View allAll Photos Tagged Relabeled
Überseequartier Subway Station. Hamburg, Germany. 2008 to 2016.
The station was fairly new when I took this photograph.
Taken on 135, color negative film.
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Technical Notes: Shot on either a Minolta XD7 or Minolta CLE, I cannot remember. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
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Technical Notes: Olympus XA. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
BDZ has implemented a relabeling of all its machines to carry the full UIC number all over and locomotive 44 126 shows how this looks at the front of the locomotives as it passes through the Iskar gorge with train 7620 Sofia - Vidin
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Minolta XD5
Minolta MD 35-70 f/3.5
Rossmann HR200 (relabeled Fuji 200ASA)
Expired from 2004 - exposed at 50ASA
Mid-res scan
Plustek 7500i
Vuescan
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
(A PDF of this image is available here.)
Dear Rep. Boehner,
Recently, you released a chart purportedly describing the organization of the House Democrats' health plan. I think Democrats, Republicans, and independents agree that the problem is very complicated, no matter how you visualize it.
By releasing your chart, instead of meaningfully educating the public, you willfully obfuscated an already complicated proposal. There is no simple proposal to solve this problem. You instead chose to shout "12! 16! 37! 9! 24!" while we were trying to count something.
So, to try and do my duty both to the country and to information design (a profession and skill you have loudly shat upon), I have taken it upon myself to untangle your delightful chart. A few notes:
- I have removed the label referring to "federal website guidelines" as those are not a specific requirement of the Health and Human Services department. They are part of the U.S. Code. I should know: I have to follow them.
- I have relabeled the "Veterans Administration" to the "Department of Veterans' Affairs." The name change took effect in 1989.
- In the one change I made specifically for clarity, I omitted the line connecting the IRS and Health and Human Services department labeled "Individual Tax Return Information."
In the future, please remember that you have a duty to inform the public, and not willfully confuse your constituents.
Sincerely,
Robert Palmer
Resident,
California 53rd District
Version History:
July 21: Original version.
July 22: Added missing link from Surgeon General to Clinical Preventive Services Task Force, noticed by @Fan on freakangels.com (Thanks!)
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Re-scanned and reprocessed.
Nikkormat FTn w/Vivitar 28mm f 2.8 Prime
Me as a First Officer on the Beech 99B N596HA at the Shenandoah Valley Regional Airport 1986. A Henson Airlines domicile. Mr. Henson had sold the airline to Piedmont in 1985. We were then called Henson the Piedmont Regional Airline, later after USAir bought Piedmont we were relabeled as Piedmont Airlines.
Beech 99 Airliner
The Beechcraft Model 99 is a civilian aircraft produced by the Beechcraft. It is also known as the Beech 99 Airliner and the Commuter 99. The 99 is a twin-engine, unpressurized, 15 to 17 passenger seat turboprop aircraft, derived from the earlier Beechcraft King Air and Queen Air, using the wings of the Queen Air, and the engines and nacelles of the King Air, and sub-systems from both, and with a unique nose structure used only on the 99.
Design and development
Designed in the 1960s as a replacement for the Beechcraft Model 18, it first flew in July 1966. It received type certification on May 2, 1968, and 62 aircraft were delivered by the end of the year.
In 1984, the Beechcraft 1900, a pressurized 19-passenger airplane, was introduced as the follow-on aircraft.
Production ended in early 1987. Nearly half the Beech 99s in airline service are now operated as freighters by Ameriflight.
Variants
99 Airliner: Twin-engined Commuter and cargo transport aircraft, 10,400 lb max takeoff weight, accommodation for a crew of two and up to 15 passengers. powered by two 550-hp (410-kW) Pratt & Whitney Canada PT6A-20 turboprop engines.
99 Executive: Executive transport version of the 99 Airliner.
99A Airliner: Same as the 99 Airliner, but powered by two Pratt & Whitney PT6A-27 engines flat-rated at 550 hp.
A99A Airliner: One of a kind, 99A Airliner without wing center section tanks; this aircraft has been scrapped.
B99 Airliner: Improved version, 10,900 lb max takeoff weight, powered by two 680-hp (507-kW) Pratt & Whitney PT6A-27/28 engines.
B99 Executive: Executive transport version of the B99 Airliner.
C99 Commuter: Improved version, 11,300 lb (5,100 kg) max takeoff weight, Pratt & Whitney PT6A-36 (engines flat rated at 715 hp)
Specifications (Model 99A)
Data from Green[2]
General characteristics
Crew: One
Capacity: Normally 15 passengers (8-seat 'Business Executive' model available)
Length: 44 ft 6¾ in (13.58 m)
Wingspan: 45 ft 10½ in (13.98 m)
Height: 14 ft 4⅓ in (4.37 m)
Wing area: 279.7 ft² (25.99 m²)
Empty weight: 5,533 lb (varies depending upon equipment and configuration) (2,515 kg)
Loaded weight: ()
Max. takeoff weight: 10,400, 10,900, or 11,300 lb – see above (4,727 kg)
Powerplant: 2 × Pratt & Whitney PT6A-20, -27. or -36 turboprop Hartzell constant speed, feathering, and reversing, 550, 680, or 715 eshp depending upon model/mod status () each
Performance
Cruise speed: 205 knots (380 km/h) at 10,000 ft (3,050 m)
Range: 910 nm (1,048 mi, 1,686 km) at 216 mph (347 km/h) at 8,000 ft (2,440 m)
Service ceiling: 26,200 ft (7,988 m)
Rate of climb: 1,700 ft/min (8.63 m/s)
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Norelco Radios - As a result of a lawsuit by the Philco Radio Company in the early 1940s, Philips was prevented from using the name "Philips" on any products marketed in the United States. The two names were judged to sound similar enough to cause consumer confusion. As a result, Philips instead used the name Norelco, an acronym for "North American Philips [electrical] Company" for their products sold in the United States. Philips continued to use that name for all their U.S. products until 1974, when Philips purchased The Magnavox Company Philips then relabeled their U.S. consumer electronics products as Magnavox. (Paragraph adapted from Wikipedia)
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Fotos mit der genialen SLR Fujica AX-5 hier klicken!
Entwickelt und gebaut von Fujifilm kam sie Anfang der 1980er Jahre in den Verkauf - auch umgelabelt für den damaligen Riesen "Foto Porst" zu einem erschwinglicheren Preis.
Die AX-5 hat einen elektronisch gesteuerten Schlitzverschluß mit automatischer Zeiteinstellung von 2 bis 1/1000 sec. und B, ist blitzsynchronisiert bis 1/60 sec und sämtliche Zeiten sind auch manuell einstellbar.
Die SLR ist mit einem hellen, silberbeschichteten Prismen-Reflexsucher mit Fresnellinse, Mikroprismen und Schnittbild-Indikator, einer LED-Anzeige für alle Verschlußzeiten, Unter- und Überbelichtung, Batterie- und Blendenanzeige ausgestattet.
Die Belichtungsmessung (mit Siliciumdioden) findet zeitgemäß im Offenblend-Meßsystem durch das Objektiv statt (mittenbetonte Integralmessung), die Zeitautomatik, die computergesteuert mit Blendenvorwahl ist, ist umstellbar auf Arbeitsblendenautomatik. Eine (sehr schön!) manuelle +/-1 Blende Korrekturmöglichkeit über ein extra Rädchen rund um den Rückspulknopf gibt es ebenfalls, ausserdem eine zusätzliche Zeit-/Blendeneinstellung und eine Meßwertspeicherung bei "AEL". Die Kamera tastet Filme von 12-36 DIN/12-3200 ASA ab.
Die Kamera hat keinen Autofokus und muss ganz konventionell manuell an der Optik scharf gestellt werden. Ebenso ist der Bildtransport per Hand durchzuführen - per gutem alten Schnellspannhebel! Beides nur von Vorteil :-)
Besonders wichtig: die Stromquelle ist eine handelsübliche Rundzelle mit 6,0 V, z. B von Varta 4028 oder auch "No Name" in jedem Elektronikshop günstig zu haben.
Die Kamera liegt sehr gut in der Hand, der Sucher ist wunderbar hell und Auslöser und Verschluß laufen butterweich, auch nach Jahrzehnten noch: halt eine echte Fujifilm :-)
Developed and built by Fujifilm, it went on sale in the early 1980s - also relabeled for the then photo giant Porst.
The AX-5 has an electronically controlled focal plane shutter with automatic time setting from 2 to 1/1000 sec. And B, is lightning-synchronized up to 1/60 sec and all times can also be set manually.
The SLR is equipped with a bright, silver-coated prism reflex viewfinder with Fresnel lens, micro prisms and cross-sectional image indicator, an LED display for all shutter speeds, under and overexposure, battery and aperture display.
The exposure measurement (with silicon diodes) takes place through the lens using the open aperture measuring system (center-weighted integral measurement); There is also a (very nice!) Manual +/- 1 f-stop correction option using an extra wheel around the rewind button, as well as an additional time / f-stop setting and storage of measured values with "AEL". The camera scans films from 12-36 DIN / 12-3200 ASA.
The camera has no autofocus and has to be manually focused on the optics using the conventional method. The image transport must also be carried out by hand - using a good old quick release lever! Both are only an advantage :-)
Particularly important: the power source is a commercially available round cell with 6.0 V, e.g. B by Varta 4028 or "No Name" can be found cheaply in every electronics shop.
The camera is very easy to hold, the viewfinder is wonderfully bright and the shutter release and shutter run very smoothly, even 40 years later: a very good Fujifilm :-)
I see lots of Smarts that are parked like this where the free spot would be too short to park in the regular fashion. The rear wheels are on the sidewalk. Of course this jeopardises the side doors.
The "Agfa APX100" isn't actually an Agfa film. It is still sold new in drug stores. It must be a relabeled film by another maker, probably Harman.
Nikon EM
Nikkor AI-S 50mm 1:1.8 manual focus lens
Agfa APX 100 consumer grade black&white negative film
Developed and scanned by www.meinfilmlab.de
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Bruce Siple’s Windsor (relabeled as “soft machine”) and Warren Taylor’s Mondia Special after being hit by a drunk driver as they cycled up Alum Creek Dr after clocking out from their jobs at the Coca Cola factory at midnight (and sporting bright lights). The driver sped off in the dark (never to be caught) and they were months in recovery. Below in two comments I have pasted my brother’s account of their ordeal.
Favorite Fifteen 50mm Lenses
01. Carl Zeiss Jena Pancolar 50/2 exakta. 1961-8 East Germany 6 elements 4 groups Planar. Formerly labeled Flexon, this model is the predecessor of the multi-coated 50/1.8. 5 blade hexagon bokeh; though mostly smoothed. Single thorium coating (no yellowing), needs hood. Unique floating tab aperture distance markings. Exakta shutter linkage must be pressed for aperture to close down. Works well with Focal reducers and converters even full-frame 35mm.
02. KMZ Индустдр-22 50/3.5 l39, Russia 1951-3, 4 elements 3 groups. 8 blades all circular bokeh, but swirls at widest apertures. Simple coating low contrast. Collapsible (most compact lens), but has a difficult front-facing aperture control.
03. Asahi Optical Super Takumar 55/2 m42. Japan 1960s 6 elements 5 groups relabeled 55/1.8; identical. Yellowed radioactive simple coating needs hood. Vignettes on focal reducer and converters. Auto switch can prevent aperture from opening its widest.
04. Юпитер 3Π 50/1.5 NikonS-ContaxRF-Kiev. Russia 7 elements 3 groups Sonnar copy. 13 blade best-defined bubble wide open (even better than Trioplan with front focal multiplier), then smoothed out +f2.8. Needs hood. Adapter mounts loose.
05. Canon 50/1.2 l39. Japan 1956-60 v1, 7 elements 5 groups, 11 blade design by Itō Hiroshi. 11 point flowers +f2. Extremely swirly with busy subject bubbles both of which smooth out near f5. Most corrected by f8.
06. Konica Hexanon 50/1.7 v2 AR. Japan 1976+, 6 elements 5 groups, 6 blade hexagon. Most corrected lens of the set, and pairs well with focal multiplier converters. No focal reducers made for the short flange distance of Konica AR.
07. Canon Serenar 50/1.9 l39. Japan 6 elements 4 groups design by Kuroki Masana 1949. Collapsible, but needs hood/flags; not coated. 15 blade slight swirl wide open. Lower contrast than later f2 refined model.
08. Nikon series E 50/1.8 pancake F mount. Japan 6 elements 5 groups. 7 blade some heptagon bokeh, but mostly smooth. Works well extended, reversed, bellowed, or stacked for macro. Also pairs well with focal reducer and converters.
09. Porst Cosina 50/1.7 m42. Japan 1973, 6 elements 4 groups. 6 blade hexagon bokeh, smooth STF like extreme shallow depth of field. Works well with tubes, focal reducer and converters.
10. FED Индустдр 61Л zebra l39. Russia 4 elements 3 groups Tessar copy. Lanthanum glass coating; yellowed. 10 blade, swirls with thin bubbles. Tight focus barrel causes inadvertent unscrewing from mount.
11. KMZ Helios 44-2 58/2 m42. Russia 6 elements 4 groups Biotar copy. 8 blade, not as swirly as earlier versions. Vignettes on focal reducers and converters.
12. Rokkor PF 58/1.4 MCII - Japan 1969, 6 elements 5 groups. Soft corners, and extremely swirly wide open. Vignettes on focal reducers and converters. Would be great to CLA can reduce flange distance to work with L Mount.
13. Yashica Yashinon-DX 50/1.4 m42 - Japan 7 elements 8 groups. 6 blade hexagon bokeh best on APSc due to bad edges; all apertures. Vignettes on focal reducers and converters.
14. Cosmicar 24/1.8 C-mount. Japan, 5 blade pentagon bokeh. Extreme swirl. Close focusing. Circle matte crop.
15. Olympus F.Zuiko 50/1.8 OM. Japan 6 elements 4 groups. 6 blade hexagon bokeh. Distorts on focal reducer. Better on film than digital sensors.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Berlin-Charlottenburg, Fasanenstrasse
The classic Savoy Hotel closed sometime between 2020 and 2022 and has since only occasionally served as a location for movie production.
This guy seeks shelter in the former main entrance, which makes the scene even more ironic...
My first attempt at Lomography's Berlin Kino 400 ISO film. Having read that it probably is relabeled Orwo N75, I found a development recipe that said 10 minutes at 20°C in my favourite 510 Pyro... Which resulted in the darkest film base I have ever encountered, and most of the exposures look severely underdeveloped with fist-sized grain.
Leica M2 + Summitar 5cm f/2, Lomography Berlin Kino in 510 Pyro
Hamburg, Germany. 2008 to 2016.
Hamburg is for lovers. Even more so during the holidays. Merry Christmas!
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Artist:
Manfred Sihle-Wissel
Induction / Enweihung:
Septermber 2006
Loki (Hannelore) Schmidt (1919-2010) was the wife of Helmut Schmidt (*1918), former German 'Bundeskanzler'.
Loki Schmidt was very favoured in Hamburg, some of her themes were the plants and the nature.
Der "Botanische Garten" near the station "Klein-Flottbek" was recently (22.10.12.) relabeled in "Loki-Schmidt-Garten".
IMG_II-4843 ak.jpg
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Leica M3. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Please note that all the Agfa film here is the real stuff (pre bankruptcy) and not Agfaphoto which is actually relabeled Ferrania or more recently, factory rejected Fuji:
Hamburg, Germany. 2008 to 2016.
Together, they'll figure it out.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Great Lakes Distillery is a small-batch distillery located in Milwaukee Wisconsin. They hand-craft award winning distilled spirits in limited quantities using old world methods and traditions which they believe result in a superior product.
The fifth annual DOORS OPEN MILWAUKEE event opens the doors to over 150 wonderful buildings free-of-charge to the public –buildings that hold hidden treasures and special stories – from churches to office buildings, theaters to work sites, museums to hotels, clubs to universities; all sites of historic, architectural, cultural, or commercial interest.
Read This Review!
Notes: This is one a the very few (read damn few) vodkas that is actually produced by a small distiller. Not bought in bulk (by the tank truck or railroad tank car) and relabeled like a lot of vodka these days or redistilled (rectified) then bottled by by someone trying to look like a small distiller.
These people buy local Wisconsin wheat that they hand-inspect, do their own mashing (preparing and fermenting the grain) then distill the resulting product in small copper pot stills rather than the industry standard column stills. This is a insanely labor and cost-intensive process. Unlike most vodka producers, they buy their grain and ferment it themselves in small batches,distill it and bottle it so that it ensures quality and consistency from the grain to the bottling. Most of the other vodkas (in Russia and America) buy bulk ethanol, tweak it, and add water.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Ice cream stand: Walmart, repainted, paper sign added
Ice cream minis: some came with the stand and some are Rement. I repainted and relabeled the strawberry and peanut butter topping bottles that came with the stand
Duck Shoot carnival stand: Found in my mom's neighbor's trash (yes, I went garbage picking along with the rest of the neighborhood. Found some really good stuff.)
Paper bunting: made it for my farm stand diorama
Background: My Life scene for 18" dolls (from Walmart)
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
2006 IC CE 200. Bus used to be lables ARJ but was involved in the controversy that led to many busses being relabeled NYC School Bus. Ex. Birnie Bus Service 2629
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
--
Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.
Hamburg, Germany. 2008 to 2016.
Taken on 135, color negative film.
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Technical Notes: Minolta XD7. The film emulsion was probably Rossmann's house brand of a ASA400 film, made in Japan, likely relabeled Fuji film sold under the Rossmann brand. This film does not exist anymore. Scanned on a PrimeFilm XAs in RAW with VueScan Pro, then processed in Lightroom with Negative Lab Pro.