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Switching duties at the 175th railroad anniversary in Eystrup.
The Voith Gravita 10BB at the front is not active, the train is pushed by a MaK G1206 at the end. Of course remote controlled.
This stretch of road felt really 'in the middle of nowhere' and a lot more 'highland' than it actually is.
During this shoot, I took time off from shooting the Highland Cows after my attempts earlier in the year: www.flickr.com/photos/35179077@N02/8754613339
Although Yvonne who was also on the trip made the most of the opportunity to grab some close-up shots: www.flickr.com/photos/92160011@N03/10687724166
I was actualy just testing remote Picture transfair to tablet/smartphone/online Gallery/Google+/Picassa/Facebook
automatical update into online Private gallery and other stuff I still don´t know.
my freeze-frame image paralyzed in focus
is not controlled by this remote control
(Peixoto's Bar is all that gets me out of my pajamas
the Curitiban drinking honeyed rum in Copacabana)
Marcos Prado & Frederick G. Williams.
Sinéad's portrait.
Strobist:
- Speedlight 430 EX II @ 1/16, on silver umbrella, right
- Triggered with Cactus Remote v2
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We have far too many remotes for all our kit. I am looking to get a decent all-in-one remote but for the time being Danbo will have to struggle through.
A bit of a story behind this. I stopped in to Dodd Camera's downtown store, at E. 30th and Carnegie, to buy a camera battery. I figured I could just drive south on E. 30th and get on I-77. Nope. No left turn from E. 30th to the ramp. Followed signs to I-77, along run-down streets above the steel mills, and got to an entrance -- two days after it closed for 16 months. So there I was, lost, above the steel mills. Shucks. Of course, I drove down for a visit. As I was following Independence Road along the edge of this little yard, I saw a crewman walking next to a train. I quickly drove ahead and found a spot to jump out and grab a couple of shots. I didn't notice until I edited this how much the crew was enjoying the fresh air.
Spotted this, in use, as I headed home the other evening. It's been bought by Ipswich Borough Council to mow banks - like the one it's on in this photo.
Seminole Canyon State Park, Val Verde County, Texas. One of the more remote state parks, tucked into the southwest corner of Texas about an hour's drive west of Del Rio.
This area has been inhabited since the very earliest days that humans set foot in North America, going back nearly 12,000 years - back during the last Ice Age when the land was more verdant with now-extinct animals still roaming the surrounding prairies and forest. But over the millenia, the climate changed to its current, arid desert landscape - and the Indians adapted.
All through these years, the local Indians drew pictograms all over the surrounding canyon walls and caves. In the dry climate, protected by overhanging rock walls, many of these pictograms survived through the ages. Some of the more famous sites, such as the Fate Bell and Panther Cave, are the feature attractions of Seminole Canyon, and can be visited by guided tour through the park.
However, I have not yet visited these sites - instead focusing on other areas of the park. On the first visit (March 9th, 2008), I arrived after the park had closed for the day. I walked along the short 'Windmill Trail', a small loop near the visitor's center. This trail leads down to a small year-round spring and the ruins of a water catchment system that was used by local settlers over the past hundred years.
The return trip (September 27, 2008) was much more fruitful - I chose to hike the Rio Grande River Trail, a six-mile out-and-back loop that leads to the far corner of the park, almost a stone's throw from Old Mexico. With recent rains it was fairly lively and green, with countless butterflies passing through on their annual migration. The trail starts alongside the original 'Loop Trail', the 1882 railroad alignment that was abandoned a decade later when a less strenuous route was forged and the Pecos River High Bridge was built.
The trail itself is pretty boring - a flat, featureless hike across a nondescript desert plain. But the main highlight of the hike quickly comes into view. There is a mile-long spur shooting off to the left called the Pressa Trail, which leads to an overlook looking down at a three-way intersection in the Seminole Canyon below. Here, the waters from Lake Amistad many miles away along the Rio Grande peter out; to the right, the waters are wide and deep, muddied from the recent rainstorms. To the left, the two forks of Seminole Canyon are mostly dry. From the top of the overlook, sheer cliffs lead staight down over a hundred feet to the waters below. The view is, well, *breathtaking* - and worth the trip.
Back on the main trail, a few miles later it comes to an abrupt end at the junction where Seminole Canyon merges with the Rio Grande. The location overlooks the Panther Cave pictograms, on the opposite shore far below, accessible only by boat. To the right, a few hundred yards away, are the hills of Mexico. Here, the water is deeper, the canyons steeper, the chasm wider. An impressive view, although not as amazing as the Pressa Trail overlook.
From here, it is a straight hike back along the south portion of the loop, my only companion a great horned toad trying to hide in the gravel of the trail. I would like to return to this park to take the guided tours, and there are other tours available nearby on private land to other pictogram sites as well. And I am told this park is also fabulous for bird watchers as well.
Yippeeee, i got my eBay remote release for the camera today! how this should make life easier!!!!!
so first things first; lets do a jumping picture!!!! went out to do it with the moody sky in the back ground, but of course moody sky turned into rain! so i ended up down at the marina car park.
i think that there is something interesting about car parks they are very strange places, and have an ugly beauty (if you know what i mean) but alison thinks that they are just plain old boring.........is it just me?
anyway, this was taken with my new remote release, the D200, 18-200mm, SB-600 on tripod off to cameras left (or is it right, don't know which way i should be looking) on a cheap arse ebay trigger.
and i really enjoyed myself as it's my first proper experiment with off camera flash (strobist) although i did get some very funny looks from the people driving past!!!!!
Nikon D70, Sigma 12-24.
Camera is attached to ceiling with Impact Super Clamp. Triggered by IR Remote ML-L3.
2 SB-26 attached to ceiling with Spring Clamp, and aux-powered by Nikon SD-8.
Flashes syncs with alienbees cybersync. Not a single misfire. Thanks Paul C Buff! )
See this and this for detailed setup shoots.
If you are interested in print purchase, send me the flickr mail or contact via roman@makhmutov.com.
Remote Memories is an installation by the Swiss artist Yannick Jacquet. It was presented with a music by Before Tigers (from Belgium) at Stereolux during the electronic cultures festival Scopitone in Nantes, France.
More information at www.stereolux.org/scopitone-2017
"Remote Memories", est une installation par l'artiste Suisse Yannick Jacquet. Elle était présentée accompagnée d'une musique de Before Tigers (de Belgique) à Stereolux durant le festival des cultures électroniques et arts numériques, Scopitone à Nantes.
Plus d'information à www.stereolux.org/scopitone-2017
Brendan loves making silly faces! This story photo was taken during the filming of an object converation written by Rafael at Streamwood High School. He wrote a dialouge between a TV and a remote control. We created this cool effect using an old hollowed out TV.
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Google has finally released a version of the Android TV remote app for iOS and it works exactly as you might expect it to. As per usual, you’ll need your iOS device to be on the same Wi-Fi network as your Android TV and then...
www.smartphonesupdates.com/google-releases-android-tv-rem...