View allAll Photos Tagged Questions
La quatrième fois que je les ais vu, ils avaient préparés le coup, et s'étaient mis sur leur 31. Ils m'ont demandé de leur faire des photos pour envoyer à la famille.
J'avais l'impression d'être une sorte de "photographe publique" ou plus simplement le photographe du coin. C'était bien, et j'espère que les photos leur plairont...
En été, ils étaient là, assis tous ensemble, par terre, devant la
maison. Les bébés, les parents, les vieux, tout en couleurs dans la
ville noire. Aujourd'hui déjà il fait nuit. Lumière à la fenêtre, comme
un ailleurs dans le soir d'automne. Ils ouvrent leur porte, nous
souhaitent la bienvenue dans un anglais qui sent les épices et brille
comme ces bougies qui flottent, le soir, sur le Gange. Leurs noms nous
emportent :
Pradeep, le père : lumière,
Subashini, la mère : Dieu de la prospérité,
Shreya, la petite fille : connaissance et beauté
Vishvakrit, le petit garçon : créateur du monde
Nous repartons dans la nuit, baignés de la lumière de leur sourire.
(Légende by : Cécile Beauvoir)
Clermont Ferrand / 05 Novembre 2009 / 19h40
Integrated Education Fund (IEF), in conjunction with NICVA, organised an opportunity to discuss the future of education in Northern Ireland. Chaired by BBC journalist and presenter, William Crawley, this debate focused on the challenges and possibilities of building a shared education system in the context of budget cuts and the goals of a shared society.
My only image from a "butterfly house".
Santa Barbara Museum of Natural History, California.
The use of any of my photos, of any file size, for any purpose, is subject to approval by me. Contact me for permission. Image files are available upon request. My email address can be found at my Flickr profile page. Or send me a FlickrMail.
Teju Cole, The Senses of the City
Lowell Humanities Series
Devlin Hall
Boston College
Chestnut Hill, MA
Photo blogged here
Why do photographers feel they have to Photoshop or edit the pictures until they’re unrecognizable?
This is a question that I used to ask myself, until I started to really understand photography and post processing. I used to think that photography was really easy, but then I became interested in sharing my work and followed many other photographers on Facebook, Twitter, and Google+. A few years ago, Instagram hit the iPhone and at the time it was released, it instantly became the “had to have” app. You started to see more and more photos of food, dogs, cats, babies, anything and everything that could and would be photographed has been uploaded to Instagram. With all of these images, people feel that they need to find a way to stand out in the crowd, so they will use any tool available to them to create a one of a kind image.
Technology has helped in increasing the number photographers out there. Cameras are smaller, cheaper and can produce more megapixels than ever imagined a few years ago. Anyone can go purchase an inexpensive DSLR and start taking photos. Photos are cheap today. The only cost involved today is the cost of the memory card, the camera, and your time. You can purchase post processing tools like Photoshop, Lightroom or Aperture for cheap. This makes it easy for anyone to take an image and just make as many changes to it that they see fit. What works for them, may not always work for you.
HDR or High Dynamic Range is a form of post processing that has taken the photography world by storm. This is where photographers will take multiple shots of the same image at varying exposures and then merge them in post processing to achieve a more dynamic image with a great range in colors from light to dark. When done right, HDR will take an ordinary image into something more realistic. But when done wrong, HDR will ruin an image, you start seeing halos around items and things start to look very cartoon-y.
Below are two images of the same shot that I took of a pile of leaves a few years ago while on a hike. The first image is “as-is” from the camera. The leaves were shot with a proper exposure and they just came out of the camera looking a little dull. I know that while I was out on the hike the fall colors were really popping and there seemed to be a greater contrast in person than what I actually see in the image. This may be for another post, but a camera can only see the dynamic range of one “stop” per exposure. The human eye can see a dynamic range of up to 10-14 “stops”. This is why the fall colors aren’t as vibrant in your image compared to what you physically saw in person.
The second image is of the same pile of leaves. I had actually taken 5 shots (each at a different exposure ranging from -2 to + 2 and merged them together. This caused the dark areas to become darker and the light areas to become lighter. Thus creating the higher dynamic range of colors that you see here.
A Conversation between Lauren Grodenstein and Steven King sponsored by Algonquin Books and Water Street Bookstore
Buckles and Cornballs kick off Stupid Question Time.
For more photos from BBC Electric Proms 2009 visit www.bbc.co.uk/electricproms/.
Questions About Dumpster Rental In Quad Cities We Have Answers!
If you are renting a dumpster for your Moline, illinois home, business, or job site, you might have questions about how the process works. If so, we have answers at (563) 332-2555 . We want to learn more about your project and answer questions regarding:
* Prices associated with dumpster rental in your area.
Where to locate dumpster once delivery truck arrives on your site.
Payment options. You don’t need an account with us to tent a dumpster.
Permit requirements for dumpster rental in your area.
Other various concerns you may have regarding roll off container usage.
Tags:- questions tide, Tide Most important questions related to Tide
ज्वार भाटा
ज्वार भाटा से सम्बंधित प्रगामी तरंग का सिद्धांत किसने प्रतिपादित किया
विलियम वैवेल ने
महासागर से उठने वाले ज्वार भाटा पर किसका प्रभाव सबसे ज्यादा होता है
चंद्रमा का
दैनिक ज्वार भाटा के मध्य समयान्तर कितना होता है
24 घंटे 52 मिनट
सूर्य और चद्रमा के बीच निकटत...
From World Gk In Hindi.in
via Instagram An #Israeli soldier questions a young #Palestinian boy at the entrance to the Old City of Hebron. The soldiers at times physically stop #Palestinians from moving about the city – but even when they aren’t physically stopped, they still have to question whether leaving the house and facing a sudden interrogation is worth the risk. Every Saturday, the #Israeli military go through the homes of #Palestinians in the Old City of Hebron and make their way onto the top to provide surveillance the Hebron Fund – a right wing Jewish organization that seeks to claim Hebron in it’s entirety. The tour they give every Saturday gives an alternative narrative to the history of Hebron, cleansing the rich, cultural, economic, religious and social contributions the Palestinians have made for generations. #TAKE_ACTION The weekly settler tour restricts Palestinian freedom of movement and presents a false history of Hebron. Stop the Hebron Fund now - http://bit.ly/StopTheHebronFund OR YOU CAN Christian Peacemaker Teams work is only sustained by donations. Stand up for peace and justice. Make a difference, click here: bit.ly/CPT_Donate #Invasion #hebrontour #Israelisettlertour #israelioccupation #freepalestine #peace #love #apartheid #israel #occupation #nonviolentresistance #oppression #Palestine #Hebron #الخليل #المقاومة #فلسطين #الاحتلال #שלום #אהבה #צדק #ירושלים #חברון #פלסטין #الحرية
After the presentation members of the audience got to ask questions of the delegates. The converstaion covered eveything from the femicide in Juarez to the struggle of the braceros and how those struggles could be related to the struggle so many people have trying to get thierSocial Security.
This is our selection of photos from the Leinster Mens & Women Intermediate cross country 2015 held in JFK Arboretum, New Ross, Co Wexford. Please find our full selection at the below link:
www.flickr.com/photos/peterm7/albums/72157660990955875
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
There are a couple of questions that I get quite often in flickrmail, and I figured I'd just go ahead and make a little FAQ page so I could answer those once for everyone. :)
Q. What lens do you use?
A. For almost ever single picture in my 365 I've used my 50mm lens. It is the most amazing thing ever if you need a good, inexpensive lens. You can't take shots that are super close or really far ones because it's fixed and can't zoom, but for portraits and random shots, it's perfect. It has terrific depth of field and focus. I love it. :)
Q. How do you post photos in the comments?
A. People do it in different ways. I'm sure you've probably heard this, but if you want to put a picture in the comments that is already on flickr, you simply copy the URL (the link at the top of the page, the website, whatever you want to call it), paste it into the comments, and put brackets [ ] on either end of it.
To put a photo in the comments that is NOT already on flickr is slightly more tricky. You need to have the photos already online somewhere, like photo bucket or tumblr or something like that. I use a blog on blogspot.com which is free and easy to use. I just upload all the photos that I'll want in the comments onto my blog which is at this website: www.ssflickr.blogspot.com/ . Once they're uploaded to the blog, I click on the photo I want to use (it opens in a separate window) and grab the URL from it. Then I go back to flickr, to my main picture, and in the comments I paste one of the two formats (which can be found at the bottom of the formatting tips that you can use when writing comments). I find that the second one works for me and the first doesn't, so I guess you'll just have to mess around with that for yourself. So THEN after pasting that into your comment, you take the URL from the photo and paste it either where it says LINK TEXT if you use the first option, or URL if you use the second option, replacing the text that was previously there. And that's all there is to it!
Found on Digg.com today. What a great example of after-the-fact design modification.
It makes me wonder what the context was. Did someone set this up for a young child or an older relative? Or did they do it for themselves?
In any case, it's a great reminder of why us user experience professionals do what we do.
For those of us in design: remember, you shouldn't build for *all* the edge cases. You shouldn't even build for most of them.
get in touch for questions related to my artworks at
I made the artwork for The Softone's second album, Horizon tales, and I was inspired by the music and the album name.
When it comes to indie-pop / folk / acoustic music, I like to keep things minimal and stylish. I like to just work with a few elements to just give a hint about the music and the style on the record.
As I listened to the music on the album, I imagined being far from the big city, where all the stories, people and feelings cross. I imagined being an observer far from all of it and portraited the city from outside.
Questions from the audience and online for the keynote speaker.
The International Food Policy Research Institute (IFPRI) is pleased to host the 28th Annual Martin J. Forman Memorial Lecture. The Annual Lecture commemorates the significant impact on international nutrition by Martin J. Forman, who headed the Office of Nutrition at USAID for more than 20 years. The annual lecturer is invited to present his or her personal, often unconventional, views about large issues dealing with malnutrition.
Over recent decades, as global food systems have changed rapidly, so has the face of malnutrition. Obesity and the double burden of malnutrition have risen dramatically, particularly in low- and middle-income countries. Many of these countries are using fiscal and regulatory tools to address these issues, with little evidence on their effectiveness.
This lecture will discuss findings from our evaluations of these public health efforts around the world. Some surprising new results—including impressive findings on the impact of marketing and front-of-the-package profiling options—may shift the focus of our actions. However, we still have much to learn about what works and how we can sustain dietary improvements. To date, no country has successfully arrested or even slowed the rise in overweight and obesity. Our challenge is assembling a set of effective programs and policies to address the new face of malnutrition.
Photos by Jamed Falik/IFPRI
Taking audience questions at a Capital Ideas panel entitled "How does creativity fuel your business mind?"
It was held at the Edmonton Journal on Aug. 20, 2014, and was moderated by Karen Unland.
Serge Spitzer 'Re/Search:Bread and Butter with the ever present Question of How to define the difference between a Baguette and a Croissant (II)', between 1995-2010, Palais de Tokyo, Paris
I think they may have been between exhibitions; they didn't have much art…
A Spine-waisted Ant (Aphaenogaster tennesseensis) worker forages for food on a fallen dead tree trunk.
Image © 2016 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to use this image for any purpose, please see the available licensing and/or print options for this image on my website or contact me with any questions that you may have.
i've creatively dodged "what is sex" questions but this one was a bit harder. I guess you can have heat of the moment in public at 30 degrees.... otherwise you'd find a can..... ..
ah well.... HBW anyway!
3-D Cross-viewing Instructions.
Cross-viewing is the best way to view 3-D (in my humble opinion). It takes about 5 minutes on average to master this technique, but it is well worth it. After that it became effortless. Better than glasses because you lose none of the color. Here's how to do it...
1.Place the image in Figure 1 in the center of your screen.
2. Sit at your normal distance.
3. Slowly cross your eyes. You will see a double image.
4. Continue to cross until the middle two images overlap.
5. Adjust focus on middle image, keeping the two images overlapped.
6. You should see the image snap into perfect 3-D.