View allAll Photos Tagged Refuse
Page from my altered book art journal. Quote reads, "We can lift ourselves and others as well, when we refuse to remain in the realm of negative thought and cultivate within our hearts an attitude of gratitude." -Pres. Thomas S. Monson
part of one of the giant wall paintings that go right round the second floor above the entrance lobby, depicting huge scenes from Scottish history, this one is a small segment of the panel that runs the entire wall depicting the Battle of Bannockburn where a Scots army, after a long guerilla campaign, finally faced the far larger, better equipped English army on the open field before Stirling Castle. And under the inspired leadership of Robert the Bruce, King of Scots, shattered them so badly King Edward literally had to flee for his life, pursued by Scottish knights. My own clan's rise started due to their service to the Bruce on that day.
You can see Bruce here on his horse, although he dismounted before the battle and fought alongside his men on foot. Before the battle though, an advance scout, an English knight, spotted him checking out the landscape and thinking of the glory of killing the Scots king before the battle even begun spurred his heavy cavalry horse to attack. The Bruce refused to flee, simply sat on his smaller pony armed only with his axe and at the last minute made the pony sidestep, stood up in his stirrups and hit the knight so hard he broke his axe. You can only imagine how this inspired his men before a desperate fight, they must have felt they couldn't lose at that point. A major turning point that determined how the British Isles would unfold, as separate kingdoms, not one forced into subjugation to a larger neighbour. And yes, we Scots are obsessed with it :-)
Italian postcard by Rotalfoto, Milano, no. N. 150.
Chinese-American actress Nancy Kwan (1939) played a pivotal role in the acceptance of actors of Asian ancestry in major Hollywood film roles. She is best known for her debut as a free-spirited Hong Kong prostitute who captivates artist William Holden in The World of Suzie Wong (Richard Quine, 1960). She followed it the next year with the hit musical, Flower Drum Song (1961). Kwan spent the 1960s commuting between film roles in America and Europe.
Nancy Kwan Ka Shen (Chinese: 關家蒨) was born in Hong Kong in 1939 and grew up in Kowloon Tong. She is the daughter of Kwan Wing Hong, a Cantonese architect and Marquita Scott, a European model of English and Scottish ancestry. Kwan has an older brother, Ka Keung. In fear of the Japanese invasion of Hong Kong during World War II, Wing Hong, in the guise of a coolie, escaped from Hong Kong to North China in Christmas 1941 with his two children, whom he hid in wicker baskets. Kwan and her brother were transported by servants, evading Japanese sentries. They remained in exile in western China for five years until the war ended, after which they returned to Hong Kong and lived in a spacious, contemporary home her father designed. Scott escaped to England and never rejoined the family. Kwan's parents divorced when she was two years old. Her mother later moved to New York and married an American. Remaining in Hong Kong with the children, her father married a Chinese woman, whom Kwan called "Mother". Her father and her stepmother raised her, in addition to her brother and five half-brothers and half-sisters Five of Kwan's siblings became lawyers. Kwan attended the Catholic Maryknoll Convent School until she was 13 years old, after which she travelled to Kingsmoor School in Glossop, England a boarding school that her brother, Ka Keung, was then attending. Her brother studied to become an architect and she studied to become a dancer, soon also at the Royal Ballet School in London. Afterwards, she travelled back to Hong Kong, where she started a ballet school. Stage producer Ray Stark posted an advertisement in the Hong Kong Tiger Standard (later renamed The Standard) regarding auditions for the character Suzie Wong for a play. Kwan was discovered by Stark in a film studio constructed by her architect father. After auditioning for Stark, she was asked to screen test to play a character in the film The World of Suzie Wong. Kwan did three screen tests, and a deadlock existed between whether to choose Kwan or France Nuyen, who played Suzie Wong on stage. Owing to Kwan's lack of acting experience, at Stark's request, she travelled to the United States, where she attended acting school in Hollywood and resided in the Hollywood Studio Club, a chaperoned dormitory, with other junior actresses. She later moved to New York. Kwan signed a seven-year contract with Stark's Seven Arts Productions at a beginning salary of $300 a week though she was not given a distinct role. When The World of Suzie Wong began to tour, Kwan was assigned the part of a bargirl. In addition to her small supporting character role, Kwan became an understudy for France Nuyen. Though Stark and the male lead William Holden preferred Kwan, despite her somewhat apprehensive demeanour during the screen test, she did not get the role. Paramount favoured the eminent France Nuyen, who had been widely praised for her performance in the film South Pacific (1958) Stark acquiesced to Paramount's wishes. Nuyen received the role and Kwan later took the place of Nuyen on Broadway. In a September 1960 interview with Associated Press journalist Bob Thomas, she said, "I was bitterly disappointed, and I almost quit and went home when I didn't get the picture." In 1959, one month after Nuyen was selected for the film role and while Kwan was touring in Toronto, Stark told her to screen test again for the film. Nuyen, who was in an unstable relationship with Marlon Brando, had a nervous breakdown and was fired from the role because of her erratic actions. The film's director, Jean Negulesco, was fired and replaced by Richard Quine. Kwan began filming in London with co-star William Holden.
The World of Suzie Wong (Richard Quine, 1960) was a "box-office sensation". Critics lavished praise on Kwan for her performance. She was given the nickname "Chinese Bardot" for her unforgettable dance performance. Kwan and two other actresses, Ina Balin and Hayley Mills were awarded the Golden Globe for the "Most Promising Newcomer–Female" in 1960. Scholar Jennifer Leah Chan of New York University wrote that Suzie provided an Asian actress—Kwan—with the most significant Hollywood role since actress Anna May Wong's success in the 1920s. Kwan was on the October 1960 cover of Life, cementing her status as an eminent sex symbol in the 1960s. In 1961, Nancy Kwan starred in Flower Drum Song (Henry Koster, 1961) in a related role. The film, based on the Broadway musical by Rodgers and Hammerstein, was distinguished for being the first major Hollywood feature film with an all-Asian cast. It would be also the last film to do so for more than 30 years. Her prior ballet education provided a strong foundation for her role in Flower Drum Song, where she had much space to dance. After starring in The World of Suzie Wong and Flower Drum Song, Kwan's fame peaked in 1962. As a Hollywood icon, Kwan lived in a house atop Laurel Canyon in Los Angeles. She commuted in a white British sports car and danced to Latin verses. The 22-year-old Kwan was dating Swiss actor Maximilian Schell. Kwan's success in her early career was not mirrored in later years, due to the cultural nature of 1960s America. Kwan had to journey to Europe and Hong Kong to escape the ethnic typecasting in Hollywood that confined her largely to Asian roles despite her Eurasian appearance. Her third film was the British drama The Main Attraction (Daniel Petrie, 1962) with Pat Boone. She played an Italian circus performer who was the love interest of Boone's character. While she was filming in the Austrian Alps, she met Peter Pock, a hotelier and ski teacher, with whom she immediately fell in love. After several weeks, the two married and resided in Innsbruck, Austria. Kwan later gave birth to Bernhard "Bernie" Pock. Her contract with Seven Arts led her to travel around the world to make films. In 1963, Kwan starred as the title character of the comedy Tamahine (Philip Leacock, 1963), opposite Dennis Price. She played an English-Tahitian ward of the headmaster at an old English public school. In the aviation disaster film Fate Is the Hunter (Ralph Nelson, 1964), her seventh film, Kwan played an ichthyologist opposite Glenn Ford. It was her first role as a Eurasian character. Kwan's roles were predominantly comic characters. She divorced Peter Pock in 1968. Kwan met Bruce Lee when he choreographed the martial arts moves in the spy comedy The Wrecking Crew (Phil Karlson, 1969), starring Dean Martin as Matt Helm. In Kwan's role in the film, she fought the character played by Sharon Tate by throwing a flying kick. Her martial arts move was based not on karate training, but on her dance foundation. In 2019, the film was referenced and briefly seen in Quentin Tarantino's film Once Upon a Time in Hollywood, in which Tate is shown enjoying the film at the Fox Bruin Theater. She became close friends with Lee and met his wife and two children. In the 1970s, both Kwan and Lee returned to Hong Kong, where they carried on their companionship.
Nancy Kwan married Hollywood scriptwriter David Giler in July 1970 in a civil ceremony in Carson City, Nevada. That year, Kwan returned to Hong Kong with her son because her father was sick. She initially intended to remain for one year to assist him, but ultimately remained for about seven years. In 1972 she divorced Giler. She did not stop her work, starring as Dr. Sue in the action film Wonder Women (Robert Vincent O'Neil, 1973), Supercock (Gus Trikonis, 1975), and Fear/Night Creature (Lee Madden, 1978) with Donald Pleasance and Ross Hagen. The latter introduced her to filmmaker Norbert Meisel, who became her third husband. While in Hong Kong, Kwan founded a production company, Nancy Kwan Films, which made dozens of commercials for the Southeast Asia market. In 1979, she returned to the United States, because Kwan wanted her son Bernie to finish his schooling there. There she played characters in the television series Fantasy Island (1978), Knots Landing (1984), and The A-Team (1986). In 1987, Nancy Kwan co-owned the dim sum restaurant, Joss. Kwan, producer Ray Stark, restaurateur and Hong Kong film director Cecile Tang financed the restaurant, located on the Sunset Strip in West Hollywood. In 1993, Kwan played Gussie Yang, a tough-talking, soft-hearted Hong Kong restaurateur, in the fictional Dragon: The Bruce Lee Story (Rob Cohen, 1993). starring Jason Scott Lee. She played a pivotal role in the film, a character based on Seattle restaurateur and political leader Ruby Chow who hires Bruce Lee as a dishwasher and gives him the funds to open a martial arts school. She also wrote, directed, and starred in a film about Eurasians, Loose Woman With No Face (Nancy Kwan, 1993). She was asked about whether she was confronted with racism as a leading Asian Hollywood actress in the 1960s. Kwan replied, "That was 30 years ago and (prejudice) wasn't such a heavy issue then. I was just in great Broadway productions that were turned into films. I personally never felt any racial problems in Hollywood." In the 1990s, she faced a severe shortage of strong roles. She attributed this to both her age and the movie enterprise's aversion to selecting Asians for non-Asian roles. In earlier years, she was able to play an Italian and a Tahitian. She passed on a role in The Joy Luck Club (1993) because the filmmakers refused to excise a line calling The World of Suzie Wong a "...horrible racist film". In 1993, Kwan co-starred in the two-character play Arthur and Leila about two siblings who struggle with their Chinese identities, and in 1994 she assumed the role of 52-year-old Martha in Singapore Repertory Theatre's showing 'Who's Afraid of Virginia Woolf?' by Edward Albee. She and her husband produced the feature film Biker Poet. of which Bernie was the director and an actor. In 1996, when he was 33, Kwan's son, Bernie, died after contracting AIDS. Four years after his death, poet and actress Amber Tamblyn compiled her debut poetry book 'Of the Dawn' and dedicated it to Pock. She acted in the film Biker Poet with him when she was nine. Into the 1990s, Kwan appeared in television commercials and appeared in infomercials as the spokesperson for the cosmetic Oriental Pearl Cream. Kwan has been involved in philanthropy for AIDS awareness. In 1997, she published 'A Celebration of Life – Memories of My Son'. In 2006, Kwan reunited with Flower Drum Song co-star James Shigeta to perform A. R. Gurney's two-person play Love Letters. Kwan appeared in the documentary Hollywood Chinese (Arthur Dong, 2007). Kwan and her husband Norbert Meisel wrote, directed, and produced Ray of Sunshine (Norbert Meisel, 2007), a Bildungsroman film starring Cheyenne Rushing and with Kwan in a supporting role. Kwan wrote an introduction for the 2008 book 'For Goodness Sake: A Novel of the Afterlife of Suzie Wong' by James Clapp. During her career, Kwan has appeared in two television series and over 50 films. Kwan currently resides in Los Angeles and has family members in Hong Kong. She recently appeared in the feature Paint It Black (Amber Tamblyn, 2016), and the documentary Be Water (Bao Nguyen, 2020) about Bruce Lee.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Neemann Refuse Inc. a local waste hauler serving the Lincoln, Nebraska area.
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Please do not use this image without first asking for permission. Thank you.
I had collected sufficient anecdotal evidence that people approved of the new furniture configuration and that, as needed, they were making minor alterations as needed.
Thus I set my sights on the peripheral environment. I had been wanting to organize formally the organized chaos that was the random stacks of books on the shelves and the assorted posters on the common room walls. I was spurred to do this because the complaint that I had made about the common room's incoherent conditions on a postgraduate feedback form had been heard in fact by the administrators. When a staff member called me, I knew something could at length be done.
The problem with all the books on the shelves and the posters on the walls is that people have developed unspoken rules for why they are placed there; yet the consequences of their placement without regulation are obvious: while people can browse other people's refuse and find treasure in a pile of books that otherwise would be thrown out, this purpose is not explicitly stated: this tradition is passed on by word of mouth or by guesswork. In addition, since no other rules govern these piles, they grow to such heights that browsing the stacks become tedious: indeed, there comes a point at which a pile of loose books and articles grows to an unmanageable, unsearchable multitude. Looking at some of these items, dated from, even, a decade ago, their relevance has passed. They should no longer exist and should be thrown out. Unfortunately such a rule has not existed for their passing, yet.
This is where I, with the help of the research office, step in. I toured the premises with the administrator, pointing out this unbridled growth and concluding that the more these piles are able to grow unchecked, the less effective these piles become to users. She nodded and for the most part agreed with my assessment. She will follow up by asking the administration to perhaps develop rules for the timely disposal (and replenshiment) of the refuse literature. If possible, per my friend's suggestion, the next cycle of refuse books can be positioned upright for easier browsing by users.
While I was in a cleaning mood, I also asked the administrator to help me to clean up my office in 102 Hui Oi Chow. Like elsewhere in the building and on campus, this office serves an ancillary purpose in being a storage room for university, faculty, department and individual refuse. I pointed out to the administrator individuals' junk and university junk accumulating on shelves, by walls and in corners. The administrator promised to remove the excess equipment and furniture. I would do my part to clean up by asking people in the office to claim their excess belongings lest they be thrown out.
Waitangi is a locality in the Bay of Islands on the North Island of New Zealand. It is close to the town of Paihia (of which it is considered a part), 60 kilometres north of Whangarei. The name means weeping waters in Māori.
Site of national significance
Waitangi is best known for being the location where the Treaty of Waitangi was signed on February 6, 1840; however, it is also the place where the Declaration of Independence of New Zealand was signed five years prior, on October 28, 1835. This document was ratified by the British Crown the following year (1836).
Signing of the Treaty of Waitangi
The Treaty of Waitangi proper began on February 5, 1840 when a public meeting was held on the grounds in front of James Busby's residence. Lieutenant Governor Hobson read a proposed document to the 300 or so European and Māori who were in attendance and then provided the Māori chiefs an opportunity to speak. Initially, a large number of chiefs (including Te Kemara, Rewa and Moka Te Kainga-mataa) spoke against accepting the Crown's proposition to rule over Aotearoa.[1] Later in the proceedings a few chiefs began to entertain the idea; amongst the more notable chiefs to support the Crown were Te Wharerahi, Pumuka, and the two Hokianga chiefs, Tamati Waka Nene and his brother Eruera Maihi Patuone.[1] The proceedings were ended and were to recommence on February 7; however, a number of chiefs pressed to sign earlier. The Treaty of Waitangi was initially signed on February 6, 1840 in a marquee erected in the grounds of James Busby's house at Waitangi by representatives of the British Crown, the chiefs of the Confederation of the United Tribes of New Zealand, and other Māori tribal leaders, and subsequently by other Māori chiefs at other places in New Zealand. Not all of the chiefs chose to sign this document, with a number of chiefs either delaying or refusing to put pen to paper.
In 2007, researcher Brent Kerehona claimed[citation needed] that uncertainty has arisen over whether Ngapuhi chief Moka Te Kainga-mataa actually signed; despite his name appearing on this document. A close inspection of the Treaty document itself shows no evidence of a signature or 'mark' next to Moka's name (which is written as 'Te Tohu o Moka'). Kerehona elaborates by inferring that it is clear by the accounts of Colenso (1890)[1] that not only did Moka clearly express his concerns about the Treaty's effects whilst at the meeting on February 5, but that the discussion that he had with the Reverend Charles Baker, combined with Moka's final comment, should be taken into account.
The introduction of the Treaty effectively revoked the Declaration of Independence, making New Zealand a British colony, and the Treaty is generally considered the founding document of New Zealand as a nation. Waitangi Day is the annual celebration of the signing, and is New Zealand's national holiday.
The Treaty House
What is now called the 'Treaty House' was first occupied by James Busby who acted as the British resident in New Zealand from 1832 until the arrival of William Hobson. In preparation for New Zealand Centenary in 1940 the Treaty House was restored in the 1930s, and the Māori meeting house was built beside it, sparking the first emergence of the Treaty into Pākehā attention since the 19th century.
source:
This is a photograph from the Le Chéíle 'Leixlip 5KM' Road Race, Jog, and Fun Run was held in Leixlip, Co. Kildare, Ireland on Saturday May 4th 2013 at 11:00. This race has steadily grown in stature over the past number of years and now is a well known fixture in the racing calendar in May annually. This was a big aattendance at the race which finished with the last 700 meters on the beautiful new tartan track belonging to Le Cheile AC at the Leixlip Amenities center. As always This was a great race with a great atmosphere. The weather was reasonably good (except for a head wind at a few places on the course). Good race times were reported by many participants. Congratulations to Kevin Roche and all of Le Chéíle AC for their huge volunteer work that goes into making this race the growing success that it is. As always the post race refreshments were awesome with some fabulous treats available for everyone. This year Lidl and Applegreen were title sponsors with support for prizes from Runworx. There was great support from local Kildare clubs and club of the day must go to Sliabh Buidhe Rovers AC of Ferns in Wexford who brought over 30 athletes up on a club day out for the race. The race was supported by FIT Magazine. Junior races for children aged between 7 - 16 years old took place on the track at 10:30 before the main race at 11:00. The race was AAI Permit Approved with a certified course measurement.
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
Overall Race Summary
RESULTS: The chip timing was provided by Red Tag Timing and the results are available here [www.redtagtiming.com/results/LeCheile5km_2014.pdf]
Participants: Approximately 320 people took part in both events with runners, joggers, walkers, and families involved.
Weather: This was a nice bright mild morning with a headwind at the 1st and final KM of the race.
Course: The race starts on the road outside the amenities center. There is a signifcant climb up the motorway overpass at 1KM. The stretch from here to 4KM is reasonably flat. There is a final
long drag up to Louisia Bridge and the race finishes with almost 700M on the new athletics track built by the club.
Refreshments: The refreshments after the Le Cheile 5KM have now gained legendary status. Outstanding.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/ykhbT]
Some Useful Links
The Internet Homepage of Le Cheile Athletic Club [www.lecheileac.com/]
The Le Cheile Leixlip 5KM Event Page on Facebook [www.facebook.com/groups/198725250155741/]
Google StreetView of the Race HeadQuarters: goo.gl/maps/ykhbT
A Youtube Video of the 5KM Route for 2013: www.youtube.com/watch?feature=player_embedded&v=fFFem...
A GARMIN GPS Trace of the 5KM Route for 2013: connect.garmin.com/activity/305379628
Our Flickr set from the 2013 Le Cheile 5KM: www.flickr.com/photos/peterm7/sets/72157633416311738/ (2013)
Our Flickr Set from the 2012 Le Cheile 5KM: www.flickr.com/photos/peterm7/sets/72157629605644270/ (2012)
Our Flickr Set from the 2012 Le Cheile 5KM: www.flickr.com/photos/peterm7/sets/72157626541539991/ (2011)
Our Flickr Set from the 2012 Le Cheile 5KM: www.flickr.com/photos/peterm7/sets/72157624016827268/ (2010)
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Refusing War, Affirming Peace: A History of Civilian Public Service Camp No. 21 at Cascade Locks
Jeffrey Kovac
Published by OSU Press
"One of the untold stories of America’s World War II experience belongs to the thousands who refused military service for reasons of conscience, instead serving their country through non-military alternate service. Refusing War, Affirming Peace offers an intimate view of a single Civilian Public Service Camp, Camp #21 at Cascade Locks, Oregon, one of the largest and longest-serving camps in the system—and one of the most unusual.
Under the leadership of a remarkable director, Rev. Mark Y. Schrock, and some outstanding camp leaders, the men at Camp #21 created a vibrant community. Despite the requisite long days of physical labor, the men developed a strong educational program, published a newspaper and a literary magazine, produced plays and concerts, and participated in a special school and research project called the School of Pacifist Living. They also challenged the Selective Service System in two political protests—one concerning the threatened removal of a Japanese American, George Yamada, and a second concerning a war- related work project. Their story shows the CPS system at its best.
Jeffrey Kovac’s thorough research has resulted in one of the very few histories of a single Civilian Public Service Camp, shedding light on a generation of men who, during the 'good war,' created a community for peace. Refusing War is an important contribution to World War II history, peace studies, and the history of the Pacific Northwest."
Chassis: Crane Carrier Co. LET2
Body: McNeilus Standard Rear Loader
Hauler: Recology CleanScapes
Location: Seattle, WA
Date: May 2019
See More Trashy Photos & Videos At: The Thrash 'N' Trash Website
©Bryn Erdman. All Rights Reserved.
Refuse Fascism NO FASCIST TAKEOVER OF DC! March down Connecticut Avenue at N Street, NW, Washington DC on Saturday afternoon, 16 August 2025 by Elvert Barnes Photography
Visit REFUSE FASCISM website at refusefascism.org/events/scenes-from-august-16-march-to-t...
SUMMER 2025 TRUMP'S TAKEOVER OF WASHINGTON DC Project
Elvert Barnes Protests Photography 2025 at elvertxbarnes.com/protests
Elvert Barnes August 2025 at exbphoto.com/2025
A green refuse bag outside Verde's.
The sign is old - quite how old, I can't say - but certainly early or pre-20th century. The writer Jeanette Winterson purchased this property and Verde continues strongly as a now very upscale retail establishment selling all sorts of delectable goodies.
The building itself is 18th-century and is in the heart of old Spitalfields, just down the road from Jack the Ripper's alleged local pub and the now forever spooky Hawksmoor church Christchurch Spitalfields. I tried to photograph that too, but was harrassed by the local working girls.
The vast power and wealth of the City have engulfed Spitalfields Market, which is now pretty much concretised and glazed with chain stores and Starbucks. Winterson wanted to preserve this old building with its wonderful sign, but her wonderful shop is another example of the urban renewal of the area. The working girls and Jack's ghost are probably being priced out as I write.
Engine: Cummins ISM 320 HP six cylinder diesel
Transmission: Allison 4500RDS
Here is Hightstown, NJ's Peterbilt/LaBrie Expert 2000 automated refuse collector as it looked this past Summer of 2013.
Skeletal Custom Bike "Refuse to Relinquish" - View #4.
Cleveland Autorama 2007.
I-X Center, Cleveland, OH.
March 18, 2007.