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This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.

 

The slide shows text on black background titled 'A Glimpse of the Planets', introducing a series of photos of descriptions and illustrations of planets forming a 'special lecture.'.

 

Inscription Details: Handwritten in blue ink at bottom of plate 'U54c Waiata Jan '22 U54c'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236040|PH-1984-1-LS78-4-33|54c

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033176

On Mnet‘s ‘Beatles Code 3D,’ Woohyun related an interesting story about how his behavior converted an anti-fan into just a simple fan.

 

MC Shin Dong Yup brought this up by saying, “There’s a story going around that after a few words from Woohyun, an anti-fan...

360kpop.info/kpop-news-korean/woohyun-relates-a-story-of-...

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 22 February 1913.

 

The slide shows the image of a heavily cloaked person emerging from a small building covered in snow. The ground is also covered in snow. In the background is a ship's mast and other larger structures. Beyond that is a large mountain.

 

Inscription Details: Handwritten in blue ink at top of plate 'Hut Point, Antarctica Holland ap '22 Handwritten in black ink in lower left corner of plate 'U 54a' Handwritten in blue ink at bottom of plate '[illegible signature] 'sphere' 22-2-13' VERSO Handwritten in blue ink at bottom of plate 'Observation Hill in background. Cross on top to Captn Scott.'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236039|PH-1984-1-LS78-4-32|54a

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033177

Ministro de Justicia y Derechos Humanos, Luis Cordero se reúne con el Relator Especial de Medio Ambiente ONU

Fotos: Francisco León Puga

 

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), date unknown.

 

The slide shows the circular image of 3-4 dark masses on a textured blue/green surface.

 

Inscription Details: Handwritten in blue ink in lower left corner of image 'U 69'. Handwritten in blue ink in lower right corner of image 'or C 69.' Printed on left side of plate 'SCIOPTICON TRADE' Printed on right side of plate '..ts From Drawing'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236027|PH-1984-1-LS78-4-20|69

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033189

#SundayNightMapNerdTime I like good six word stories. They tell you a lot with so little. As a cartographer, I can relate to that. Maps are synopic designs, meaning they're to be interpreted as a whole. Problem is, we've only got about eight seconds (+/- whatever) to either 1) grab your attention and make you stick around longer or 2) get main message across. A good map does both of these things. Customers sometimes laugh when I tell them that maps tell stories. No, they do, sometimes literally. This map tells a story -- an alternate history of North America -- that was created by one alteration of our historical timeline back in the mid-19th Century, playing forward until today. Does this map, then, tell a story? If it does, consider yourself a co-writer, because all of us fill will in the details of that timeline a little differently. #map #cartography #mapping #althistory via Instagram ift.tt/2J5L4xS

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.

 

The slide is of an image showing the size of Earth (on left) compared to the Moon (on right).

 

Inscription Details: Handwritten notes on tape surrounding image outlining comparitive diameters of Earth and Moon, and 'density compared with water' of the Sun, Earth, and Moon. Tape covers original title exposed on the glass plate 'Comparative dimensions of the Earth and Moon.'. RECTO: handwritten in black ink on orange tape top of plate, 'Earth and Moon', handwritten in ink on orange tape at base of plate, "Sun's density compared with water 1.4 [Earth's?] ", " 5.6 Moon's ", " 3.5", handwritten in ink on white tape at top of plate "Dia:Moon 2.160", " Earth 9.918". Handwritten in black ink on white tape lower right corner, '23'. VERSO: In reverse at base of plate, 'Comparative dimensions of the Earth and Moon.'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 235686|PH-1984-1-LS78-2-12|23

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033526

 

Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444

 

Author: HOOD, Robin.

Volume: 02

Page: 361

Year: 1847

Place: London

Publisher: Longman, Brown, Green & Longmans

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

 

An Emperor Penguin at Sea World Gold Coast. this was back in 2013, and when i went again this year, I saw this guy again! you can tell him apart because he'll use his flippers and feet to make a little mound of snow and just flop onto it. he also has a little black freckle on his chest.

 

if you want to use this photo for personal reasons, eg: computer or phone background, you may do that without permission from me. but if you want to use this in an edit, or to repost on any social media site, please ask me first, and give me credit, linking back to my Flickr page if possible.

 

-Thank You

Postcard

 

The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.

 

Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.

 

The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.

Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.

 

Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).

 

YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria

 

Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.

 

Enquiries: Yarra Plenty Regional Library

 

Artscape Gibraltar Point, Toronto Island, August 2013 (photo by Ibrahim Abusitta)

The School of Tagaste, relates to his Confessions, probably his best-known work, written between 397 and 401.

 

The picture shows him starting school at the elementary school of Tagaste. The teacher walking towards the young Augustine is greeting him by gently caressing his face.

 

Within the family group his mother, St Monica, is highlighted by means of a golden halo which obeys the laws of perspective.

 

In the simultaneous scene on the right the teacher is punishing a pupil while the little Augustine is attentively studying a school slate with Greek letters on it.

 

From the scale of the buildings and figures it can be seen how far the pictorial space extends backwards. In this way Benozzo creates a counterweight to the arrangement of the figures parallel to the picture in the foreground.

 

Particularly characteristic of this cycle is the city view with buildings in the style of the Early Renaissance, including depictions of some that really exist.

The inscription tells us that Augustine made considerable advances within a short space of time in the Latin school of Tagaste, and emphasizes the Latin element that dominated his education

The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as reported in Foreign Press (1904-2002). "Pompeii: Rifling the Ruins...", THE WASHINGTON POST., Apr. 4, 1977, p. D1 [2/2].

Pictured with the Relate team is GB Security Director Dave Simpson.

 

A unique new fundraising venture has been launched in Lincoln by the charity Relate to support their counselling work with children and teens, and it’s got off the ground thanks to the support of local security company, GB Security Group

Various Artists

 

Thursday 7 November, 6:00pm - 9:30pm

Various Locations

Across Dundee

 

Join us for a specially curated evening tour of some of the highlights of the festival featuring happenings and conversations with selected artists. Refreshments will be provided throughout.

 

The tour begins at Generator Projects and will visit the Weave Group Exhibition, The Travelling Gallery and some of our other highlights.

 

6:00pm Generator Projects – With food provided by Diaré Drammeh, see the exhibitions Genetic Automata & Sensor and there will be an opportunity to interact with Sensor while the artist, Toby Jackson, will be present.

 

7:00pm Perth Road – We will take a stroll past ‘Take (to) the Streets‘, an outdoor exhibition featuring the work of local emerging artists who are reclaiming the streets with posters which address this year’s theme.

 

7:30pm Steeple Church – Enjoy some Anti-capitalist biscuits whilst debating Steve Lambert’s question Capitalism Works for Me! True/False

 

8:00pm Travelling Gallery – Learn about Day of Access, a powerful campaign which encourages estates to open their land to allow access for people affected by disability, featuring work by Alec Finlay.

 

8:30pm Wellgate Shopping Centre – at our final stop enjoy refreshments and check out our group exhibition Re:Make/Re:Sist, curated by Weave at Abertay, that brings together emerging and established digital artists/activists whose work comments, reflects and challenges ideas relating to socio-political issues and events.

 

9:00pm Continuing in the same space, Curator Clare Brennan will be in conversation with artist Irene Tokini Fubara-Manuel about her artwork Dreams of Disguise which features in the exhibition. This talk forms part of the Weave by Abertay’s ‘Platform’ series, which brings creative practitioners to Dundee to discuss their work.

 

Photography Kathryn Rattray

The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii during the 20th / 21st century as reported in Foreign Press (1904-2002). "THE STATE OF POMPEY," The N.Y. Times, July. 7. 2002, p. D2.

Postcard

 

The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.

 

Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.

 

The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.

Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.

 

Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).

 

YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria

 

Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.

 

Enquiries: Yarra Plenty Regional Library

 

Artscape Gibraltar Point, Toronto Island, August 2013 (photo by Victoria Stanton)

 

Image from 'Papers relating to the Island of Nantucket, with documents relating to the original settlement of that island, Martha's Vineyard, and other islands adjacent, known as Dukes County, while under the Colony of New York. Compiled from official records, etc. F.P', 001742300

 

Author: HOUGH, Franklin Benjamin.

Page: 25

Year: 1856

Place: Albany

Publisher:

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

 

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely from the 1890s.

 

The slide shows a large land mass/feature on a grid, with 1 square representing the comparative size of Earth.

 

Inscription Details: Handwritten in blue ink on left side of plate 'U 68'. Handwritten in black ink in lower right corner of plate 'June 29th 189'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236025|PH-1984-1-LS78-4-18|68

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033191

1.Empty Wallet

2.Shape

3.Emphasis

4.Basic Edit Raw

5.Shallow

6.No Natural Light

I chose to relate my photo to the song,"If I die Young." By Band Perry. I chose this song because it reminds me of my friend that died a year ago in the river. Her middle name is Rose so I wanted to choose a rose for my subject. 1. I took this shot close up about 2 inches away from my subject. I found the closer shots made the rose bigger to shoow that it is the dominant subject. There is also a lot of texture going on in this photo with the carpet in the background and the leather bible. 2. My subject like I said earlier is the rose. Its hue stands out of the background because the black and white colors. I really like the contrast with the black bible. 3. I turned my flash off and took this photo both during the day and night. I tried getting only light from artificial soft light but it didnt turn out as I hoped. So the shots during the day worked better. In this one the left half of the rose has soft light from my artificial light going up the stairs. The other side is darker and leaves a shadow from the leaves. 4. The hardest part in capturing this photo was trying to get a natural tinted light. It was too dark to have my flash off and the light from my flash made the mood too bright. During the day it was complicating because it looked almost too bright out and also made the mood bright. Overall this is a reminder of death and i needed a dimmer mood.5. The purpose of my photo was for brittney. She was a sweet girl whose life was cut short. I chose the rose to represent brittney and the bible to represent death.

SB 525 Relating to certification for Emergency Medical Training for the Mining Industry

SB 626 Relating generally to coal mining

HB 4626 Relating to West Virginia Innovative Mine Safety Technology Tax Credit Act 4-11-18

 

Brasília-DF - 30-11-2022 . Deputados do PT nas comissões. Foto Lula Marques

Funny lol cats and relatable quotes

The Body Relates - A 4 Day Workshop by Ming Poon

This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.

 

The slide shows a circular image of an unidentified planet with visible land/cloud masses and northern polar ice cap.

 

Inscription Details: Handwritten in blue ink at bottom of plate (crossed out), 'U144', 'Aux and U'.

 

Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.

 

Rights: No known copyright restrictions.

 

Reference: 236014|PH-1984-1-LS78-4-7|144

 

For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033202

View this map on the BL Georeferencer service.

 

Image taken from:

 

Title: "Memoirs relating to European and Asiatic Turkey; edited from manuscript journals, by R. Walpole. (Travels in various countries of the East; being a continuation of Memoirs relating to European and Asiatic Turkey, &c.)"

Author: WALPOLE, Robert - Rev

Shelfmark: "British Library HMNTS 1786.d.13.", "British Library HMNTS 982.i.7."

Volume: 02

Page: 76

Place of Publishing: London

Date of Publishing: 1817

Publisher: Longman & Co.

Issuance: monographic

Identifier: 003842704

 

Explore:

Find this item in the British Library catalogue, 'Explore'.

Open the page in the British Library's itemViewer (page image 76)

Download the PDF for this book Image found on book scan 76 (NB not a pagenumber)Download the OCR-derived text for this volume: (plain text) or (json)

 

Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year.

 

Order a higher quality version from here.

  

While im over here claiming yo ass you looking single asf. 😪 #shitdead #deadasf #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Adult #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #beyonce #nickiminaj #nofuckingchill - _relate.quotess

HB430 (Relating to Taxation) exempts charitable deductions from the itemized state income tax deduction caps.

Description: Copy of newspaper clippings relating activities of UCLA Ski Team in the mid-1930s.

 

Photographer: N/A

Donor: Glen Dawson

Original: Paper holdings of Angeles Chapter Archives

Credit: Glen Dawson Collection, Sierra Club-Angeles Chapter Archives

Photo ID (file name): Dawson G 1404

 

NO KNOWN COPYRIGHT RESTRICTIONS:

By asserting "no known copyright restrictions," the SIERRA CLUB ANGELES CHAPTER HISTORY COMMITTEE is sharing the benefit of our research without providing an expressed or implied warranty to others who would like to use or reproduce the photograph. This means that we are unaware of any current copyright restrictions on the works so designated, either because the term of copyright may have expired without being renewed, because no evidence has been found that copyright restrictions apply, because the original creator has granted us permission to post the image on the Internet, or because we own the copyright but are not exercising that control. The HISTORY COMMITTEE cannot guarantee that private or commercial use of the images shared herein will not violate the rights of unidentified copyright holders and we cannot be responsible for any liability resulting from the use of these images.

 

If you make use of a photo from this source, you are reminded to conduct an independent analysis of applicable law before proceeding with a particular new use.

 

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