiller's PETER PAN, Donizetti's ROBERTO DEVEREUX, Britten's Billy Budd, Verdi's Nabucco (2000/ 01), Bellini's LA SONNAMBULA, Gounod's Roméo et Juliette, Janácek's Jenufa (2001/02), Verdi's SIMON BOCCANEGRA, Krenek's Jonny spielt auf, Donizetti's La Favorite, Hiller's PINOCCHIO, Wagner's TRISTAN UND ISOLDE (2002/ 03), Verdi's FALSTAFF, Wagner's FLYING DUTCHMAN and PARSIFAL, Strauss's Daphne (2003/ 04) and the world premiere of the original French version of Verdi's DON CARLOS (2003/ 04). A particular success of the recent past, the rediscovery of Fromental Halévy's La Juive Grand (1999 ) must be considered. Two premières concerned 1995 Adriana Hölszky's THE WALLS (co-production with the Vienna Festival at the Theater an der Wien ) and Alfred Schnittke's Gesualdo. On 15 June 2002 also THE GIANT OF STONE FIELD (Music: Peter Turrini: Friedrich Cerha libretto) premiered with great success, another commissioned work of the Vienna State Opera.

State Opera - © Oliver Thomann - FOTOLIA

Image : Vienna State Opera

In recent years it came up, in each case on 18 May, the anniversary of the death of Gustav Mahler, to concerts of the Vienna Philharmonic at the Vienna State Opera. These were under the direction of Seiji Ozawa (who since the 2002 /03 season the Vienna State Opera director Holender as music director of the house stands to the side) (1995), Carlo Maria Giulini (1996), Riccardo Muti (1997), Lorin Maazel (1998), Zubin Mehta (1999), Giuseppe Sinopoli (2000 ), Riccardo Muti (2001) and again Seiji Ozawa (2004).

Furthermore, was on 16 June, 2002 for the first time by the Vienna Philharmonic Orchestra (conducted by Seiji Ozawa) a CONCERT FOR AUSTRIA organized. More CONCERTS FOR AUSTRIA followed on 26 October 2003 (Zubin Mehta) and 26 October 2004 (under Valery Gergiev).

At the Theater an der Wien Mozart's Così fan tutte experienced a triumphant new production conducted by Riccardo Muti. This Mozart cycle under Muti continued with DON GIOVANNI and 2001 LE MARRIAGE OF FIGARO, 1999.

more...

Directors since 1869

Franz von Dingelstedt 07/01/1867 - 18/12/1870

Opening 5/25/1869

Johann von Herbeck 12/19/1870 - 30/04/1875

Franz von Jauner 01/05/1875 - 18/06/1880

Director College:

Karl Mayerhofer, Gustav Walter and

Emil Scaria 19.06.1880 - 31.12.1880

Wilhelm Jahn 01.01.1881 - 10.14.1897

Gustav Mahler 10/15/1897 - 31/12/1907

Felix Weingartner 01.01.1908 - 28.02.1911

Hans Gregor 01.03.1911 - 14.11.1918

Franz Schalk 15.11.1918 - 08.15.1919

Richard Strauss/Franz Schalk 16/08/1919 - 31/10/1924

Franz Schalk 1/11/1924 - 8/31/1929

Clemens Krauss 01/09/1929 - 15/12/1934

Felix Weingartner, 01.01.1935 - 08.31.1936

Erwin Kerber 09/01/1936 - 08/31/1940

Henry K. Strohm 09.01.1940 - 19.04.1941

Walter Thomas 02.01.1941 - 19.04.1941

Ernst August Schneider 04/20/1941 - 02/28/1943

Karl Böhm 03.01.1943 - 30.04.1945

Alfred Jerger,

State Opera in the Volksoper 01.05.1945 - 14.06.1945

Franz Salmhofer,

State Opera in the Theater an der Wien, 18.06.1945 - 31.08.1955

Karl Böhm 01.09.1954 - 31.08.1956

Herbert von Karajan 01.09.1956 - 31.03.1962

Herbert von Karajan/Walter Erich Schäfer 01.04.1962 - 08.06.1963

Herbert von Karajan/Egon Hilbert 09.06.1963 - 31.08.1964

Egon Hilbert 01.09.1964 - 18.01.1968

Heinrich Reif- Gintl 19.01.1968 - 31.08.1972

Rudolf Gamsjager 01.09.1972 - 31.08.1976

Egon Seefehlner 01.09.1976 - 31.08.1982

Lorin Maazel 01.09.1982 - 31.08.1984

Egon Seefehlner 01.09.1984 - 31.08.1986

Dr. Claus Helmut Drese 01.09.1986 - 31.08.1991

Eberhard Waechter 01.09.1991 - 29.03.1992

Ioan Holender 01.04.1992 - 31.08.2010

Dominique Meyer since 01/09/2010

 

Opera world premieres

Abbreviations:

Od = the Odeon

Ron = Ronacher

TW = the Theater an der Wien

 

1875 10:03. Goldmark The Queen of Sheba

1877 04:10. Brüller Der Landfriede

1880 26.05. Riedel The Accolade

15.12. Brüller Bianca

1883 04.01. Leschetitzky The first fold

21.02. Bachrich Muzzedin

1884 26.03. Bachrich Heini of Styria

1886 30.03. Hellmesberger jun. Fata Morgana

4:10 . Hager Marffa

19.11. Goldmark Merlin

1887 03:04. Harold pepper

1889 27.03. Fox The Bride King

4:10. Smareglia The vassal of Szigeth

1891 19:02. Mader Refugees

1892 01.01. J. Strauss Ritter Pasman

16.02. Massenet Werther

19.11. Bulk Signor Formica

1894 20.01. Heuberger Miriam

1896 21.03. Goldmark The Cricket on the Hearth

1899 17:01. The Goldmark prisoners of war

1900 22:01. Zemlinsky It was once

1902 28.02. Forster The dot mon

1904 18:02. Wolf The Corregidor

1908 02.01. Goldmark The Winter's Tale

1910 12:04. The musician Bittner

18.05. Goldmark Götz von Berlichingen

1911 09:11. Bittner The mountain lake

1912 16.03. Oberleithner Aphrodite

1913 15.03. Schreker The game works and the Princess

1914 01.04. Schmidt Notre Dame

1916 04:10. R. Strauss Ariadne auf Naxos (Vienna version)

1917 23.11. Zaiszek-Blankenau Ferdinand and Luise

1919 10.10. R. Strauss Die Frau ohne Schatten

1920 13.05. Weingartner Champion Andrea/The Village School

1921 09.04. The Bittner Kohlhaymerin

1924 20.09. Beethoven/R. Strauss The Ruins of Athens

1925 24.02. Kienzl Sanctissimum

27.03. Frank The image of the Madonna

1931 20.06. Wellesz The Bacchae

1932 10:11. Heger The beggar Nameless

1934 20.01. Lehár Giuditta

08.12. Bittner The violet

1935 26.12. Salmhofer lady in dream

1937 06.02. Wenzl - Traun rock the atonement

17.04. Frank The strange woman

18.11. Weinberger Wallenstein

1938 09.03. Salmhofer Ivan Tarasenko

1939 02:02. Will King ballad

1941 04:04. Wagner Régeny Johanna Balk

1956 17.06. Martin The Storm

1971 23.05. The visit of an old lady

1976 17.12. A Love and Intrigue

1989 25.11. The blind Furrer (OD)

1990 06:12. Krenek last dance at St. Stephen's (Ron)

1995 20.05. Hölszky The walls (TW)

26.05. Schnittke Gesualdo

2002 15.06. Cerha Der Riese vom Steinfeld

2007 15:04 Naske The Omama in the apple tree

2010 28.02. Reimann Medea

2010 10:05. Eröd dots and Anton

www.wien-vienna.at/index.php?ID=484

Hemlock Creek Trail, Umpqua National Forest, Oregon, USA

Representing 1/3 of the remaining operation AEM-7 fleet, #946 rolls under the Pennsy signals at Levittown, PA. After logging millions of miles up and down the Northeast Corridor, this motor's days are rapidly coming to an end, and could very possible be in the single digits.

www.myspace.com/represent952

Zion National Park is an American national park located in southwestern Utah near the city of Springdale. A prominent feature of the 229-square-mile (590 km2) park is Zion Canyon, which is 15 miles (24 km) long and up to 2,640 ft (800 m) deep. The canyon walls are reddish and tan-colored Navajo Sandstone eroded by the North Fork of the Virgin River. The lowest point in the park is 3,666 ft (1,117 m) at Coalpits Wash and the highest peak is 8,726 ft (2,660 m) at Horse Ranch Mountain. Located at the junction of the Colorado Plateau, Great Basin, and Mojave Desert regions, the park has a unique geography and a variety of life zones that allow for unusual plant and animal diversity. Numerous plant species as well as 289 species of birds, 75 mammals (including 19 species of bat), and 32 reptiles inhabit the park's four life zones: desert, riparian, woodland, and coniferous forest. Zion National Park includes mountains, canyons, buttes, mesas, monoliths, rivers, slot canyons, and natural arches. Human habitation of the area started about 8,000 years ago with small family groups of Native Americans, one of which was the semi-nomadic Basketmaker Anasazi (c. 300). Subsequently, the Virgin Anasazi culture (c. 500) and the Parowan Fremont group developed as the Basketmakers settled in permanent communities. Both groups moved away by 1300 and were replaced by the Parrusits and several other Southern Paiute subtribes. Mormons came into the area in 1858 and settled there in the early 1860s. In 1909, President William Howard Taft named the area Mukuntuweap National Monument in order to protect the canyon. In 1918, the acting director of the newly created National Park Service, Horace Albright, drafted a proposal to enlarge the existing monument and change the park's name to Zion National Monument, Zion being a term used by the Mormons. According to historian Hal Rothman: "The name change played to a prevalent bias of the time. Many believed that Spanish and Indian names would deter visitors who, if they could not pronounce the name of a place, might not bother to visit it. The new name, Zion, had greater appeal to an ethnocentric audience." On November 20, 1919, Congress redesignated the monument as Zion National Park, and the act was signed by President Woodrow Wilson. The Kolob section was proclaimed a separate Zion National Monument in 1937, but was incorporated into the national park in 1956. The geology of the Zion and Kolob canyons area includes nine formations that together represent 150 million years of mostly Mesozoic-aged sedimentation. At various periods in that time warm, shallow seas, streams, ponds and lakes, vast deserts, and dry near-shore environments covered the area. Uplift associated with the creation of the Colorado Plateau lifted the region 10,000 feet (3,000 m) starting 13 million years ago. The park is located in southwestern Utah in Washington, Iron and Kane counties. Geomorphically, it is located on the Markagunt and Kolob plateaus, at the intersection of three North American geographic provinces: the Colorado Plateau, the Great Basin, and the Mojave Desert. The northern part of the park is known as the Kolob Canyons section and is accessible from Interstate 15, exit 40. The 8,726-foot (2,660 m) summit of Horse Ranch Mountain is the highest point in the park; the lowest point is the 3,666-foot (1,117 m) elevation of Coal Pits Wash, creating a relief of about 5,100 feet (1,600 m). Streams in the area take rectangular paths because they follow jointing planes in the rocks. The stream gradient of the Virgin River, whose North Fork flows through Zion Canyon in the park, ranges from 50 to 80 feet per mile (9.5 to 15.2 m/km) (0.9–1.5%)—one of the steepest stream gradients in North America. The road into Zion Canyon is 6 miles (9.7 km) long, ending at the Temple of Sinawava, which is named for the coyote god of the Paiute Indians. The canyon becomes more narrow near the Temple and a hiking trail continues to the mouth of The Narrows, a gorge only 20 feet (6 m) wide and up to 2,000 feet (610 m) tall. The Zion Canyon road is served by a free shuttle bus from early April to late October and by private vehicles the other months of the year. Other roads in Zion are open to private vehicles year-round. The east side of the park is served by Zion-Mount Carmel Highway (SR-9), which passes through the Zion–Mount Carmel Tunnel and ends at Mount Carmel. On the east side of the park, notable park features include Checkerboard Mesa and the East Temple. The Kolob Terrace area, northwest of Zion Canyon, features a slot canyon called The Subway, and a panoramic view of the entire area from Lava Point. The Kolob Canyons section, further to the northwest near Cedar City, features one of the world's longest natural arches, Kolob Arch. Other notable geographic features of the park include the Virgin River Narrows, Emerald Pools, Angels Landing, The Great White Throne, and Court of the Patriarchs. Spring weather is unpredictable, with stormy, wet days being common, mixed with occasional warm, sunny weather. Precipitation is normally heaviest in March. Spring wildflowers bloom from April through June, peaking in May. Fall days are usually clear and mild; nights are often cool. Summer days are hot (95 to 110 °F; 35 to 43 °C), but overnight lows are usually comfortable (65 to 70 °F; 18 to 21 °C). Afternoon thunderstorms are common from mid-July through mid-September. Storms may produce waterfalls as well as flash floods. Autumn tree-color displays begin in September in the high country; in Zion Canyon, autumn colors usually peak in late October. Winter in Zion Canyon is fairly mild. Winter storms bring rain or light snow to Zion Canyon and heavier snow to the higher elevations. Clear days may become quite warm, reaching 60 °F (16 °C); nights are often 20 to 40 °F (−7 to 4 °C). Winter storms can last several days and make roads icy. Zion roads are plowed, except the Kolob Terrace Road which is closed when covered with snow. Winter driving conditions last from November through March. Source: en.wikipedia.org/wiki/Zion_National_Park

 

www.nps.gov/zion/index.htm

utah.com/zion-national-park

www.zionnationalpark.com/

Despite the popular belief that most naturists are generously proportioned Germans we had very few guests from Germany last year so we were pleased to welcome Sylvie & Susanne who clearly break the urban myth. They were great company and really helped contribute to the community spirit on-site by helping out with many of the daily meal time chores. Perhaps we should have given them a discount ;-)

Nana

Manet représente une jeune demi-mondaine (prostituée de luxe ou cocotte comme on disait à l'époque) qui regarde avec malice le spectateur, elle est en train de se préparer dans son boudoir avant de sortir avec le protecteur qui l'entretient.

Cet homme riche, en habit de soirée, est représenté assis à l'attendre mais il est coupé en deux par l'artiste comme s'il n'avait guère d'importance, en raison du caractère interchangeable.de ce type de personnage.

Le tableau rend compte des pratiques sociales de l'époque et a fait scandale dans une société bourgeoise fortunée et hypocrite face à la prostitution.

 

Nana, le roman d'Émile Zola

fr.wikipedia.org/wiki/Nana_(roman)

 

Oeuvre d'Edouard Manet (1832-1883)

1877

Huile sur toile

Achat en 1924

Hambourg, Hamburger Kunsthalle

online-sammlung.hamburger-kunsthalle.de/en/objekt/HK-2376...

 

Oeuvre présentée dans l'exposition "Manet / Degas", musée d'Orsay, Paris

 

Édouard Manet (1832-1883) et Edgar Degas (1834-1917) sont tous deux des acteurs essentiels de la nouvelle peinture des années 1860-80. Cette exposition qui réunit les deux peintres dans la lumière de leurs contrastes oblige à porter un nouveau regard sur leur réelle complicité. Elle montre ce que la modernité picturale eut d’hétérogène, de conflictuel, et révèle la valeur de la collection de Degas où Manet prit une place plus grande après son décès. Extrait du site de l'exposition

www.musee-orsay.fr/fr/agenda/expositions/manet-degas

 

These images represent a sample of galaxy clusters that are part of the largest and most complete study to learn what triggers stars to form in the universe’s biggest galaxies. Clusters of galaxies are the largest objects in the universe held together by gravity and contain huge amounts of hot gas seen in X-rays. This research, made using Chandra and other telescopes, showed that the conditions for stellar conception in these exceptionally massive galaxies have not changed over the last 10 billion years. In these images, X-rays from Chandra are shown along with optical data from Hubble.

 

Credit: X-ray: NASA/CXC/MIT/M. Calzadilla el al.; Optical: NASA/ESA/STScI; Image Processing: NASA/CXC/SAO/N. Wolk & J. Major

 

#NASAMarshall #NASA #astrophysics #NASAChandra #NASA #galaxy #NASAWebb #Hubble #NASAHubble

 

Read more

 

Read more about the Chandra X-ray Observatory

 

NASA Media Usage Guidelines

L'Amour Productions Presents

 

Mr. & Miss Model International 2020©♛

 

The Competition Where "YOU” Represent Yourself!!!

 

SPONSORS: If you would like to sponsor MMI, Please contact Ava Jhamin

  

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Mr. & Miss Model International 2020©♛

 

L'Amour Productions, Ava Jhamin, CEO and Cyberdawg Foxclaw, COO are pleased to announce the Mr. & Miss Model International 2020©♛ competition. This competition is unlike any in SL, as you will represent "YOURSELF.” You will participate in runway, photo, and group challenges that will highlight you as a model, stylist and individual. The submissions of your work, photos etc. would then reflect who “YOU" are as an SL Avatar.

 

MMI prides itself on being the first competition on the grid to not care who you are behind the screen, only who you are in the Second Life realm.

 

Our goal is to celebrate the uniqueness of each of you. To celebrate who you are, where you come from, and share with others our mission for SL.

 

We invite you to participate as this competition is open to anyone in SL, regardless of schooling or lack thereof. If you reside in SL you are welcome to be a part of our competition. No voice verification!!! (We were the first) YOU BE YOU.

 

All scoring and judges’ comments will be available within 24 hours of each competition and will be given to each contestant at the Feedback Meetings held after each weekly challenge. It is mandatory for all contestants to attend the feedback meetings.

 

MMI’s competitions are not only fun and unique, they also challenge each contestant to think outside of the box and grow as individuals and stylists.

 

MMI winners receive amazing prizes that include Lindens, products from sponsors, modeling opportunities, and scholarships to various modeling academies.

 

YOU WIN BIG in more ways than one as you develop friendships with fellow contestants during the competition and learn valuable modeling and styling tips from experienced MMI staff.

 

We pride ourselves in being not only the first of its kind competition but also the most honest competition.

 

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HOW TO ENTER:

 

You will submit a 1024 X 1024 Headshot & Body shot in theme of CASUAL "YOU” (Be true to you). These photos should be submitted to the official MMI Flickr group:

 

www.flickr.com/groups/lamour_mmi/

 

Photo submission opens January 1, 2020 at 12 a.m Midnight and closes at 12:00 a.m. Midnight January 10, 2020.

 

Photos will be judged on a variety of factors, including theme, photo quality, prims and composition.

 

Photos must be submitted no later than midnight on January 10, . There are no exceptions to this deadline and any photo not submitted on time will not be accepted.

 

You MUST join the Mr. & Miss Model International Group©♛ in world. Contact Cyberdawg Foxclaw, COO for a group invite after your photos have been submitted.

 

The top 40 male and top 40 female contestants will be selected from the photos submitted. Those contestants will then compete in the audition walk, wearing their photo outfits, so keep that in mind when you style for your picture submissions. If there are fewer than 40 of either gender, then all contestants of that gender will participate in the live audition round. From those auditions, the top 20 women and top 20 men will be selected to compete. Please note that the initial audition is closed to the public.

 

You MAY NOT hire a professional photographer. All photos, throughout the competition, must be your own work. Photos must be done utilizing only those tools available to you in-world. No external photo editing, as with Photoshop, Picmonkey, gimp or any other software, is allowed. No outside Second Life tools can be used. If we discover any violation of the photo rules. you will lose the points for that photo. Because scoring is often close and photo scores can be huge, this can mean the difference between making the finals and possibly winning, and being cut in the first round, so just don't do it.

  

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LIVE AUDITION WALKS

 

January 17, 2020 10 a.m. 5 p.m.

January 18, 2020 10 a.m. 5 p.m.

January 19, 2029 10 a.m. 5 p.m.

 

You will walk in live auditions with what you wear in your picture submissions. (PLEASE KEEP THAT IN MIND)

 

YOU'VE BEEN CHOSEN AS A CANDIDATE .....Now what?

 

Information Meetings on Saturday January 25, 2020 10 a.m. slt & 4 p.m. slt. or Sunday January 26, 2020 10 a.m. & 5 p.m. slt. You MUST attend one of these meetings or you will be dropped from the competition. This is where you will get all the information about upcoming weekly competition dates...etc., so, missing this is NOT AN OPTION. Failure to attend will forfeit your place in the competition. There are NO exceptions to this rule, to keep the competition fair to all involved.

 

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CHALLENGES:

 

First walking challenge is:

 

February 1, 11:00 a.m. slt

 

This will be a photo and runway challenge. Theme to be released at Candidate meeting along with dates of future challenges.

 

All challenges will take place on Saturday at 11:00 a.m. slt. Unless otherwise specified, all walking challenges will have a photo element, with photos due by noon on Wednesday before the walk date.

 

Each week's challenge instructions notecard will be provided via notice to the MMI group on Saturday afternoon.

 

Throughout the competition there will be multiple cuts until we have standing the top 5 male and top 5 female that will go to the MMI Final.

 

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SCHEDULE OF EVENTS:

 

Jauary 1, 2020 Photo submissions to MMI start.

January 10, 2020 - Midnight - photo deadline for MMI submissions

January 11, 2020 - Judges Meeting 11 a.m. slt 5 p.m. slt

January 17,2020 - Audition Walk - 10 a.m. slt & 5 p.m. slt

January 18, 2020 - Audition Walk - 10 a.m. slt & 5 p.m. slt

January 19, 2020 - Audition Walk - 10 a.m. slt & 5 p.m. slt

January 25, 2020 - Contestant Meeting - 11 a.m. slt & 5 p.m. slt

January 26, 2020 - Contestant Meeting - 11 a.m. slt & 5 p.m. slt

January 29, 2019 - Photo Submission For 1st Challenge deadline 12 noon

February 1, 2020 - 1st Challenge Walk 11 a.m. slt

February 2, 2020 - Contestant Feedback Meeting 11 a.m. slt & 5 p.m. slt

February 8, 2020 -2nd Challenge Walk 11 a.m. slt

February 9, 2020 - Contestant Feedback Meeting 11 a.m. & 5 p.m. slt

February 13, 2020 - Photo Sumission for 3rd Challenge deadline 12 noon

February 15, 2020 - 3rd Couples Challenge 11:00 a.m. slt

February 16, 2020 - Contestant Feedback Meeting 11 a.m. slt & 5 p.m.

February 19, 2020 - Photo Sumission for 4th Challenge deadline 12 noon

February 22, 2020 - 4th Challenge 11 a.m. slt 11:00am

February 23, 2020 - Contestant Feedback Meeting 11 a.m. slt & 5 p.m slt

February 26, 2020 - Photo Submission for Semifinal 1 Challenge

February 29, 2020 - Challenge Semifinal 1 (Top 10 men, top 10 women)

March 1, 2020 - Contestant Feedback Meeting 11 a.m. & 5 p.m. slt

March 4, 2020 - Photo Submission Semifinal 2

March 7, 2020 - Semifinal 2 Challenge (top 5 men, 5 women)

March 8, 2020 - Contestant Feedback Meeting 11:00 a.m slt & 5 p.m.

March 12, 2020 - Photo Submission Final 3 Photos

March 14, 2020 - Grand Finale & WINNERS announced.

March 15, 2020 - Final Feedback Meeting With Contestants

 

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RELEASES:

 

By entering this competition and submitting your photo you agree to grant full permission to L’Amour Productions, its staff, members, and affiliates. to use pictures, statements, videos etc. in all forms of social media for promotion of the Mr. & Miss Model International 2020. ©♛ competition.

 

ALL submitted photos for competitions must be taken by YOURSELF, no professional photographers or friends can do this for you.

  

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ADDITIONAL INFORMATION

 

You MUST join the Mr. & Miss Model International 2020 Group©♛ in world contact Cyberdawg Foxclaw or after your audition photos are submitted for an invite to the group.

 

You Must put Mr. & Miss Model International in your Picks on your profile

 

We would like you to blog, share in social media (Facebook, Flickr etc.) your involvement and stylings each week.

 

If you have any questions or concerns, please direct them to Cyberdawg Foxclaw

 

We hope that you will be joining us on this journey to crown Mr. & Miss Model International 2020©♛

  

Ava Jhamin CEO

Mr. & Miss Model International (MMI)

  

Cyberdawg Foxclaw, COO

Mr. & Miss Model International (MMI)©♛

L'Amour Productions MMI Corp. (TM)

  

Represented by SL Talent.

 

© Copyright 2017 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.

 

Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.

Fragmento del retablo representando a Santa Ana, con la Virgen y el Niño Jesús (o Santa Generación). El Retablo de Santa Ana está atribuido al escultor francés Gabriel Joly y realizado en alabastro en torno a 1529-1530, del que se conservan cuatro fragmentos con altorelieves.

 

El patrimonio artístico que atesoró el Monasterio de Sijena fue uno de los más importantes de la Edad Media. Con el paso del tiempo no se libró de la Guerra de la Independencia y de algunos saqueos, pero su declive comenzó en 1835 con la Desamortización de Mendizábal, y aunque las religiosas consiguieron recuperar el convento (no el resto de los bienes) por un defecto de forma en la subasta, para su subsistencia tuvieron que recurrir a la venta de obras de arte, de las que algunas están dispersas por museos de todo el mundo y en colecciones privadas. En 1923 el Monasterio fue declarado Monumento Nacional, y por tanto, su patrimonio quedó protegido por Ley (las ventas se frenaron). En julio de 1936 (inicio de la Guerra Civil) un incendio provocado destruyó todas las dependencias del Monasterio exceptuando la iglesia y arrasó todo el patrimonio artístico que permanecía en el Cenobio, incluyendo pinturas murales y artesonados. Afortunadamente, parte del patrimonio mueble y del archivo fue puesto a salvo por los vecinos de Villanueva de Sijena, y posteriormente trasladado -y en parte vendido- sin los permisos preceptivos. Tras más de veinte años de litigios judiciales, entre julio de 2016 y diciembre de 2017 han retornado al Monasterio los 96 objetos vendidos a la Generalitat de Catalunya en 1983, 1992 y 1994 y depositados en el ‘Museu de Lleida Diocesà i Comarcal’ y en el ‘Museu Nacional d'Art de Catalunya’, y los objetos más valiosos pueden admirarse actualmente (2018) en el Monasterio.

 

Más fotografías en los álbumes Monasterio de Sijena, patrimonio artístico y Monasterio de Santa María de Sijena

 

188938

Christmas Eve represents the preparation for marking the happiest Orthodox holiday, Christmas, the birth of Jesus Christ. Most of the customs in Serbia are related to the Christmas Eve and Christmas, which depict the event of the birth in Bethlehem.

 

At dawn, on the day of Christmas Eve, men from the house go to “badnjaks”. Badnjak is the young oak tree and it represents a symbol of the tree which was, according to the stories, brought to Joseph and Mary by the shepherds, to start the fire and heat the cave in which Jesus was born.

 

According to the custom, badnjak is lit just before the holiday and it burns until Christmas, when the joy of Christ’s birth is announced. After burning badnjak is a symbol of separation with the ancient beliefs and acceptation of the new light which comes with the faith in newly born Christ.

 

Liturgies and burning of badnjak are organized around Serbia on the Christmas Eve in front of numerous temples. The largest number of people is traditionally gathered in front of the St Sava Church in Vračar, where a number of believers merrily await for the happiest Orthodox holiday.

 

All the customs have the meaning of Orthodox togetherness, so it is considered that people gathered around badnjak get warm by the love and concord, and they enter its light to the darkness of ignorance and superstition.

This image perfectly represents the problems I have with 35mm film. The biggest issue for me is that it takes me so long to finish a roll. I am too methodical for 35mm anymore. I loaded this roll into my pinhole camera in August of 2022, shot 2/3 of the roll on a trip to Victoria, BC then promptly forgot about it. I set the camera aside, played with other pinhole cameras and then when I got the itch to shoot my 35mm pinhole again it was late March of 2024 and by this point I had forgotten there was even film in the camera still. I remembered quickly enough when I popped the lid of the camera and saw a roll inside rapidly soaking up all the light I was pouring into the camera. Thankfully this was not my first time inadvertently exposing a loaded roll of film and my reflexes kicked in and a dark bathroom got me the rest of the way to making sure I didn't spoil this roll. Even seeing the film once I had rewound it gave me no clue as to what I had been shooting with it when first loaded. It was not until I saw the developed negatives and realized this was a leftover roll from that Victoria trip that the pieces all came together in my memory. I guess if I am being fair, the length of time it takes me to get through a roll of 35mm is not the only issue at play here. There is also the fact that I have so many pinhole cameras that this one was able to sit out of rotation for way too long. And the fact that I really should be better about putting sticky notes on my cameras noting the film type loaded. But hey...

 

As far as what is going on in this image, I was using the Reality So Subtle 35R pinhole camera. It has two pinholes, one on the front of the camera and another on the back of the camera. You can expose your film either normally on the emulsion side, or through the reverse side of the film creating a redscale effect. Or, as in what I did here, you can make two exposures one via the front and then turn the camera around and make a second via the rear pinhole overlapping the normal and redscale images into a double exposure. Kind of fun and I kind of like kind of fun stuff. What else am I going to do while waiting for a drawbridge to raise?

 

Reality So Subtle 35R

Silberra Color 50

The plough represents one of the major advances in agriculture.

Ploughs were initially human powered, but the process became considerably more efficient once animals were pressed into service. The first animal powered ploughs were undoubtedly pulled by oxen, and later in many areas by horses (generally draught horses) and mules, although various other animals have been used for this purpose. In industrialised countries, the first mechanical means of pulling a plough were steam-powered (ploughing engines or steam tractors), but these were gradually superseded by internal-combustion-powered tractors.

Montage représentant quatre dinosaures centrosaurinés qui vivaient ensemble.

 

***************************************************************

 

Lokiceratops rangiformis était une bête massive qui a vécu sur Terre il y a environ 78 millions d'années.

 

Mesurant 6,7 mètres de long et pesant 5 000 kilos, ce dinosaure marchait sur quatre pattes. Son régime alimentaire était à base de plantes. En tant que cératopside, un type de dinosaure à cornes, son crâne témoigne de sa structure crânienne unique. Il possède deux cornes « régulières » sur son front.

 

Au-dessus se trouve une grande collerette osseuse qui s'étend derrière la tête. Au-dessus de cette collerette se trouvent deux cornes enroulées uniques avec de minuscules pointes adjacentes, l'une plus petite que l'autre.

 

D'où le nom donné à la nouvelle espèce, qui rend hommage au casque à cornes du dieu nordique et à la nature inégale des bois de caribou.

 

°°°°°°°°°°°°°°°°°°°°°°

 

Lokiceratops rangiformis was a massive beast that roamed Earth about 78 million years ago. Stretching 22 feet long and weighing 11,000 pounds, the dinosaur walked on four legs. It had a plant-based diet.

 

As a ceratopsid, a type of horned dinosaur, its skull evidences its unique cranial structure. It boasts two “regular” horns on its forehead. Above that is a large bone frill that fans out behind the head. Atop this frill are two unique curling horns with tiny adjoining points, one smaller than the other.

 

Hence the name given the new species, which honors the Norse god's horned helmet and the uneven nature of caribou antlers.

 

Crédit : Fabrizio Lavezzi ©

  

_____________________________________________________PdF________________

From left:

 

- Amulet of Harpocrates

Faience

Provenance unknown

BAAM 0155

 

- Amulet representing Harpocrates, wearing a side lock and standing with finger to the lips

Faience

Graeco-Roman Period, the second century BC

Provenance: Lower Egypt, Alexandria, El-Hadara, Antoniades tombs

BAAM 0151

 

- Amulet of Harpocrates

Faience

Provenance unknown

BAAM 0156

 

Antiquities Museum of Bibliotheca Alexandrina

2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary. Phoenix was set up in spring 1971 and was created to promote an alternative approach to railway photography. Why not take a look at the PRPC web site at www.phoenix-rpc.co.uk/index.html.

 

Photograph courtesy of Nigel Capelle

This is a continuation of the previous extinct birds plate in www.flickr.com/photos/10770266@N04/5043889621/

 

The species represented here are:

 

1. Alaotra grebe (Tachybaptus rufolarvatus)

This small waterfowl was endemic to lake Alaotra in Madagascar and have the sad "honour" of be the last bird declared extinct. Last record was in 1985 and the bird was declared extinct in march 2010, before that, the last declared extinct bird was the po'o-uli, treated in this same plate (number 5). Form this bird exist only one photograph of an alive bird. Causes of extinction are habitat destruction and introduced predatory fishes. Also hybridation with the widespread Little Grebe (T. ruficollis) played, but as this alwas happened before human destruction of Madagascar, this last fact only can damage a previously damaged population. In the Lake Alaotra also lives an endemic pochard (Aythya innotata) that was declared extinct, but in 2006 I readed that it was rediscovered alive so my hopes for the grebe aumented. However the grebe don't had the same luck as the pochard.

 

2. Red-moustached fruit dove (Ptilinopus mercierii)

This pigeon, as colorful as other fruit doves, lived once in Marquesas islands in Polynesia. This bird had two different subspecies but both are extinct now. It was extinct due to predators introduced by humans: owls, cats and rats.

 

3. Crested shelduck (Tadorna cristata)

This magnific duck lived in eastern Asia. Last reliable record was in 1964 although many sight was reported in recent times, so is slightly possible that the bird is not extinct. Direct hunt and habitat loss are the causes of its extinction.

 

4. Red rail (Aphanapteryx bonasia)

One more of the many Mauritius bird that, as the dodo, was killed after the discovery of the Western Indian Ocean islands by occidental explorers. Rails (family Rallidae) seems to have one of the highest tendence to extinction, probably because many are reluctant to fly, or even unable (the Red Rail was flightless), as well as sensitive to habitat destruction and often chased for food. Red Rail was known from bones, old paintings and descriptions. It was discovered around 1600 and it't known than a number to alive ones was brought to Europe. This bird was extinct by direct hunt for food. Also introduced pigs helped, eating eggs and chicks. Around 1700 the bird was disappeared.

 

5. Po'o-uli (Melamprosops phaeosoma)

This is the last bird species to die with an exact extinction date, the 28th November 2004. As many other Hawaiian honeycreepers (Drepanididae), that became extinct or are being extincted now, this bird suffered a lot the diseases caused by introduced mosquitoes in Hawaii. It was discovered in 1973 with a population estimated of 200 individuals, but in 2002 only three birds left, one female was captured and brought to a zone where lived the last male. But the female flew away to her own territory in next day. In 2004 was planned to capture the three birds and bring to a recovering center. So the male was captured and brough to the center, but none female could be captured before the male died of avian malaria, three months after captured. Probably these two females died too.

 

6. Bonin grosbeak (Chaunoproctus ferreorostris)

This finch was seen only in Chichi-jima island in the Bonin Islands (Japan). Discovered in 1827, three years after the island was used by whale killers, and in 1854 an expedition don't found the bird anymore, that probably died because of the introduced predators and other destructive animals: pigs, rats, dogs, goats, sheep and cats. Like the Bonin Thrush (Zoothera terrestris), the bird disappeared from these islands, and then, from the world. Now we count with about 10 taxidermy specimens.

 

7. Bachman's warbler (Vermivora bachmani)

A small colorful insectivorous from North America that was not seen since 1988. Probably is extinct due to habitat destruction, but as recently as in 2002 a female bird was filmed in Cuba and could belong to this species.

 

8. Carolina parakeet (Conuropsis carolinensis)

Almost as well known as the dodo between extinct birds, due to its North American origin and the dramatic, almost impossible to believe, human stupidness of its extinction. This beautiful parrot was the only North American parrot, living even in temperate climates. Flocks of thousands of birds flew in the past in the sky, feeding overall in the fruits of Xanthium strumarium, an invasive weed that grows in cultivation fields. But the humans saw the parakeets in these fields and authomatically thinked that the bird feeds on the plants that they grow, instead of the weeds. So a giant persecution started and farmers killes thousands and thousands of this bird every day. Parrots are amongst most intelligent birds and they have personality and strong feelings. When Carolina parakeets are shot and killed, other parakeets go close to the died bodies trying to reanimate, in an unusual solidary behaviour. Then the farmers kill them more and more and more parakeets come to cry for the deads and are killed again attracting more parakeets etc... this never stop until last parakeet was killed. Last wild Carolina parakeet was killed in 1904, and captive ones lived a bit more, last individual in the world, "Incas", died in Cincinnati zoo in 21th February 1918, while the last female, "Lady Jane", died a year before in same zoo. "Incas" died in the same enclosure than the last Passenger Pigeon (number 13), died four years before. This parakeet breeded very well in captivity and much more could have been done for keep them in worlds zoos. Other causes of extinction was destruction of forest and introduction of european Honey Bee, that takes the nesting places.

 

9. Labrador duck (Camptorhynchus labradorius)

This marine duck of North America had a lifestyle similar to the eiders, harliquin ducks and scoters. The last sight was on 1878, three years before the last preserved individual was shooted. Causes of extinction are not clear, hunt for food is a reason but the bird is reported that don't tastes good. Collectong of eggs and killing for feathers can also be a reason, as well as decreasing of some mollusks by overcollecting.

 

10. Guam flycatcher (Myiagra freycineti)

I choosed this bird because I found good photos of them alive, beucase it's extinction is very recent. The only cause of it's extinction is the introduction of a predator, the Brown tree snake (Boiga irregularis) . Last sight of this bird was in 1983.

 

11. Raiatea parakeet (Cyanoramphus ulietanus)

Like some other parakeets in this genus, C. ulietanus is gone. It was endemic to Raiatea island in Polynesia. This bird is only known by two collected specimens, and was not seen anymore after 1773. Probably it disappeared due to forest destruction, direct hunt and introduced predators.

 

12. Pink-headed duck (Rhodonessa caryophyllacea)

This atonishing duck from India is extinct since 1950's. Always was a rare bird and no much is known about it, probably its evanishing is due to habitat destruction. Last shooted individual was on 1935. Exist a photo of several alive pink-headed ducks in captivity in Foxwarren Park, England, taken about 1925.

 

13. Passenger pigeon (Ectopistes migratorius)

Probably the most famous extinct bird after the dodo. Similar to Carolina Parakeet in their distribution, habits, and way and date of extinction. Passenger pigeons formed the largest bird focks ever, that can reach even more than TWO BILLION birds!!!!!! The flocks destroy branches with its weight. Despite that, now we don't have none more than taxidermy specimens. The birds was first chased as a cheap meat for slaves and poors, decreasing quickly the number of pigeons, and forest destruction deleted the pigeons habitat. Last wild bird was seen on 1900, and "Martha", the last passenger pigeon, died in Cincinnati Zoo in 1914.

Much more info at en.wikipedia.org/wiki/Passenger_Pigeon

 

14. Greater akialoa (Hemignathus ellisianus)

As is said in number 5, and in the other plate about the Mamo (Drepanis pacifica), the Hawaiian honeycreepers (Drepanididae) lost many species and many are disappearing now, and the major cause are the diseases transmited by introduced mosquitoes. The genus Hemignathus count with several olivaceous medium-sized birds with long curved bills, some of them still alive, but mainly extinct. The greater Akialoa was the one with longest bill. It had three subspecies, all of them extinct. Between all subspecies it inhabited islands of Oahu, Lanai, Molokai and Maui. Last record was in 1969, in Kauai. Like other Drpanididae, this species disappeared due to diseases and habitat destruction.

 

15. Robust white-eye (Zosterops strenuus)

This bird was endemic to Lord Howe island, near Australia. Probably it disappeared due to the introduction of black rats in the island. In 1923, the bird was extinct. Another species of white-eye, Zosterops lateralis, are still alive, but the subspecies of Lord Howe island is threatened.

 

16. Slender moa (Dinornis giganteus)

Moas are some of the most fascinating extinct birds. They formed a family of about 12 species of giant flightless birds endemic to New Zealands. The smallest species, Euryapteryx curtus, is not bigger than a chicken, while the biggest, Dinornis giganteus, was the tallest bird ever in human times, more than 3 meters high. Almost all moas was extinct when first Maoris arrived to New Zealand, coming from Polynesian. At least three species: Dinornis robustus, Emeus crassus and Megalapteryx didinus, passed the frontier of the XVI century, and was probably seen by the first Europeans that arrived to the islands in XVII century. Moas evolved in the island due to absence of any large mammal, and was predated by the also extinct Haas't eagle (Harpagornis moorei) before Maoris extincted this eagle.

Moas was scarce even before the arrival of Maoris to New Zealand, and maybe they could be extinct now without human help.

Moas are similar to Kiwis because they lost completely the wings. Is supposed that Kiwis are the closest living relatives. Several bones of many species was founs, as well as some feathers, and even a mummified head of Megalapteryx didinus.

Here can be seen a size comparison between skeletons of Ostrich, the largest living bird, and Dinornis giganteus.

es.wikipedia.org/wiki/Archivo:Kiwi,_ostrich,_Dinornis.jpg

 

17 Ryukyu wood pigeon (Columba jouyi)

This nice bird was endemic of Okinawa islands in Japan. It was extinct due to habitat destruction. Last record of this species is on 1904. If any remaining bird left, the complete destruction of the forest of these islands by milician settlement prerpairing for World War II, destroyed for sure the last of these pigeons.

 

18. Liverpool pigeon (Caloenas maculata)

This amazing creature is known by only two taxdermy individuals, one of which is lost, the other is conserved in Liverpool Pigeon and without any kind of location data. Pressumably it was collected in South East Asia, where lives the only close relative today, the Nicobar Pigeon.

 

19. Oahu O'o (Moho apicalis)

Moho is a fantastic genus with 4 species endemic to Hawaii islands, all of theme are already extinct. The O'os species are black, with long and curved bill, yellow plumes in the body and a strange tail. As in Hawaiian honeycreepers (see number 5 and 14), these true honeyeaters (Meliphagidae) suffered the diseases transmited by introduced mosquitoes, as well as habitat destruction, and direct chase for feathers. The Oahu o's (Moho apicalis) was extinct in 1837, the Molokai o's (M. bishopi) in 1904, the Hawaii o'o (M. nobilis) in 1934 and the Kauai o'o (M. braccatus) in 1987.

 

20. Mauritius blue pigeon (Alectroenas nitidissima)

The history is repeated among all these Mauritius, Comores and Seychelles birds. The dodo is the most famous but much more birds of the tropical western Indian Ocean islands was gone at same time. Only three taxidermy specimens rest now. Last specimen shooted was in 1826 and is one of the three remaining stuffed specimens, probably the species only lived few years more. Habitat destruction, direct hunt, and predation by introduced monkeys are probably the causes of extinction.

 

21. Atitlan grebe (Podilymbus gigas)

This bird, very similar to the common and widespread Pied-billed Grebe (Podilymbus podiceps) but much bigger and unable to fly, was restricted only to the Atitlan lake in Guatemala. Probably it have the most well documented history of decline and extinction between birds. It also count with the best photo ever made to an alive specimen of an extinct bird now. Causes of extinction are destruction of the nesting areas, introduction of large predatory fishes that compited with the adults for food and chased the chicks, and an earthquacke that reduced the water level of the lake in 1976. The last two birds were seen in 1989.

 

22. Red-headed macaw (Ara erythrocephala)

As said in the other plate for Ara atwoodi, this is only one of the many extinct macaws of the Caribbean islands. Like other macaws, this one from Jamaica is hypothetical due to the lack of reliable registers: it's known only by descriptions. Probably it was hunted for foor and as pet until extinction in early XIX century.

 

23. Choiseul pigeon (Microgoura meeki)

This atonishing bird, as his name says, resembles very much a miniature version of the New Guinean crowned pigeons, Goura spp. It lived on Choiseul island in the Solomon Islands. In 1904 six individuals and an egg was collected and sent to a museum. Causes of extinction are human hunt and predation by introduced cats and dogs.

 

Many more species of birds was extinct by humans between XVI and XXI centuries. This and the other plate are only a small part. Since XVII century the number of extinct birds is of 165. And this is only birds! Counting other animals, plants, fungus, etc. a species are disappearing now EVERY 15 SECONDS!!!!

 

Much more birds species are evanishing now and will do in the future. We must put as many effort as we can for protect them.

The Hubble Legacy Field represents the largest, most comprehensive "history book" of galaxies in the universe.

 

The image, a combination of nearly 7,500 separate Hubble exposures, represents 16 years of observations gathered together into a unified whole, giving the image its uneven shape. It includes Hubble deep-field surveys, such as the 2012 eXtreme Deep Field (XDF) and the 2004 Hubble Ultra Deep Field (HUDF), as well as the 2003 Great Observatories Origins Deep Survey (GOODS).

 

The wavelength range stretches from ultraviolet to near-infrared light.

 

The image presents a wide portrait of the distant universe and contains roughly 265,000 galaxies. They stretch back through 13.3 billion years of time to just 500 million years after the universe's birth in the Big Bang. The tiny, faint, most distant galaxies in the image are similar to the seedling villages from which today's great galaxy star-cities grew. The faintest and farthest galaxies are just one ten-billionth the brightness of what the human eye can see.

 

The wider view contains 100 times as many galaxies as in the Hubble Ultra Deep Field. The new portrait, a mosaic of multiple snapshots, covers almost the width of the full Moon. Lying in this region is the XDF, which penetrated deeper into space than this legacy field view. However, the XDF field covers less than one-tenth of the full Moon's diameter.

 

The Hubble Legacy Field is located in the constellation Fornax.

 

Credit: NASA, ESA, and G. Illingworth (University of California, Santa Cruz; UCO/Lick Observatory)

 

For more information, visit: hubblesite.org/contents/news-releases/2019/news-2019-17.html

 

Find us on Twitter, Instagram, Facebook and Youtube

 

Taxonomía: El bigotudo (Panurus biarmicus) es el único representante en nuestro país de la familia Timaliidae. Su nombre común es consecuencia de la peculiar coloración facial de esta especie.

 

Identificación: Esta especie suele medir unos 16 cm y puede pesar hasta 15 gramos.

Es fácilmente identificable por su larga cola y por el curioso diseño de sus alas. Los machos adultos presentan una cabeza y parte del pecho de tonos grisáceos, con dos grandes rayas triangulares que empiezan entre el ojo y el pico y bajan hasta ambos lados de la barbilla. Su cuerpo es de color canela con tonos naranjas, y en las coberteras primarias observamos dibujos negros con bordes blancos. Las infracoberteras caudales en los machos también son negras. Su pico es de tonos naranjas, y el iris amarillento.

Las hembras son más discretas, sin bigotes negros, la cabeza tiene también tonos marrones y puede tener algunas manchas oscuras en el píleo. El iris suele ser amarillento.

Los juveniles tienen una coloración general es más amarillenta, y en el dorso se pueden observar también algunas franjas oscuras (sus alas son también más negras). No presentan bigotes.

En ambos sexos las patas son oscuras, prácticamente negras. Su cola es proporcionalmente larga.

Plumaje: 10 primarias, 6 secundarias, 3 terciarias y 12 rectrices. Realiza una muda posnupcial completa.

 

Variaciones geográficas: En España encontramos la subespecie Panurus biarmicus biarmicus.

 

Especies similares: Es una especie muy particular, por lo que no existen en nuestro país otras especies similares.

 

1903

This mercantile building represents one of the finest complete works of art nouveau in Ljubljana. The year on the facade tells us that it was built in 1903, on the site of two smaller suburban buildings that had been severely damaged in the earthquake. Ljubljana merchant Felix Urbanc combined three lots and in July 1902 submitted an application to the city authorities for planning permission to build a three-storey retail building.

 

He entrusted the plans to the Graz architect Friedrich Sigmund, and in the opinion of some art historians, this was supposedly the architect's highest-quality work. The concept of the store as a single sales premises, which was linked via a monumental staircase to a walk-through sales gallery, was reminiscent of the department stores of that time in Paris, Vienna or Budapest. In his plans, Sigmund also supposedly drew from some Budapest department store.

 

The Urbanc Building has a ground plan in the form of an irregular pentangle. The main facade, which is just 5.5 metres wide, faces Prešeren Square, and in so doing softens the otherwise acute-angled corner between Miklošičeva and Trubarjeva streets, and forms the facade of the square; after the earthquake this evolved from a suburban crossroads into a new urban space, and in the words of architect Maks Fabiani it became "in many respects the centre of the city". The interior houses a five-cornered sales hall, which extends over two floors designed as a gallery space. The gallery is reached by a fabulously designed three-sectioned staircase, which lies on an axis with the entrance and begins with a rounded landing, which divides elegantly into two staircase wings that then wind in a narrow arc up to one and the other side of the gallery. The staircase is supported by two types of pillar, and above the arch between them stands the statue of a woman personifying crafts.

 

At the beginning of autumn this year, this retail building became Galerija Emporium and shine in all its grandeur.

Astronaut Christina Koch captured these photos of a Webb pin and sticker while on the International Space Station. The social media accounts released these to celebrate our launch.

twitter.com/Space_Station/status/1474822751915589641

 

Credit: NASA/Christina Koch

  

Land upon which the Catholic Church has established the buildings that represent the hub for the local Catholic community was originally part of 13½ acres purchased by William Robinson in 1864. After the land passed to his widow in 1884, James Robinson acquired title to the property in 1892. This farmer of Dingo Head, Teleman Crossing Upper Logan, retained the property until it was transferred to the War Service Homes Commission in the late 1920s.

 

At this time Gaythorne / Mitchelton was beginning to become more densely settled. The train line to Enoggera had been operating since 1899 and extended to Gaythorne (initially Rifle Range) in 1916 and Mitchelton in 1918. The Rifle Range, from which originated Gallipoli Barracks, was officially established in 1908. With the advent of World War One (1914 - 1918) the Range became a recruit training area as well as a staging camp. Military personnel and their families contributed to the population growth in the adjoining suburbs. Residential estates such as Lade’s Paddock, the Brookside estate and Oxford Park estate were offered for sale in the first two decades of the twentieth century. Population growth in the area warranted the establishment of the Enoggera (originally called Grovely) State School in 1916.

 

At this time Catholics in the developing local community travelled mostly to Alderley to the first St John the Baptist church (built 1908) to receive the sacraments, and during the 1920s also worshipped at the chapel of the Redemptorist Order of monks in Church Road. James Duhig, Catholic Archbishop of Brisbane bought the 3 subdivisions on the corner of Samford Road and Suez Street from the War Service Homes Commission in May 1928. The first Church of Our Lady of Dolours was produced by transforming the house on the corner of the site when it was purchased. At the opening ceremony on Easter Sunday, the 19th of April 1930, Archbishop Duhig commented that the drive to Mitchelton had become familiar “during the sad days of the Great War … when our soldiers were being trained for overseas in that big area that surrounded the White City”. From being “scarcely more than a name” Mitchelton then was becoming “one of our most rapidly growing suburbs” with “its picturesque slopes and hill-tops now being covered with beautiful villas”. By June 1941, when the Mitchelton Presbytery was completed and blessed, there were about 140 Catholics in the parish. During World War II the Mitchelton parish priest ministered to the needs of the parish as well as carrying out duties as an Army chaplain and chaplain to the nearby Good Shepherd Convent.

 

The parish priest of the time (1960s), Father Nugent, had travelled overseas and did extensive research to try to ascertain what the changes might be. He told the architect that he wanted a “church that could be seen from all over the parish” and had “the congregation … as close as possible to the altar”. The accepted design produced by Hargraves had the altar sited so the priest could stand either in front or behind it. The new church, designed by architectural firm Cullen, Fagg, Hargraves and Mooney, opened in 1964.

 

The church received a commendation in the ‘Building of the Year’ category of the 1966 Royal Australian Institute of Architects awards for Meritorious Architecture. It was built at a time of significant changes to liturgical practices introduced by the Vatican Council in Rome and may have been one of the first churches in Australia to have a free-standing altar. Our Lady of Dolours was certainly the first church built in Brisbane and probably Queensland to provide for changes in the liturgy and is one of the earliest churches in Brisbane to have the congregation’s pews arrayed around the altar. The church is also a War Memorial “commemorating all Australian Servicemen … fallen in the war”.

 

Source: Brisbane City Council Heritage Register.

Semaine 48, Cette image représente l'intérieur de la Biosphère de l'île Sainte-Hélène de Montréal, la photo à été prise à l'intérieur de la sphère. Cette image a été prise avec un sténopé panoramique anamorphique de 20 par 24 pouces. Voir les détails ici :

www.flickr.com/photos/ericconstantineau/sets/721576239717...

 

Appareil : Anya, sténopé panoramique anamorphique 20x24

Lentille : sténopé à focale variable

Film : Papier Kodak FB

Développement : Ilford Multigrade, développement par inspection

 

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Week 48, this image represents the inside view of the Biosphere on Sainte-Hélène island in Montréal. The photo was taken insode the sphere with a panoramic anamorphic 20-x24 pinhole camera. Details here : www.flickr.com/photos/ericconstantineau/sets/721576239717...

 

Camera : Anya, panoramic anamorphic 20x24 pinhole

Lens : variable focal length pinhole

Film : Oriental VC RC Paper

Processing : Ilford Multigrade, processing by inspection

 

404 represents the batch of five E400's that Newport bought in 2012, the last double deckers purchased new by the undertaking. Since then, Newport has tapped into the ex London secondhand market for it's double deck purchases.

 

Operator: Newport Bus

Registration: SN62 AOX

Fleet number: 404

Chassis & Body: Alexander Dennis Enviro 400

Seating: H41/31F

Date new: November 2012

Location: Duffryn Drive, Newport

Date: Tuesday 12 September 2017

For ABCs and 123s group, Letter M for Me, My doll that represents Me, and Masks.

  

(20201225_135834ME&MyDollDarkbutSomeTUresamInitMirCorFlickr122520)