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We saw the Reduced Shakespeare play. It was pretty good. His most popular plays and important scenes acted out by 2 guys in 1 1/2 hours.
Estádio dos Barreiros - Imagem captada na década de setenta - repare na retratação particularmente nas condições de desenvolvimento habitacional e no estado actual de evolução!
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Image taken with en.wikipedia.org/wiki/Canon_FT_QL#/media/File:Canon_FT_al...
I know, it is Earth day!!! It came to my mind the image of feeling really grossed out with this shot taken just outside of Union Station, I sincerely hope you feel grossed out as well.
The wind picked up for 15kts to 25kts in under 2 minutes. Here Iosu captured us taking a reef, we'd already furled a good chunck of genoa. We actually took two reefs at the same time, one wasn't enough.
Nebulizer, works great, has all attachments(they have been sanitized). includes carry case. asking $15
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shot at night in low light using portrait mode, auto curved in ps.
The portait mode in NEX5 curiously leaves quite a bit room at the highlight end of histogram, presumablly for reducing facial contrast??)
after auto curve, the colors look pretty true to life despite shot at night.
These bags can be carried with logos of respective companies or can be based on a single theme for various types of promotions like - Reduce..Re-Use.. Recycle !! These bags are perfect lunch/meal-deal bags.
Multicolored plastic shopping bags melted and shriveled up onto an acrylic frame. Creating a bright, colorful, yet dehydrated effect. Back-lit to depict high noon in summer.
Smash - Jeffrey Hatcher
Photo: Chris Harris
Willamette University Theatre 2011
Director - Susan Coromel
Scene Designer - Christopher L. Harris
Costume Designer - Bobby Brewer-Wallin
Lighting Designer - Rachel Steck
Actor: Jacquelle Davis
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.