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Cripta (1479-1482). Grupo escultórico que representa al Cristo Redentor entre San Luis IX y el beato Bartolomeo de Breganze de Girolamo Pittonni.
Santa Corona es una iglesia católica romana de estilo gótico. Contiene la capilla Valmarana (circa 1576), cuyo diseño se atribuye al arquitecto renacentista Andrea Palladio . El mismo Palladio fue inicialmente enterrado en esta iglesia.
La construcción de la iglesia fue iniciada en 1261 por el Beato (Beato) Obispo Bartolomeo di Breganze para albergar una espina de la supuesta reliquia de la corona ( corona ) de espinas impuesta a Jesús durante su pasión . La espina le había sido entregada a este obispo como regalo de Luis IX de Francia. [1] La iglesia perteneció a la orden de los dominicos hasta su supresión durante la era napoleónica.
The color green represents envy and jealousy. The phrase "green with envy" is a fairly common saying that is said to come from Shakespeare's metaphorical use of color in both Othello and The Merchant of Venice. In Othello, Iago uses "green-eyed monster" to describe the jealousy that threatens to drive Othello mad.
+++Credits+++
-Dress-
*SPONSORED*
--Asteria - Harley Gown--
This gown is absolutely sexy and beautiful. The Skirt can be removed for a show stopper lace one piece. Comes in many colors and will look good one any skin tone.
RIGGED FOR: Lara + Petite/ Larax+PetiteX/ GenX/ Reborn +Waifu/ Kupra/ Legacy+Perky/ Senra
-Hair-
Stealthic- Dice
-Jewelery-
--Nose Ring--
YsoraL
--Earrings--
Kunglers-llza Earrings
--Nails/rings--
Pure Poison- Octavia
--Neck Diamonds--
Fakeicon/Mary Gems
-Shoes-
SPONSOR
--{Le'La} - Elene Heels
These beautiful shoes are a must have in any ladies wardrobe. Shoe/gems can be color changed through a hud.
Rigged for Old Belleza, Erika, Khara, Kupra, Legacy, Maitreya, Peach, Reborn.
Flickr: www.flickr.com/photos/135399508@N05/
Facebook: www.facebook.com/groups/343571729606756/
While this may not be the most artistic shot I've ever taken it represents a pretty lucky catch for me. While a South Shore job works their yard in Burnham, IL a 1x1 unit coal train off of UP and bound for NIPSCO at Michigan City with a South Shore crew in the cab rolls by on the main. Catching the NIPSCO train under wire and at a distinctive South Shore location was a winner for me. Fortunately with the 'flying camera' I could adjust to both trains moving to catch a workable shot. Burnham, IL 9/30/2022
An attempt to pictorially represent the concept of sound and, especially, eerie noises echoing through a haunted door or gate…
The shot was inspired by Edgar Allan Poe's troop of echoes which came flowing through the door in his poem lines of ‘The Haunted Palace.’
Cream and Crimson window decal representing Indiana University. The primary campus (9 total) is located here in Bloomington,IN. My parents, my spouse, my four daughters and I are alumni. My oldest granddaughter will likely enroll for the 2021 freshman class. (I assumed that “Black” is not a color per se. The subject of Black/White as color is debated on the web with no true consensus.) The decal is on a dark rear widow of my MINI which I selectively under exposed to achieve the background.
maps.secondlife.com/secondlife/Nivenia/98/90/22
This is the poem displayed on the table:
The Fallen Soldier's Table
by Jon M. Nelson
The rose stands for the family with faith and love for those who serve,
They're held with the highest respect for that's what they deserve.
A yellow ribbon is for the loyalty waiting for those serving abroad,
As we pray that they're watched over and kept close to God.
An inverted glass represents that the fallen can no longer toast,
They cannot be an honored guest or such a gracious host.
A lemon wedge represents the bitter loss of the fallen soldier's life,
That causes so much pain like the sharp edge of a knife.
The salt is put in place for all the loved ones' shedding tears,
For the soldier is no longer present to help calm our fears.
The candle stands tall for the blood that the soldier shed,
It holds a place of honor and represented in red.
The empty chair symbolizes the missing comrade who isn't here,
Now it stands alone for the voice that we can't hear.
Although painted to represent a USAAC OA-10 Catalina based in Halesworth, Suffolk in WW2, this is actually an ex Canadian example which served the RCAF as '11005'.
The original 433915 aircraft operated out of Halesworth airfield in the role of air sea rescue during 1945 and on 30th March that year after landing to provide help to of all things another stricken flying boat the aircraft lost use of one engine. With high seas that meant she was stuck just a few miles off the Dutch coast. Whilst bobbing around on the surf on the first night a pair of ME210's strafed the Catalina to such an extent that she was listing and no longer airworthy. Four days later after enduring constant seasickness and regular immersion in freezing sea water the crew were rescued by a launch sent out from Great Yarmouth. A second launch then destroyed and sank the Catalina rather than have her fall into enemy hands.
For the above reasons the preservation society chose to adopt the identity of the sunken sister aircraft. The preserved aircraft is now based at Duxford with Catalina Aircraft Ltd.
Photographed at Boulmer during a walk from Craster to Alnmouth last week.
CAKEDAY. June 13th 17:00 SLT. Unrigged/Resize. Six (6) preset colour options.
■ FATPACK HUD allows customization to change different surfaces each with 20 different options.
■ Materials and specularity maps included.
Hope you enjoy!
This image represents a few hours of experimenting to try and create something worth photographing, as is often the same with water droplet refraction photography. I used some fun new tools to do this, too!
First off, the “behind-the-scenes” image illustrates everything pretty well: donkom.ca/bts/_1090402.jpg . I’m using a Platypod Max with some gooseneck arms and a couple of Litra torches for all of the lighting here, which you can currently get all together as a bundle from Platypod as part of their Black Friday special: platypod.com/black-friday-2019
I cannot recall where I got the black porcelain container, but I know previously I’ve found bowls at thrift stores that work: you need it a couple inches deep with a relatively flat bottom, because under the water you’ll place a “third hand tool” that clamps the foreground object – in this case, a Dandelion seed. The clamp doesn’t have to be very far submerged, so long as no light falls on it and the camera is perpendicular to the surface of the water, the reflection will overpower it.
The Camera and lens is the Lumix S1R with the 24-105mm F/4 kit lens, a great combination for macro when paired with the “high-resolution” mode. This mode allows for the camera to quadruple its resolution by taking multiple photos and slightly shifting the sensor between each shot to really amplify your details, which indirectly overcomes a problem in macro photography: depth of field. I don’t need a 187MP image, but I can shoot an image with such detail with the intension of throwing most of it away via cropping. I only really need a 20MP image, which is what I’ve got here! Getting farther away from your subject gives you more depth, so the best part of this? No focus stacking required. This is just a single frame.
I love the gooseneck arms which are so much easier to position for shots like this than a flash or even a continuous light on a tabletop tripod; you can get the slight very close and accurately placed to the subject. This is important, because the light is not hitting the Dandelion seeds, it’s just hitting the background!
Simple ingredients at play, and we have some fun results. Originally I was going to use three seeds, but two just felt better, like two people dancing. It’s difficult to anthropomorphize water droplets, but I think this comes close!
If you haven’t seen my new macro book, it’ll be out in Q1 2020 and can be pre-ordered here: skycrystals.ca/product/pre-order-macro-photography-the-un...
Although Pacific Harbour is 2.5 hours drive from Denaru, it is well worth the 5 hour return trip to dive with the bull sharks! Beqa Adventure Divers were awesome and provided not only the safety (of divers and the sharks) as well as the background on conservation and diversity of the sharks. In particular, the feeding is not done every day and that biopsy tests have shown that the tuna heads that they eat represent about 1% of their diet ie they eat a lot elsewhere as well.
There were about 25-35 bull sharks for the first dive at 30m and 25-30 bull sharks on the second dive at 25m. In addition, they have 2 other depths where we saw different sharks and sizes down to 0.5m sharks at 4m depth.
A wonderful day and I will definitely to it again (albeit expensive) if I go back to Fiji!
Please read the website at fijisharkdive.com/diving/shark-diving/
about their conservation work. There is nothing else like this in the world and I am convinced that this practice is not harmful.
In Old Chinese Folklore, Xi Wangmu was the Queen of the West and deemed immortal. Later, during the Tang Dynasty (618-906 AD), she became Daoist and forbade women to sing or do anything not considered correct for the Chinese women in the family. A young girl mourned that she could never sing, and she was told to find 'the bluebird of happiness'. Her story stopped there, so we don't know what happened.
The bluebird is supposed to represent Happiness and Cheer, in the folklore of many countries since then, in Operas, plays, and songs; Namely "Somewhere over the Rainbow"; Harold Arlens wrote the song in 1938 (The Wizard of Oz:"Somewhere over the Rainbow, Bluebirds fly"
Jumping to now, here are some Bluebirds at the mealworm feeder in the back yard...I hope they continue into Spring and build their nests here for many chicks!
Where ever you are or a believer (Do you believe in fairies?), I hope you find your own Bluebird of Happiness!
Villa Ortiz (Estación Coronel Mom) (más conocido como Coronel Mom, o simplemente Mom) es una localidad del Partido de Alberti, Provincia de Buenos Aires, Argentina. Cuenta con 815 habitantes (INDEC, 2010), lo que representa un descenso del 5% frente a los 857 habitantes (INDEC, 2001) del censo anterior.
Coronel Mom es una estación ferroviaria del Ferrocarril Domingo Faustino Sarmiento de la Red Ferroviaria Argentina, en el ramal que une las estaciones de Suipacha y Bayauca. o presta servicios de pasajeros. Sus vías están a cargos de la empresa Trenes Argentinos Cargas,sin embargo las vías se encuentran sin uso y en estado de abandono.
Recibía los servicios provenientes de Once con destino a Lincoln, General Villegas y Realicó. No posee servicios de pasajeros desde 1994.
El tren que transformaba lo cotidiano en mágico
Por Alberto Jesús González
DNI 23.215.534
Coronel Mom, provincia de Buenos Aires
Como tantos, mi pueblo surgió a la vera del ferrocarril y por consecuencia directa del paso del mismo. Corría el año 1907 y el ramal, que luego recibió el nombre de Domingo Faustino Sarmiento, comenzaba a extenderse desde Capital Federal hacia el oeste de la provincia de Buenos Aires y al establecerse la estación, que años más tarde se iba a llamar Coronel Mom, un puñado de casas comenzaron a levantarse alrededor de la misma.
Esta puede ser la historia de innumerables poblados de todo el país, que al igual que mi pueblo, Villa Ortiz .en honor a Alberto Ortiz, propietario de las tierras donde se erigió el mismo., se conformaron a partir del paso del primer tren. Y fue tanta la importancia del tren como motor de vida para las pequeñas poblaciones que Villa Ortiz, también como muchos pueblos del interior, es en realidad, mucho más conocido en la zona, la provincia y por que no el país, con el nombre de Coronel Mom, precisamente la denominación de su estación ferroviaria.
Resulta casi imposible de imaginar lo que los primeros trenes, allá por principios del siglo pasado, provocaban en las sensaciones o sentimientos de la gente. Enormes moles de hierro y humo que con sus sonidos hacían temblar la tierra y seguramente a más de algún desprevenido espectador.
Sí, espectador, porque durante tantísimos años el tren, el simple hecho de observar su paso, era una de las citas obligadas de mis abuelos, por no decir una de las pocas diversiones que podía entregarles un pueblo demasiado pequeño para tantas cosas.
Y esta sencilla acción que puede parecer no implicar muchos matices a su alrededor, tiene en cambio una o varias explicaciones.
No se trataba pura y exclusivamente de una diversión, más allá de que sí lo era, sino que el tren arribaba los viernes por la noche, procedente de Buenos Aires, y volvía a pasar los domingos por la tarde retornando hacía la capital de nuestro país. Lo cual significaba que irremediablemente los viernes llegaban familiares o amigos para disfrutar durante todo el fin de semana de la tranquilidad que podía ofrecerles este pueblo.
Todos, esa gran parte de los habitantes de Villa Ortiz, que concurrían cada viernes y cada domingo a la estación de trenes, vestían sus mejores ropas, porque se trataba indudablemente de un gran acontecimiento social.
También, debo narrarles, que los motivos y los fines que movían a cada segmento de la población a concurrir a observar la llegada del ferrocarril no eran los mismos, más allá, insisto, de que era un denominador común para todos el tomarlo como una diversión.
Por lo tanto, para las señoras mayores, que son un poco más proclives a los comentarios, se trataba de ir para enterarse y ver qué familias recibían visitas. Por su parte, los señores mayores iban para acompañar a sus esposas, pero más de una vez veían descender del tren a alguna novia de su juventud o a aquel amigo que tantos años hacía que había abandonado el pueblo, obviamente, una u otra situación provocaba un sentimiento de nostalgia irrefutable en ellos.
Y los jóvenes, los que no pasaban los veinte y algo de años, concurrían porque si llegaban parientes de alguna de las familias de la localidad, seguramente también lo hacía alguna bella chica que tal vez, a la vuelta de la vida y después de algún guiño del destino, podía ser la futura madre de sus hijos. Cuántas parejas se formaron ciertamente a partir del flechazo de esa primera mirada que se dio en el andén de la estación.
Pero la otra cara de la moneda, para muchos, era el tren del domingo porque se trataba de esa maldita máquina que llegaba para llevarse, y quién sabe hasta cuando, a la novia, o al novio, o a algún nieto, o en fin, a un ser querido que iba a extrañarse bastante.
Pero así como el progreso trajo innumerables factores positivos también impuso algunos que fueron lo contrario. Cada vez hubo mejores caminos y rutas, además de vehículos cada vez más sofisticados, por lo tanto, el viajar en tren pasó a ser algo demasiado lento y hasta incómodo, y como consecuencia, poco rentable para las empresas ferroviarias.
Y así llegó ese nefasto día en que pasó por la localidad el último tren de pasajeros. Un día que seguramente nuestros abuelos nunca imaginaron que llegaría; cómo podían hacerlo si el ferrocarril era todo o casi todo para muchos de ellos.
Pero llegó y cuando el último tren dejó la estación y comenzó a marcharse fue como que con él también se marchó una parte grande, importante y en cierto modo legendaria de la historia pasada del pueblo. Tal vez suene demasiado exagerado pero el último tren casi firmó la partida de defunción de este pueblo, es que luego en forma lenta pero inexorable los habitantes fueron siendo cada vez menos.
En mi caso, sólo llegué a vivir los últimos años de este medio de transporte que tan ligado está al desarrollo de innumerables pueblos del interior del país. De todos modos, me atrevo a afirmar que el tren de pasajeros le daba otra vida a mi Villa Ortiz, por eso cada vez que hago referencia al tema es imposible que no me invada la nostalgia y se me escape alguna que otra lágrima, fundamentalmente por mis padres y mis abuelos, ya que fueron ellos los que tras la partida del último tren tuvieron que aceptar con resignación que sus hijos comenzaran a marcharse en búsqueda de un futuro mejor…
Publicado por editor el Jueves 31 de Agosto de 2006
Protea is both the botanical name and the English common name of a genus of South African flowering plants, sometimes also called sugarbushes or fynbos. In local tradition, the protea flower represents change and hope. The extraordinary richness and diversity of species characteristic of the Cape flora are thought to be caused in part by the diverse landscape, where populations can become isolated from each other and in time develop into separate species. The main vectors responsible for the transfer of pollen in protea cultivation are birds, insects, and wind. Some Protea species exhibit both self-pollination and cross-pollination as a method of reproduction. Cross-pollination is preferred, though, as a method of reproduction because it provides genetic diversity in the population. When cultivating proteas, breeders use hand pollination as a controlled method to transfer pollen from one flower to another. Proteas usually flower during spring. The general structure of their flower heads consists of a mass of flowers on a woody receptacle. The ovary is protected by the receptacle, thus is not seen when looking at the flower, but the anthers are present at the top of the flower, which can then easily transfer the pollen to the vectors. 17529
Representing an interesting situation that never occurred a North Shore Electoliner and a South Shore "800" sit side by side at the Illinois Railway Museum during a night photography session.
Chouette lapone | Great Grey Owl | Strix nebulosa
Merci Annie et Patrick!
La toute gracieuse Lapone
Arrivée vers la fin de l'après-midi, je l'ai observé comme un bon nombre de photographes, se reposer à l'orée du bois devant un grand champ de graminées, alors trop bien cachées dans les petites branches d'un arbre pour la photographier avec satisfaction. Lorsqu'elle a commencé à s'activer, peu de temps avant le coucher de soleil, elle est rentrée plus en profondeur dans le boisé, disparaissant ainsi de notre vue. Presque tout le monde a quitté devant l'heure tardive et en absence de rayons de soleil, plutôt dépité par ce départ inattendu de la grosse bête. Tous et toutes rêvaient de la voir se percher sur un petit arbre ou arbuste au milieu du champ et se mettre en chasse aux petits rongeurs. Arrivé à ma voiture, au moment où le soleil se couchait, après avoir rangé une partie de mon matériel, j'ai gardé ma caméra avec moi et je suis allé jeter un dernier coup d'œil derrière le stationnement où se trouvait une longue petite bande de champ longeant le boisé où elle s'était engouffrée. À peine avais-je le temps de débuter mon exploration que j'aperçus au loin un photographe observant la lisière du bois. C'était mon bon ami Patrick. Arrivé près de lui, il m'a montré la belle Chouette tant convoitée, cachée par des branches dans un petit arbre tout près devant nous. Il ne restait alors qu'une dizaine de minutes de lumière, ce qui représentait tout un défi à main levée, ayant laissé mon trépied à la voiture. Quelques minutes par la suite, elle s'est déplacée au sommet des petites branches d'un arbuste où elle s'est présentée à nous tout dégager pour amorcer sa première chasse de la nuit naissante. Tous deux, seuls, avec grand bonheur, nous avons eu le privilège de la capter pendant qu'elle regardait un peu partout et parfois en notre direction, comme nous le voyons sur cette image. Peu de temps après, elle a plongé dans la neige sans y réussir toutefois sa chasse. Il faisait alors trop sombre pour capter convenablement la scène. À peine qu'elle se fût à nouveau perchée, un Grand-duc d'Amérique a survolé très haut le secteur avant de se percher à son tour au sommet des arbres bordant le boisé. À sa vue, la Lapone à quitté le secteur pour se réfugier dans le boisé. C'est ainsi que, pour nous, le rideau s'est fermé sur ce merveilleux après-midi d'hiver. Merci encore, Patrick!
ƒ/4.5 | 1/60 sec. | ISO 640 | - 2/3 EV
Located in Independence park, Santo Domingo.
These statues represent the leaders who led the struggle for independence.
Détail de la statue en chêne polychrome représentant Saint Georges combattant le dragon (150 x 147 x 60 cm) réalisée par un auteur anonyme au XVIIe siècle. – Église Saint Jean-Baptiste (Schulen, province de Limbourg en Belgique).
The art representing Wales on the Millennium walkway in Cardiff
Brilliant works of art have appeared on the riverside walkway near Cardiff's Millennium Stadium in time for the Rugby World Cup.
The street art represents the teams playing in the tournament and has appeared in the last few days.
It is part of a Grow Wild competition hosted by the Royal Botanical Gardens, Kew, and the Big Lottery Fund.
This view represents a vehicle that not only served in the Hartlepool fleet for many years, but which survives in preservation. Roe-bodied Leyland PD2 BEF 28C (fleet number 28) was one of a pair delivered in 1965 but looks older by virtue of its exposed radiator, a feature that had become increasingly uncommon by that time. Hartlepool's sole concession to modern trends (as far as double-deckers were concerned) was to fit platform doors to some of its PD2s - no doubt greatly appreciated on the exposed coastal road to Seaton Carew. These were the company's last double-deckers, with the fleet progressively becoming all single-deck.
One of the PD2s was converted to open-top and number 28 lingered as a training and special event vehicle, ultimately passing to Eastern Scottish for further use as a training vehicle (retaining Hartlepool livery throughout its stay). Nick Larkin bought it for preservation and I came across it at the 1994 Delaine Running Day looking a little worse for wear. This digital representation is based on preserved Lincoln Corporation RFE 416, photographed at Lincoln in 2009 (18-Jan-10)
STRICTLY COPYRIGHT: You may download a copy of any image for your personal use, but it would be an offence to remove the copyright information or to post it elsewhere without the express permission of the copyright owner.
#Post02
Sweatpants - [RED GIRL ] - Chrom Sweatpants
Pullover - REPRESENT - Essential Pullover Hoody "Noir"
Sneaker - [VERSOV] JUMPOV_GROUPGIFT
Pose - WRONG - Static Male Poses - 14
IMGP3502 PASÍFAE
Tomada este verano pasado en mi ciudad natal Vilanova i la geltrú (Barcelona).
En el espigon central de la playa de Ribes Roges de Vilanova i La Geltrú, hay una enorme escultura de cobre, cuyo peso alcanza las tres toneladas. Se trata de una obra del escultor local Óscar Estruga, convertida ya en símbolo de la ciudad y que representa un gigantesco toro que alberga en su interior una hermosa figura femenina desnuda.
A orillas del mar Mediteráneo, el mismo mar que baña la isla de Creta, la obra de Estruga constituye una alegoria de Pasífae, una de las mayores leyendas conocidas que liberó del miedo a todos los pueblos de dicho mar.
Óscar Estruga, nace en Vilanova i La Geltrú el 1933, de carácter más bién silencioso, generoso y detallista. El 1959 se marcha a Madrid y allí se dedica todo el tiempo al cultivo de sus obsesiones: el dibujo, la pintura, el grabado y el sueño de la escultura con hierro, acero y bronze.
Oscar Estruga mantiene la curiosidad para descifrar los mitos antiguos que todavia nos acompañan. En su obra, los dioses y los héroes presentan todo su esplendor. Quiere prolongar su particular jardin del Edén en su obra, que nos devuelve al retiro originario y primitivo. Una de sus obras más brillantes y fantasiosas es Pasífae en Vilanova i La Geltrú, localidad que le vió nacer.
En el pedestal de la estatua que aquí quizás no se aprecia hay un escrito que dice: Pasifae, filla del Sol, va sofrir una boja passió pel bou més blanc del Ramat del seu espòs Minos, rei de Creta.
(Pasifae, hija del Sol, sufrió una loca pasión por el toro más blanco del rebaño de su esposo Minos, rey de Creta).
Moltes gràcies a tots pels vostres comentaris.
Muchas gracias a todos por vuestros comentarios.
Thank you very much to all for your comments.
This image represents the western part of the supernova remnant. I have taken this image under not completetly darkened skies. First I took the Ha images, then after 2:00 am (moon was set), I took the OIII data.
For blending channels, I used "Pixelmath" in Pixinsight. This is the "classical" HOO image. H-alpha to red only and OIII to green and blue. The red is coming out best this way, I think. When I take e.g. 30% ha in the green, the red is more orange like.
I also made an artificial luminance image and added the ha channel to the OIII channel. After that, I did my common processing steps (DBE, Deconvolution, Morphological Transformation, HDR,Unsharp mask...).
I am qute happy with the data I have captured in just 3 hours.
-- EQUIPMENT ---------------------------
Camera: SBIG STF-8300
Filterwheel: SBIG FW8 (8 x 36 mm)
Filters: Astronomik Ha, Astrodon RGB
Telescope: APM 107/700 apochromatic refractor w. Riccardi Reducer 0.75x (525mm f/4.9)
Guiding: SBIG OAG with Starlight Xpress Lodestar X2
Software
Capturing: Sequence Generator Pro
Mount control: AP V2
Guiding: PHD2
Processing: Pixinsight
-- Details -----------------------------------
Date: 29th July 2020
Location: My backyard
Temp CCD: -10°C
Pixel size: 5.4 μm
Pixel scale: 2.1 Arcseconds per pixel
-- Exposures ------------------------------
Ha: 5 x 20 min
OIII: 4 x 20 min
Total integration time: 3 hours.
This art-in-motion sculpture represents the history of transportation and honors the last brick street remaining in downtown Asheville. Beginning in 1890, bricks were the paving of choice in the city. Turn the wheel to the right to hear 11 different sounds. Cross Walnut Street and proceed up North Market Street.
Asheville Public Art Map on GOOGLE:
www.google.com/maps/d/viewer?msa=0&mid=1LYYFBQxT1rndr...
Asheville is a city in, and the county seat of, Buncombe County, North Carolina, United States. It is the largest city in Western North Carolina, and the 12th-most populous city in the U.S. state of North Carolina. According to 2019 estimates, the city's population was 92,870. It is the principal city in the four-county Asheville metropolitan area, with a population of 424,858 in 2010.
Este collage representa 12 tesoros recogidos a lo largo de 50 días de viaje por India, Malasia y Singapur.
He tratado de recoger los momentos visualmente más coloridos de un viaje muy especial para mi, y que quiero compartir con todos vosotros.
1. Maternidad: flic.kr/p/YfZR9F
2. La noche: flic.kr/p/YfZRYB
3. Alguien que juega: flic.kr/p/WZic1y
4. Una sombrilla o paraguas: flic.kr/p/YfZSpr
5. Rayas: flic.kr/p/XDZAQ5
6. Un desconocido de espaldas: flic.kr/p/YfZPvR
7. Religión: flic.kr/p/Y3E4Pt
8. Libros: flic.kr/p/XDZwsh
9. Agua: flic.kr/p/XDZs2y
10. Un dúo: flic.kr/p/YfZTSM
11. Círculos: flic.kr/p/XDZt8m
12. Una vista desde las alturas: flic.kr/p/Y3E5Y2
(Os confieso que mi idea original era realizar dos collages: uno para India y otro para Malasia; pero en este segundo no pude por menos que incluir algunas imágenes de India para completar lo que buscaba: un conjunto muy llamativo visualmente y que reflejara el color de tres países completamente diferentes. ¡Me habría encantado añadir muchas otras fotos que se han quedado en el tintero, pero el reto por encontrar la mejor combinación ha sido muy entretenido!).
2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary by publishing a book to showcase some of the members work, past and present, from 1971 to the present day. The book contains 14 chapters and 144 pages of photographs depicting the work of over 50 accomplished railway photographers with many differing styles and approaches. It takes an alternative view on photographing the railway scene over the past 50 years. The book, called 50 Years of Phoenix will be published on 14th May 2021 with pre-orders now being taken – click on this link to order your copy: www.mortonsbooks.co.uk/product/view/productCode/15554
Why not take a look at the PRPC web site at www.phoenix-rpc.co.uk/index.html.
Nature representing a form of symmetry
If you view large, you can notice small white dots in the distant surface. These are birds "Súla" diving from the sky and making this splash effect.
Ef þið skoðið hana stóra má sjá hvíta depla í sjónum, en þetta eru Súlur að stinga sér eftir æti. Þetta var eins og orustuvöllur á tíma.
Magnifiques blasons très représentatifs de l'Art Héraldique sont situés sur la terrasse du château qui recueillait les eaux de pluie qui remplissaient la citerne au-dessous.
REPRESENT. has relocated and is now re-opened in a Temporary location until thew new build is finished. All items including; the Cashmere and Wraith collections released in this years MWFW are available. Please be sure to update your Landmarks.
If you haven't already... be sure to head over to Facebook and like the REPRESENT. page.
Also join the REPRESENT. flickr group for releases and updates! Be sure to share your amazing posts and photos etc. "Representing" lol :P
_REPRESENT. TEAM
It was pouring rain when I visited.
Excerpt from Wikipedia:
It is the oldest museum in New Zealand.
The museum underwent extensive renovations during 2011 and 2012, reopening to the public with a new name, Toitū Otago Settlers Museum in December 2012. A competition had been put to the community to submit possible complementary names for the new building, with the name Toitu suggested and submitted by the Holmes family. This name, meaning "to remain unchanged", represent the area of water, land, and sky of this particular area, and was the name of a former stream which ran close to where the museum now stands.
The improvements include a new structure attached to the northern end of the former building and increased exhibition size. The north wing includes a new main entrance, gift shop, and cafe, as well as housing Josephine, and is officially called the Josephine Foyer.
Shot on expired Kodak Ultramax 400. Find me elsewhere! Website Blog Twitter Instagram & please like Millie Clinton Photography on Facebook! These images are protected by copyright, please do not use them for any commercial or non-commercial purposes without permission. For licensing queries (or any other questions!) please email: enquiries@millieclinton.com
...at Beamish Museum in County Durham, represents the home of a well-to-do tenant farmer in the 1820s. Pockerley actually had a tenant farmer until 1990, when the hall was 'annexed' by the museum, opening to the public five years later following extensive development and restoration.
Pockerley (the name is derived from the Anglo-Saxon words 'pock' or 'pokor', meaning 'pimple' or 'bag-like', and 'ley', meaning a woodland clearing) has stood on its hilltop site for several centuries, the earliest record of a settlement dating from a rental survey for the Bishop of Durham in 1183, though its defensive attributes suggest that there could have been an Iron Age hill fort there. Pictured is the main farmhouse, or 'new' house – dating from the late 1700s! – with the adjoining (though never connected) mediaeval strong house, or 'old' house, to the right. In the foreground is the ornamental section of the Hall's terraced gardens.
This is a belated upload, following a lull in shooting that prompted me to trawl through my old photographs in search of any 'hidden gems' I might previously have passed over (as you do). The original colour shot pre-dates my acquisition of the Nik Collection, and I thought it was a good candidate for what has rapidly become my favourite preset in Silver Efex Pro: 'Antique Plate II', which I am still determined not to over-use! :-)