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Rambling Recollections is the two-part autobiographical account of his life written by Sir Henry Drummond Wolff and published shortly before his death.
Recollections of all great moments of sharing, laughing, and secretly licking the cake! :-)
For all those great memories of past birthdays!
And for many, many more of them!
Zivjeli/Cheers!
Looking back on turbulence, we see patterns in the traces that it leaves, and imagine a kind of logic, or let's tell it like it is, a history with some element of inevitability. Of course we are wrong, and the grunts in Vietnam were correct: shit happens.
This applies equally to our human story - at any scale - and to patterns in the sand.
I'm ashamed to say I've forgotten this gentleman's name, but he was a crewman on the Cobia during the war, and we are in his duty station, the aft torpedo room. He's telling us about a Very Bad Day, when they got depth-charged so long and so hard that the Boat got stuck in the mud on the bottom.
The second panel in my Toy (Re)collections piece for Lulubell toys. Part of these pieces was to add a story or explanation of what the artists early toy memories are and how they inspired them to become toy designers. My explanation is typically long winded and employs the word "I" excessively. Sorry. I won't reprint it here. Too long...
The show is Saturday, June 5th
from 6-9PM
Lulubell Toy Bodega
439 N. 6th Avenue, Suite 187
Tucson, AZ 85705
→ 126 →
MR ERIC GILL | [monogram] | RECOLLECTIONS OF | DAVID
KINDERSLEY | THE BOOK CLUB OF CALIFORNIA | 1967
7 × 4 3⁄8. 30 pp.—half-title (i), frontispiece portrait (ii), title (iii), copyright notice
(iv), fly-title (1), blank (2), text 3–24, colophon (25), blank (26).
Title in red and black, initial letter in red. Twenty-four plates illustrating
Gill’s work with explanatory captions, not included in pagination. Type Waverley
intertype. Paper machine made. Bound in black cloth with Gill’s monogram on
front and title in gold on back. 400 copies printed by the Ward Ritchie Press.
Price $5.50. (400 copies for the Typophiles).
A joint publication with the Typophiles, this book is an expanded version of a
talk given at the Gill Symposium held at the William Andrews Clark Library at
UCLA in 1967. The author’s perspective centers upon the years when he was
apprenticed to Gill. More than half of the drawings and sculpture in this work
have not been reproduced before. The Typophiles’ edition has, of course, a different
title page and binding.
____________
RECUERDIÑOS
{. ..no se imaginan Lo que han provocado en mí . . . gracias por dejarme entrar en sus corazones , por darme un abrazo cuando más Lo he necesitado . . . por dejar que Les entregie mi amor . . .por ser ustedes . . . por enseñarme cada día eL significado de nuestra amistad* }
si quizas ya nada es cmo antes.. pero por mi todo seria diferente, no me gustan las mentiras, eso fue lo que me dolio, y aun me sigue doliendo cada vez que pienso en ese momento que me gustaria que no hubiera pasado o kisas si pero si tan solo me lo hubieras dicho y no negado esta lejania no hubiera pasado. . Imaginense antes de ese super acontecimiento, miren las fotos y figense cmo era nuestra amistad tooooooodo el dia juntas, gritando, lesiando, grabandonos, wm todos los dias una locura nueva .. pero nada importaba porque nos teniamos a nosotras una a una , unidas hasta el fin, anda importaba, pero ahora mirense unas estamos unidas de las otras no sabemos nada ..
momentos tan bellos que pienso en ellos y me inunda un sentimiento de angustia y nostalgia, me gustaria que todo volviera hacer cmo antes y que los errores cometidos se borren y que todo empieze denuevo sin hacer los mismos errores eso si.
Saben aun las amituu a todas , nose son personas bacanes y si cmo todo el mundo comenten o mejor dicho cometemos errores..
espero que todo vuelva hacer como antes, pero saben amo a las que siguieron cnmigo, mi paula liza, mi peqeñiah y mi blamquita juntas hasta el F I N :D
en fin si todo vuelve hacer como antes, todas unidas, esta vez tendra que ser diciendo siempre la verdad, para poder volcer a confiar en cada una.. y ser las DIGIMON jajajjaja xD
amè el collagge mil cosas del veraanoo :D
*peqeñiaah: sos bella amiga te amiituuuuuuuuu, te extraño, grax x siempre estar cnmigo, apañar , TE AMY :D
*paula liza: mi ex pololy que aun te adory muchy una de las cosas mas bacanes fue conocerte, grax x dejarme entrar en tu corazon y ser tu amiga, grax x confiar en mi te amiituu :D
*blamquita: la incondicional, siempre unidas desde pendejas pero cada vez mas hermanas te amo grax x estar siempre ahi :D
-Katia: mil cosas han pasado en fin era bkn compartir los dias cntigo, eres muy buena amiga grax x muchas cosas que me entregaste y siempre recuerdo KATIA RYDER XD
-kmi: puxa flakiña te extraño, tantas weas vividas, si mil cosas aun te kero tontonaa.
-Samy: puxa samy nose que decirte, pero si sabes que lo mas doloroso fue al mentira no el hecho porque eramos tan cerkanas, y puxa todo puede cambiar pero espero que nunca mas mientas , tmb recuerdo las idas a la disko, veo a yerko y me akuerdo de ti.
-barby: mi negrita te extraño mensaa ! ojaal ke estes bn , de ty ke no e sabido nada nada en fin extraño ke me hagas reir.
en fiiin nose si lo vean pero eso siento:/
jasjkdgjhkd xD
en fiin
shayytUUUU*
c1910 postcard view of the JOYCE PUBLIC LIBRARY in Orland, Indiana. This view is looking southeast across Wayne (aka North) Street. The Vistula Street (aka Toledo Road), intersection is at the right edge of this view. The only Sanborn fire insurance map set for Orland was produced in 1917. It shows a painting store on the first floor and the library on the second floor of this building. The ACME QUALITY sign may have been associated with that business below the library or possibly the general store that occupied the remainder of the building. The SELZ SHOES sign at the far end of the building is probably associated with the store at the south end of the building.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/6839896434/in...
1910 postmarked postcard view of a very crowded park in Bristol, Indiana. There are many children, many hats, a couple of automobiles, and at least one African American family in this scene.
This park isn’t identified, but a 1915 Elkhart County atlas included a map of Bristol and showed only one park and labeled it Aquatania Park. It was at the east end of Vistula Street where it crossed the L. S. & M. S. (Lake Shore and Michigan Southern) Railway tracks. The park was north of the street and the tracks and one corner touched the Little Elkhart River. The four-acre property included a pond and was owned by J. C. Yoder.
1. Standard Atlas of Elkhart County, Indiana (Chicago, IL: George A. Ogle & Co., 1915). Available online at www.historicmapworks.com/Atlas/US/7704/Elkhart+County+1915/.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/5443216118/in...
Copyright 2006-2017 Hoosier Recollections. All rights reserved. This creative JPG file package is an original compilation of materials and data. The package is unique, consisting of a wide variety of related and integrated components. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Black and White film 400 ISO
Shot at 200 ISO
This is a scanned copy of the black and white print on matt paper.
Sara Henry
Recollection, 2015
16"Hx28"Wx6"D
Porcelain, wood, graphite, mixed ceramic materials
Humans are complex, imaginative, and explorative beings. We are investigators, travelers, builders, and lovers. We create and destroy—build and tear down—come together and fall apart. We are thinkers and doers; determined to locate our exact physical and philosophical place within the universe. I am interested in the dichotomy between investigation and imagination, the physical world and the imaginary world, the effects of time, and how these concepts and places converge within the spectrum of visual art. I use experimental casting and burnout techniques to create three dimensional ceramic paintings in the forms of towers, walls, orbs, and tiles. Combustibles, ceramic materials, and liquid clay are arranged inside plaster molds. The kiln firing process alters the materials, creating jagged void spaces, shimmering colors, and unique textures. These sculptures symbolize our evolution, our complexity, our history, and investigate hidden emotions and thoughts within.
1909 postmarked postcard view of numerous children and a few adults gathered under the trees at Cedar Lake, Indiana. The Monon Route tracks were behind the group and the Cedar Lake station and water tower were a short distance away.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/6162721786/in...
Foto tomada en el interior de las naves de MACOSA (c/San Vicente) en Valencia el 31 enero 2009
* enlace a los videos editados con los videos cortos y fotografias tomados a lo largo de las dos visitas:
1 de 3
www.youtube.com/watch?v=GTt9cx5O654
2 de 3
www.youtube.com/watch?v=_nyAU9wa2Ho
3 de 3
www.youtube.com/watch?v=9C6JJWeEnls
* Don't use this image on websites, blogs or other media without my permission.
No use esta imagen sobre sitios web, blogs u otros medios de comunicación sin mi permiso. © All Rights Reserved
Filmed historical recollection of the arrival of the Venetian Judges in Cologra Veneta.
In 1406 the Doge of Venice miche Steno decreed that Cologna was aggregated to the Sestriere Dorsoduro of Venice, to stop the bloodish wars among the local Lordships.
Cologna remained faithfull to venetians until the fall of the Serenissima (1797)
Rievocazione storica filmata dell'arrivo dei giudici veneziani a Cologna Veneta.
Nel 1406 il doge di Venezia Michele Steno decretò l'aggregazione di Cologna al Sestriere Dorsoduro di Venezia, per porre fine alle sanguinose contese tra le Signorie locali. Cologna rimase veneziana fino alla caduta della Serenissima (1797).
1913 postmarked postcard view of a snow-covered Brighton, Indiana. This view was looking west.
Two tobacco advertisements, including one for STAR TOBACCO, were posted on the side of the store at the left edge of the view. The third ad on that building included the name of Brighton resident, AMOS LONG, at the bottom. A gasoline pump stood in front of that store and a child's sled was sitting on the nearby porch. There was a large unidentified building at the west edge of town and a windmill nearby.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/6246627846/in...
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