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The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. A. Maiuri ] "Pompeii Discovery of the Gladiator & The Tavern," The Times, Mar. 7, 1957. p. 9.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), circa 1890.
The slide shows photograph of Niagara Falls. Hand coloured in blue and pink.
Inscription Details: Handwritten in pencil on recto, above image, "Niagara". Handwritten in pencil on recto, below image, "Rebound C.L.W. 26-6-'09 Invercargill. Handwritten in blue ink on recto, bottom left corner, "G 147", "101 B".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235870|PH-1984-1-LS78-3-99|O70
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033343
This is a Portfolio relate to DC Comic and movie , Restore a role of Batman: Arkaham Asylum.
Harley Quinn/
I created this group of photos in China, an abandoned hospital building, to restore the role of a business works.
The creative process used in the camera, flash, soft umbrella, color film, reflectors, tripods and other props. Thank model Asa, and to help this group of photos I took several support staff.
This group of photos to show the audience a great reduction in the original crazy clown female offenders, if you know cosplay, understand Batman, then this will not be unfamiliar. I think this group of photos into a lot of photography after shooting, restore the role of a work that conveys the role of personality and the whole atmosphere of the original, is a group of the more successful works.
Besides me, there are many creative combinations, of course, I also plan and prepare some of the more impact work. In the future I plan to shoot some surreal landscape and travel photography work
Viewed from outside the walls.
"The Velvar Gate is part of the former medieval fortifications of the town of Slaný, the only surviving gate in the town. It stands a few tens of meters north of the historic Masaryk Square.
It is not known exactly when the Velvarská brána was built, the first written records about it date from 1443. A relief inscription under the window of the second floor of the southern facade of the tower, relating to the beginnings of the tower, recalls that it was built during the reign of Aleš (Krejčí) and Václav Novinky, long-time slan councilors.
During the reign of George of Poděbrady, it was repaired and given the name New Gate. The date 1461 has been preserved from this time on its southern wall.
Originally, the gate also included projecting walls with battlements, a bastion and a bridge over a moat. During the 16th century, the gate was damaged several times by city fires. In 1795, among other things, the nearby town hall burned down, from which a bell from 1514 was then transferred to the gate. It was used to ring the alarm and also for convicts who were led to the gallows through the gate.
The gate gradually lost its importance for the defense of the city. In connection with this, in the years 1823 to 1824, the gate was demolished during the construction of the road to Litoměřice, and the gate itself almost suffered a similar fate. However, this ultimately did not happen; instead, it was repaired in 1868. A copper cock was placed on top of the roof, which can still be seen here.
The total height of the gate is 38 meters, the floor plan measures about 9 x 8 meters. Above the passage on the north side is a carved city emblem and the emblems of the six city guilds. The original mason's marks are clearly visible on many of the stones. A museum of the history of the city and its fortifications is located in the premises of the gate.
The city fortifications in Slané have existed since the 14th century. Only a small part of it has survived to the present day (the so-called Devil's Bastion north of the city center and part of the wall south of the center near Šultysova street).
The walls stretched around the center of the city. They consisted of two lines in total and their height reached up to four meters. Between them was a fence, in front of which a deep trench was dug, which was partially filled with water from the Červený stream.
Access to the city was provided by three gates (Pražská, Velvarská and Lounská). There was a small gate (fortna) on the south side. The fortifications were built very soon after the establishment of the city in its medieval form. It bypassed the entire center, but two so-called suburbs remained behind the walls, namely Prague and Velvar. It was originally wooden, only later was a continuous stone fortification created. It was 1,250 meters long.
The walls were partially destroyed during the Hussite Wars . They were also badly damaged in the fire of the city in 1460 and had to be restored. Their reconstruction took place in the years 1461–1472. Some other bastions were also created, which have not survived to the present day.
Individual gates were demolished gradually in the first half of the 19th century. The walls disappeared at the same time; they were gradually demolished in 1835 and 1841. However, some parts of the walls had to be preserved; e.g. at the church of St. Gothard, the walls reinforced the foundations of the church itself. In some parts of the city, the walls were incorporated into newly built houses.
Slaný (Czech pronunciation: [ˈslaniː]; German: Schlan) is a town in Kladno District in the Central Bohemian Region of the Czech Republic. It has about 17,000 inhabitants. The historic town centre is well preserved and is protected by law as an urban monument zone.
The villages of Blahotice, Dolín, Lotouš, Kvíc, Kvíček, Netovice, Otruby, Trpoměchy and Želevčice are administrative parts of Slaný.
The word slaný literally means 'salty' in Czech. According to the Wenceslaus Hajek's chronicle records, Slaný was founded at the site of a salt spring below the hill of Slánská hora.
Slaný is located about 25 kilometres (16 mi) northwest of Prague. It lies in the Prague Plateau. The highest point and a dominant feature of the town's panorama is the hill Slánská hora at 330 m (1,080 ft) above sea level. The stream of Červený potok flows through the municipal territory from the southwest to the northeast.
The first written mention of Slaný is from 1262. The town grew as a result of its location on the trade route between Prague and Saxony. The Benedictines established a hospital here in 1136, together with a church dedicated to St. Gotthard. It was this large presence of the church, and the unconsolidated state of landed property that went with it, that allowed King Wenceslaus II of Bohemia to charter Slaný as a town and give his royal assent to its Magdeburg rights only sometime in the decade after 1295. In 1348, an earthquake damaged the now-fortified town; in 1371, a large fire broke out, and the church had to be rebuilt.
Slaný was captured by the Taborites in 1425 during the Hussite Wars, and remained in their hands until 1434. Not only did the Benedictine monks have to leave — this town by the hill was also one of Hussite holy cities, and their preachers expected it to survive the anticipated end of the world. Later, King George of Poděbrady gave Slaný many privileges, after the town had supported his election to the throne. The town also participated in the Bohemian Revolt that opened the Thirty Years' War, housing the family of King Frederick V. After the Battle of White Mountain, that meant a defeat for the cause, the town suffered as a result of the ravages of war. Afterwards, the new Catholic possessors of Slaný, the Martinic family, erected a Baroque church and edifice that, together with a new monastery, adorn the town to this day.
From the middle of the 19th century, Slaný began to be industrialized. The industry focused primarily on the needs of agriculture.
Bohemia (Latin Bohemia, German Böhmen, Polish Czechy) is a region in the west of the Czech Republic. Previously, as a kingdom, they were the center of the Czech Crown. The root of the word Czech probably corresponds to the meaning of man. The Latin equivalent of Bohemia, originally Boiohaemum (literally "land of Battles"), which over time also influenced the names in other languages, is derived from the Celtic tribe of the Boios, who lived in this area from the 4th to the 1st century BC Bohemia on it borders Germany in the west, Austria in the south, Moravia in the east and Poland in the north. Geographically, they are bounded from the north, west and south by a chain of mountains, the highest of which are the Krkonoše Mountains, in which the highest mountain of Bohemia, Sněžka, is also located. The most important rivers are the Elbe and the Vltava, with the fertile Polabean Plain extending around the Elbe. The capital and largest city of Bohemia is Prague, other important cities include, for example, Pilsen, Karlovy Vary, Kladno, Ústí nad Labem, Liberec, Hradec Králové, Pardubice and České Budějovice, Jihlava also lies partly on the historical territory of Bohemia." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Recipes. Fabulous blog Thinking For A Living made this post that relates to our first project of experimenting with type and context. "Ogilvy & Mather Asia Pacific Singapore has released a new print and poster campaign for Ben & Jerry’s that is really fun. Psychedelic typography and headlines that are reminiscent of drug-fueled lyrics from the 1960s combine to create unique, albeit cryptic, visuals for this daring campaign." from Ads of the World —Thinking For A Living
PM Dr Ngirente presented before Rwanda parliament, Government of Rwanda achievements relating to ICT in the knowledge-based economy | Kigali, 2 December 2019
Image from '[Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]]', 000194808
Author: BARBER, John Warner and HOWE (Henry)
Page: 130
Year: 1852
Place: Newark, N.J
Publisher: J. H. Bradley
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890s-1920s.
The slide shows an arch shaped photograph picturing bolts of lightning in a dark sky.
Inscription Details: Handwritten in blue ink on recto, "Monsoonal Lightening Queensland". Handwritten on blue ink on recto, bottom left corner "O112". Handwritten in blue ink on verso, "C.L.W. Repd -13-14-7-22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235884|PH-1984-1-LS78-3-113|O112
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033329
This photo relates to my blog posts on Ecuador
March 19, 2014. Boston, MA.
Kick Butts Day 2014. Representatives from the Department of Public Health (DPH) today joined more than 250 young people from across the Commonwealth at the State House for the national observance of Kick Butts Day, recognizing the contributions of teenagers in smoking cessation and prevention efforts.
The young people participating in today’s event are part of DPH’s youth movement, The 84, which represents the 84 percent of young people in Massachusetts who don’t smoke.
High school students involved in The 84 have been educating their communities and their local lawmakers about issues relating to tobacco and, working with local health boards and other programs; have promoted effective tobacco prevention strategies in their communities. Members of The 84 Movement have been vital in fighting the way tobacco industry markets its products to youth.
© 2014 Marilyn Humphries
His is relating to my current art work, the question is catastrophic events and the image is from a magazine. Where is the relation? On a personal level I feel the media portray a perfect image to look like this the size zero, this has led to an industry of no individualism as everyone in the industry wants to embody the so called perfect image; which the is no clear classification. This relates to Kippenberger through the use of headed paper and detail In the drawing much like pieces he has showcased previously.
RockinJim59.
Relates to the nineteenth century fiddle player James Hill who once lived on Bottle Bank. The stone and bronze public artwork was designed and made by sculptor Peter Coates. Bottle Bank was the part of Gateshead first inhabited.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). POMPEIVIVA - Pompeii Excavations and restoration 1961-1997. POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - Pompeii Excavations and Restoration 1961-1997. POMPEIVIVA - SSBANeP 2010.
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
Kotobuki No Kai is a traditional Japanese Minyo (folk) dance group. Many of the dances relate to work or specific trades such as fishing, picking tea, and working in the fields.
Kotobuki no Kai is a traditional Japanese minyo (folk) dance group. It was established in 1998, and is the Los Angeles headquarters for the Nippon Minyo Kenkyu Kai based in Nagoya, Japan. Nippon Minyo Kenkyu Kai is considered one of the largest minyo dance groups.
Kotobuki no Kai has received recognition from the City of Los Angeles, and from the City of Nagoya for their strong sister city relationship, cultural exchange, and for participation and performance in the Nippon Minyo Kenkyu Kai’s 50th Anniversary Celebration in japan. Kotobuki no Kai was the first American group of their school to perform in Japan.
Kotobuki no Kai is led by Shihan Imoto Hoshunjyu, who teaches minyo odori in the classical minyo style, as well as the “shin” or “new” minyo style. She also teaches kayo buyo, or dance accompanied by popular Japanese songs.
Her students perform throughout Southern California at various venues including the Pacific Asia Museum, the Keiro Nursing Home, the Minyo Kyokai Show, the Kenjin Kyogikai Show, the Asian American Expo, various Cherry Blossom Festivals and the Los Angeles Tanabata Festival.
Source: Nisei Week Foundation
The Grand Parade is one of the many events that take place during the Nisei Week Japanese Festival. Visit the Festival's official website for more information about one of the nation's longest running cultural festivals.
Relating to or denoting a style of clothing that is less formal than traditional business wear, but is still intended to give a professional and business like impression.
You have to be hip and cool to relate to todays kids (and their parents) when you're designing a flyer. Apparently this means being vague or somewhat unspecific. Good they decided to mention God, it being a church flyer.I suppose we're to fill in the blanks as to what "stuff" might be...
(taken in a very dark bus shelter...)
RIPavone
Opening Reception: Friday, January 11th, 2013 7:00pm to 11:00pm
DJ set by Alan Manzi
We are proud to open this new year, with an impressive body of work from New York artist, Destroy Rebuild. “RIPavone” will feature a collection of paintings in various mediums, relating to urban decay. Many of these pieces are created in the style that the artist is most known for, in which he layers silk-screened and wheat-pasted city imagery, with a strong focal point often achieved through a half clothed woman or bold text based message. This exhibit will also feature a selection of pieces from a new series of works that the artist is currently exploring.
AVone has often made changes to his name as an artist. Originally known as AVone, then forming a collective titled Destroy Rebuild, and now transitioning to Anthony Vasquez. Working under the title Destroy Rebuild, this exhibit marks the last time that this name will be formally tied to these works.
Anthony is not just dedicated to his craft, he is married to it and really lives it every day. His pieces are based around his life, as he documents his surroundings, interests and feelings. He creates his art in a screen-filled studio in Brooklyn. His mixed media pieces involve a process where he selects and layers images onto the canvas, using various paints and mediums to achieve the desired effect. Silk Screen mixed with other mediums, including acrylics, sprays and collage, Destroy Rebuild creates a re-imagined urban environment. His repetitive use of images compose a distinctive and gritty vision of urban decay.
In the past year, Anthony has been particularly busy, crafting a new body of work as well as working on commissions and gallery exhibitions around the world. He had a solo show at Pulsmacher Gallery in Germany titled “Exploitation of Mistake”. As well as a duo show with artist TMNK in Norway titled “Bastard of the Streets”. He has created and continued to release editioned prints through 1xRUN. Then, in September, the Brooklyn Nets and NBA TV’s “The Association” commissioned him to create a large installation in the Barclays Center in Brooklyn, New York.
"RIPavone" explores a new body of work while celebrating a masterful command of his iconic New York cityscapes. Lot F Gallery welcomes the return of Destroy Rebuild in an exhibition not to be missed.
Please contact us at info@lotfgallery.com for pre-sale information.
Show Runs
January 11th - January 30th 2013
Lot F Gallery
145 Pearl St #4 Boston, MA. 02110
617.426.1021
Solomon Islands, 2018. Photo credit: Patrick Rose/UNDP Solomon Islands
*Relates to the GEF-LDCF funded 'Solomon Islands Water Sector Adaptation Project' (SIWSAP) adaptation-undp.org/projects/ldcf-siwsap
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
Compare and Contrast Rome (holistically, using examples of experiences from today) with an American city of your choice. Please make sure to specify the city you select:
The city of Rome reminded me of one of my favorite cities in America, Key West. I’m not sure if I kept relating my experiences back to it because its where I’m from and its what I know, but there were a lot of noticeable similarities that stuck out to me. The most apparent similarity I noticed was the demeanor of the people. Moving away from the keys I realized that it wasn’t a normal thing to smile at strangers passing by or to strike up a conversation with just anyone for the heck of it (seriously, people would look at me like I had 6 heads). Still didn’t stop me from doing it, by the way. My first 3 days in Rome proved to me that the keys people aren’t the only ones with a demeanor like that. On the metro, or walking down the street, when I would make eye contact with a stranger a genuine smile was exchanged. Going out to eat our servers always asked where we were from and how were we enjoying the city with actual curiosity. They welcomed tourists like we did in the keys, with an appreciation that they traveled to experience the beauty of our home. Another thing I noticed was that they seemed to be on island time too. Even with the hustle and bustle of the city, there was no sense of urgency. The atmosphere and the people made me feel like I was at home. Some other things that had reminded me of Key West were its history and accessibility. Granted, Key West isn’t 2000 years old but it's still rich in culture and history. It’s apparent by the preservation of the original buildings in Old Town where the old architecture is still seen. One of the most popular beaches (and my favorite one) is in on a civil war fortress, Fort Zachary Taylor. There are museums dedicated to the history of Henry Flager’s railroad and Mel Fisher's discovery of key west’s sunken treasure. Since the island is only 5 cubic meters large a metro isn’t needed for public transportation, although the city bus system is as accessible. Even if you did decide to skip the bus everything is within walking distance. Overall, the big city reminded me of the little one I grew up on.
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Image taken from:
Title: "Memoirs relating to European and Asiatic Turkey; edited from manuscript journals, by R. Walpole. (Travels in various countries of the East; being a continuation of Memoirs relating to European and Asiatic Turkey, &c.)"
Author: WALPOLE, Robert - Rev
Shelfmark: "British Library HMNTS 1786.d.13.", "British Library HMNTS 982.i.7."
Volume: 02
Page: 575
Place of Publishing: London
Date of Publishing: 1817
Publisher: Longman & Co.
Issuance: monographic
Identifier: 003842704
Explore:
Find this item in the British Library catalogue, 'Explore'.
Open the page in the British Library's itemViewer (page image 575)
Download the PDF for this book Image found on book scan 575 (NB not a pagenumber)Download the OCR-derived text for this volume: (plain text) or (json)
Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year.
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster sqzm14.ust.hk/hkgay/news/blood-wound.html links to US Embassy website listed in last report are dead now but can be pulled up using Internet Archive archive.org/web/web.php See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754
CHildren of all ages relate to Mooey the bullied chicken.
Susan uses a live chicken that has been bullied in "Fowl Behavior" a school program about bully awareness and bullying prevention in Massachusetts, Rhode Island, Connecticut, Vermont, Boston, Maine and New Hampshire. Students in elementary school, middle school, junior high school and high school learn about the connection between instinct and intellect. They hear Susan's story of being bullied in Middle school and come away with a greater awareness of what it's like to be bullied, how to avoid being a bystander or a victim and to stand up for others. It will make your school community more compassionate.
This specific memory relates to my time working on a marketing team at the corporate office of an electronic cigarette company. The story in the video is from an ex-employee of the company, recounting a peculiar development process for a new e-cigarette flavor. The concept of crafting artificial flavors based on other (sometimes also, artificial) flavors seemed to create a negative feedback loop of arbitrary marketing and consumerism.
In the same vein of dramatic conspiracy theory documentaries, I began to build a series of images, both moving and not, around this memory, permitting some of the truths and accuracies to slip during the production of the images. Advertising, conspiracy films, scientific research footage, and marketing design are all visual vocabularies swimming around in my head when I think about artificial flavor development for the purpose of consumerism. The fabrication and marketing of something as elusive, and seemingly intangible as an e-cigarette’s vaporized flavor profile became fresh territory in which I could touch on existing ideas about the visual mediums that so frequently facilitate the ongoing deluge of capitalism. POM will continue to grow as a series of image experiments pushing into and away from truths about artifice and power.
March 19, 2014. Boston, MA.
Kick Butts Day 2014. Representatives from the Department of Public Health (DPH) today joined more than 250 young people from across the Commonwealth at the State House for the national observance of Kick Butts Day, recognizing the contributions of teenagers in smoking cessation and prevention efforts.
The young people participating in today’s event are part of DPH’s youth movement, The 84, which represents the 84 percent of young people in Massachusetts who don’t smoke.
High school students involved in The 84 have been educating their communities and their local lawmakers about issues relating to tobacco and, working with local health boards and other programs; have promoted effective tobacco prevention strategies in their communities. Members of The 84 Movement have been vital in fighting the way tobacco industry markets its products to youth.
© 2014 Marilyn Humphries
Photo credit: UNDP
Relates to the project 'Reducing the Vulnerability of Cambodian Rural Livelihoods through Enhanced Sub-National Climate Change Planning and Execution of Priority Actions' www.adaptation-undp.org/projects/reducing-vulnerability-c...
church of St Sergius built next to the place where Fr Alexander was killed by the blow of an axe on 9 Sept 1990
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
PM Dr Ngirente presented before Rwanda parliament, Government of Rwanda achievements relating to ICT in the knowledge-based economy | Kigali, 2 December 2019
Trinidadian calypsonian Lord Realtor watches as renowned composer and steel pan artist Andy Narell performs a card trick on the stage of the Bennett Auditorium after the two performed together at the University of Southern Mississippi in Hattiesburg, Miss., on April 19, 2013.
Psychiatry
This is part of a 52-week project relating my experiences during my medical internship during the last year of medical school.
church of St Alexander Nevsky, built at the place where Fr Alexander was killed by the blow of an axe on 9 Sept 1990
View this map on the BL Georeferencer service.
Image taken from:
Title: "Memoirs relating to European and Asiatic Turkey; edited from manuscript journals, by R. Walpole. (Travels in various countries of the East; being a continuation of Memoirs relating to European and Asiatic Turkey, &c.)"
Author: WALPOLE, Robert - Rev
Shelfmark: "British Library HMNTS 1786.d.13.", "British Library HMNTS 982.i.7."
Volume: 01
Page: 10
Place of Publishing: London
Date of Publishing: 1817
Publisher: Longman & Co.
Issuance: monographic
Identifier: 003842704
Explore:
Find this item in the British Library catalogue, 'Explore'.
Open the page in the British Library's itemViewer (page image 10)
Download the PDF for this book Image found on book scan 10 (NB not a pagenumber)Download the OCR-derived text for this volume: (plain text) or (json)
Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year.
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
For my character I would like to have a realistic face so it will be easy to relate to the audience whilst using blend shapes for expressions. I did some research on modelling a human head and discovered that to make it look realistic a number of rules should be followed. I found that using loops around specific areas such as the eyes or mouth are key. These loops allow the models mesh to deform in a more realistic and believable way. This can be seen when a character blinks or moves their eyebrows. Having triangle on the face is almost unavoidable if you want a characters face to look realistic. This is simply because the edge loops around the mesh have to meet at some point and when they do a triangle has to be created.
Reference images are always a good start when it comes to topology. Using 2D images within the 3D interface makes it easier to create a realistic character, although without reference for topology it will never look right when skinned and animated unless an experienced modeller has done the job. Although some references for topology are bad the majority of them are extremely good, I found that this is mainly due to the fact that they are tried and tested methods that work. Using a method that doesn’t follow an example can be dangerous and it is not easy to fix.
Reference / Images from: www.secondpicture.com/tutorials/3d/3d_modeling_of_a_human...
ruramuq.blogspot.co.uk/2009/02/topology-principles-for-an...
North Little Rock Veterans Administration Hospital Historic District
North Little Rock, Arkansas
Listed 02/20/2013
Reference Number: 13000021
The North Little Rock VA Hospital Historic District is an excellent example of a neuropsychiatric Second Generation Veterans Hospital that incorporates design elements of both Period I and ll along with preexisting buildings relating to the military post dating to the late nineteenth and early twentieth century. The North Little Rock VA Hospital Historic District contains numerous resources dating to the period when the site was occupied by a military post known as Fort Logan H. Roots. Additional resources constructed by the U.S. Public Health Service, the Veterans Bureau, and later the VA also remain within the historic district boundary. The Veterans Bureau and VA added or modified existing buildings to accommodate the neuropsychiatric medical needs of the region's veterans. The North Little Rock VA Hospital Historic District displays elements of several periods of U.S. military/federal construction, including Period I of Second Generation Veterans Hospitals dating from 1919 to the mid-1920s and Period ll that continues from the late 1920s through 1950. The North Little Rock VA Hospital Historic District is an excellent example of the adaption of existing federal properties to the needs of veterans requiring neuropsychiatric care. Numerous resources within the historic district predate the period of significance (1921-f950) and achieve contributing status as representative examples of the acquisition and adaption of existing federally-owned properties for use as federal medical facilities for veterans. The North Little Rock VA Hospital Historic District is eligible for listing in the National Register of Historic Places (NRHP) under Criterion A at the state level in the areas of politics/government because of the importance placed on securing the federal facility and its impact on the local community and veterans throughout Arkansas. The North Little Rock VA Hospital Historic District is also eligible under Criterion A at the state level in the areas of health/medicine because of the mission of the federal government, through the U.S. Public Health Service, the Veterans Bureau, and the VA, to provide neuropsychiatric health care to veterans of World War I and World War ll. This facility is also eligible under Criterion C in the area of architecture at the state level as the North Little Rock VA Hospital Historic District is an intact example of a facility that includes buildings dating prior to the period of significance and incorporating design elements of both Period I and Period ll Second Generation Veterans Hospitals. This includes incorporating elements of Colonial Revival and Classical Revival architectural styles that were nationally popular in the early to mid{twentieth century. While not fully-executed examples of the styles, the use of symmetrical fenestration, central projecting pavilions, pediments pierced by lunettes, elaborate door surrounds, gable- or hip-roof dormers, and tripartite windows reflect the influence of the Colonial Revival and Classical Revival styles that were fashionable in the early decades of the twentieth century and continued beyond World War ll. The North Little Rock VA Hospital Historic District also exhibits standardized building designs that were incorporated into the campuses of Period ll neuropsychiatric Second Generation Veterans Hospitals, such as the H-shape patient ward/treatment buildings. The Fort Logan H. Roots Military Post was listed in the National Register of Historic Places (NRHP) in 1974. The resources already listed in the approximately 29-acre NRHP historic district under the previous nomination are considered contributing elements to the North Little Rock VA Hospital Historic District because they were present and utilized by the hospital during the historic district's period of significance. Construction began in 1921 with the transfer of Fort Logan H. Roots to the U.S. Public Health Service and continued to 1950 with various additions and new buildings constructed within the historic district. The North Little Rock VA Hospital Historic District was initially designated a neuropsychiatric hospital, and it retained this designation throughout the period of significance. The historic district continues to retain characteristics of the neuropsychiatric veterans hospital sub-type while incorporating the preexisting buildings and campus design of the military post. The period of significance and assessment of contributing and noncontributing resources for this nomination are based on the historic district's significance within the historic contexts developed in the United States Second Generation Veterans Hospitals Multiple Property Documentation Form (MPDF). Resources constructed after 1950, and thus considered non contributing within this nomination, may possess significance under themes not fully developed as part of the MPDF. Resources located within the North Little North Little Rock Veterans Administration Hospital Historic District Pulaski County, Arkansas Name of Property County and State Rock campus of the Central Arkansas Veterans Healthcare System may be eligible or contributing for other associations or contexts under National Register Criteria A-D, or recent buildings/structures may be eligible under Criteria Consideration G, for resources of exceptional importance that are less than 50 years of age.