View allAll Photos Tagged Relateable
From Postcard Album FTP1317
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Moses and Ann and their family lived at "Mayfield", Mernda, near Whittlesea, Victoria.
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 309
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The texts relate to Divine Instruction. The scene shows a young lad receiving instruction, namely Timothy, with Eunice and Lois his Grandmother.
The window features Oak and Vine tendrils.
In memory of John Greasley d.1872. It was erected in 1875.
“Erected in Memory of John Greasley
Born 25th June 1802 Died 13th Oct 1872
By Former Scholars of the Church Free Schools & their friends & in grateful remembrance of his kindness & constant attention in the management of the schools for 25 years AD 1875.“
RED LION PUBLIC HOUSE on the HISTORICAL 1300's BISHOP BRIDGE. KINGS, QUEENS, WITCHES AND BLOODY BATTLES.
I think its always nice to print stills in black and white relating to such ancient structures. I did take a brief glimpse at the public house itself and presumed it was possibly 18th or 19th century. My own research has however proved otherwise, and I was of course wrong.
The Red Lion itself (seen in the image I shot hereto) dates back to the 1700's thus making this one of the oldest public houses in Norwich and Norfolk, and possibly one of the oldest in the United Kingdom.
The site of the Red Lion has been a pub since the building of the Cathedral back in the 1000's and the bridge in 1249. The present building dates from around 1760 with parts going back as far as the 15th century. The River was a main thoroughfare into the city as was Bishopgate which led to the Bishops Palace. There are numerous tunnels leading from the pub up to the Cathedral however most are now closed off to the public.
Robert Ketts fought to keep out King Charles on this site and many Kings and Queens including Mary Queen of Scotts has made the journey over the Bishops Bridge and up Bishopgate. On a more gruesome note many accused witches were dragged over the bridge to Lollards Pit opposite where they were burned to death.
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Relating helps you develop a very sensitive, even telepathic resonance with your surroundings. This opens up your intuition. Relating begins from an attitude of not knowing and stays open to perceiving changes and new possibilities as they unfold.
From the book "Getting Real"
SB1082 (Relating to Transportation of School Children) simplifies Section 302A-406, Hawaii Revised Statutes. The bill allows for more flexibility by the BOE and DOE regarding contract requirements. This measure will provide the DOE with a tool to control costs of school bus transportation by removing statutory requirements related to school bus procurement.
SB1083 (Relating to Transportation of School Children) exempts contracts for transportation for school services from Section 103-55, Hawaii Revised Statutes. Under the provisions of this bill, the DOE will not need to require school bus contractors to certify that they pay same wages as public officers and employees. The bill removes the statutory requirements related to school bus procurement.
Information relating to the statue of Queen Victoria outside the Queen Victoria Building in Sydney.
The site of the Queen Victoria Building was the location of the George Street Markets, and was selected for the construction of a grand government building. Architect George McRae designed the QVB in the ornate Romanesque Revival style with the express purpose of employing a great number of skilled craftsmen who were out of work due to a severe recession. The building was completed in 1898 and named the Queen Victoria Building after the monarch.
The completed building included coffee shops, showrooms and a concert hall. It provided a business environment for tradesmen such as tailors, mercers, hairdressers, and florists. The concert hall was later changed to a municipal library and the building was partitioned into small offices for Sydney City Council. The building steadily deteriorated and in 1959 was threatened with demolition. It was restored between 1984 and 1986 by Ipoh Ltd at a cost of $86 million, under the terms of a 99-year lease from the City Council and now contains mostly upmarket boutiques and "brand-name" shops.
This bronze statue of Queen Victoria, located on the forecourt, was originally located in front of the Irish Parliament in Dublin until 1947. It was given to the people of Sydney as a gift from the people of Ireland and unveiled in 1987.
Relates to UNDP-supported GCF-funded project 'Strengthening the Resilience of Smallholder Farmers in the Dry Zone to Climate Variability and Extreme Events' (known locally as CRIWMP)
Resident Representative's field visit, Feb 2023. Credit: UNDP Sri Lanka
Near Maridi, Sudan, 1980
This picture relates to my blog entry: chrisonthisday.blogspot.com/2010/12/december-19th-mvolo-i...
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!
None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
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If you'd like to see more please check out my set, "Vertigo:"
www.flickr.com/photos/motorpsiclist/sets/72157630591282642/
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
Historic documents relating to the German immigration to British Kaffraria in the 1850's, photographed in the Courtenay-Latimer Hall at the East London Museum, Eastern Cape, South Africa on July 7, 2008. Original Prospectus referring to the German Colony at the Cape of Good Hope giving details of eligibility, terms, regulations relating to baggage, allocation of water and meals to be served, etc. Dated 15 June 1858. I photographed the same document in the archive in Stettin (Szczecin), Poland in 2003.
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Relates to a site review on The Abyss (my Stumbleupon blog). Menu of posts on said blog can be found on this page.
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Just wanted to relate to you all how important it is in life to cherish every moment God lets you live with your loved ones. For two weeks my father had asked me to take him to a special place he wanted to eat lunch and taste the shrimp in that area. At 81, and in a fairly good health after his last stroke, my father wanted to eat shrimp by the bay. I was busy, doing my every day things and took me two weeks to take him. Once there my father told me the story why he wanted to go to that special place. When he was very young, my grandfather had a factory in the city and shipped his goods all thru the country from that special shipping port. They lived close by and he remembered dearly those moments when his father used to take him there (fishers market down town) and he ate those same shrimps over 70 years ago. He was so happy there, he enjoyed every moment, ate slowly and remembered grandma and grandpa who have longed passed away. He felt close to them and just lived the moment second by second every bite he took was just like being there again 70 years before.
I write this with the deepest pain in my heart, so bad it hearts deeply, as I felt God was telling me he is getting ready to reunite my Dad with my grand parents, let him live again but now forever, those unforgettable moments he carries in his heart for all his life, let him have a well deserved peace and tranquility he has more than earned thru his 80 years of being the best Dad anyone can have, the most amazing example of a brave man, who never gave up to give us all the best any one can give and get.
As I sit here praying to God he lets me reimburse my Dad for all he has given us, I wanted to make it public, and ask any of you out there to take one minute and ask God to keep him with us for as much as he wishes so we can all enjoy him for the last days, months o years of his life he has left. We certainly can’t change the past but can absolutely change the future. God I made my deepest desire to you public in my most sincere hope you hear us all and have mercy upon us. God Bless you all.
One of four plaques bearing inscriptions relating to the life and career of Dr John Taylor, chaplain to Henry VIII and Master of the Rolls.
HB 178 Relating to Continuing Education
Requires licensed social workers to complete a minimum of 15 credit hours of continuing education courses for the licensing renewal period beginning July 1, 2013, through June 30, 2016, and 45 credit hours of continuing education courses during each licensing renewal period, for the period beginning July 1, 2016, and thereafter.
HB 1207 Relating to Human Services
Requires Department of Human Services to submit to the Legislature interim reports on program integrity prior to 2015 and 2016 Regular Sessions and a final report prior to 2017 Regular Session on its compliance with the federal Patient Protection and Affordable Care Act of 2010 as it relates to Medicaid. Effective July 1, 2014.
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 110
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
Photo credit: UNDP
Relates to the project 'Reducing the Vulnerability of Cambodian Rural Livelihoods through Enhanced Sub-National Climate Change Planning and Execution of Priority Actions' www.adaptation-undp.org/projects/reducing-vulnerability-c...
The first of the several buildings I wanted to take a close look at was the Museo Soumaya. I didn't actually go inside - I tend to not hit museums unless it's raining, but I did stare at the exterior for quite a bit.
The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii during the 20th / 21st century as reported in Foreign Press (1904-2002). "Restoration of Pompeii (...) Earthquake Damage," The Times, Sep. 4. 1981, p. 8.
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
In 1930,a London Naval Treaty was evolved relating to Submarine warfare,to which Germany agreed in 1935.
The rules stipulated that Merchant ships were not to be sunk without warning and not without the previous removal of passengers and crew
U.30 Commanded by 25 year old Lieutenant Fritz-Julius Lemp had received order to proceed with hostilities at Noon on September 3rd 1939.
The S.S.'Athenia' of 13,581 Tons operated by Anchor-Donaldson Ltd. carrying 1,400 passengers amongst which were 292 US citizens.
The US State Department sent a protest to Germany strongly condemning this action. Strange that the first victim at sea was an unarmed Passenger ship yet it wasn't to be the last.
Image from 'Historical collections of Virginia ... relating to its history and antiquities; together with geographical and statistical descriptions. To which is appended an historical and descriptive sketch of the District of Columbia', 001748053
Author: HOWE, Henry.
Page: 213
Year: 1845
Place: Charleston, S.C
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [1/3].
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
#love #lovequotes #quotes #tumblr #sadquotes #sad #quote #grunge #life #lovequote #gay #lifequotes #softgrunge #indie #funnyquotes #follow4follow #depressed #bi #tumblrquotes #ana #depressedquotes #crushquotes #lanadelrey #followforfollow #relatable #palegrunge #arianagrande #follow #relationship #depression - i_been_icey
Global Citizenship:
Ethics and Engagement
(February 26 to March 5, 2015)
Please credit: Salzburg Global Seminar/Ela Grieshaber
Participating institution: Miami Dade College, FL, USA
Tomorrow's leaders must think and act as global citizens in order to address the challenges facing humanity. Broadly defined, global citizens are people who are consciously prepared to live and work in the complex interdependent society of the 21st century and contribute to improving the common global welfare of our planet and its inhabitants. The program aims to engage participating students as global citizens, helping them develop the knowledge, skills, values, and commitment to:
Understand the nature of globalization, including its positive and negative impacts around the world, and realize how it is transforming human society;
Appreciate the diversity of humanity in all of its manifestations, from local to global, and interact with different groups of people to address common concerns;
Recognize the critical global challenges that are compromising humanity's future and see how their complexity and interconnections make solutions increasingly difficult; and
Collaborate with different sets of stakeholders, by thinking globally and acting locally, to resolve these critical challenges and build a more equitable and sustainable world.
The session format includes lectures and discussions with an international faculty as well as formal and informal work in small groups. Topics addressed in plenary lectures and discussions include globalization and global responsibility; the social, economic, and political aspects of migration; the historical legacy of the Holocaust, human rights, humanitarian intervention; sustainable development; and the implications of the United States' influence around the world.
Participants will consider how these issues relate to their current situations and future personal, educational, and professional plans. They will also have the opportunity to develop projects and activities related to the session topic that can be implemented at their colleges and universities, in their local communities, and beyond.
From: creativefeel.co.za/2018/05/chris-soal-orbits-of-relating/
“We think we are liberated by individualism, but in reality we’ve given up so much power. People are so caught up in the nuances of their own personal realm that they’ve lost real civic relationships with one another. We’ve lost that collective power.” – Andrea Zittel
Chris Soal’s artistic practice, is initially concerned with materiality. Specifically thus far, the materiality of objects which are available en mass and utilised daily by millions of people globally and then disposed of. These objects (toothpicks and bottle tops for example) are not only easily attainable, but are so common that they have become invisible to our eyes. They are manufactured for a single utilitarian purpose and are then discarded, once having served their purpose. They hold no value beyond that moment. These objects are manufactured to become debris. They exist on the margins of human existence, and they are indicators of a capitalist system that has a hierarchy of value, in relation to objects, materials, and even people. The choice to use these marginal materials was not immediate however, as the artist himself was entrapped by these very systems of value which he seeks to critique, and initially dismissed toothpicks and bottle tops as “unworthy” material for an artwork.
Chris Soal Soal is interested in the knowledges which are transmitted when bodies come into contact with one another. This is where he sees aesthetic judgment residing; in the world of things, not merely in concepts, emerging as the result of physical experience. It is due to this, that he consciously foregrounds the use of material in the artwork, with the intention of producing physical sensation. The viewer is integral and foremost in mind as the artist engages with the materials. For this body of work, it is the formal dynamism produced by the arrangement and use of toothpicks as a medium, which engages the viewer on a physical level, encouraging a visceral reaction; in some it urges them to recoil. On the other end of the spectrum, some viewers are overcome with a desire to touch the work.
The singular becomes plural. And it is in this plurality that the material begins to transcend itself. It is then in the moment of unveiling, the moment where the object is not only revealed but renewed for the viewer, that the value of it is altered, and thus our understanding of its value in relation to ourselves, changes. In this way the work gains political currency, and the titles become triggers for further contemplation. The artworks utilise form and materiality to reiterate that the viewer is a member of the “polis,” the citizenry; a part of a community.
Titles such as Orbits of relating, A delight in knowing and being known, and Little moments that remind us of ourselves, suggest a communal relating through the use of plural pronouns, read in the voice of the viewer, the first person. This not only suggests the concept of relational collectivity between viewers in the exhibition space, but also allows the artworks to become relatable themselves, by assuming anthropomorphic qualities. The quote by artist Andrea Zittel, whilst only discovered towards the end of the process, encapsulated and vocalised the artist’s desire that the work speak to a common human experience, a reminder which is sorely needed in a global society becoming seemingly evermore fractured.
This exhibition marks Chris Soal’s first solo body of work, to be publicly exhibited, since his graduation show at Wits Art Museum in 2017. It combines the artist’s previous use of bottle tops, as well as pointing into his sporadic forays into cement and rebar as materials, whilst foregrounding this body of work as a material exploration of toothpicks through sculptures, installations, drawing and three-dimensional wall pieces.
Chris Soal was born in South Africa in 1994. He graduated from the University of Witwatersrand with a Bachelor’s in Fine Art (Honours) in 2017. Today he lives and works in Johannesburg. He was awarded the Sculpture category and Overall Award at the PPC Imaginarium in 2018. He was selected as a finalist for the Cassirer Welz Award in 2017, the Wits Young Artist Award in 2016 and 2017, The SA Taxi Art Award in 2016 and the Thami Mnyele Award in 2015. Chris Soal was awarded a residency in 2018 by the South African Foundation for Contemporary Art. This residency was held in Knysna at Entabeni Farm for a duration of six weeks alongside fellow South African artist, Minnette Vari. He has exhibited in group shows at institutions such as Aeroplastics Contemporary in Brussels (2017), Wits Art Museum (2017), Fried Contemporary (2017), Museum of African Design (2016), Assemblage (2016), No End Contemporary (2017, 2018) and Galerie Noko (2016). Chris regularly exhibits at art fairs around Europe with Clifton Boulder Gallery.
Alongside his own artistic practice Chris works as a cinematographer at the Centre for the Less Good Idea, founded by South African-born, internationally renowned artist William Kentridge, and as a contributing writer on art and culture for Bubblegum Club.
Soal’s exhibition Orbits Of Relating will show from 24 May – 23 June 2018 at No End Contemporary Art Space | 60 4th Ave Linden, Johannesburg.