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Red fox texture/detail
This is meant to be used as reference or as a texture to use in art. Please see my profile for usage rules!
• 1m (3.3ft) long;
• 10 x 28AWG (0.33mm) solid silver UP-OCC 99.999+% wires per channel (5 signal, 5 ground) in oversized PTFE Teflon insulation;
• Terminated with Rhodium plated carbon locking type RCAs;
• WBT German 4% fine silver audio solder.
This is meant to be used as anatomy reference or use in art. Please see my profile for usage rules!
Name: Juniper
Species: Pronghorn Antelope
Sex: Male
Location from: South Dakota
Other: An adult male sourced as waste from 2018’s pronghorn hunting season. This guy in particular died while chewing on an ungulate nasal bone.
Species Info: Pronghorns aren’t actually antelopes, but their own species and are closest related to giraffes. They are known for their speeds (often called “speed goats”) and are the only “horned” animal to routinely shed their horns.
They are native to the West of the North American continent.
Reference: APAAME_20040530_RHB-0117
Photographer: Robert Howard Bewley
Credit: Aerial Photographic Archive for Archaeology in the Middle East
Copyright: Creative Commons Attribution-Noncommercial-No Derivative Works
fitting out the Button Swan continues… mounting the bowsprit, bedding and fitting the thwarts and sternsheets, and marking the waterline… planning to launch in two weeks, pulling out all stops now!!!
Reference pic for an eBay auction, but seriously is there anything they cannot make these days??!!!!
Buffalo Zoo Entrance Court
Buffalo, New York
Listed 5/22/2013
Reference Number: 13000305
Image
The Buffalo Zoo Entrance Court is significant in the areas of landscape architecture and ethnic heritage as an important and extremely rare surviving design by early twentieth century African America landscape architect John Edmonston Brent (1889-1962). Brent, one of a small group of African Americans to work as both a landscape architect and an architect in the 1930s, completed the design for the entrance court in two stages between 1935 and 1938 as part of an overall expansion and redesign of the zoo. The Buffalo Zoo, the third oldest (1875) zoo in America, originated as part of Fredrick Law Olmsted's design for a municipal park system. In Olmstead's plan, the area that is now the zoo was a deer park in the northeast corner of Delaware Park. Spurred on by local donations of animals, the deer park developed rapidly into a zoo between 1875 and 1930, attracting great community interest and precipitating the founding of the Zoological Society of Buffalo in 1931. A basic conceptual outline for the zoo was developed in 1924 by Buffalo city architect Harold L. Beck; however, the details and construction of the plan were not implemented until WPA funds were secured in 1935 after Beck's retirement. The person most responsible for implementing and developing the plan was architect and landscape architect John Edmonston Brent, who, as an employee of the Buffalo Parks Department, worked on design, planning, and implementation of more than sixteen facilities and exhibits at the zoo from 1935 until his retirement in 1957. Brent played a major role in transforming the layout of the zoo from an outline into an elaborately detailed neoclassical garden influenced by the City Beautiful movement. Of Brent's sixteen documented projects, the majority have been demolished or substantially altered. The nominated property, intended to serve as a major entrance to the zoo at the northeast corner, represented Bren's substantial enlargement and elaboration of what had been a simple entrance road in this location. Brent dignified the corner with a fully developed neoclassical composition, including two entrance drives with cobblestone curbs leading to a formal traffic circle and two entrance gates. The composition was framed by a monumental stonefaced and wrought-iron fence; another section of fencing incorporated an open shelter along the edge of Parkside Avenue. The entrance court fencing was constructed of a variety of materials, including cast concrete, cast stone, limestone, sandstone and wrought iron. Although the composition was classical in form and composition, the materials were used to create a eclectic design embodying rusticated, arts and crafts and even Art Deco elements.
National Register of Historic Places Homepage
Novità e Proposte di Reference Laboratory per il setup del chitarrista acustico:
• cavo microfonico Reference RMC01,
• cavo per chitarra acustica Reference RIC01A,
• microfono a condensatore Audix VX5 (per strumenti acustici),
• microfono dinamico per voce Audix OM2,
• pedale effetto Source Audio Programmable EQ,
• pedale Source Audio Soundblox2 Dimesion Reverb,
• pedale di espressione Source Audio Dual Expression Pedal.
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I marchi Reference® Cables, Audix Microphones e Source Audio sono distribuiti in Italia da:
Reference Laboratory s.r.l.