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Five pictures from the remote island of Steeple Jason in the northwest of the Falkland Islands. Clockwise from top left:
Albatross rookery (several miles long)
Southern sea-lion in the tussac grass
Bonding pair of black-browed albatross
Albatross silhouetted at sunset
Magellanic oystercatcher on colourful vegetation
This seems unnecessary as a remote as the seat and lamp controls are on a separate panel and the IFE is touchscreen
2009.04.20 - laniakea beach park, north shore of oahu
actually, L4's name is olivia dawn and that's a satellite transceiver on her shell. she is one of the many hawaiian sea turtles that are tracked by malama na honu
Nikon D70, Sigma 12-24.
Camera is attached to ceiling with Impact Super Clamp. Triggered by IR Remote ML-L3.
2 SB-26 attached to ceiling with Spring Clamp, and aux-powered by Nikon SD-8.
Flashes syncs with alienbees cybersync. Not a single misfire. Thanks Paul C Buff! )
See this and this for detailed setup shoots.
If you are interested in print purchase, send me the flickr mail or contact via roman@makhmutov.com.
We spent 4 days on the Isle of Skye last week and it only reaffirmed my opinion that it's one of the most scenic places in the UK. We stayed in a rented house, at the foot of the Black Cuillin range, which was 45mins from the nearest supermarket and doctor and had no mobile coverage - one of the most remote places I've spent any length of time at. Much is made of the unpredictable Scottish weather, and we did see glimpses of it (it hailed large chunks of ice and then completely cleared to blue skies within 20mins) but most of the time, we had glorious weather.
One of my favourite places in the world. I think I just might have to make another trip sooner rather than later!
Still sorting through my images from the trip, hope to have more up shortly. Hope you're all having a good one!
This one's definitely best viewed on black. Or hit L to view in the lightbox.
Remote Memories is an installation by the Swiss artist Yannick Jacquet. It was presented with a music by Before Tigers (from Belgium) at Stereolux during the electronic cultures festival Scopitone in Nantes, France.
More information at www.stereolux.org/scopitone-2017
"Remote Memories", est une installation par l'artiste Suisse Yannick Jacquet. Elle était présentée accompagnée d'une musique de Before Tigers (de Belgique) à Stereolux durant le festival des cultures électroniques et arts numériques, Scopitone à Nantes.
Plus d'information à www.stereolux.org/scopitone-2017
New TV so new remote, my previous Sony had numbers on bottom half so still getting familiar with this one.
Nowadays, car keys are not required to start the engine! Our hired car has one of these cool keys that is basically for locking and opening the car!
Just press a button and off we go!!
7 Days of Shooting Week #33 Technology Shoot Anything Saturday ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
De fotograaf, art-director of regisseur bekijkt het hoogtebeeld live op de laptop. Hier een Windows notebook. Het 4k beeld is verschrikkelijk goed. Teveel hoogte is onwenselijk, je wilt graag alle details kunnen zien. Het statief staat 4 meter onder de maximale hoogte. De camera-opstelling is te zien op de volgende foto. Een compleet nieuw perspectief.
SkyHD remote lying on our couch.
If you use this photo you MUST attribute with a link back to this page.
Success! In April 2012, our remote cameras captured wolverines in the Cascades, farther south than current researchers have yet to find them. This uncollared animal was photographed in the Chiwaukum Mountains, south of Hwy 2 between Leavenworth and Stevens Pass. Read more about the find on our blog.
About the remote camera program:
Volunteers head out into the field to help us better understand wildlife movement and animal presence in the Washington Cascades and beyond. Volunteers combine wintertime snow tracking with year-long remote camera work. Volunteer, sponsor a team
I spent a night with my friend Sparky who invited me to attend his visit to a local hobby club. It was a fun couple of hours of photo enjoyment for me.
Something i knocked up quickly to enable me to attach the wireless remote control onto the tripod (freeing up the hotshoe on the S100fs)
It just clamps onto your tripod leg and plug remote into camera.
You need:
1x Cold Shoe adaptor
1x Tool Clip (correct size to fit your tripod leg diameter)
1x 6mm long bolt
All parts are available on Ebay etc
Cheap and useful gadget?
“Of Gnomon” is a concept remote designed by James Gilbert-Milne.
It addresses the fact that Television remotes are often small and sleek and therefore easy to misplace. At the same time, manufacturers are continuously increasing the number of buttons and functions on the remote making the desired function more difficult to find.
It seeks to change the relationship between the television and the audience. It does so by taking the remote, a tool which is often undervalued and left lying around and increasing the size and removing unnecessary functions to turn the remote into a display piece. This means that it can be placed on a surface and left there.
The juxtaposition of copper, a material from antiquity; and plastic, a modern material, serves to create a timeless object which can be enjoyed and used by anyone. The inclusion of copper also gives an object a sense of greater value as it creates more weight in the object and separates it from the remotes we are usually exposed to.
“Of Gnomon” focuses on ease of use and aesthetics rather than small size and number of functions. In a world where objects are growing increasingly complex and frustrating, this remote provides a serene and gentle relief.
Descend from the high wolds near the remote villages of Guiting Power and Hawling, down towards Andoversford in the valley below. If you follow the old Gloucester road, rather than the busy A40 you will approach the twin villages as travellers have for hundreds of years. A ribbon of houses that skirts the margins of an infant River Coln, the waters of which glister over two fords and through many a clear pool between clumps of yellow flags, dividing the two villages.
Shipton or 'sheep farm' was divided into two parishes in the middle ages each with it's own small church, though they are barely a mile apart. Shipton Oliffe long in the ownership of the Oliffe family grew in importance and when the two parishes were united in 1766 St. Mary's Shipton Solers fell out of use. By 1883 St. Mary's was reduced to a cow byre and only the intervention of the rector Charles Pugh and his wife saved the church for future generations.
St. Oswald, Shipton Oliffe, a small Norman church with 13th century additions, stands below the level of the road. Once owned by the Abbey of St. Peter, Gloucester the church has a 13th century west bellcote with two bells above two gothic windows inserted by H. A. Prothero in 1903-4. A blocked Norman north door gives evidence of the church's early origins while the Early English chancel has retained many of it's original features including an east window with a shafted rere-arcade. The chancel has an Early Decorated south window, a stepped sedilia and a rare Late Decorated canopied piscina. A 13th century south chapel is separated from the nave by a two-bay arcade inserted by Prothero in 1904. The church has a Perpendicular octagonal font, a pulpit by W. Ellery Anderson 1937 and a plaster 19th century Royal Arms. There is an area of wall painting above the chancel arch which may be early 13th century and other texts of the 17th and 18th centuries. The east window has stained glass by Burlison and Grylls. In the churchyard are an interesting collection of tea-caddy tombs.
St. Mary, Shipton Solers was probably consecrated in 1212 as this date was inscribed over the chancel, a discovery made during the sympathetic 1929-30 restoration by W.E. Ellery Anderson. A simple 13th century church of nave and chancel with a west bell-cote added in 1884, lengthened in the Perpendicular period. Most of the windows reflect this 15th century refurbishment although a 13th century lancet survives in the chancel. North and south doors face each other across the nave, the south door appears to be late medieval. When passing through the Early English chancel arch you step down into the chancel, an unusual feature probably a consequence of the sloping ground. Perpendicular king-posts support a wagon roof with carved bosses. Consecration crosses painted in red lead survive in both nave and chancel, possibly late medieval in date, the nave walls have post-Reformation biblical texts. The altar is a 13th century stone mensa found buried beneath the floor during the restoration work carried out in 1929-30. An elaborate painted reredos was carved by Ellery Anderson in 1929, oak panelling was fitted at this time. The nave has a Jacobean pulpit with tester and a modern hourglass stand (the original was stolen) which dates from the 1660 Restoration when sermons were meant to last for over an hour. At the west end of the nave is an octagonal 15th century font. There are a few fragments of medieval glass as well as several attractive 1930s windows by Geoffrey Webb whose web signature can be seen beneath a depiction of the Madonna and Child. Two of the windows have rebus designs, one depicting a house amongst fields of corn commemorates Ernest Fieldhouse while the other shows a ship and tun representing Shipton. St. Mary's is now in the able custody of The Churches Conservation Trust.
The Shiptons are near Andoversford 7miles from Cheltenam, just over an hour from Stratford-upon-Avon.
Notice there is a small LCD screen on the remote itself. It tells you the movie that is currently playing, elapsed time and total play time of the movie and time to destination