View allAll Photos Tagged Reflection
National Roseate Spoonbill posing on a rock at J. N. "Ding" Darling National Wildlife Refuge on Sanibel Island, Florida. Taken with a Nikon D200 using a Nikon 400mm f3.5 lens on tripod. Best viewed on BLACK here: View On Black
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Trinity Church and another building seem to become one in the reflections on the glass-skinned Hancock Tower.
Im here to learn and share. Critiques, comments and suggestions are always welcome.
I could shoot reflections in glasses (and of course this beautiful model) all day long.
Strobist info:
ambient light
iso50/91mm/f4/ 1/100
It is raining hard off and on today so thought I would upload some photos taken recently Crofty of a puddle- taken at the same time but in a different position - with quite different results!
Reflections on the adayar river(or is the cooum?)
Taken while going in MRTS train.
The top portion is the reflected image
NGC 7129 is a young reflection nebula in Cepheus. 3 Young stars near the center of the nebula are sending jets of supersonic gas into the dust cloud causing the shape of the nebula. The crescent shape are Herbig-Haro objects made from jets of gas from the newborn stars.
There are small HH-objects both below and above the main nebula. The small crescent at the top of the image is called HH103.
Imaged with an Atik 460 through a C14 with a 0.63 reducer.
LRGB = 100/55/65/90 min.
245/365 Spent the last four days at a Conference at our company's local training centre. I always like to look at the water pool outside and the reflection of the metal and cement pillars. This water pool acts like a natural air conditioner.
Photos from a recent visit to New York City. Visits to the Statue of Liberty, Empire State Building, Rockefeller Center, Governor's Island, Staten Island, Brooklyn and Lower Manhattan.
©2014 Tony Evans. All Rights Reserved.
REFLECTION OF MINERAL
The site is located near the center of Tokyo. It is a small 44m2 corner plot bounded by two streets. Conforming to legal conditions and in response to the client’s wish for a ‘roofed garage’ the volume was trimmed from various directions. Using the words ‘Mineral’ and ‘reflection’ as guiding concepts, Atelier Tekuto proceeded to use subtraction as a positive tool for design.
MINERAL
Minerals are phenomena that combine abstract properties (conceptual objects) with nonfigurative properties (objects whose presence of matter is more tangible). Changes from transparent to translucent to opaque occur according to light intensity and angle. The mineral body cannot be regarded as a simple element.
REFLECTION
Reflection is a recent concept pertaining to the perception of space. Vision is an important factor in the recognition of space. By controlling geometries (facets with three factors: transparent, translucent and opaque) and entangling them in a three-dimensional way inside the internal space, visual reflection is induced. This results in a deviation from the restrictiveness of space.
As people move inside the space, or as light enters from changing angles, the facet’s presence changes, creating a dynamic space. In contrast to the abstractness of the polyhedron are the kitchen, counter shelf, stairs, floors and toilet box equipped with functionality that exist as nonfigurative objects.
The third floor bathroom unit features a mirror finish in stainless steel, which combines both concepts of object and reflection, and presents itself as a substitution of both ‘minerals’ and ‘reflection’.
The Relationship with the surrounding environment is expressed in the small plaza open to the street, a piloti like space that emerged after placing the garage on ground floor. Its liberating feeling might trigger some change in the surrounding streetscape.
Atlier Tekuto
Photographer
Makoto Yoshida
敷地は東京の住宅密集地にあり、5.15mと3.70mの道路に鋭角に挟まれた、44.62㎡の小さな異形敷地である。建築法規的に道路斜線が二方向からかかり北側斜線も含め、最大ボリュームの形が多角形に切り取られる。
若きクライアントの3つの要望（面白い・最大ボリュームの確保・屋根付き駐車場）と敷地が持つ絶対条件から最初に思い描いたものは地中に『鉱物』が埋れているイメージ。
様々な角度から受ける規制と採光、住居としてのスペースを最大ボリュームから削りとり、多角形がもつ面の構成を壁・床・天井・開口と、建築における空間構成へ置換して形態を決定した。
その行為はダイヤモンドの価値を決めるのに最も重要されるCutと同様である。
アトリエ天工人
写真家
吉田 誠