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2011 Conn Family Entrepreneurial Leadership Award honoree Graham Weston answers questions from Mays students.
[Photo: Michael Kellett/Michael Kellett Professional Photography]
2024 Conference of CSOs working on the Question of Palestine
“Building Bridges with International Civil Society to Address the Ongoing Nakba”
Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP)
United Nations Office in Geneva (UNOG), Switzerland
3-4 April 2024, PLENARY III
“State Actions on Accountability: Discussing Best Practices”,
Dans plusieurs traditions, il est question d’un personnage fictif malfaisant que l’on charge de tous les maux et que les participants au carnaval parviennent à éliminer. Dans notre quartier, c’est le Miniss Hiver qui symbolise le mal, qui sert de bouc émissaire et dont on doit se débarasser pour que le printemps puisse commencer sereinement. Tous les habitants, en particulier les plus jeunes, se lancent à sa recherche dans le quartier. Un jeune personnage leur vient en aide. Il s’agit de Léon Tchiniss. Ce « tout petit géant » n’est autre que le fils caché de Tchantchès. En revanche, on ne sait rien de sa mère, sauf que c’est une dame qui est passée par le quartier! Grâce à lui, le Miniss est arrêté et on peut procéder à un procès burlesque, lors duquel tout un chacun peut lui adresser des reproches. Jugé coupable, malgré les gesticulations de l’avocat véreux qui tente de le défendre, il est condamné à être exhibé dans le quartier durant le cortège, puis attaché sur un bûcher. Là, il est d’abord lapatatisé (canardé de pommes de terre) et ensuite brûlé. Cette double mise à mort garantit une sorte de retour à l’ordre et de prospérité.
Alexandre Boulerice stands up to speek in the Chamber during Question Period / se lève pour parler en Chambre durant la période des questions
Ottawa, Ontario, on 02 February, 2023.
© HOC-CDC
Credit: Bernard Thibodeau, House of Commons Photo Services
2024 Conference of CSOs working on the Question of Palestine, “Building Bridges with International Civil Society to Address the Ongoing Nakba”, Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP), United Nations Office in Geneva (UNOG), Switzerland, 3-4 April 2024, PLENARY I
“The War on Gaza: Advocating for a Humanitarian Ceasefire and Assistance for the Palestinian People”, Issam Younis
Al Mezan Centre for Human Rights Director
"What is it exactly that you do Mary?" is a question i get asked almost everyday. Well, what you see here represents a good 70% of what I spend a LOT of my time doing. Meeting and talking with various stakeholders of whatever program possibility I happen to be looking into. Not super exciting, but a huge part of my job.
Photographed here are all the major heads of various municipal, governmental, and educational institutions involved in working with people with different abilities in Manta.
Chances are you know the deal by now! This is the craze that has been sweeping across Flickr, MySpace and many more websites aimed towards developing a worldwide community of friends.
ANYTHING you want...
5 questions.
1 chance.
5 honest answers.
Full confidentiality (Nobody will know what you asked me.)
Just Flickr mail me and let the fun begin.
Feel free to copy this onto your own Flickr page if you want to join in the fun!
Question: what do most of the telegraph poles, half the lamp-posts, most of the fire hydrants, most of the dog mess bins, grit bins and traffic signs in Skelmorlie village have in common?
Rick Steves spoke at the Mullins Center Tuesday night about the legalization of marijuana. Photo by Jessica Picard.
My brothers and i are going to order from bricklink for some old stuff and with the rest of my money i want to buy brickarms or brickforge. But i dont know where to buy.FFFUUUU-!!!
Buck Biloxi and the Fucks at Murphy's in Memphis on August 23, 2013. Check out an interview on Hexbeat with Buck: hexbeat.com/all-this-and-more-13-questions-with-buck-biloxi/
2024 Conference of CSOs working on the Question of Palestine, “Building Bridges with International Civil Society to Address the Ongoing Nakba”, Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP), United Nations Office in Geneva (UNOG), Switzerland, 3-4 April 2024, PLENARY I
“The War on Gaza: Advocating for a Humanitarian Ceasefire and Assistance for the Palestinian People”
When the sun goes down, about half the partiers come inside. Caitlin suggests 20 Questions and we use the Tart Box (here, in Gary's hand) to keep track. We ate the tart the next day, no worse for wear!
2024 Conference of CSOs working on the Question of Palestine, “Building Bridges with International Civil Society to Address the Ongoing Nakba”, Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP), United Nations Office in Geneva (UNOG), Switzerland, 3-4 April 2024, PLENARY II
“The Role of Civil Society Organizations in Ensuring Third Party Responsibility: Perspectives from Global and Regional Voices”, Samah Sisay
Attorney, Centre for Constitutional Rights USA,, Tilda Rabi
President of the Federation of Argentine-Palestinian Entities,, Frank Chikane
Chair of Steering Committee of the Global Anti-Apartheid Conference - South Africa,, Ambassador Yusnier Romero Puentes, deputy permanent representative of Cuba to United Nations,
Go to Page with image in the Internet Archive
Title: "The anti-vivisection question."
Publisher: [London] : [Victoria Street Society For the Protection of Animals From Vivisection united with the International Association For the Protection of Animals From Vivisection]
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1884
Language: eng
Description: Consists of 25 separately titled articles
Includes bibliographical references
The moral aspects of vivisection / by Francis Power Cobbe. -- The Lord Chief Justice of England on Vivisection. -- Light in dark places / by Francis Power Cobbe. -- The uselessness of vivisection. -- Vivisection : is it justifiable? / Charles Bell Taylor. -- The futility of experiments with drugs on animals / by Edward Berdoe. -- Do the interests of humanity require experiments on living animals? : and if so, up to what point are they justifiable? / by F.S Arnold. -- Our meanest crime : a paper / by John H. Clarke. -- Pasteur's statistics / by Ernest Bell. -- Pasteur's treatment for hydrophobia : medical evidence, Irish opinions
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
As Bear and I approached the end of our hike, perched high on boulders beside the trail were several volunteers greeting visitors to the park. They patiently answered questions they must get asked over and over and over, like "What trails are good for beginners?", "Are there really rattlesnakes here?", and "Why didn't the eagles fly Sam & Frodo to Mordor?"
4me4you Features 'Monsters, Chambers, and Trapdoors'.
Artist: Georgia Dymock
In 'Monsters, Chambers, and Trapdoors', Georgia Dymock explores the idea of identity, saturating her figures with subtle mythological and fantastical traits. In doing so, the artist invites viewers to question traditional narratives and their own perceptions of heroism and monstrosity.
4me4you recently visited Monsters, Chambers, and Trapdoors, a captivating exhibition at Gillian Jason Gallery, showcasing the latest works by Georgia Dymock. In this thought-provoking body of work, Dymock invites viewers into a world where myth, fantasy, and identity intertwine, populated by voluminous, anthropomorphic figures that challenge conventional narratives around gender, sexuality, and the human form. With her intricate compositions, Dymock delves deep into the subconscious, exploring themes of transformation, desire, and the complexities of selfhood.
At the heart of Monsters, Chambers, and Trapdoors is the idea of identity, explored through figures imbued with subtle mythological and fantastical traits. By saturating her creations with elements of the unreal, Dymock urges us to question not only the nature of heroism and monstrosity but also how we perceive ourselves and others. One recurring motif in her recent works is the pairing of figures—often physically close yet emotionally distant. Drawing inspiration from Plato’s concept of the soulmate, where humans were once unified beings with four arms, four legs, and two heads, Dymock explores the aching separation and yearning that followed their division by Zeus. These paired figures, while physically intimate, convey a palpable sense of detachment, creating a tension that highlights the alienation and objectification of the human body. The cold, metallic surfaces of these figures further emphasise their non-human qualities, evoking a chilling sense of robotic detachment.
This disconnection raises intriguing questions about whether Dymock is creating figurative works or abstract still-life. Her abstraction reduces human forms to their most elemental features, transforming them into symbolic objects that invite reflection on disintegration, dissolution, and the fragmentation of the self. Works like Bathers and Octopus Hattake this fascination with hybrid and fragmented bodies to an extreme, using oversized limbs and textured contrasts to blur the line between allure and danger, exploring the complex interplay of touch, attraction, and threat.
Dymock's exploration of "monstrosity" offers a powerful subversion of societal norms, drawing upon a wide range of sources to reinterpret classical mythological figures. Works like Two-Faced and Sucking Thumbs reimagine figures such as Medusa and the sirens, imbuing them with ambiguity, empathy, and playful tension. These reinterpretations challenge traditional depictions of the female body in myth and art, critiquing how these archetypes have been shaped by visual culture. By presenting figures that embody traits deemed excessive or grotesque, Dymock invites viewers to reconsider their perceptions of beauty, power, and femininity, breaking down rigid standards of behavior and appearance.
Throughout her work, Georgia Dymock creates a space for introspection and dialogue, encouraging us to look beyond surface appearances and engage with the deeper complexities of identity. Her practice, which seamlessly blends traditional painting techniques with digital processes, reflects her ongoing exploration of transformation and the fluidity of forms. Beginning with digital compositions, Dymock manipulates her imagery using programming software before translating these elements onto the canvas. Through an ongoing exchange between digital and analog media, her work evolves, resulting in richly layered oil paintings that synthesize technology and tradition in a dynamic and innovative way.
Currently based in London and represented by Gillian Jason Gallery, Dymock is an emerging talent with an MFA in Fine Art Painting from the Slade School of Fine Art (2023), a GradD from Chelsea College of Art (2020), and a BSc in Anthropology from UCL (2019). Her accomplishments include winning the 2023 Cass Art Prize, being selected as a finalist for the 2024 Ingram Prize, and being named one of the New Contemporaries. Dymock's work is featured in private collections worldwide and is part of the institutional collection of the Museum Inima de Paula in Belo Horizonte, Brazil.