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After the presentation members of the audience got to ask questions of the delegates. The converstaion covered eveything from the femicide in Juarez to the struggle of the braceros and how those struggles could be related to the struggle so many people have trying to get thierSocial Security.
Youth ambassadors at the Global Youth Conference ask their peer participants the following questions: In today's world, what problems do you see? And what can you do as Red Cross Red Crescent youth to help improve the situation?
Farah Fahim, Brussels Representing office,European Academy of Bozen/Bolzano (EURAC)
The Science|Business Network Live Webcast "Horizon 2020: The Parliament speaks" took place on 13 November 2012 at the European Parliament in Brussels.
A series of crucial votes on the EU budget and R&D policy is coming up in the European Parliament. On the eve of the first committee vote on the EU's ambitious €80 billion Horizon 2020 proposal, some of the key members of the European Parliament involved in the debate speak and answer questions about what should be done with Europe's leading research and innovation programmes.
Pictures by Carlos Nomen
There are a couple of questions that I get quite often in flickrmail, and I figured I'd just go ahead and make a little FAQ page so I could answer those once for everyone. :)
Q. What lens do you use?
A. For almost ever single picture in my 365 I've used my 50mm lens. It is the most amazing thing ever if you need a good, inexpensive lens. You can't take shots that are super close or really far ones because it's fixed and can't zoom, but for portraits and random shots, it's perfect. It has terrific depth of field and focus. I love it. :)
Q. How do you post photos in the comments?
A. People do it in different ways. I'm sure you've probably heard this, but if you want to put a picture in the comments that is already on flickr, you simply copy the URL (the link at the top of the page, the website, whatever you want to call it), paste it into the comments, and put brackets [ ] on either end of it.
To put a photo in the comments that is NOT already on flickr is slightly more tricky. You need to have the photos already online somewhere, like photo bucket or tumblr or something like that. I use a blog on blogspot.com which is free and easy to use. I just upload all the photos that I'll want in the comments onto my blog which is at this website: www.ssflickr.blogspot.com/ . Once they're uploaded to the blog, I click on the photo I want to use (it opens in a separate window) and grab the URL from it. Then I go back to flickr, to my main picture, and in the comments I paste one of the two formats (which can be found at the bottom of the formatting tips that you can use when writing comments). I find that the second one works for me and the first doesn't, so I guess you'll just have to mess around with that for yourself. So THEN after pasting that into your comment, you take the URL from the photo and paste it either where it says LINK TEXT if you use the first option, or URL if you use the second option, replacing the text that was previously there. And that's all there is to it!
❔ Care este cea mai periculoasă metodă de epilare?
❕ Cea mai periculoasă metodă de epilare este cea cu ceară refolosită, deoarece poate duce la apariția de pustule, de mici bubițe, care sunt date de un microb remanent în acea ceară. De asemenea, și epilarea cu lama este periculoasă, deoarece poate duce la foliculită – rădăcina firului de păr nu este eliminată și ea se poate infecta.
❕ Pielea se irită în timpul epilatului de orice tip. Uneori, pot apărea inclusiv leziuni la nivelul tegumentului, o ușă deschisă prin care bacteriile pătrund în organism. Astfel pot apărea, de exemplu, herpesul, foliculita sau chiar verucii.
🎀 Așadar, spune NU acestor griji și încearcă epilarea progresiv definitivă cu laser!
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Found on Digg.com today. What a great example of after-the-fact design modification.
It makes me wonder what the context was. Did someone set this up for a young child or an older relative? Or did they do it for themselves?
In any case, it's a great reminder of why us user experience professionals do what we do.
For those of us in design: remember, you shouldn't build for *all* the edge cases. You shouldn't even build for most of them.
Questions from the audience and online for the keynote speaker.
The International Food Policy Research Institute (IFPRI) is pleased to host the 28th Annual Martin J. Forman Memorial Lecture. The Annual Lecture commemorates the significant impact on international nutrition by Martin J. Forman, who headed the Office of Nutrition at USAID for more than 20 years. The annual lecturer is invited to present his or her personal, often unconventional, views about large issues dealing with malnutrition.
Over recent decades, as global food systems have changed rapidly, so has the face of malnutrition. Obesity and the double burden of malnutrition have risen dramatically, particularly in low- and middle-income countries. Many of these countries are using fiscal and regulatory tools to address these issues, with little evidence on their effectiveness.
This lecture will discuss findings from our evaluations of these public health efforts around the world. Some surprising new results—including impressive findings on the impact of marketing and front-of-the-package profiling options—may shift the focus of our actions. However, we still have much to learn about what works and how we can sustain dietary improvements. To date, no country has successfully arrested or even slowed the rise in overweight and obesity. Our challenge is assembling a set of effective programs and policies to address the new face of malnutrition.
Photos by Jamed Falik/IFPRI
Taking audience questions at a Capital Ideas panel entitled "How does creativity fuel your business mind?"
It was held at the Edmonton Journal on Aug. 20, 2014, and was moderated by Karen Unland.
Attendees gathered in the exhibit hall for an opening reception and poster presentation session. Poster presenters displayed their work and answered viewers' questions, exhibitors talked with potential clients, and everyone enjoyed food and drinks in the relaxed atmosphere of the exhibit hall.
As-yet-unnamed. I wasn't really intending to get a mountain bike, but all the road bikes were just too small. The seats didn't come up high enough, the handlebars were too low, the frame was too short.... Mountain bike turned out to be the way to go.
Even better, I got it up at Asahi Bikes up near Kita-oji where one of my students works. So he was able to give me a lot of good information and handle my questions. In English. Awesome.
I still need a name, though....
Dog, Flatcoated Retriever, Groenlosche Slinge, Hond, Pipa, Questions Flight One in a Million, Sneeuw, Snow, animal, blackdogsrule, dier, dogadventures, flatcoataddiction, flatcoatedlovers, flatcoatedretriever, flatcoatedretrieversofinstagram, flatlove, flattiemoments, flattieoftheday, freestyleretrievers, instadogs, retrieversofinsta | © Kees-Jan van Overbeeke | GOPR3642_20190202_152857
Rialto Theater, Racine, Wisconsin, showing Question 7 and Days of Thrills and Laughter, "Returned by Public Demand," 1961. Jerome F. Barina, Lawyer, office on second floor at left.
The Rialto Theatre opened in 1925, seating was listed at 730. The theatre was operated by Warner Brothers and later by Marcus Theatre. The Rialto Theatre closed in 1969 and was later demolished.
LFA 0/1/5 Lutheran Film Associates Question 7 Photographs - Theaters showing Question 7.
ELCA Archives image.
Why is this still happening, why won't it go away? Make it end. Have I not been suffering long enough?
Nipper's Toyland, Maryland Historical Society, Baltimore MD
"An antique board game with a magical/wizard theme. The game was published by McLoughlin Bros., N.Y.: c. 1870. It measures 11.75 x 11.75 x 2 inches when in the case.
Inside the box is a spinner resting beneath a pane of glass. The directions are mounted underneath the glass. There are three "answer inserts" that hug the outer portion of the box, fitting around the glass. Three double-sided circular question cards are provided, each one corresponding to an answer insert.
After a question is asked, the question card is placed upon the glass pane and aligned such that the question asked is placed in the top (12 o'clock) position. The spinner is then magnetically moved, and points to the correct answer on the "answer insert."
The directions read: "In asking a question, place the Question Card so that it will fit exactly over this Disc, placing the question asked at the top, so that the dot on the edge will be directly opposite the dot on the top of this Disc, when the hand will immediately move in a quizzical manner, and in a few moments stop, and give the correct answer."
ComLand Design is an IT young, dinamic and creative team, but with over 12 years experience in the development of design services. In addition, we provide consulting, maintenance and updating. We also provide onsite engineer visits for all areas in Portsmouth. Most of the time engineers are available on the same day. We have a 24 hours response time from time booking is confirmed and we run NO FIX NO FEE* policy for all onsite visits in Portsmouth. If the engineer cannot fix the problem, you pay absolutely nothing. Satisfaction guaranteed for all services delivered.
WEB Design / Computer Repair Service in Portsmouth area with a NO FIX NO FEE* policy for more detalies please visit our web site www.comland-design.com or contact us
email: info@comland-design.com
3-D Cross-viewing Instructions.
Cross-viewing is the best way to view 3-D (in my humble opinion). It takes about 5 minutes on average to master this technique, but it is well worth it. After that it became effortless. Better than glasses because you lose none of the color. Here's how to do it...
1.Place the image in Figure 1 in the center of your screen.
2. Sit at your normal distance.
3. Slowly cross your eyes. You will see a double image.
4. Continue to cross until the middle two images overlap.
5. Adjust focus on middle image, keeping the two images overlapped.
6. You should see the image snap into perfect 3-D.
Persona, étrangement humain
musée du Quai Branly
Du 26 janvier au 13 novembre 2016
Amulettes, doudous, robots, objets d'art ou du quotidien, anciens ou contemporains : nombreux sont les objets auxquels les êtres humains attribuent le statut de personne. Le Musée du Quai Branly en a réuni plus de 200 dans une exposition intitulée "Persona" qui se propose d'analyser le contexte et le processus de transformation d'un objet inanimé et les questions que cela pose. A voir jusqu'au 13 novembre 2016
Ministres de l'agriculture et le la culture. situation du quotidien régional l'union
M. le président. La parole est à M. René-Paul Savary, auteur de la question n° 70, transmise à Mme la ministre de la culture et de la communication.
M. René-Paul Savary. Madame le ministre, je me permets de vous interpeller, au nom de l’ensemble de mes collègues représentant la Marne, les Ardennes ou l’Aisne – mon collègue Antoine Lefèvre, maire de Laon, est d’ailleurs présent ce matin pour appuyer ma démarche –, sur la situation de L’Union, grand quotidien régional issu de la Résistance et confronté depuis plusieurs mois à des difficultés. Le climat social est particulièrement compliqué au sein du groupe auquel il appartient, entre projets de reprise et éventuel dépôt de bilan.
Des menaces pèsent sur l’avenir du titre, et même sur l’intégralité du pôle Champagne-Ardenne-Picardie, à savoir L’Union, CAP Régies, L’Aisne Nouvelle, L’Est-Éclair. Sur le plan économique, la disparition de ces publications serait dramatique pour l’ensemble des régions concernées, avec plus de 640 emplois en jeu.
Au départ, le groupe Rossel s’était montré intéressé par la reprise et avait mis comme condition indispensable à sa participation au projet de rapprochement avec le Groupe Hersant Média un accord social préalable. Or, la FILPAC-CGT – la Fédération des travailleurs des industries du livre, du papier et de la communication-CGT – a catégoriquement rejeté cet accord. Malgré le courage de l’ensemble des salariés, lesquels ont soutenu ce projet de reprise et bravé parfois les pressions exercées, dans un climat social, vous vous en doutez, fortement dégradé, le rapprochement n’a pu se réaliser et le groupe Rossel, d’après ce que l’on peut en savoir, s’est vu dans l’obligation de retirer son dossier.
Rafael Mariano Grossi, IAEA Director General, answers questions from participants during the Q&A session raised at the virtual event forum Pathways for Expanding Peaceful Uses of Nuclear Energy & Nuclear Technology at the Agency headquarters in Vienna, Austria. The DG is accompanied by two of his senior staff, Jacek Bylica, IAEA Chief of Cabinet and Diego Candano Laris, Senior Advisor to the Director General. 1 September 2021
Photo Credit: Dean Calma / IAEA
Screenshot, Brigade d’intervention éditoriale
# Sorin-Rétière & Julia Delcambre
Décembre 2013 dans le cadre des Rencontres des arts numériques, électroniques et médiatiques organisées par Oudeis.
Plus d'infos sur l'événement :
fr.calameo.com/books/00117035042b4b1b65341
Documenter, conserver une trace de tout événement, prolonger le débat, la réflexion, ouvrir des espaces de dialogues, promouvoir des regards singuliers, c'est le travail que tâche de mener depuis toutes ces années Oudeis a travers l'édition et la publication de catalogues faisant l'objet d'un travail spécifique.
Pour NOW HERE, le catalogue se transforme en un objet d’édition qui devient l’un des lieux de la manifestation. Cet objet sera artisanal tout en empruntant aux technologies numériques. Il sera au format papier et au format web et ils communiqueront ensemble.
Les contenus constitutifs de ce catalogue multiple seront composés d’un ensemble de textes, d’entretiens, d’interviews des artistes ou auteurs et permettra de retranscrire les tenants et aboutissants de cette manifestation. Ils seront aussi composés de créations graphiques dérivées ou conçues pour l’événement, mais aussi de contenus multimédia.
Aussi, nous avons proposé au duo d’artistes Sorin-Rétière de composer un binôme avec la webdesigner Julia Delcambre et de participer à l’élaboration en temps réel de cet objet éditorial. Les trois artistes travaillent actuellement chez Oudeis pour participer au traitement et à la création des contenus, mais aussi proposer des protocoles participatifs à intégrer au format papier et/ou au format web.
Le duo Sorin-Rétière travaille particulièrement sur les questions d’analyse de données dont il révèle souvent l’absurdité de certaines lectures. Julia Delcambre est une webdesigner talentueuse qui aime la recherche et les trouvailles graphiques et technologiques. Elles seront toutes témoins et interprétatrices de l’événement NOW HERE, comme éléments extérieurs, voire perturbateurs.
En savoir plus :
+ d'informations ici
fotografía abstracta • abstract photography
No digital retouching or manipulation. Sin retoque ni manipulación digital.
I want my abstract photographs to be judged as images —the feelings they stir, their composition, the colours—, not as “what is it?” as if photography mattered only as much as the subjet it captures on file or film.
To know more about this photo, visit www.arysnyder.com
Para saber más de esta foto, visita www.arysnyder.com
Quiero que mis fotografías abstractas sean juzgadas como imágenes —los sentimientos que provocan, su composición, su color—, y no como “pero, ¿qué es?” como si la razón de ser de una foto fuera equivalente al sujeto que caputra en archivo o película.
I often get questions/comments about whether she can see. While these tend to sound like broken records after awhile, I do understand them. Lately I have been working with her having her hair pulled back. She doesn't like it very much and usually has the tie pulled out of her hair in under an hour.
As for the question of can she see with her hair down I believe she can. But I also believe her vision is obstructed quite a bit because she occasionally runs into things.
All the artists, entrepreneurs, and activists who are asking the questions and making the provocations that we believe will shape the future of culture. At the 2016 YBCA 100 Summit, Nov 5, 2016. The YBCA 100 is an annual compilation of the creative minds, makers, and pioneers that inspire our work at Yerba Buena Center for the Arts. Each year, our staff convenes to debate: “Who do we believe is asking the questions and making the provocations that will shape the future of American culture?” The result of this inquiry is a diverse list of artists, entrepreneurs, activists, and creative citizens from around the world that have one thing in common: They are all generating culture that moves people. See more at ybca.org/100. Event photography by Drew Altizer Photography
This is a photograph from the start of the annual Presentation Schools Mullingar 5KM Road Race, Fun Run and walk which took place at Mullingar Canal Harbour, Mullingar, Co. Westmeath, Ireland on Wednesday 17th June 2015 at 19:00. All proceeds of the run went towards the development of the school and general school funds. This is a set of photographs from the start and end of the race until about the 30 minute finish time. The full set is available at www.flickr.com/photos/peterm7/sets/72157654698194231
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Photo by Curtis Lewis
Any license or usage request should be directed to the individual photographer.
Please contact us with any questions: info@glacier.org
Poncho cape, rigged mesh with HUD for color change with 12 options to choose from
Skirt and Boot NOT included
For questions please contact Shinya Tandino
Main Store:http://maps.secondlife.com/secondlife/Soul%20Explosion/239/4/22
Marketplace store: marketplace.secondlife.com/stores/4440
Flickr: www.flickr.com/photos/tashistore/
Flickr group: www.flickr.com/groups/tashigroup/
Website: tashisl.wordpress.com/
Facebook Page: www.facebook.com/tashisl
Group: secondlife:///app/group/0ed5a4fe-271d-a9ca-336e-ad1f16104c1b/about
Twitter: twitter.com/TashiSL
Pinterest: www.pinterest.com/tashistore/
MELTING POT MELTING POP - Call for Sticker Artists
In 2010, for commemorate the twentieth anniversary of the death of Keith Haring, Stelleconfuse created the project "Stick On Haring!". After the great success of the first event in the Festival Multiarte of Montaione (Italy) on 26/06/2010, "Stick On Haring!" has become a touring concept that has touched the main Italian cities and beyond. In three years that the project has developed is possible count 30 events which, after the first specifically dedicated to Keith Haring, have paid tribute to the various shades of Pop Art
In this album you can see the photos of all the events "Stick On Haring!":
www.flickr.com/photos/stelleconfuse/collections/721576238...
"Melting Pot Melting Pop" is a new concept that will be developed during 2013 in a series of events in which the protagonists are still sticker. The new name of the project, in addition to still based on the world of Pop Art, aims to highlight the sense of unity and community that animates the sticker artist.
You can send your works (stickers) to:
Stelleconfuse c/o
Mirko Vignozzi
Via Piandaccoli 1/B
50055 Malmantile
Firenze
Italy
For any questions and suggestions please send a mail to stelleconfuse@hotmail.it
or join in “Melting Pot Melting Pop” Flickr group: www.flickr.com/groups/stick_on_haring/
Thanks!!!
En 2010, para conmemorar el vigésimo aniversario de la muerte de Keith Haring, Stelleconfuse creó el proyecto "Stick On Haring!". Después del gran éxito del primer evento en el Festival Multiarte de Montaione (Italia) el 26/06/2010, "Stick On Haring!" se ha convertido en un proyecto itinerante que ha tocado las principales ciudades italianas y más allá. En los tres años que el proyecto se ha desarrollado que puede contar 30 acontecimientos que, después de la primera específicamente a Keith Haring, se rindió homenaje a el mundo de Arte Pop.
En este álbum se puede ver las fotos de todos los eventos "Stick On Haring!":
www.flickr.com/photos/stelleconfuse/collections/721576238...
"Melting Pot Melting Pop" es un nuevo proyecto que se desarrollará durante el año 2013 en una serie de eventos en los que los protagonistas son todavía sticker. El nuevo nombre del proyecto, además de todavía basado en el mundo del Arte Pop, tiene como objetivo destacar el sentido de unidad y de la comunidad que anima todos los sticker artist.
Si quieres participar envía tu trabajo (pegatina) a:
Stelleconfuse c/o
Mirko Vignozzi
Via Piandaccoli 1/B
50055 Malmantile
Firenze
Italy
Para obtener más información o sugerencia escriba a: stelleconfuse@hotmail.it
o participa en el grupo de Flickr “Melting Pot Melting Pop”: www.flickr.com/groups/stick_on_haring/
Gracias!!!
Nel 2010, per commemorare il ventennale della scomparsa di Keith Haring, Stelleconfuse ha ideato il progetto “Stick On Haring!”. Dopo il grande successo del primo evento al Festival Multiarte di Montaione (Italy) del 26/06/2010, “Stick On Haring!” è diventato un concept itinerante che ha toccato le principali città italiane e non solo. Nei tre anni in cui il progetto si è sviluppato si possono contare 30 eventi i quali, dopo i primi dedicati espressamente a Keith Haring, hanno omaggiato le varie sfumature della Pop Art.
In questo album sono visibili le foto di tutti gli eventi “Stick On Haring!”: www.flickr.com/photos/stelleconfuse/collections/721576238...
“Melting Pot Melting Pop” è il nuovo concept che durante il 2013 si svilupperà in una serie di eventi in cui saranno ancora protagonisti gli sticker. La nuova denominazione del progetto, oltre ad avere ancora come riferimento il mondo della pop Art, vuole mettere in evidenza il senso di unione e di comunità che anima gli sticker artist.
Se vuoi partecipare invia i tuoi lavori (sticker) a:
Stelleconfuse c/o
Mirko Vignozzi
Via Piandaccoli 1/B
50055 Malmantile
Firenze
Italy
Per ulteriori informazioni o suggerimenti scrivi a: stelleconfuse@hotmail.it
o partecipa nel gruppo Flickr “Melting Pot Melting Pop”: www.flickr.com/groups/stick_on_haring/
Grazie!!!