View allAll Photos Tagged Reduce

Kingman (AZ), Arizona, USA, Route 66

I went down to the city yesterday to check out the new Metro Stations. After spending a huge amount of money the 5 stations are now open with the trains running on a 10am - 5pm timetable while they ease the new stops into the timetable. The stations are large, orange decorated and clean. The platforms use automatic doors and floor to ceiling screens to stop customers from jumping onto the tracks as well as reducing the wind draft into the station (more energy efficient!). At the moment the helpful Metro staff are rostered on to help customers navigate the new system and linkages to the old Metro stations Flinders Street and Melbourne Central.

While the platforms have these orange trims, the entrances to the stations are of differing colours and structures.

The State Library Station is 43m or so underground with steep escalators. bigbuild.vic.gov.au/use-metro-tunnel/stations and transport.vic.gov.au/news-and-resources/projects/metro-tu...

Auf dem gegenüberliegenden Ufer erhebt sich eine Kirche, die wir zunächst überhaupt nicht einordnen konnten wegen ihres etwas eigenartigen Turms. Wie wir später herausfinden sollten, handelt es sich um die gotische Schjlosskirche, die sich als eine der größtten Überraschungen unseres Besuchs erweisen sollte. Davor steht das Schlossbergmuseum, das stadtgesichtliche Museum Chemnitzs, eingerichtet in einem ehemaligen Kostergebäude.

 

On the opposite bank stands a church that we initially couldn't quite place because of its somewhat unusual tower. As we later discovered, it is the Gothic Palace Church, which turned out to be one of the biggest surprises of our visit. In front of it stands the Schlossberg Museum, Chemnitz's city museum, housed in a former monastery building.

 

Das bis dahin dünn besiedelte Mittelgebirgsvorland wurde seit dem 12. Jahrhundert auf Betreiben der deutschen Könige und Kaiser planmäßig erschlossen und ausgebaut. Als Stützpunkt gründete Kaiser Lothar von Süpplingenburg 1136 ein Kloster, das dem Benediktinerorden unterstellt wurde. Von diesem Kloster ging wenige Jahre später die Initiative aus, einen Fernhandelsmarkt zu gründen. Damit waren wichtige Impulse für die Anlage der späteren Stadt gegeben. Aus bescheidenen Anfängen entwickelte sich das Benediktinerkloster St. Marien zu einem der bedeutendsten Klöster in Sachsen. Es wurde ein Zentrum für Kunst, Kultur und Wissenschaft. Umfangreiche Einkünfte aus den umliegenden Dörfern sowie dem erzgebirgischen Bergbau bildeten die Grundlage für opulente Baumaßnahmen. Im späten 13. Jahrhundert entstand unter Beteiligung der Meißner Dombauhütte der Ostflügel des Kreuzgangs mit seiner prächtigen Bauplastik. Bereits 1483 wurde der heute als Schloßteich bezeichnete große Fischteich unterhalb des Klosters angelegt. Den Höhepunkt der wirtschaftlichen und kulturellen Entwicklung erlebte die Anlage im späten 15. und frühen 16. Jahrhundert: Unter den Äbten Heinrich von Schleinitz und Hilarius von Rehburg kam es zu einer groß angelegten Reihe von Um- und Neubauten, die sich mit den bedeutendsten Schloss- und Kirchenbauten im Land messen konnten. Die heutige Schloßkirche, vollendet 1527, gehört zu den großen spätgotischen Hallenkirchen Sachsens. Für die Ausstattung gewann man führende Künstler wie die Wittenberger Cranach-Werkstatt oder die Bildhauer Hans Witten und Franz Maidburg. Ein europaweit einzigartiges Kunstwerk ist die so genannte „Geißelsäule“. Als eine Folge der Reformation hörte das klösterliche Leben 1541 auf. Den riesigen Besitz kassierte der Landesherr und wandelte ihn in ein herzogliches Amt um. Die Gebäude standen eine Zeit lang leer, bevor sie der Dresdner Hof als fürstliche Sommerresidenz entdeckte und repräsentativ ausbauen ließ. Der Renaissancesaal im heutigen Schloßbergmuseum mit seiner prächtigen Gestaltung lässt noch etwas vom höfischen Glanz ahnen. Allerdings ließ das Interesse schnell wieder nach. Im Dreißigjährigen Krieg kam es nach 1632 zu schweren Plünderungen und Verwüstungen. Seitdem wurde die weitläufige Anlage nur noch teilweise benutzt und verfiel allmählich. Im 18. und 19. Jahrhundert riss man dann große Teile ab, sodass nur noch die Kirche und zwei Flügel der anschließenden Klausurgebäude übrigblieben. Einen Teil der Kirche nutzte man als Salzlager. Die verwahrloste Kirche wurde 1866 – 1897 gründlich restauriert und erhielt einen 87 Meter hohen neugotischen Turmhelm. Bis zu seiner Beschädigung im Jahre 1945 und dem anschließenden Rückbau auf die jetzige Höhe von 48 Metern war er ein markantes Wahrzeichen der Stadt. Die übrigen Gebäude wurden 1929 – 1931 zum Museum für Stadtgeschichte – das jetzige Schloßbergmuseum – ausgebaut. In einer groß angelegten Rekonstruktionsphase wurden zwischen 1985 und 1994 der fehlende West- und Nordflügel modern ergänzt. Bis heute sind hier die wertvollen Sammlungen untergebracht, die der Verein für Chemnitzer Geschichte seit 1872 zusammengetragen hatte und die seitdem systematisch ergänzt wurden. Schloßkirche und Schloßbergmuseum bilden heute als historische und bauliche Einheit nicht nur eines der ältesten, sondern auch eines der wertvollsten Baudenkmäler der Stadt Chemnitz.

 

www.chemnitz.de/de/unsere-stadt/geschichte/geschichte-ent...

 

This is where the history of the city of Chemnitz began a good eight centuries ago. The previously sparsely populated foothills of the low mountain range were systematically developed and expanded from the 12th century onwards at the instigation of German kings and emperors. As a base, Emperor Lothar von Süpplingenburg founded a monastery in 1136, which was placed under the Benedictine order. A few years later, this monastery took the initiative to establish a long-distance trade market. This provided important impetus for the establishment of the later town. From humble beginnings, the Benedictine monastery of St Mary's developed into one of the most important monasteries in Saxony. It became a centre for art, culture and science. Extensive income from the neighbouring villages and the mining industry in the Ore Mountains formed the basis for opulent building projects. In the late 13th century, the east wing of the cloister with its magnificent architectural sculpture was built with the involvement of the Meissen cathedral building workshop. The large fish pond, now known as the castle pond, was created below the monastery as early as 1483. The complex experienced the peak of its economic and cultural development in the late 15th and early 16th centuries: Under the abbots Heinrich von Schleinitz and Hilarius von Rehburg, there was a large-scale series of remodelling and new buildings that could compete with the most important castle and church buildings in the country. Today's castle church, completed in 1527, is one of the great late Gothic hall churches in Saxony. Leading artists such as the Wittenberg Cranach workshop and the sculptors Hans Witten and Franz Maidburg were brought in to decorate it. The so-called "Flagellation Column" is a unique work of art in Europe. As a consequence of the Reformation, monastic life came to an end in 1541. The huge estate, which also included Rabenstein Castle, was confiscated by the sovereign and converted into a ducal office. The buildings stood empty for a while before the Dresden court discovered them as a princely summer residence and had them converted into a prestigious residence. The Renaissance hall in today's Schloßbergmuseum with its magnificent design still gives an idea of the courtly splendour. However, interest quickly waned again. After 1632, the Thirty Years' War saw heavy looting and devastation. Since then, the extensive grounds have only been partially used and gradually fell into disrepair. In the 18th and 19th centuries, large parts were demolished, leaving only the church and two wings of the adjoining cloister buildings. Part of the church was used as a salt store. The neglected church was thoroughly restored between 1866 and 1897 and was given an 87 metre high neo-Gothic spire. It was a striking landmark of the town until it was damaged in 1945 and subsequently reduced to its current height of 48 metres. The remaining buildings were converted into the Museum of City History - now the Schloßbergmuseum - between 1929 and 1931. In a large-scale reconstruction phase between 1985 and 1994, the missing west and north wings were added in a modern style. To this day, the museum houses the valuable collections that the Chemnitz History Society has been amassing since 1872 and which have been systematically added to since then. Today, the castle church and the Schloßbergmuseum form a historical and structural unit that is not only one of the oldest, but also one of the most valuable monuments in the city of Chemnitz.

 

www.chemnitz.de/en/our-town/history/discover-history/schl...

They sit within a few metres of our longe window, sometimes asleep, such a treasure but one almost flew into a sliding door the other day, t suddenly at the last moment it realised its mistake and a catastrophe was averted.

People consider these birds as common but they are far from that, it's that they are large and conspicuous that gives this impression.

Vastly reduced in numbers.

Strokestown Park House, Ireland

Test EOS 90D + EF100-400mm

Cliché pris avec une forte brume et luminosité réduite en bordure de foret. Exif F/5.6 - 400mm - 1/320 - ISO 250

**

Test EOS 90D with EF 100-400mm

Photo taken with a strong mist and reduced luminosity on the edge of the forest. Exif F / 5.6 - 400mm - 1/320 - ISO 250

----------

Anciennement Parus montanus, est une espèce de passereaux de la famille des paridés. L'espèce contient quatorze sous-espèces. Très semblable à la mésange nonnette, elle s'en différencie par quelques légers détails physiques : une tête plus grosse, l'arrière des joues blanc, une calotte noire mate, et une bavette plus grande.

**

 

Formerly Parus montanus, is a species of passerine from the Paridae family. The species contains fourteen subspecies. Very similar to the barnacle tit, it differs from it by some slight physical details: a larger head, the back of the cheeks white, a matt black crown, and a larger bib.

Located in Glacier National Park, Montana. What a gorgeous still morning, this was. A passing cloud, lightly muting the sun, just enough to reduced the strong contrast and provide this scene with a wonderful soft light. The timing could't be more perfect, to capture the slowly passing boat.

 

Happy Birthday Rafael Sanchez! Todo un honor haber compartido contigo este viaje fotográfico a Montana y Canada

 

As always, thank you for stopping by and looking. I appreciate your visits and comments.

The Orion constellation shot under Bortle 3 sky.

  

Equipment:

- Nikon D300 modified

- Nikkor AF-S 105mm f/1.4 ED

- Skywatcher StarAdventurer

  

Frames:

45 frames x 120sec at ISO 800.

Preprocessed in APP and Pixinsight and post-processed in Lightroom.

 

Old data, re-edited.

 

TMB LZOS 152 + Riccardi Reducer @ F/6

Atik 460EX + Astrodon L gen 2 + Astrodon [OIII] 5nm

Moravian G3 16200 + Chroma RGB

Parallax Instruments HD200c

 

[OIII]: 64x300s bin 1x1

L: 96x300s bin 1x1

RGB: 10x300s bin 1x1

 

FWHM: 2.2"

  

Total exposure: 16h

  

Captured with Sequence Generator Pro

Processed with Pixinsight

The Bogeyman (or Boogeyman) Nebula is a dark cloud of dust and hydrogen that stalks the constellation Orion. In this orientation I reveal that is in fact Elmo who has been doing the stalking!

 

Happy Halloween!

 

See on Fluidr

 

OTA: PlaneWave CDK14

MOUNT: Software Bisque Paramount ME-II (no AOE)

CAMERA: SBIG STX-16803

GUIDER: Astrodon Mega MOAG

GUIDE CAMERA: Starlight Xpress UltraStar

REDUCER: na

SOFTWARE: The SkyX, SGP, PhD2, Pixinsight, Photoshop

FILTERS: Astrodon LRGBHα

ACCESSORIES: na

LOCATION: SRO

 

To see more of my work and to buy prints visit www.jklovelacephotography.com/pages/space

Sorry about the speckled windscreen!

White-tailed Deer

 

The White-tailed Deer (Odocoileus virginianus), also known as the whitetail or Virginia deer, is a medium-sized deer native to North America, Central America, Ecuador, and South America as far south as Peru and Bolivia. It has also been introduced to New Zealand, all the Greater Antilles in the Caribbean (Cuba, Jamaica, Hispaniola, and Puerto Rico, and some countries in Europe, such as the Czech Republic, Finland, France, Germany, Romania, and Serbia. In the Americas, it is the most widely distributed wild ungulate.

 

In North America, the species is widely distributed east of the Rocky Mountains as well as in southwestern Arizona and most of Mexico, except Lower California. It is mostly displaced by the black-tailed or mule deer (Odocoileus hemionus) from that point west except for mixed deciduous riparian corridors, river valley bottomlands, and lower foothills of the northern Rocky Mountain region from Wyoming west to eastern Washington and eastern Oregon and north to northeastern British Columbia and southern Yukon, including in the Montana valley and foothill grasslands. The westernmost population of the species, known as the Columbian white-tailed deer, was once widespread in the mixed forests along the Willamette and Cowlitz River valleys of western Oregon and southwestern Washington, but current numbers are considerably reduced, and it is classified as near-threatened. This population is separated from other white-tailed deer populations.

 

For more info: en.wikipedia.org/wiki/White-tailed_deer

Got up early in order to miss the tourists, walkers etc and drove over to Ladybower. Talking to someone there the reservoir is currently at just below 60% due to the drought. Not good. Ladybower is in fact located in the Derwent Valley. The three linked reservoirs of Howden, Derwent and Ladybower cover 210 hectares to give the largest expanse of water in the Peak District.

Dark-ages-era spacey stuff recovered from my old computer. (Again, please excuse my poor 2014-era photography skills... or lack thereof)

 

The United Systems Military Fleet (USMF) was a faction I created out my love of combing things old and new. The old being classic Lego space set parts from the likes of Futuron, M-Tron, Ice Planet, and Blacktron and then combining those classic elements with the new parts Lego had designed since then.

 

The colors being the simple red and white were born out of a desire to use the most classic parts in those colors and introducing the newer dark bley to add a touch of modernity.

 

The USMF was faction I have an affection for as it has direct ties to classic space sets of yesteryear with some of the pizzaz of new parts and new building techniques. This is somewhat unlike the other factions I have made (the CLC and CDN) as they are more modern military-focused, with basically none of the old space elements many of us grew up loving.

 

As I get increasingly nostalgic as the years march on, I intend to revisit this theme and these fleets of ships. They may be reduced to their elements at this point, but I feel a revival coming...

Tokyo.Shibuya.

Sigma DP2.ISO1600.

   

Books

 

My heart and prayers goes to all the innocent victims and families who are suffering in Israel and Palestine. l stand by all the innocent victims in the world who are suffering through war and other modern day cruelty. l pray for peace and harmony soon to israel, Ukraine to the world. Stay strong !

 

I am thinking the struggles women face in life, humanity with the pain and suffering we feel and experience, real things that empower us.. You are beautiful precious, unique individuals, not objects to be controlled. Its your body to love as your temple to express as you choose. Vulnerability is your power in your love and tenderness. Inner freedom resides deep within you. The truth inside your inner voice will find it. Never let anyone or anything reduce your essence. Freedom is your human right. It is important we stay true

  

#istandwithisrael #Ukraine #womenempowerment

Duvenstedter Brook, Hamburg, Germany

In 1863 the first sugar factory was opened in Halfweg. After a few years, this sugar factory closed its doors, after which the N.V. Sugar Factory Holland settled there not much later. The factory was located on the site that includes the former Gemeenlandshuis Swanenburg. In 1919, the Sugar Factory Holland was transferred to the Central Sugar Company. This is how the name “CSM” came about. From the mid-1970s, CSM grew into a large concern. The sugar activities became less important. In 1992 the factory in Halfweg was closed. Due to the closure, approximately 110,000 m² of land surface was freed up for redevelopment.

 

In 2000 the site was sold to a project developer. The two silos of the sugar factory, where the sugar and molasses used to be stored, have been converted into modern offices and show areas. The two fifty-metre-high sugar silos, together with the lime kiln, form the landmarks of SugarCity. The silos are clad on the outside with metal panels with coloured lamps on them, which give a light show on the two towers in the evenings.

 

Schiphol

SugarCity is situated almost directly in line with on the runways of Amsterdam Airport Schiphol. This causes one of the external safety contours (10-6) to lie over one of the towers. The potential risk is such that it has been discussed for a long time whether so many people are allowed to be there and/or work there. A compromise was found. The towers were not allowed to be developed to the maximum with offices and workstations. Hence the show areas. This reduces the number of people present at any time, and as such the reduces the number of potential deaths if an aircraft would hit the tower(s).

 

Technical stuff

I’ve been offline for some time. This was due to a number of reasons. Not in the least caused by rather demanding work. Next to that I had numerous photography assignments like weddings, a cover photo for a book, family shoots and inaugural lecture at the University of Leiden. All great fun. But also time-consuming. However, I didn't want to let 2022 pass quietly, either. So I'll try to upload some pictures in the coming remaining days.

This fine art is the first. This ND long exposure is a 200ISO, f5.0, 181sec at 16 mils shot with my Fujifilm X-T3. Post-production was done with Lightroom. Finally, I added the copyright signs (in Photoshop). The latter is, alas, there to stay due to the frequent copying of my photos. So, don't bother commenting on that.

 

Fall Leaves Reduced

 

MILLEFIORI CANING

is my favorite thing to do with polymer clay.

 

The technique is borrowed from glassmakers. The design is built in the clay using the colors of the clay in a sort of 3-D way and then stretched and rolled to the size you want for your projects. Once the ends are removed every cross section slice is an exact replica of the one before and all throughout the cane.

 

Ta Da! This is how I roll. I am off to make some fantasy flowers...

The tomb of Tutankhamun (reigned c. 1332–1323 BC), a pharaoh of the Eighteenth Dynasty of ancient Egypt, is located in the Valley of the Kings. The tomb, also known by its tomb number KV62, consists of four chambers and an entrance staircase and corridor. It is smaller and less extensively decorated than other Egyptian royal tombs of its time, and it probably originated as a tomb for a non-royal individual that was adapted for Tutankhamun's use after his premature death. Like other pharaohs, Tutankhamun was buried with a wide variety of funerary objects and personal possessions, such as coffins, furniture, clothing and jewelry, though in the unusually limited space these goods had to be densely packed. Robbers entered the tomb twice in the years immediately following the burial, but Tutankhamun's mummy and most of the burial goods remained intact. The tomb's low position, dug into the floor of the valley, allowed its entrance to be hidden by debris deposited by flooding and tomb construction. Thus, unlike other tombs in the valley, it was not stripped of its valuables during the Third Intermediate Period (c. 1070–664 BC).

Tutankhamun's tomb was discovered in 1922 by excavators led by Howard Carter and his patron, George Herbert, 5th Earl of Carnarvon. As a result of the quantity and spectacular appearance of the burial goods, the tomb attracted a media frenzy and became the most famous find in the history of Egyptology. The discovery produced only limited evidence about the history of Tutankhamun's reign and the Amarna Period that preceded it, but it provided insight into the material culture of wealthy ancient Egyptians as well as patterns of ancient tomb robbery. Tutankhamun became one of the best-known pharaohs, and some artefacts from his tomb, such as his golden funerary mask, are among the best-known artworks from ancient Egypt.

Most of the tomb's goods were sent to the Egyptian Museum in Cairo and are now in the Grand Egyptian Museum in Giza, although Tutankhamun's mummy and sarcophagus are still on display in the tomb. Flooding and heavy tourist traffic have inflicted damage on the tomb since its discovery, and a replica of the burial chamber has been constructed nearby to reduce tourist pressure on the original tomb.

Getting out & hiking into a place like this is always good for the mind, heart, & soul. At least it is for me! My son & two of my nephews went with me to Turkey Foot & Mize Mill Falls Saturday. Great day to be in the woods.

 

Reduce your Stress

The theme for this week's Macro Mondays is "plastic". I became very aware of the issue of single-use plastic contaminating our oceans on visiting uninhabited areas of eastern Greenland last year and taking part in a beach clean-up - we collected dozens of items of throwaway plastic. It has become big news this year with the UK's proposal to ban plastic straws and cotton buds. For my macro entry I decided to take a picture of my water bottle, which I now use instead of buying bottled water - saving a lot of money as well as doing a small bit to save our oceans. So - this is "Plastic" for Macro Mondays. HMM! (field of view is under 2 inches)

 

And doubling up - my Day 23 entry for April 2018: A month in 30 pictures, and #23/100 for 100 x: The 2018 Edition - my x is macro with a dedicated macro lens.

 

(P4231460)

I shot this from the hotel in Boerne where we took refuge after losing all delivery of power and water at the house.

Having departed the western terminus of GO's Milton Line just a few minutes prior, GMD F59PH 563 is already up to track speed as it screams up the Hornby Dip on CP's Galt Sub at Milton, Ontario. As a direct result of the COVID-19 pandemic, a number of GO's Milton Line trains have been reduced from their typical twelve-car consist down to six. Requiring less motive power than the former, a handful of these venerable GMD workhorses have been assigned to a route usually dominated by their modern and ubiquitous successor, the MPI MP40PH-3C.

4.9% illumination,

Age, 2days 6.5hours

Mewlon 210 w/.8 reducer, Canon T6i, 1/8 second, ISO200

Okay, I have some explaining to do.

Recently I came across an article in a photo magazine in which a photographer explained his amazing 'digital-art' work. He creates an unreal world based on existing elements. For example, a street is transformed into an imaginative scene.

It could come straight out of a movie; creating an amazing mood.

Of course he starts to work from a world in color, that's how normal cameras work. By reducing color saturation significantly and adding the recognizable colors from a nighttime movie scene: blue and green.

By adding fog and adjust the contrast he creates his own world; this has nothing to do with reality. Exactly like in the movies!

 

This inspired me to get started with a photo I made in 2013 in an alley in Lower Manhattan: Cortlandt Alley, on the borders of Chinatown, Tribeca and SoHo. This is, especially in the evening, a totally deserted alley. They film here regularly for commercials.

Almost nothing you see is real; steam, buildings, colors. But it fits exactly in the picture I have in my head when I take a movie scene in mind.

Of course, the buildings you see really exist, but not in the way they are presented here.

Because I have a b&w camera, I had to add color. And by doing some research how a movie street scene should look like, I came to this result.

I must say that I am very satisfied!

 

Press "F" if you like it.

  

All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.

  

© NGimages

Air pollution is contamination of the indoor or outdoor environment by any chemical, physical or biological agent that modifies the natural characteristics of the atmosphere.

Household combustion devices, motor vehicles, industrial facilities and forest fires are common sources of air pollution. Pollutants of major public health concern include particulate matter, carbon monoxide, ozone, nitrogen dioxide and sulfur dioxide. Outdoor and indoor air pollution cause respiratory and other diseases and are important sources of morbidity and mortality.

Air quality is closely linked to the earth’s climate and ecosystems globally. Policies to reduce air pollution, therefore, offer a win-win strategy for both climate and health, lowering the burden of disease attributable to air pollution, as well as contributing to the near- and long-term mitigation of climate change.

  

The Eurofighter Typhoon is a European multinational twin-engine, canard delta wing, multirole fighter. The Typhoon was designed originally as an air superiority fighter[5] and is manufactured by a consortium of Airbus, BAE Systems and Leonardo that conducts the majority of the project through a joint holding company, Eurofighter Jagdflugzeug GmbH. The NATO Eurofighter and Tornado Management Agency, representing the UK, Germany, Italy and Spain, manages the project and is the prime customer.

 

The aircraft's development effectively began in 1983 with the Future European Fighter Aircraft programme, a multinational collaboration among the UK, Germany, France, Italy and Spain. Previously, Germany, Italy and the UK had jointly developed and deployed the Panavia Tornado combat aircraft and desired to collaborate on a new project, with additional participating EU nations. However disagreements over design authority and operational requirements led France to leave the consortium to develop the Dassault Rafale independently. A technology demonstration aircraft, the British Aerospace EAP, first flew on 6 August 1986; a Eurofighter prototype made its maiden flight on 27 March 1994. The aircraft's name, Typhoon, was adopted in September 1998 and the first production contracts were also signed that year.

 

The sudden end of the Cold War reduced European demand for fighter aircraft and led to debate over the aircraft's cost and work share and protracted the Typhoon's development: the Typhoon entered operational service in 2003 and is now in service with the air forces of Austria, Italy, Germany, the United Kingdom, Spain, Saudi Arabia and Oman. Kuwait and Qatar have also ordered the aircraft, bringing the procurement total to 623 aircraft as of 2019.

 

The Eurofighter Typhoon is a highly agile aircraft, designed to be an effective dogfighter in combat. Later production aircraft have been increasingly better equipped to undertake air-to-surface strike missions and to be compatible with an increasing number of different armaments and equipment, including Storm Shadow, Brimstone and Marte ER missiles. The Typhoon had its combat debut during the 2011 military intervention in Libya with the UK's Royal Air Force (RAF) and the Italian Air Force, performing aerial reconnaissance and ground-strike missions. The type has also taken primary responsibility for air-defence duties for the majority of customer nations.

Man is in love and loves what vanishes,

What more is there to say?

(WB Yeats)

chicken curry alongside rice, broccoli, and side salad

 

a portion of precooked chicken removed from the freezer, thawed and reheated with spices

rice sprinkled with turmeric powder and steamed

broccoli boiled in water bought from iceland 58p reduced at the end of the day

 

more curry information

 

The secret to making great curry

www.theguardian.com/lifeandstyle/2014/oct/31/how-to-make-...

6 Common Cooking Mistakes While Preparing Chicken Curry

Tips To Make It Perfect

www.ndtv.com/food/6-common-cooking-mistakes-while-prepari...

How to Cook Spices for Chicken Curry | Indian Food

www.youtube.com/watch?v=FV6Elm3gdRA

Varieties of Dahl Curry

food.ndtv.com/lists/10-best-dal-recipes-how-to-cook-it-to...

types of curry

curryculture.co.uk/types-of-curry/

lamb bhuna

www.kitchensanctuary.com/lamb-bhuna/

what is a bhuna?

www.seasonedpioneers.com/what-is-a-bhuna/

indian restaurant bhuna curry

glebekitchen.com/indian-restaurant-bhuna-curry/

chicken bhuna curry

searchingforspice.com/chicken-bhuna-curry-indian-takeaway...

how to thicken curry

lianaskitchen.co.uk/how-to-thicken-curry/

spices & ingredients

curryculture.co.uk/category/spices-ingredients/

tamarind sauce

greatcurryrecipes.net/2018/03/26/tamarind-sauce/

 

just one thing with michael mosley

food special with professor tim spector

7 days 30 different plant based foods

www.bbc.co.uk/sounds/play/m001ngjx

 

ps i'm not recommending any of these cookery adventures. they suit my personal taste. photographing to encourage myself to eat more healthily ...

 

i've created a group www.flickr.com/groups/cooking_is_my_hobby/ to gather ideas and encourage myself to continue with healthy eating by learning from others if you're interested in cooking, sometimes or a lot, or enjoy the cooking of others, you're always welcome ...

 

World Environment Day 2016- "Go wild for life".

The illegal trade in wildlife (ITW) is pushing many species of animals and plants toward local or global extinction and robbing us of our natural heritage. The killing and smuggling of these species is also undermining economies, fuelling organised crime, and feeding corruption and insecurity across the globe.

This disappearance of iconic species such as elephants, tigers or sea turtles would be a disaster for conservation efforts. But the loss of any species, even at a local level, is an erosion of the biodiversity that underpins the natural systems upon which we all depend for our food security, medicines, fresh air, water, shelter and a clean and healthy environment.

The WED 2016 campaign aims to raise awareness of the far-reaching nature of wildlife crime and – with the slogan “Go Wild for Life” – encourages people to change their habits to reduce demand for illegal wildlife products, and to press friends, colleagues and officials to do what they can to stop the illegal trade. This call is based on the hope that individual actions and statements can collectively bring about a sea-change in attitudes and policies toward both the trade in illegal wildlife products.

 

This nebula is rightly named the Dark Shark nebula. This was my third try at capturing this one, with the first two not worth completing the processing. The nebula is both a dark and reflection nebula in the constellation Cepheus approximately 650 light-years away. The shark spans approximately 15 light-years head-to-tail.

 

Gear:

Mount: ZWO AM5

Main Cam: ZWO ASI294MC Pro @ gain 121 and 8F

Guide Cam: ZWO ASI120MM Mini with ZWO 30mm f/4 scope

Telescope: Askar 103APO w/ 0.8x reducer/flattener - 560mm f/5.4

Filter: Baader Moon and Sky glow Broadband light pollution

 

Acquisition:

Light frames: 142 180 second subs for 7hr 6min integration

Sessions: 02-Oct-2024

Moon: 0 days old 0%

Location: Houston Astronomical Society Dark Site ~ Bortle 4

 

Processing

• Pixinsight Auto DBE, SPCC ,BTX, STX

• Pixinsight Stretch Starless using script - statistical stretch

• Pixinsight Stretch Stars using - GHS Arcsinh stretch

• Pixinsight Histogram stretch to set better black point color balance, Saturation Curves

• Photoshop ACR contrast, black point, clarity, de-haze

• Photoshop Selective Colors to balance colors

• Photoshop Screen stars, duplicate layer/black mask/reveal select stars

• Photoshop Final curves, watermark

Sigh, back to the archives again!

 

Came across this old photo of a hungry Common Porcupine (Erethizon dorsatum) recently, when I was backing up a few more files and deleting them from my computer. Taken at Sikome, Fish Creek Park, on 17 December 2009.

 

■The common porcupine is a large, robust rodent. Adults weigh about 10 kilograms (22 pounds).

■Has a thick tail, and short powerful legs with long curved claws.

■Coat is composed of rows of dense, brown undercoat with yellow-tipped guard hairs.

■Guard hairs alternate with rows of loosely attached quills that vary from 25 to 65 millimetres (1 to 2.5 inches) in length.

■Quills taper to a sharp and stiff point that is covered with very small barbs.

■Quills are hollow, thus reducing their weight and providing buoyancy when the animal occasionally swims.

 

srd.alberta.ca/FishWildlife/WildSpecies/Mammals/RabbitsRo...

Having safely reached the surface of the moon and set up the remote camera, Neil watches anxiously as Buzz, inline with his boisterous nature, decides to play with the reduced gravity on his way down the ladder.

 

One giant leap indeed...

 

DOG Monatsthema 03/25

Ist das Kunst, oder kann das weg?

In our day there is a stronger tendency than ever to reduce

happiness to the level of economic well-being—which is moreover insatiable in the face of an indefinite creation of artificial needs and a base mystique of envy—but what is completely lost sight of when this outlook is projected into the past is that a traditional craft and a contact with nature and natural things are factors essential to human happiness. Now these are just the factors that disappear in industry, which demands all too often, if not always, an inhuman environment and “quasi-abstract” manipulations, gestures with no intelligibility and no soul, all in an atmosphere of frigid cunning; we have arrived beyond all possibility of argument at the antipodes of what the Gospel means when it enjoins us to “become as little children” and to “take no thought for the morrow”. The machine transposes the need for happiness onto a purely quantitative plane, having no relation to the spiritual quality of work; it takes away from the world its homogeneity and transparency and cuts men off from the meaning of life. More and more we attempt to reduce our intelligence to what the machine demands and our capacity for happiness to what it offers; since we cannot humanize the machine, we are obliged, by a certain logic at least, to mechanize man; having lost contact with the human, we stipulate what man is and what happiness is.

 

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Frithjof Schuon: Light on The Ancient Worlds

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