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simplykaytie: many celebrities use gramcool -c om
立法會改善基層住户居住環境事宜小組委員會探訪劏房家庭及參觀位於酒店和賓館的過渡性房屋項目
立法会改善基层住户居住环境事宜小组委员会探访劏房家庭及参观位于酒店和宾馆的过渡性房屋项目
LegCo Subcommittee on Issues Relating to the Improvement of Living Conditions of the Grass-roots Tenants visits families at sub-divided units and transitional housing projects in a hotel and a guesthouse (9.8.2022)
Pete Yorn and Scarlett Johansson - "Relator"
When I met you I didn't know what to do
but I noticed that I didn't really feel
Now you're away you write home everyday
I don't beg, I don't borrow, I steal
You don't think that life's for us to talk about
You can leave whenever you want out... you want out...
You don't relate to me, no girl
You don't respect to me, no girl
------------------------------------------------------
Cuando te conocí no supe qué hacer
pero me dí cuenta que realmente no sentía
Ahora que estás lejos escribes a casa cada día
No mendigo, no pido prestado, robo
Tú no crees que nuestra vida sea para hablar de ello
Puedes omitirlo cuando quieras
cuando quieras...
Bueno no sintonizas conmigo, no chica
No me respetas, no chica
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Gears relating to either the Hoist Building behind me,an alternative way of sending men and material to the lower tunnels, or the Compressor Building in the background, which ventilated the tunnels that stretched for kilometers.
Empire Mine State Historic Park, Grass Valley, California
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
This relates to H.C. DeMunn in that he was one of five delegates who represented Boone County, Illinois in the Illinois State Nominating Convention held in Decatur on May 10, 1860.
The page above, The Daily Illinois State Journal was published in Springfield May 12, 1860, two days after the event. The National Convention took place May 16-18 in Chicago.
Its a long winded page about nominating Lincoln but to cut to the chase, all the Illinois delegates were listed under the county they represented and they all voted for Lincoln.
The list of delegates begins in the third column and luckily the counties are listed alphabetically so Boone County is easy to find. You will have to enlarge the page or download the full size to read it but I will include a transcription below.
Transcription
Boone County, 5 Votes-- S.A. Hurlbut, Allen C. Fuller, J.N. Brockway, L.W. Lawrence, H.C. Demunn.
'I think Mary can relate to us in very different ways, from her poverty and her struggle, from her exclusion in her own hometown and having to move from place to place, the difficulty she must have had with her husband...I think every woman can relate to her. She can relate to us on a very human level."
~Paula from Britain
Image of Our Lady at the Gates of Dawn, Ostra Brama, Vilnius, Lithuania.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Agent8’s relator blogs carry useful marketing content, exclusive interviews with leading agents who share their innovative approach to real estate marketing. Visit www.agent8.ca/blog/ for more information.
Someone once said that if you can relate to Edgar Allen Poe then you must be mentally ill. That person was also a simpleton and devoid of any real awareness of the dark corners of the human character. There is no doubt Poe was tortured man, an eccentric man and just maybe towards the end of his life mentally ill due to disease. No one knows for sure. His works are an expedition into love and loss, grief and insanity. They smite our emotions so hard because the human spirit is largely enveloped in feelings of sadness, rage, longing and feeling out of place. We may not perceive these things every second of everyday but they are there occasionally and they are very real for us. You cannot gaze upon the line “And all I loved, I loved alone” and not feel your heart fracture just a little, not because of the simple cluster of words but because we know all too well what he means! We feel it so deeply! That’s a truly great poet! A great poet deserves great homage, a series bridging many artistic journeys through some of the most adored compositions in Poe’s collection, a chance to create our own visions and build so much more on what he gave us.
"The Masque of the Red Death “is a short story by Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death. He, along with many other wealthy nobles, host a masquerade ball within seven rooms, each decorated with a different color. Prospero and 1,000 other nobles have taken refuge in this walled abbey to escape the Red Death, a terrible plague with gruesome symptoms that has swept over the land. Victims are overcome by "sharp pains", "sudden dizziness", and die within half an hour. Prospero and his court are indifferent to the sufferings of the population at large; they intend to await the end of the plague in luxury and safety behind the walls of their secure refuge, having welded the doors shut. At the chiming of midnight, the revelers and Prospero notice a figure in a dark, blood-splattered robe resembling a funeral shroud. The figure's mask resembles the rigid face of a corpse and exhibits the traits of the Red Death. When the figure turns to face him, the Prince lets out a sharp cry and falls dead... Only then do we realize the figure is the Red Death itself, and all of the guests contract and succumb to the disease. The final line of the story sums it up, "And Darkness and Decay and the Red Death held illimitable dominion over all".
The Family that chops kindling together stays warm together.
After a moment, or two making rotting planks into kindling we went off into town. Virtual and real life friends were astounded with my text messages relating stories about wood chopping and revealing our rural lifestyle. In the age of space exploration it is rather peculiar to have fossil fuels burning in our living rooms. Currently Mama Sykes is fixated on going to the shops with a, “Chopping List.” Somehow these axe pictures have been calling out to be taken through several streams of consciousness. After sending astounding text messages I believe that these enjoyably posed pictures are not at all shocking. These are not action shots of the work in progress, rather these are pictures of us both in our almost glad rags fresh back from town showing a visitor our prowess with the somewhat trusty axe. This axe was my father’s and mum remembers how the heavy sharp steel end would gracefully take flight on a back swing when the axe was used by my father. Whilst chopping the timber earlier in the day and being all sorts of rural mum recounted her meetings with Hannah Hauxwell. We now have enough kindling to put a heat in the hearth, but do say if you’re coming round as it can take us sometime to work a fire into visitor worthy warmth.
PHH Sykes copyright 2017
phhsykes@gmail.com
Relates to fix on Firestorm 4.7.4 UNRELEASED with OpenSimulator support.
Uploaded at the current window size (was set to 2560 x 1440, more than the screen setting is set to.
Result:
The shot is full quality. The size of the resulting shot is 1924 x 1064. The inworld snapshot thumbnail & preview showed the correct preview.
VERIFYING: The bug assigned to Ansariel Hiller and testedy by Whirly Fizzle is FIXED
Taken: OSGrid, Crown Land estates, Wolflandia sims using Firestom Fizzlefire 4.7.4.47531 to test direct Flickr uploads /fixed issue/ - 1920 x 1032, keeping aspect ratio
===============================================
SCREENSHOTS 14-15 in this album
The screenshots document that the problem described bellow was solved.
18) Current (not set in advanced) windows size - 1920 x 1032
17) A snapshot set at any of the preset sizes (here we set 1600 x 1200)
16) Custom, manualy set size 1920 x 1032 for the snapshot, the same setting is for the window size in the menu Advanced
15) Posting a snapshot to Flickr at size 320 x 240
14) Current window was 1920 x 1032 and the window size was set to 2560 x 1440
================================================
SCREENSHOTS 1-10 in this album (the original post):
The screenshots document that the similar settings, when used in Second Life and Opensim generate different results. This behavior persists since the latest beta release and it is present also in the final version. Firestom 64 bit for Second Life and Opensim was used to create these snapshots. First the clean reinstall of beta version was performed and no settings were automatically restored from the previous installation.
Uploads taken at the Opensim grid are not being uploaded for me with the best possible quality. To get them online I must save them first to disk. This way the procedure is longer, not so comfortable and the result does not contain data about the place where it was taken.
Credit: LoGIC Project/UNDP Bangladesh
Relates to the UNDP-supported project 'Local Government Initiative on Climate change (LoGIC)': www.bd.undp.org/content/bangladesh/en/home/projects/local...
D12614. Although the Cotswolds Motoring Museum in the picturesque Cotswolds village of Bourton on the Water is dedicated to motoring and motoring memorabilia, there are also exhibits relating to other forms of transport as can be seen by this horse drawn delivery van.
The range of exhibits and memorabilia on show at this Aladdin’s cave of a museum is phenomenal and further details can be found here : www.cotswoldmotoringmuseum.co.uk/index.php
Monday, 11th May, 2015. Copyright © Ron Fisher.
Part of the celebrations relating to the 75th anniversary of the British Racing Motors (BRM) team was a parade of many historic cars produced by the marque between 1950 and 1975. Here is a 1964 BRM P261 - as driven by Graham Hill in that year - accelerating through Lodge corner.
November 2019. Photo credit: Kelsea Clingeleffer/UNDP Cambodia
Relates to the UNDP-supported project 'Strengthening Climate Information and Early Warning Systems to Support Climate-Resilient Development in Cambodia' www.adaptation-undp.org/projects/ldcf-ews-cambodia
La ministra de Justicia, Javiera Blanco, recibió a Maina Kiai, relator especial de Naciones Unidas sobre el Derecho a la Libertad de Reunión Pacífica y de Asociación. 21.09.2015
Foto:Claudia Basaure P.
Photo credit: UNDP Bangladesh
Relates to UNDP-supported GEF-LDCF funded ICBA-AR Project www.bd.undp.org/content/bangladesh/en/home/projects/integ...
GENERAL DESCRIPTION
PLEASE NOTE: -
“MUDA” is a singular word relating to one of the mercantile convoys sailing out of Venice each year.
“MUDE” is a plural word relating to several, or all, of the mercantile convoys sailing out of Venice each year.
27 leaves, leaf size 249mm x172mm (9 3/4ins. X 6 8/10ins.) with a text block of 172mm x 98mm (6 8/10ins. x 3 17/20ins.).
Single column, 29 lines in a superb, elegant, humanistic cursive minuscule script in black, probably all written by the same scribe. Many ascenders on the top line, and descenders on the bottom line, have been embellished.
This manuscript include two texts, the first being the Regulations of the Muda of Venice to Alexandria, and the second being the Journal of the Muda to Alexandria that set sail from Venice on 21st. May, 1504. The manuscript was probably written in that city in that year.
A FULL DESCRIPTION IS ATTACHED TO THE OVERVIEW.
Folio 4 recto (Original Folio 5 recto)
TRANSCRIPTION
(32)
Culphi,ordmatum, et firmatum est per nostra consilia, et sic servabis
q Capitaneus Galearum Culphi sit et esse debeat Capitanens generalis
dictarum galearum, et omnium navigiorum nostrorum armatorum &
disarmatorum, et facere Capitaneariam dones erunt simul.
(33)OMnes bulletas quas extra Venetias fieri facies pro cari eando merca -
tiones in galeis debeas facere ordinate registrari, & seribi in uno qua -
terno ut bene appareant, Et similiter debeas comittere patronis gale -
arum tibi commissarum, q onmes bullete que facte fuerint p te pro car -
ricondo debeant p sim seribam notari facere, & diligenter registra -
ri : Salvando tamen bulletas predictas ne perdantur, quos omnes
quaternos tu, et Patroni praedicti simul cum dictis cedulis dare
teneamini in vestro reditu, & prontare exordinariis quibus com -
missum est q debeant disearricare galeas iuxta formam dictorum
quaternorum et cedularum.
(34)QUicunq patronus approbatus p nostra consilia qui exinerit remane -
re in aliqua parte aliqua causa, nisi causa infirmitatis sue persone
que sit talis : q acceptet per Capitaneum armatae, et ut in isto cau
Capitanei ponant alium sufficientiorem quem poterunt, et contrafacien -
tes cadant ad penam libr quinq pro quolibet, & quolibet vice et com -
misum est advocatoribus comunis in Venetiis, et Capitano ex Venetiis
q predicta faciant observari, & exigant a contrafacientibus penam
predictam de qua haenant medietatem, et reliquum sit cois. Et si ad -
vocatores erunt negligentes ad excutiendum dictam penam, cadant
de tantundem, & Domini de nocte exigant penam ab advocatoribus
et Capitanus vel Advocatores sub pena libr ducenorum pro quolibet
ponente vel consentiente partem in contrarium.
(35)ET teneris dare sacramentum omnibus mercatoribus galearum tibi
Folio 4 recto (Original Folio 5 recto)
POSSIBLE ENGLISH TRANSLATION
32. …................ Culpho, ordered and confirmed by our plans, and so perfect that the said captain Captain General of the said galley Culpho and and all our galleys and boats both armed and unarmed and made accountable to him.
33. All those armed galleys that are in the same trade that that can get together outside of Venice should do so in order to be registered, and at greater length one in four appear as well to be similarly bound to the committee of the patrons of the galleys, yourself have also committed, that all the armed galleys have been made available to you should be noted by the scribe, and carefully registered, so that those armed shall not be lost, and that all four are together with with the above mentioned patrons and to give assurance of committing to a safe return extraordinarily quickly which should be decided upon according to the terms agreed by these four galleys.
34. Whosoever is the patron that is accordingly approved to remain in any part of our plans has any cause, who is such a person, unless it be for reasons of: a person for reasons of: a person the be accepted by the captain of armed men, and that in the case of the captain's account, which will be able to be put by someone else more adequate, and, opposed to the punishment of five pounds for each one, then after it was discussed and at any time, as is common in Venice and from Venice, and the captain may have observed the aforesaid, and, opposed the penalty aforesaid, of which ????? half of the demand and the rest of the costs. And if the advocates carelessly strike off a penalty imposed, so much of the loss, and of the increasing requirements from the penalty of the advocates and the captain or the advocates under the pain of two hundred pounds for each reckoning or with the consent of the other.
35. And being bound to you the secrets of all the merchant's galleys ….............
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Objects collected by Iain Sinclair relating to his walks in East London.
Taken in the exhibition
Ghost
The show’s second act, Ghost, marks the collapse of hyperinflated 80s culture into an uncanny temperature change that presided over the 90s and early 00s. It traces an unsettling path through to the global financial crisis of 2008, a turning point in time between a century of old and new, at the dawn of a digital age of faceless audiences and invisible cyber wars.
Derek Jarman’s last feature and magnum opus, Blue (1993), offers a profound evocation of the artist’s final days, marrying comforting connection with disconnection from the world, warmth with coldness, as Jarman poetically narrates his approach towards death. Newly commissioned, immersive sound installations from Laura Grace Ford and Nick Ryan highlight the strange frequencies of an age that saw the emergence of trance music and readily accessible sampling machines. Ford’s installation explores the sonic textures of the city to uncover those hiding in the black spots that neoliberalism has failed to assimilate, while Ryan’s voices form a call-and-response, as visitors become spectator, spectacle and a ghost in the machine. Works from Jeremy Millar and Gavin Turk unsettle with a paradoxical clash of ghostly presence and absence, familiarity and otherness. Cornelia Parker’s map, scorched with a heated meteorite fragment, tells a tale of apocalypse for the end of the millennium and the fear of the unknown.
Contributing artists include A Guy Called Gerald, Barry Adamson, Hamad Butt, Adam Chodzko, Kevin Cummins, Graham Dolphin, Tim Etchells, Angus Fairhurst, Paul Finnegan, Laura Grace Ford, Ghostwatch, Lucy Gunning, Paul Heartfield, Susan Hiller, Matthew Holness & Richard Ayoade, Stewart Home, Derek Jarman, Michael Landy, Richard Littler (Scarfolk), Jeremy Millar, Haroon Mirza, Drew Mulholland, Pat Naldi & Wendy Kirkup, Cornelia Parker, Steve Pemberton, Nic Roeg, Nick Ryan, Scanner (Robin Rimbaud), Adam Scovell, Sensory Leakage, Reece Shearsmith, David Shrigley, Iain Sinclair, Kerry Stewart, Tricky, Gavin Turk, Richard Wells, Rachel Whiteread and Words & Pictures.
[Somerset House]
The Horror Show! A Twisted Tale of Modern Britain
(October 2022 - February 2023)
Somerset House presents The Horror Show!: A Twisted Tale of Modern Britain, a major exhibition exploring how ideas rooted in horror have informed the last 50 years of creative rebellion. The show looks beyond horror as a genre, instead taking it as a reaction and provocation to our most troubling times. The last five decades of modern British history are recast as a story of cultural shapeshifting told through some of our country’s most provocative artists. The Horror Show! offers a heady ride through the disruption of 1970s punk to the revolutionary potential of modern witchcraft, showing how the anarchic alchemy of horror – its subversion, transgression and the supernatural – can make sense of the world around us. Horror not only allows us to voice our fears; it gives us the tools to stare them down and imagine a radically different future.
Featuring over 200 artworks and culturally significant objects, this landmark show tells a story of the turbulence, unease and creative revolution at the heart of the British cultural psyche in three acts – Monster, Ghost and Witch. Each act interprets a specific era through the lens of a classic horror archetype, in a series of thematically linked contemporaneous and new works:
Each of the exhibition’s acts opens with ‘constellations’ of talismanic objects. These cabinets of curiosities speak to significant cultural shifts and anxieties in each era, while invoking a haunting from the counter-cultural voices in recent British history. Alongside these introductory artworks and ephemera is an atmospheric soundtrack, conjuring the spirit of the time with music from Bauhaus, Barry Adamson and Mica Levi.
Monster, Ghost and Witch culminate in immersive installations, combining newly commissioned work, large-scale sculpture, fashion and sound installation, with each chapter signed off with a neon text-work by Tim Etchells. The Horror Show! offers an intoxicating deep-dive into the counter-cultural, mystic and uncanny, with the signature design of the three acts courtesy of architects Sam Jacob Studio and Grammy-winning creative studio Barnbrook.
[Somerset House]
Sad Love Quotes :
QUOTATION – Image :
Quotes Of the day – Life Quote
ExtraMadness – Inspiring & Relatable Quotes
Sharing is Caring
- #Love
quotestime.net/sad-love-quotes-extramadness-inspiring-rel...
anime.saqibsomal.com/2016/02/26/anime/fairy-tail-draws-pi... -http://anime.saqibsomal.com/2016/02/26/anime/fairy-tail-draws-pictures-relating-to-san-valentin/537 - anime.saqibsomal.com/wp-content/uploads/2016/02/fairy-tai...
A 1697 stone, now preserved in the south porch, relating to Calap (Caleb?) James.
Tradition suggests a church was established here in the 6th Century by Ffwyst, a cleric from Anglesey. It is believed the later "Foist" is an Anglicisation of Ffwyst in an attempt to identify with St Faith, a 3rd Century martyr in Roman Gaul. The main fabric of the current church dates back to the 13th Century, but an 1872 restoration was completed by Crawshaw Bailey Junior in memory of his father who is buried in the churchyard. Various graves relate to people involved in the iron industry including Crawshaw Bailey. There is also a mediaeval cross and an 800 year old yew tree.
Gary relates how the collection came to be
At the Britannia Hotel, Nottingham, for the BFS FantasyCon - 20th September 2008
For more than a century, there have been countless patents, projects, and concepts relating to tailless airplanes. Many models and prototypes were constructed; most enjoyed only a brief period of development and public interest, and then quickly disappeared. From an engineering viewpoint, a high percentage of these short-lived projects were possibly well founded and deserving of serious consideration and further development. The lack of adequate financial backing, lack of government or public interest, and politics often contributed to the premature end of a worthwhile project. For the most part, these projects were pursued by independent promoters who made little attempt to coordinate their investigations. Gradually, however, a large body of technical data on tailless aircraft was accumulated. Although no organized data-exchange program appeared to have existed during the 1920s and 1930s, articles on tailless projects could be read frequently in aviation journals, both in the United States and abroad. Whether these articles inspired or assisted the competition is conjectural.
An opportunity to view a substantial number of items belonging to, or relating to, the actress Audrey Hepburn (1929-1993), prior to their sale at auction, by Christie's of London.
This relates to the St David's Day photograph because on the (very grubby) back the name Hannah Aldred is pencilled in twice with the same address as the Edward mentioned on the back of that photo.
Found in Clitheroe, printed with a postcard back.
Posted by Lauren Cohan (Maggie) - i can relate. t.co/mpaFegrShY #LaurenCohen #TWD #TheWalkingDead
Source: walkingdead.affiliatebrowser.com/i-can-relate-httpst-comp...
This equipment relates to certain new and useful improvement in belt tripper. As well known, it is adapted to discharge material from belt conveyor and could be moved longitudinally of belt conveyor in either direction to distribute said material by power derived from moving belt of the conveyor. People could reverse the direction of travel of the tripper carriage longitudinally of the belt conveyor or automatically. widely for stocking raw material when fitted with belt conveyor in metallurgy industry, coal industry, cement industry and food industry etc.
立法會改善環境衞生及市容事宜小組委員會視察元朗垃圾收集及鼠患監察設施
立法会改善环境卫生及市容事宜小组委员会视察元朗垃圾收集及鼠患监察设施
LegCo Subcommittee on Issues Relating to the Improvement of Environmental Hygiene and Cityscape visits refuse collection and rodent surveillance facilities in Yuen Long (2021.04.26)
For a period of fifty years, beginning in 1942, Anderson kept a diary. He recorded his personal thoughts and feelings in a variety of formats with ninety-three separate notebooks, desk diaries and groups of loose pages being used in total. The diaries contain unique reflections on the key events and works of Anderson’s life. The deliberate, careful recording of events by Anderson is shown by the incredibly neat handwriting used throughout. He also used capital letters or different coloured ink to highlight people’s names and titles of films, plays and books. This gave Anderson – as it does the later reader – a useful aid when referring back, searching for entries relating to particular subjects.
Further information can be found at:
Photographs and promotional material relating to Anderson’s films.
Although not a prolific director, Lindsay Anderson is best known as a filmmaker. In a career spanning over 40 years he directed 6 feature films (including If…., This Sporting Life and O Lucky Man!) and a small number of short films and documentaries. The collection includes an extensive record of Anderson's filmmaking career including scripts, production notes, correspondence, photographs, promotional material and press cuttings. This material provides a detailed record of all the stages in the production and promotion of his films from early drafts of scripts, through location scouting and shooting schedules to press releases and advertising. An extensive photographic record of the making of Anderson’s films is also present.
Further details can be found at:
www.is.stir.ac.uk/libraries/collections/anderson/LA1Films...
All I know about the Horse and Jockey pub is that there is a reference to it in court transcripts relating to a case involving Solomon Head, aka Solomon Troke, a local poacher and rogue, held at the Christchurch Town Hall in 1864.
Redhill at that time was a small hamlet and remained so into the early 1900s when Pascoe Marshall was a young lad growing up there, a time he recalls in his memoir 'My Story', where he also refers to the Horse and Jockey, stating that it was rebuilt, presumably as the above structure, in the 1890s.
It is likely the original building was a modest affair, probably a thatched cottage, a business run from somebody's home prior to modern licencing laws.
Confusingly, an advert in the Daily Echo, when the pub was taken over by new management in 2012, says the pub was built in the 1920s, yet the web site states 'Dating back to 1926' at the top of the home page but underneath refers to it as 'an attractive Victorian pub...'
Another avenue of research indicates that the current building dates from 1906
It is often implied that the pub got it's name in relation to the Ensbury Racecourse that opened nearby in 1925 but it would appear not to be the case.
Obviously i'm no expert on the history of the Horse and Jockey and I don't have time to research it in any depth, but if anyone does know anymore please feel free to comment below, I for one would be extremely interested to know more.
This photo relates to my blog post
www.heatheronhertravels.com/the-museum-of-costume-in-nuoro/
This photo is licenced under Creative commons for use including commercial on condition that you link back to or credit http://www.heatheronhertravels.com/.
See my profile for more detail.
I relate to a dinosaur?! That's crazy talk!
Hung out with the best friend, walked around the mall, around walmart and had lunch! (only thing I got was lunch, because i am broke)
Was supposed to go look around the container store, but ended up not going. I am going for sure tomorrow, though.
Ended up going to see The Good Dinosaur, and it was so cute and good! Arlo is my favorite, and when you see the movie you'll understand. I will not spoil the movie for anyone.
332 out of 365
Mary's Fortune's Maternal Grandfather Mr. Clough, c.1915
He came from a very old Sale family. Died in 1927 aged 75.
GB124.DPA/645/1
Photo credit: David Estrada/Grupo Creativo Naturaleza Secreta
Relates to UNDP-supported Green Climate Fund-financed project 'Coastal Resilience to Climate Change in Cuba through Ecosystem Based Adaptation' ("Mi Costa") www.adaptation-undp.org/GCF-Cuba
Cruising down the main street of Florida Beach, bumping into the fishing base and returning down the beach road makes one realize that the town is very narrow.
The penetrating sea is like a sharp sword, taking land from the fragile town and the houses.
Unfortunately, it is estimated that by 2050 Florida Beach will disappear from the sea and be stranded on muddy soil.
This is additional to the wear and tear suffered through the years from hurricanes, with Irma (2017) one of the most devastating.
Shrinkage isn't the only thing visible when walking its streets. The village is empty, closed houses abound, and it's almost rare to see villagers loitering.
“This is one of the places in Cuba where more evidence exists of coastline modification caused by climate change," says Isabel Cristina Marquez Ulloa, Coordinator of the 'Mi Costa' project.
With finance from the Adaptation Fund and support from UNDP, the 'Mi Costa' project aims to develop adaptation, and enhance the resilience of coastal ecosystems: corals, seagrasses and cedar forests.
The inclusion of communities in the area in the project is vital, because currently, among the most important problems, is the mismanagement of solid waste and environmental custodianship.
Restoring and caring for the coasts is crucial for ecosystems and people. Many villagers, although migrating to the municipality, intend to keep their work at the fishing base and continue this activity as the main source of income.
Florida Beach, which still retains part of its beauty and colour, is also a potential national and international tourist destination.
#proyectomicosta
And yes, that can relate to my eyes as well as my story.
I have decided that the humans I live with are simply unfathomable. Case and point: just because it's a little cold out, they won't take me on a walk late at night during the winter. They expect me to do my end of the night business in the yard. I don't like that much, and generally will only degin to go number 1.
For the past year or so, I've had the run of the house at night. Mom and Dad used to leave all the doors open, and I slept stretched out on the spare room queen sized bed. It was very comfy, let me tell you.
But, as I started to view the spare room as my own, I decided that I could use it to relieve myself of excess number 2 that I wouldn't get rid of in the yard at night. Mom and Dad didn't like this at all, so they started closing the spare room doors. Apparently, just like the rest of the house, I am not allowed to use it to as my bathroom, even if it is MY room.
So now I am back to sleeping on the couch instead of a comfy bed. I've tried sharing with Mom and Dad, which they will allow, but they have too many rules. I'm not allowed to stretch out, I can't sleep on their feet, I can't lay my head on their stomachs, and I can't kick them to make them give me more room.
I love my humans, don't get me wrong. But I don't get them. It was just a little number 2. Why lock me out of my room over that? If it really bothered them that much, I was willing to clean it up myself.
Historic documents relating to the German immigration to British Kaffraria in the 1850's, photographed in the Courtenay-Latimer Hall at the East London Museum, Eastern Cape, South Africa on July 7, 2008. Letters of Naturalization for German Settler, Johann Friedrich Philipp Humpel of Keiskammahoek, dated November 25, 1865.
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster museums.cnd.org/CND-Global/CND-Global.01-01-25.html
Links to US Embassy website mentioned at the end of the report above are archived on the Internet Archive web.archive.org/web/20010809150226fw_/http://www.usembass...
See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754