Relator photos on Flickr

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This piece is on a dark theme, and relates to the season 3 finale of Supernatural. Basically this is Dean's grave, located in a distant forest somewhere, and Buffy mourns the loss of him. (funny how right I was on that position, since this wall was made weeks before the season 4 premier ;)) The red color symbolizes the blood that was spilled when he died. The weapons kind of symbolizes that with his death, weapons were laid down and left cold, perhaps never to be picked up again. I used this body for Buffy because I liked the contrast of her sitting in a beautiful gown, grieving and broken, by his grave. It makes it surreal and plays on the strings of "this isn't real", "this isn't happening".

The text is lyrics from Imogen Heap's "Hallelujah". It felt very fitting for this theme and pretty much the only song I was listening to while making this piece. It was what inspired it from the get go, so I thought it fit perfectly in there..

Cill chriosd by ~V~ { Fox Maule II }

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The first written records relating to the church date back to 1505, though little is known beyond a bare list of the names of the ministers here. In 1627, one Neil MacKinnon was appointed to the post. He is remembered primarily for his meanness and his greed. This was the man who went on record as vowing to report the names of "all the Papists he knew within the Isles“ to the authorities.

He also achieved fame for allowing his workmen only one meal a day on Sundays (compared with two on other days) because they were resting. They retaliated by working on a Sunday. His sermons must have been a real barrel of laughs... Cill Chriosd continued in use until 1840, when it was replaced by a new parish church in Broadford.

Given the ancient heritage of Cill Chriosd you might expect to find traces of very old grave markers. And as recently as 1913 there are records of a pair of unusual stones here. One of these was dedicated to Chief Lachlan Mor and carried "obscure hieroglyphics". The other was thought to date to the pre-Christian era. Both have since disappeared without trace.

Looking at the graves that are on view reveals the area's historical connections with the Clan MacKinnon. Perhaps one of the most interesting is a memorial on the inner wall of the burial enclosure at the north east end of the church to a certain "Charles Third", apparently born in Corry near Broadford as a MacKinnon, before emigrating to Australia, where he died.

DSC_2699 by Quantum Stalker

As most people collect, they end up meeting interesting people that they can relate to. I've certainly met my share of them, and have managed to obtain a few pieces with some assistance from them. As a result, hailing all the4 way from Singapore, we have the Hot Toys Exclusive (whatever that means) Avengers 2: Age of Ultron - Maria Hill figure.

I know they weren't super expensive back in the day (MSRP I mean), but by the time Sideshow got their hands on it, this figure cost $215 USD, which definitely cost more than your run of the mill figure back in the day, all the while being less equipped than they were. I managed to snag one that was opened and resealed in a box for $170 USD shippped.

You get the figure, 3 pairs of hands, walkie talkie, Bluetooth earpiece, and a pistol. Oh, and the usual base/stand.

Now, I learned about Pleather deterioration, but completely forgot about how tropical weather like in Singapore would affect a figure. It's not the worst I've seen, as some of my Widows have similar damage, but they've lived in Canada all their lives.

But it is unfortunate seeing how I didn't exactly score this figure for Garage Sale prices. I'm hoping my coats of leather paint prevents things from getting worse.

What I wasn't expecting was the effect of humidity on paint in contact with plastic. Hot Toys gave the sculpt some lovely blush to accentuate her cheeks. Well, that all turned from pink to yellow, so it looks kinda weird.

Unfortunate, but I treat it as a learning lesson on things to look out for when I finally make my way back to Asia to unleash holy hell on the secondary toy market.

So with the downers out of the way, the rest of the figure is pretty standard. I believe Maria uses a slightly taller version of the Widow body, which is a bit tall and narrow in the torso, but overall is a closer match to Colbie Smulders than Scarlett Johansson.

Maria was made when they still made softer fabric uniforms. I'd describe the feel of what she's wearing as being whatever Jeggings are made from. The upper body generally has full use of its faculties - unfortunately the body doesn't have Butterfly style shoulders, which is unfortunate as Maria could have really used them, especially for her pistol and arm crossed poses. Legs are restricted despite the softer fabric, though isn't as bad as with Winter Soldier Black Widow.

The head sculpt I'm actually quite impressed with. It's not perfect - they never are and if anyone says so, they're probably just not looking hard at the thing... or in some instances, not looking at all. The eyes are off, and the sculpted hair throws things off. But ultimately, it comes down to the jaw being too square, even for Colbie Smulders. On the whole, however, its probably 70 - 80% there, which is a lot more than I can say about any Black Widow up to that point, and Hot Toys accomplished that with one try as well.

Paint, I'm not really in a position to comment on. But, it appears if you can see past the discoloration, you'll see that the usual high quality is there. Build Quality is the usual high level, with nothing falling apart aside from the Pleather.

Overall, despite being a simpler figure I have to say I certainly like this better than I liked AoU Widow, which was just.. weird from a MCU perspective as well as from a Hot Toy perspective. I'll probably have to hunt down a WS Nick Fury to pair with her, but this time I'll be sure to make sure everything is is one piece.

Relatable by Abzelon_C_Squared

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Festival de Ciencia en el Teatro Municipal by Corporación Cultural de Antofagasta

Fotos: Rodrigo Herrera / Rodrigo Villalobos

Relator by Mia Dahlgren

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[Pete Yorn ft. Scarlett Johanson- open.spotify.com/track/14uGVBh9WAYWkBjMjDdG0Q]

Relating to gravity by Carsten Sorensen

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TALKING HEADS BY CAROLYN MULHOLLAND [ABBEY STREET]-113461 by William Murphy

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It took me a long time to find any information relating to these three heads located on Lower Abbey Street. A year ago, almost to the day, I discovered that art installation is known as “Talking Heads” and the artist is Carolyn Mulholland. On the wall beside the Talking Heads is a plaque which states that the unveiling of the national flag took place in the music hall at this location on Lower Abbey street on 15th April 1858.

Born in Lurgan, Co. Armagh in 1944, Carolyn studied at the Belfast College of Art. She has completed major sculptural commissions for institutions across Ireland and Northern Ireland, including St. MacNissi's Church, Magherahoney, Co. Antrim (1966); the Arts Council of Northern Ireland (1975); the Church of the Resurrection, Cavehill, Belfast (1982); New Ireland Assurance, Dublin (1986); Dublin Sculpture Symposium (1988); Jefferson Smurfit Group, Dublin (1989); and Irish Life, Dublin (1992). Her 1996 portrait of Sir Alfred Chester Beatty is on display at the Chester Beatty Library, and her portrait of President Mary McAleese for the Office of Public Works was completed in 2003. She has held solo exhibitions at Jorgensen Fine Art, Dublin (1995) and the Irish Department of Foreign Affairs in Brussels (1996). In 2000, she held a shared show with Basil Blackshaw at the Pepper Canister Gallery, Dublin. Works include a lifesize bronze sculpture for the famine memorial graveyard in Clones, Co. Monaghan (1998); Group, a private commission of three eight-foot-tall bronze figures (2002); and Man with Kite, a large bronze panel for the new Customs House in Dublin (2003). She won the Irish-American Cultural Institute's O'Malley Award in 1992.

A Kiss for Cinderella by the London School of Medicine for Women 1926 by Paul Clarke

An album bought from a car boot for £4.

Initial observations - it was bought with another album with an inscription BG Richards Birkdale Lancs. The lady on the car boot said the photos were her grandmothers but didn't have time to give me any other details.

Research on Ancestry has subsequently indicated that this album belonged to Sybil Muriel Angela Stanley According to the occupation records on Ancestry she was registered as a Doctor on Jun 14th 1930 Her qualifications were an M.B.and a B.S. from the University of London which I think The London School of medicine for Women merged with.

I believe she married a Bernard G Richards in 1934 in Market Drayton

First pages relate to the London School of Medicine for Women in the 1920's

The Drama Society at the London School of medicine for Women had an active social wing and put on plays including this one in 1926 called A Kiss for Cinderella by J M Barrie the creator of Peter Pan

Radical by Ankita joshi

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relating to or affecting the fundamental nature of something; far-reaching or thorough : a radical overhaul of the existing regulatory framework.

just married: italy edition. by Samantha Hill

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this photo relates to the ‘hitting the streets’ assignment because i was able to capture an angle of some wedding photos being taken amidst a group of onlookers, also being able to get someone holding up the dress for a perfect shot by the photographer. i love photos that show the inner workings of taking a perfect photo.

Siren by tonyjonesart

A composition of elements that relate to the maritime environment.

Exhibited Sculpture by the Sea 2010

Fabricated and painted steel 3.8 meters tall on a concrete base.

Kinetic by Laura Slattery

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"relating to the motion of material bodies and the forces and energy associated therewith"

A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.

VENICE MUDA TO ALEXANDRIA IN 1504 Ref 431 f.3r by RMGYMss.

GENERAL DESCRIPTION

PLEASE NOTE: -

“MUDA” is a singular word relating to one of the mercantile convoys sailing out of Venice each year.

“MUDE” is a plural word relating to several, or all, of the mercantile convoys sailing out of Venice each year.

27 leaves, leaf size 249mm x172mm (9 3/4ins. X 6 8/10ins.) with a text block of 172mm x 98mm (6 8/10ins. x 3 17/20ins.).

Single column, 29 lines in a superb, elegant, humanistic cursive minuscule script in black, probably all written by the same scribe. Many ascenders on the top line, and descenders on the bottom line, have been embellished.

This manuscript include two texts, the first being the Regulations of the Muda of Venice to Alexandria, and the second being the Journal of the Muda to Alexandria that set sail from Venice on 21st. May, 1504. The manuscript was probably written in that city in that year.

A FULL DESCRIPTION IS ATTACHED TO THE OVERVIEW.

Folio 3 recto (Original Folio 4 recto)

TRANSCRIPTION

(21)

pntare condemnationes per te factas in tua capitanearia, ut exi -

gantur per officiales ad quos spectant. Verum de omnibus condem -

nationibus quas facies in tua capitanearid, non potes postquam eas

feceris te impedire in remittendo vel revocando in totum vel in pet -

ullo ingenio sue forma, postquam autem fueris Venetiiis non potes aliquem

condemnare sub pretextu Capitanearie predicte.

(22)Bona morientium ab intestato que sunt vel essent sub tua Capitane -

aria debes intromittere, et infra . xx . dies postquam Venetias appli -

curis legi debeas pntare.

(23)OMnia qui ad manus tuas pervenerint nostro communi spectan -

tia custodies, et saluabis bona fide, de quibus reddes rationem illis

qui presuerint rationibus recipiendis.

(24)Teneris partire, et partiri facere equaliter inter omnes Galeas tibi

commissas oia dona et strinas que quicunq; tibi fient.

(25)Et quia galee multum impediuntur super Cooperta de barilibus galeoto -

rum, & aliis quod inducit periculum armatis relinquimus in liber -

tate tua si de hoc fuerit facta querella de faciendo poni de dictis

baribus et aliis in terram vel etiam proiici in aquam sicut tibi

melius videbitur, faciendo tamen hoc cum minori damno pote -

ris hominum galearum.

(26)CAptum est in maiori Consilio, & si observabis q si Capitaneus

preceperit, q supra comiti, & alii de galies debeant ferire inter

inimicos, & non ferierint. Et si ferierint, et aliqua galearum di -

scesserit a prelio, prelio non finito. Supra comiti : Comiti. Nauclerii

& hii qui essent ad Temones debeant perdere capita, ET si non

possent reperiri debeant perpetuo forbanniri de Venetiis, et omnibus

terris, et locis ubi commune venet habet Dominium Et oia

sua bona veniant in commune, illis tamen exceptis, & exemptis

qui manifeste nos reperirentur culpabiles : Te similem penam

Folio 3 recto (Original Folio 4 recto)

POSSIBLE ENGLISH TRANSLATION

21. ….......... quickly the condemnation of the things you have done in your command, in order to compel the officials to be concerned. He shall act as if you in truth were not in command , as you cannot be after they have hindered impeeded his ability to be returned or changed, by revoking, as a whole or in part the form of his life, and when it cannot make any of you Venetians condem under the pretexe of your said command.

22. The goods which are or were under the intestacy of your command from those who have died you should admit and put below for twenty days after Venice and the law should be applied quickly.

23. All those things that come into your hands should belong to our community, and saved in good faith, and of thich we give an account of the reasons for that which is protected.

24. You are required to share, and divide equally among all gallies committed and to make gifts and draw together what is wanted, and you will be saved.

25. And because the galley greatly impeded the elected of the barilibue(?) galley, and others that lead to the danger of armed men relinquishing the freedom if this has caused the blame to be placed on the said baribus(?) be cast into the water, or even as you were in the the land of the other, and the better it will be seen that by making the construction of ships, there is less chance that you will be able men.

26. Taken by the majority of the council, and if the captain was observed, that if the command , which is above the committee, and the others of the galleys should be the fiercest among his enemies, and not cowardly. And if some galleys are cowards they will depart from the battle and the battle is not ended. Above the committee, the owner. To the pole where they ought to lose their heads, and who they were, and if they could not be found to be constantly forbidden(?) in Venice, and in all the countries, their goods, and in all other places, that are overlorded by Venice and may not come into the community, with the exception of those, however, and to the exempt that we found clearly guilty. We would like …..............

Bangor RFC V Dundalk RFC Irish Junior Cup Final 31st January 2015 deteriorating conditions by John Mooney

Dundalk overwhelm Bangor in All Ireland Final

by Roger Corbett

Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.

Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.

The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.

Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.

Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.

The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.

By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.

As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.

From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.

As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.

From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.

Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.

Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan

Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson

Bangor scores: D Charles (1T)

Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie

Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.

Bangor Scorers: David Charles 1 try.

In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.

Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.

Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.

Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.

|| Human evolution || by Corrina Fry

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This piece relates to my Historical Influence Darius Zawadzki, because I attempted to use and mimic the texture and that he uses in his pieces, along with the side portraits that he commonly uses in his pieces. As in my last piece, I have used the device of symbolism in my pieces to portray the emotions and such that relate to the meaning of this piece. For example the tube is meant represent the ideas and thoughts as if they are being pumped into the head, like blood or oxygen, which is necessary. The texture of the cracks/veins is meant to represent the blood or oxygen being pumped int he brain to create the ideas, such as the city and overall human evolution. Overall the meaning of the piece is meant to portray mankind's dire need for human evolution. I created this piece by doing a sketch and then inking over it. I was planning on adding water color, but due to using the wrong paper, I backed out of that decision and went on with just the ink. I also tried to attribute details in my piece to draw the eye and make it more interesting.

Story of my life 😂 #relatable please follow me guys 🐳💯 by mughal.resham.slash

relate by songkran01

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sony a100 minolta 100-200 4.5

“la Disputa ore allora Eebbe con il Pseudovescovo di Cestria” by The Makerfield Rambler

Continuing with the 1631 manuscript “On Mr Edmund Arrowsmith”, the author relates that his subject

“was arrested once before his last apprehension, and imprisoned in Lancaster... At that apprehension, he was brought before Dr Bridgeman, the pseudo-Bishop* of Chester, where divers ministers were at supper with the Bishop who did all eat flesh [despite] it being in Lent. Dr Bridgeman made his own apology to Mr Edmund for eating flesh, saying he was old and weak and was dispensed withal. “But who dispenses with your lusty ministers there”, said Mr Edmund, “for they have no such need?” The ministers both before and after supper were busy in disputing with Mr Edmund, and one time, divers of them urging against him at once, he merrily said to the Bishop, “Turn all your dogs loose at once against me, and let us have a loose [de]bait””.

The “dispute then had with the pseudo-bishop of Chester” is also reported in an Italian manuscript -“Relatione del processo, condamnatione et mort del P Edmondo Arrosmith...”- at ARSI ref. Angl. 7 f.100, of which a part is shown above.

Concerning the same incident, the 1737 tract says that Edmund Arrowsmith “entered into a Dispute with the then Bishop of Chester, wherein the learned Champion baffled his Opponent and eruditely proved the Truth of the Catholick Religion, and the Authority of the Holy See, with such Strength and Solidity that he silenced his Adversary”. Shortly after this episode, Arrowsmith was “released upon pardon, with divers others”. This is likely to have been in or about 1622 when, in order to advance the prospect of a marriage between the future Charles I and the Spanish Infanta “and in expectation of the like correspondence from Forreign Princes to the Professors of our Religion”, James I “resolved to grant some grace to the imprisoned Papists”.**

*“Apostolicae Curae”, a decree of Pope Leo XIII in 1896, re-stated the position taken by the Catholic Church ever since the times of Julius III and Paul IV in the 16th century that “when in England, shortly after it was rent from the centre of Christian Unity, a new rite for conferring Holy Orders was publicly introduced under Edward VI, the true Sacrament of Order as instituted by Christ lapsed, and with it the hierarchical succession”. Consequently, it could not recognise as bishops etc those holding office in the Church of England.

**John Rushworth, “Historical Collections of Private Passages of State: Volume 1, 1618-29 (London, 1721). Finding that his intentions had been frustrated by the judges, James directed his Lord Keeper to insist “that they make no niceness or difficulty to extend his Princely favour to all such as they shall find prisoners in the gaols of their circuits, for any Church recusancy, or refusing the Oath of Supremacy, or dispersing of Popish books, or any other point of recusancy that shall concern religion only, and not matters of State”. The move did not result in a lasting toleration for English Catholics, and the marriage negotiations ultimately stalled.

relating chicago style by David Fox

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RELATE WITH ME (OFFICIAL) by K.m.asif mahmud Parosh

Island Strategic Planning, Nonouti, Kiribati by UNDP Climate

Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...

A Tribute To My Grandfather A British WWII Soldier And Family Members Of Old. by Peter Wheeler

Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.

Relator y Ministra by Comisión Interamericana de Derechos Humanos

El Relator de la CIDH, Rodrigo Escobar Gil, con la Ministra de Justicia y Derechos Humanos, Ana Pineda, en la residencia del Presidente de la República. 2 de agosto de 2013

DSC_2711 by Quantum Stalker