View allAll Photos Tagged Relateable
Brasília-DF - 30-11-2022 . Relator do orçamento senador Marcelo Castro na comissão de orçamento. Foto Lula Marques
#grunge #tumblr #tumblrpost #likeforlike #lifequotes #love #relateable #sayings #winter #pretty #kisses #cute #black #white #indie #want #teenage #teens #true #boy #girl #girlquotes #girlproblems #goals #follow #followme #x #friday #quotestoliveby - undersleepingteen
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide is an image of the northeastern surface of moon, showing details of Montes Caucasus, craters, and ridges. The plate tinted in a green/yellow tone. The slide outlines specific lunar features including locations of the Aristoteles and Cassini craters, and Vallis Alpes.
Inscription Details: Handwritten in black ink at top of plate, 'Moon. Caucasus Mountains S', handwritten check mark Handwritten in ink on right side of plate, 'E' Cassini Valley of Alpes'. Handwritten in ink on bottom of plate, '[illegible] Paris Equatorial N Photo (Neg...[illegible]. Handwritten in ink on left side of plate on white tape, 'H-atlas' W aristotle C 115' 'LUNAR CAUCASUS', written in black ink along all four edges of plate.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235687|PH-1984-1-LS78-2-13|115
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033525
Relating to the description of the other probe lens photo, I did like how the probe lens is so small that it almost feels like you're in the little trench of this table, about to fly under the leaf.
Relator da PEC do subsídio dos policiais, deputado Pedro Lupion (DEM). Foto: Nani Gois/Alep (crédito obrigatório)
by Jeanette Winterson
A fictional project to design a series of book covers that that relate to one another without illustrating the story of the books themselves.
Photos relating to the wine industry.
These ruts in the volcanic rock were caused by the carts being pulled on the same routes year after year after year.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!
None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
If you'd like to see more please check out my set, "Vertigo:"
www.flickr.com/photos/motorpsiclist/sets/72157630591282642/
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To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows a circular illustration of a lunar landscape depicting mountain ranges and craters. In the background, a round planet (Earth?) can be seen in deep space.
Inscription Details: Handwritten in black ink on top of plate, 'Evening in the moon'. Handwritten in black ink on left side of plate, 'CLW copied from Central College [illegible] Bangalore, Sept-Oct-'08'. Handwritten in black ink in lower right corner, 'U or 122'. Handwritten in black ink on left, right, top and bottom ridges of plate, 'Evening in moon, Bangalore.'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 236008|PH-1984-1-LS78-4-1|122
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033208
HB430 (Relating to Taxation) exempts charitable deductions from the itemized state income tax deduction caps.
The post invasion rehabilitations left many spaces undefined, to be controlled later by gangs and their warfare. The new housing types, in late modern fashion do not relate to the street and are an unfamiliar housing type to the people. Streets were lost, inhibiting movement.
Note on some images the 'add-ons' on the corners of the buildings to get them to relate to the streets and the peoples needs.
Also note the lack of investment in the watefront. This image by Bret Peters shows the path of the invasion still evident at the time of the photo.
Relating to the process of images going from physical environments to digital files and back to physical prints.
Syria, Cuneiform tablet relating military correspondence between the king of Qatna and other kings from the neighborhood (1400-1350 BC), discovered on the site of Qatna
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.
"Who are you, aged man?" I said,
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.
And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know
That summer evening long ago
A-sitting on a gate.
Excerpt from The Aged Aged Man, one of Lewis Carroll's excellent "nonsense" poems. This one is from Alice Through the Looking Glass.
Image from '[Connecticut Historical Collections, containing a general collection of interesting facts ... relating to the history and antiquities of every town in Connecticut, with geographical descriptions ... Second edition. [With plates.]]', 000194795
Author: BARBER, John Warner.
Page: 305
Year: 1856
Place: New Haven
Publisher: Durrie & Peck
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from '[Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]]', 000194808
Author: BARBER, John Warner and HOWE (Henry)
Page: 515
Year: 1852
Place: Newark, N.J
Publisher: J. H. Bradley
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Blog relating to this story .... peterjemmett.blogspot.com/2018/08/the-year-that-was-part-...
I Can Relate - Boy can I relate to this. Cramped space struggling to concentrate. Getting bumped around. The dust. Dealing with camera crap. Props to you.
The Sisters of St. Loretto relate the story of the Miraculous Staircase as follows;
Needing a way to get up to the choir loft the nuns prayed for St. Joseph's intercession for nine straight days. On the day after their novena ended a shabby looking stranger appeared at their door. He told the nuns he would build them a staircase but that he needed total privacy and locked himself in the chapel for three months. He used a small number of primitive tools including a square, a saw and some warm water and constructed a spiral staircase entirely of non-native wood. The identity of the carpenter is not known for as soon as the staircase was finally finished he was gone. Many witnesses, upon seeing the staircase, feel it was constructed by St. Joseph himself, as a miraculous occurrence.
The resulting staircase is an impressive work of carpentry. It ascends twenty feet, making two complete revolutions up to the choir loft without the use of nails or apparent center support. It has been surmised that the central spiral of the staircase is narrow enough to serve as a central beam. Nonetheless there was no attachment unto any wall or pole in the original stairway, although in 1887 -- 10 years after it was built -- a railing was added and the outer spiral was fastened to an adjacent pillar. Instead of metal nails, the staircase was constructed using dowels or wooden pegs.
The legend claims that the mystery had never been satisfactorily solved as to who the carpenter was or where he got his lumber, and that there were no reports of anyone seeing lumber delivered or even seeing the man come and go while the construction was being done. Since he left before the Mother Superior could pay him, the Sisters of Loretto offered a reward for the identity of the man, but it was never claimed.
On May 6 2022, Rwanda’s National Stockholm+50 Consultation was held in Kigali to discover views and ideas from participants through broad-based and inclusive dialogue. It was attended by representatives of government institutions, development partners, young people and other stakeholders who generated innovative ideas and insights on how Rwanda can achieve a healthy environment and prosperity for all.
The objective of this national consultation was to stimulate an inclusive whole-of-society and whole-of-government dialogue on the main themes of Stockholm+50 as they relate to the national context. This consultation space provides a virtual platform for ideas, insights, and innovation.
Learn more here: www.sparkblue.org/stockholm50/consultation-rwanda
Watch here: www.youtube.com/watch?v=Qb5kuDBmrEQ
Several stories relate to the origin of throwing beans at Setsubun, but perhaps one of the most famous can be seen in a Kyougen (No Comedy) performed at Mibu Temple in Kyoto. Roughly translating (and perhaps with a bit of poetic license) the plot of this play goes something like this: One day an ogre disguised himself and came to the house of an old widow. He possessed a magic mallet, and with it, he fashioned a beautiful kimono. Temptation got the best of the old widow, and she succumbed to its beauty. She plotted to steal it away from the ogre by getting him drunk. Not satisfied with just the kimono, she thought she would get the magic mallet as well. Surprised by the abrasive greed of the old woman, the ogre revealed his true self. So scared, the old widow got hysterical and starting throwing the first thing handy, a bunch of beans she had on hand. They must have hurt, because the ogre fled the scene leaving the widow without her greedy desires but nonetheless wiser and healthier.