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T702 Class 116 DMU BR Blue (53867 59372 53920). The last Class 116 set in BR Blue!
A modified Bachmann Class 117 converted to a 116 using Dapol
Throughout the build of this project I fully expected Bachmann to announce a class 116 and no doubt now I’ve nearly finished one will appear soon! Anyhow here’s a few notes on my version of the last Class 116 set in BR Blue (See Railcar.co.uk for an excellent write up of the prototype!
Class 116 DMBS & DMS modifications:
The hardest modification is the removal of the guards grille on the DMBS which appeared on refurbishments of 117s. This has been scraped off and filled then primed and painted over. Also while doing this the guards handrails have been replaced to be two piece. I also replaced the moulded grab hand rails on the DMS.
The front cab needs handrails removing . The Derby cab roof is from a Dapol 122 roof and the extra roof marker is just a bit of plastikard and metal brass.
Transfers are ones I've drawn in inkscape. They're about right but not exact! I've finished off with satin Varnish and while it won't win any prizes I'm quite pleased with the effect.
The destination blinds are printed paper between two bits of clear plastic and is illuminated behind using the Bachmann circuit board but modified to illuminate the top and so I removed the window destination LED etc. The circuit board needed a little extra modification to allow it to run on it’s own and is fitted with a DCC sound decoder.
Also replaced is the front glazing with Shawplan laserglaze with the front window frames reduced in thickness. In a moment of madness I opened out the exhaust to make it look more like a tube than a bit of plastic.
I quite enjoyed adding some damage to the DMS – nice to be deliberate for a change!
Class 116 TC modifications:
The is a combination of a Bachmann TCL and DMS and have been chopped and joined to have the right window combination. This also means the interior needs modifying to remove the toilet and add in the extra compartments. It all took a lot of sanding and filling!
Common to All:
The interior lighting circuits have been completely replaced and I can now control separate Head/Tail/Cab/Interior & destination lights on DCC for each coach.
The roof vents where replaced with MJT shell vents.
In a moment of more madness I decided to remove the window frame surrounds on the Bachmann body. It wasn’t an easy task but with the unit being plain blue I wanted the smooth side look. (I didn’t bother doing this on my NSE 116 as it’s not that noticeable!)
The base underframe has been enhanced to add lots of underframe detailing, extra wires etc! Converted to EM gauge using DCC concepts 12mm wheels by using the original axles to maintain the same pickup system.
Following a general blast with an airbrush detail light weathering has been done using acrylics. The buffer shafts have been painted silver.... thinly so they still work!
Overall a long but entertaining project!
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
Bury - Safe4Summer.
The initiative is part of the Government’s mission to restore and strengthen local policing in communities and reduce or prevent anti-social behaviour (ASB). As part of this, there will be a greater visibility of Greater Manchester Police (GMP) officers and partners as we work together across crime hot spot areas.
Kate Green, Deputy Mayor for Safer and Stronger Communities, said: "We’re determined to ensure Greater Manchester is a safer place for everyone. The Safer Streets Summer Initiative is a testament to our dedication to reducing crime and enhancing the quality of life for our residents.
“By continuing to work closely with our communities and partners, we aim to create an environment where everyone feels safe and can enjoy not only the summer but all year round and every year. We’ll be working hard to ensure our town centres are safe and welcoming for all.”
Assistant Chief Constable Matt Boyle, GMP’s lead for Local Policing, said: “Our neighbourhoods are negatively impacted by various crimes such as the illegal use of e-bikes, drug dealing and other ASB.
“As a force, it’s our mission to listen to our community’s concerns and take action where crime is committed. Our proactive approach to tackling neighbourhood crime has meant that since 2021, we’ve reduced burglary by a third and vehicle crime by a quarter, thanks to the dedication of our local neighbourhood teams, working closely with partners across the region.
“Over the summer months, they will be focusing on increasing engagement with our communities to listen and respond to their concerns. Residents and business owners will also see an increase in the visibility of officers and partners, as we work together to ensure a safe summer for all. This isn’t about trying to spoil people’s fun over the summer months, it is making sure everyone can enjoy themselves without feeling unsafe or being hurt.
“We welcome the Home Office initiative, which perfectly aligns to the neighbourhood policing model our force implemented locally two years ago. Safe4Summer is the perfect opportunity to highlight the strength of our partnerships in Greater Manchester, and our determination to minimise crime and disorder and to ensure Greater Manchester is a safer and more desirable place for all.”
TravelSafe Partnership Manager at Transport for Greater Manchester, Kate Green, said: “While the vast majority of people using the Bee Network do so safely and responsibly, we know that crime and anti-social behaviour increases over school holidays, and that is not something we will tolerate.
“We work hard every day to keep people safe, whether that’s through our engagement programme or the many proactive operations that take place. We will have an increased presence across the Bee Network to prevent and deter incidents, helping people to travel and enjoy their summer safely and with confidence.”
In 2023, Greater Manchester Police made a commitment that every district ward has a named local police officer, and we would keep communities informed through our use of the community messaging service, Bee in the Loop, which provides the latest news on events and incidents straight to your email inbox.
In April 2025, we welcomed the opportunity to further strengthen our neighbourhood offer, with an increase in numbers of neighbourhood officers by 176, to help GMP to continue to deliver in tackling crime and working with partners and communities to keep our streets safe.
To receive free direct email alerts about how your Neighbourhood Policing Team is keeping your area safe, sign up to Bee in the Loop - www.beeintheloop.co.uk.
To report crime in your neighbourhood, contact the police via LiveChat at www.gmp.police.uk, or by calling 101 or dialling 999 in an emergency.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
To reduce the likelihood of wildfires, pre-plan for post fire impacts, and develop a culture of shared responsibility, the Forest Service partnered with nearby communities and organizations to develop the (CFLRP), which is funded through the Bipartisan Infrastructure Law.
The projectâs expansive footprint stretches from the headwaters of the Rio Grande and San Juan Rivers in Colorado to the Rio Chama Valley in New Mexico.
Here, Seed Crew Member Jude Ansala, with the Zia Pueblo tribe identifies trees with superior seeds used to reforest areas devastated by fire.
(USDA Forest Service photo by Preston Keres)
November 1, 2024 — Syracuse, NY — Governor Hochul Highlights $23.5 Million to reduce crime in Syracuse and Onondaga County (Mike Groll/Office of Governor Kathy Hochul).
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KEPZ Streets Comes Alive with LED Lights
Installed on 1/1/2016
Export Processing Zone, Karachi. Pakistan
To reduce the huge monthly electricity bill and maintenance cost, Export Processing Zone Authority(EPZA) decided to replace 450 conventional 150 Watt HPS cobra head style street lights with new energy efficient LEDs.
In the first phase.150 street lights are being replaced with 75 Watt dimmable Shoe box style modular LED Light fixtures
LEDtronics P.N. SBX001-080W-XPW-103A-A