View allAll Photos Tagged Refinance
www.youtube.com/watch?v=PKbpQfWik4k Angela Bennett Ashburn Virginia free report on home mortgage financing solution features
People form strong attachments to their homes. Walking away is never a decision they take lightly. We can discuss the pros and cons and come up with our own beliefs and attitudes about it, but the turnover of our housing stock caused by the housing crash will be very painful for those who go... at Accelerated default, what strategic default really is
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Built in 1895-1896, this Chicago School-style thirteen-story skyscraper was designed by Louis Sullivan and Dankmar Adler for the Guaranty Construction Company. It was initially commissioned by Hascal L. Taylor, whom approached Dankmar Adler to build "the largest and best office building in the city,” but Taylor, whom wanted to name the building after himself, died in 1894, just before the building was announced. Having already had the building designed and ready for construction, the Guaranty Construction Company of Chicago, which already had resources lined up to build the project, bought the property and had the building constructed, with the building instead being named after them. In 1898, the building was renamed after the Prudential Insurance Company, which had refinanced the project and became a major tenant in the building after it was completed. Prudential had the terra cotta panels above the main entrances to the building modified to display the company’s name in 1898, upon their acquisition of a partial share in the ownership of the tower. The building became the tallest building in Buffalo upon its completion, and was a further refinement of the ideas that Sullivan had developed with the Wainwright Building in St. Louis, which was built in 1890-92, and featured a design with more Classical overtones, which were dropped with the design of the Guaranty Building in favor of a more purified Art Nouveau and Chicago School aesthetic, and with more intricate visual detail, with the ornate terra cotta panels cladding the entire structure, leaving very few areas with sparse detail. The building is an early skyscraper with a steel frame supporting the terra cotta panel facade, a departure from earlier load bearing masonry structures that had previously been predominant in many of the same applications, and expresses this through large window openings at the base and a consistent wall thickness, as there was no need to make the exterior walls thicker at the base to support the load from the structure above. The building also contrasts with the more rigid historically-influenced Classical revivalism that was growing in popularity at the time, and follows Sullivan’s mantra of “form ever follows function” despite having a lot of unnecessary detail on the exterior cladding and interior elements. The building’s facade also emphasizes its verticality through continual vertical bands of windows separated by pilasters that are wider on the first two floors, with narrower pilasters above, with the entire composition of the building following the tripartite form influenced by classical columns, with distinct sections comprising the base, shaft, and capital, though being a radical and bold abstraction of the form compared to the historical literalism expressed by most of its contemporaries, more directly displaying the underlying steel structure of the building.
The building is clad in rusty terra cotta panels which feature extensive Sullivanesque ornament inspired by the Art Nouveau movement, which clad the entirety of the building’s facades along Church Street and Pearl Street, with simpler red brick and painted brick cladding on the facades that do not front public right-of-ways, which are visible when the building is viewed from the south and west. The white painted brick cladding on the south elevation marks the former location of the building’s light well, which was about 30 feet wide and 68 feet deep, and was infilled during a 1980s rehabilitation project, adding an additional 1,400 square feet of office space, and necessitating an artificial light source to be installed above the stained glass ceiling of the building’s lobby. The building’s windows are mostly one-over-one double-hung windows in vertical columns, with one window per bay, though this pattern is broken at the painted portions of the non-principal facades, which feature paired one-over-one windows, on the second floor of the principal facades, which features Chicago-style tripartite windows and arched transoms over the building’s two main entry doors, on the thirteenth floor of the principal facades, which features circular oxeye windows, and at the base, which features large storefront windows that include cantilevered sections with shed glass roofs that wrap around the columns at the base of the building. The building’s terra cotta panels feature many natural and geometric motifs based on plants and crystalline structures, the most common being a “seed pod” motif that symbolizes growth, with a wide variation of patterns, giving the facade a dynamic appearance, which is almost overwhelming, but helps to further grant the building a dignified and monumental appearance, and is a signature element of many of the significant works of Adler and Sullivan, as well as Sullivan’s later independent work. The building’s pilasters halve in number but double in thickness towards the base, with wide window openings underneath pairs of window bays above on the first and second floors, with the pilasters terminating at circular columns with large, decorative, ornate terra cotta capitals in the central bays, and thick rectilinear pilasters at the corners and flanking the entry door openings. The circular columns penetrate the extruded storefront windows and shed glass roofs below, which formed display cases for shops in the ground floor of the building when it first opened, and feature decorative copper trim and mullions framing the large expanses of plate glass. The base of the building is clad in medina sandstone panels, as well as medina sandstone bases on the circular columns. The major entry doors feature decorative copper trim surrounds, a spandrel panel with ornate cast copper detailing above and the name “Guaranty” emblazoned on the face of each of the two panels at the two entrances, decorative transoms above with decorative copper panels as headers, and arched transoms on the second floor with decorative terra cotta trim surrounds. Each of the two major entrance doors is flanked by two ornate Art Nouveau-style wall-mounted sconces mounted on the large pilasters, with smaller, partially recessed pilasters on either side. The building features two cornices with arched recesses, with the smaller cornice running as a belt around the transition between the base and the shaft portions of the building, with lightbulbs in each archway, and the larger cornice, which extends further out from the face of the building, running around the top of the building’s Swan Street and Pearl Street facades, with a circular oxeye window in each archway. The lower corner recessed into the facade at the ends, while the upper cornice runs around the entire top of the facade above, with geometric motifs in the central portions and a large cluster of leaves in a pattern that is often repeated in Sullivan’s other work at the corners. The spandrel panels between the windows on the shaft portion of the building feature a cluster of leaves at the base and geometric patterns above, with a repeat of the same recessed arch detail as the cornice at the sill line of each window. The pilasters feature almost strictly geometric motifs, with a few floral motifs thrown in at key points to balance the composition of the facade with the windows. A small and often overlooked feature of the ground floor is a set of stone steps up to an entrance at the northwest corner of the building, which features a decorative copper railing with Sullivanesque and Art Nouveau-inspired ornament, which sits next to a staircase to the building’s basement, which features a more utilitarian modern safety railing in the middle.
The interior of the building was heavily renovated over the years before being partially restored in 1980, with the lobby being reverted back to its circa 1896 appearance. The Swan Street vestibule has been fully restored, featuring a marble ceiling, decorative mosaics around the top of the walls, a decorative antique brass light fixture with Art Nouveau detailing and a ring of lightbulbs in the center, the remnant bronze stringer of a now-removed staircase to the second floor in a circular glass wall at the north end of the space, and a terazzo floor. The main lobby, located immediately to the west, features a Tiffany-esque stained glass ceiling with ellipsoid and circular panels set into a bronze frame that once sat below a skylight at the base of the building’s filled-in light well, marble cladding on the walls, mosaics on the ceiling and around the top of the walls, a bronze staircase with ornate railing at the west end of the space, which features a semi-circular landing, a basement staircase with a brass railing, a terrazzo floor, and multiple historic three-bulb wall sconces, as well as brass ceiling fixtures matching those in the vestibule. The building’s elevators, located in an alcove near the base of the staircase, features a decorative richly detailed brass screen on the exterior, with additional decorative screens above, with the elevator since having been enclosed with glass to accommodate modern safety standards and equipment, while preserving the visibility of the original details. Originally, when the building was built, the elevators descended open shafts into a screen wall in the lobby, with the elevators originally being manufactured by the Sprague Electric Railway and Motor Company, with these being exchanged in 1903 for water hydraulic elevators that remained until a renovation in the 1960s. Sadly, most of the historic interior detailing of the upper floors was lost during a series of renovations in the 20th Century, which led to them being fully modernized during the renovation in the 1980s, with multiple tenant finish projects since then further modifying the interiors of the upper floors.
The building was listed on the National Register of Historic Places in 1973, and designated a National Historic Landmark in 1975, owing to its architectural significance, and to help save the building, which had suffered a major fire in 1974 that led to the city of Buffalo seeking to demolish it. A renovation in the early 1980s managed to modernize the building while restoring the lobby and the exterior, which was carried out under the direction of the firm CannonDesign, and partial funding from federal historic tax credits. The building was purchased in 2002 by Hodgson Russ, a law firm, which subsequently further renovated the building to suit their needs, converting the building into their headquarters in 2008. This renovation was carried out under the direction of Gensler Architects and the local firm Flynn Battaglia Architects. The building today houses offices on the upper floors, with a visitor center, known as the Guaranty Interpretative Center, on the first floor, with historic tours offered of some of the building’s exterior and interior spaces run by Preservation Buffalo Niagara. The building was one of the most significant early skyscrapers, and set a precedent for the modern skyscrapers that began to be built half a century later.
Infantry Soldiers from 2BCT refine their mastery of critical soldier skills from Sept. 9 through 22 during the EIB training phase and demonstrate their proficiency from Sept. 23 through 27 during the testing phase. Infantry Soldiers who successfully complete the testing phase will be awarded the Expert Infantry Badge which indicates their mastery of the skills that allow them to locate, close with, and destroy the enemy.
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Many different precipitants can be used. I chose SMB (sodium metabisulfite), available at brewery stores. The solution is no longer yellow. The gold has precipitated as a brown dirt at the bottom of the beaker.
Title: Humble Oil & Refining Co., Aerial
Creator: Richie, Robert Yarnall
Date: November 25, 1951
Part Of: Robert Yarnall Richie Photograph Collection
Place: Texas
Physical Description: 1 negative: film, black and white; 10.2 x 12.7 cm.
File: ag1982_0234_3422_02_humbleoilrefineco_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/661
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Further refining. Adjusted colors a bit, for better contrast, and playbutton has light lines now.
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More of my artwork can be found in my online portfolio
and some prints are available
Title: Atlantic Refining Co.
Creator: Richie, Robert Yarnall
Date: July 1957
Part Of: Robert Yarnall Richie Photograph Collection
Physical Description: 1 negative: film, black and white; 10.5 x 13.3 cm.
File: ag1982_0234_4496_025_atlanticrefiningco_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/636
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Datan siivousta tehokkaasti – Eduskuntavaaliehdokkaiden itse ilmoittamat arvot/ammatit/asemat siivottuna
Google Refine Tutoriaali
Antti Poikola – Otavan Opisto
Kuva: 1854 Broad Street cholera outbreak (wikipedia)
Spotting more blacks and refining the detail on the teeth.
These are PROCESS PICS detailing how I did the IWYS cover art.
This is the part where I use a razor blade and sand paper to make the left side of the face and the right side of the face match. If you look a few pictures back, they really didn't. On one side, the top um... lash thingy was the longest, on the other side the bottom was. And they didn't really even point in the same directions, so...right. Needed fixing.
Title: [Gas processing plant, Atlantic Refining Co.]
Creator: Richie, Robert Yarnall
Date: July 1957
Part Of: Robert Yarnall Richie Photograph Collection
Physical Description: 1 negative: film, black and white; 10.6 x 13.1 cm.
File: ag1982_0234_4496_026_atlanticrefiningco_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/637
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
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An expert meeting to refine the TechFit tool. ILRI Addis Ababa, Ethiopia, 12-13 March 2013 (photo credit: ILRI\Zerihun Sewunet).
Tee uudelleen Textfacet ammatti -sarakkeelle ja klikkaa ”choises” -linkkiä. Viereenaukeaa tekstinä ammatit ja niiden perässä lukumäärät, tämän voi kopioida ja liittää esim. Exceliin.
| Tittle_オステオパシックサロン・リファイン（整体院）/ Charactor (2009)
| Client_OSTEOPATHIC SALON refine
| Art Direction & Design_Masayuki Sato+Mami Kobayashi
LINCO was a brand of gasoline that was sold by the Lincoln Oil Refining Compnay. In 1924, the Ohio Oil Company, founded in 1887, purchased the Lincoln Oil Refining Company and its LINCO gas stations, most located around the Terre Haute area of Indiana and Illinois. The Ohio Oil Company expanded the LINCO brand into Ohio, Michigan, and Kentucky. In 1930, the Ohio Oil Company purchased the Marathon brand. After World War II, the Marathon brand replaced LINCO. In 1962, the Ohio Oil Company changed its name to Marathon Oil Company.
Title: Atlantic Refining Co., Atreco, Texas, Aerial
Creator: Richie, Robert Yarnall
Date: November 1953
Part Of: Robert Yarnall Richie Photograph Collection
Place: Atreco, Texas
Physical Description: 1 negative: film, black and white; 10.4 x 13.1 cm.
File: ag1982_0234_3906_01_atlanticrefinco_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/664
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Ex. Stanlow Oil Refining Plant diesel shunter locomotive "Stanlow No.4" at Preston Riverside railway station, Ribble Steam Railway, Preston. Saturday 01 October 2011.
This diesel locomotive was built by Thomas Hill at their Vanguard Works, Kilnhurst, Yorkshire in 1966 and spent all its working life at Stanlow.
Camera: Canon EOS 550D.
Photograph copyright: Ian 10B.
WARNING: Any institutions or individuals using this site or any of its associated sites - You do not have my permission to use any of my profile, pictures, or other material posted on this site (Including discussion thread posts and blogs) in any form or forum both current and future. If you have or do, it will be considered a violation of my privacy and will be subject to legal ramifications.
Accession Number: UN.964.30
Summary: Plate 18, “Spermaceti Refining. Vat for boiling spermaceti and removing sediment.”
Taken in area K, the candle house, first floor, from the middle of the south side looking northeast at the south side of the boilers.
The boilers consisted of iron kettles or vats set in brick, cooling or waste tanks, and a hearth and chimney. In this kettle the thick oil or “black cake” from the second pressing was heated by steam, refined with alkali, and poured into molds, like that at lower left, to harden into forty pound cakes. The gentleman here is using a hand pump to move impurities - “sediment” that settled to the bottom - to the adjoining tank. The vertical pipe probably takes steam to the steam coils; a waste pipe runs across the floor, and tools rest in the rack above. The chimney is directly behind the gentleman (originally the boilers were heated with coal or wood).
Publisher: [U. S. Fish Commission/Stevenson, 1901]
Gulf Refining #5, a Prairie type (2-6-2) locomotive, was built in 1912 as wood burning #101 for the Industrial Lumber Co., in Elizabeth, LA, by the Baldwin Locomotive Works in Philadelphia, PA. In 1940 and #101 was sold to the Gulf Refining Co., in Beaumont, TX. After passing through several different owners, it is now on display at the entrance to the Ameristar Casino in Kansas City, KS, smothered in strings of fairy lights!
The Colonial Sugar Refining Company issued its own currency in remote regions of Australia. South Pacific Enterprise 1956.
The history of the Colonial Sugar Refining Company (CSR Co.)
This Centenary commemorative book was issued to shareholders listed on the share Register in 1955.
An Australian enterprise founded 1855 by Edward Knox, a Danish immigrant, from earlier origins as the Australasian Sugar Company ( 1842), which Knox managed. The company established sugar operations in Australia, Fiji, New Zealand and over the next 150 years diversified into building materials, chemicals etc.
Published by Angus & Robertson, Sydney. Cloth boards, 500 pages 16cm x 24cm.
www.youtube.com/watch?v=PKbpQfWik4k Angela Bennett Ashburn Virginia free report on home mortgage financing solution features
www.roost.com/ is another example of Refining Search pattern. It uses horizontal layout for search filters.
More screenshots and UI design patterns at Patternry.com
141211-M-TF269-006
CAMP HANSEN, OKINAWA, Japan — Lt. Col. John M. Baseel, left, presents Sgt. Caleb R. Powell with a challenge coin during the conclusion of a three-day security cooperation training course Dec. 8-10 on Camp Hansen. The highlights of this training included preparing the Marines for security cooperation issues they may face and basic engagement skills to increase integrated training with joint, allied and coalition partners in the Pacific Command area of operations, according to Baseel. Powell, from Tallassee, Alabama, is a fire support man with 5th Air Naval Gunfire Liaison Company, III Marine Expeditionary Force Headquarters Group, III MEF. Baseel is from San Dimas, California, and is the officer in charge for the PACOM Team, Marine Corps Security Cooperation Training Group. (U.S. Marine Corps photo by Pfc. Cedric R. Haller II/Released)
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Title: Jones & Laughlin Steel Corp., Cable: on Humble Oil & Refining Co. rig #102, Friendswood, driller operating draw works
Creator: Robert Yarnall Richie
Date: March 1939
Place: Friendswood, Texas
Part Of: Robert Yarnall Richie Photograph Collection
Physical Description: 1 negative film: black and white; 17.8 x 12.7 cm.
File: ag1982_0234_1987_039_joneslaughlinsteel_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/1292
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Further refining of my custom "photomosaic" software.
Placement of tiles is done based only on intensity of target image (i.e., grayscale). Hence the pseudorandom colorization.
Experimental photomosaic created with custom software. Images can be arbitrarily rotated, scaled, and placed.
Code and description of the algorithm can be found at Fractal-Mosaics Github repo
Sudbury Refinance
Bob Taylor | Sudbury Mortgage Agent | DLC Sudbury Area
860 Lasalle Blvd Sudbury, On. P3A 1X5
866.724.5969
This is a westbound Norfolk Southern Railway freight train in the late morning of 10 May 2016 at Horseshoe Curve, west of Altoona, Pennsylvania, USA. It was headed by two NS engines - # 9693, a General Electric CW40-9, and # 7211, a General Motors Electro-Motive Division SD80MAC.
These are Deep Rock Refining Company tank cars, marked DPRX. They were built in the 2010s and are used to transport petroleum (crude oil).
www.youtube.com/watch?v=PKbpQfWik4k Angela Bennett Ashburn Virginia free report on home mortgage financing solution features
OHIO-COLORADO SMELTING & REFINING CO. SMOKESTACK / SMELTERTOWN - 1401 J St.
National Register 1/11/1976, 5CF.143
Completed in 1917, the brick and tile smokestack reaches a height of 365 feet. Its concrete foundation extends 30 feet into the ground. The structure was built to replace two shorter smokestacks at the Ohio-Colorado Smelting and Refining Company's smelter facility located one mile west of Salida. Although the facility closed in 1920, the smokestack remains as a highly visible monument to the mining industry and its workers.
Note the clear yellow gold chloride solution in the filtering flask, compared to the cloudy (dirty) solution in the beaker. This cloudy stuff is being filtered in the Buchner funnel attached to the flask.
Evansville, IN
"Though I wear a shirt and tie / I'm still part 'red man' deep inside." That's how you refine an indian, according to the Raiders.
some little working on my foxy babe, made changes and an new ao+ hair remade a little. she look an bit more ferocious now. i bet she know what she wants!
Visit this location at United Furry Outpost (UFO) in Second Life
Recruits refine their tactical radio programming skills at the Afghan National Army Special Operations Command School of Excellence in Kabul, Afghanistan. The radios are a remarkably capable product; however, they’re underused as a result of several factors and have done little to build operational capacity. (Photo by Master Sgt. Felix Figueroa, NATO Special Operations Component Command – Afghanistan)