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Model: Lilith Etch.
Questions, comments, discussion and critique welcome.
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© Copyright 2020 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.
Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.
Besides the terrible overexposure, the other question that comes up immediately is, "what was the photographer doing to stop the imminent disaster?"
Question oreilles, je fais concurrence à mon frère Lewis.
Elsa a été chez le docteur ce matin pour ses vaccins et pour faire enregistrer sa puce française en Belgique. Elle a été très sage, mais elle est très "cabot", quand la vétérinaire lui a tondu la patte pour une prise de sang (pour vérifier si elle est stérilisée) elle a pleuré comme si on la battait ;-) Mais au moins avec elle, pas de muselière et elle a gentiment salué un autre chien dans le couloir.
Matter of ears, I compete with my brother Lewis
Elsa went to the doctor this morning for her vaccinations and to register her French chip in Belgium. She was very nice, but she has a very "show off" behaviour, when the vet sheared her paw for a blood test (to check if she is neutered) she cried as if she was beaten ;-) But at least with her, no muzzle, and she friendly greeted another dog in the hall.
voyance complète + 3 questions + retour + retour 7 jour après
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voyance complète + 3 questions + retour + retour 7 jour après
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I've been obsessed trying to build the Vultures first mark wing pack. My head is starting to feel like a pretzel on how to finish this.
Finding suitable attachment to arc over the turbines is my issue and possibly different wing tips.
Any advice or suggestions would be much appreciated 😁
Please NOTE and RESPECT the copyright.
©lella sodré photoworks - All rights reserved.
Como todos me chamam de maníaca porque adoro empilhar coisas, estes dias descobri que existem até competições para empilhar as coisas mais inusitadas.
Convenhamos, isso exige uma certa habilidade....rsrrrs...........e paciência. O resultado é sempre bacana ou divertido( quando aquilo tudo despenca).
Somthing Questioned By Many
Note from Mike Patnode Oct 2020-2021
Why I believe God permits suffering: John 15:13, John 3:16
Jesus sufferd and died for us to receive eternal life with him. Revelation 21:4
Is My Suffering Meaningless? No! God does not cause us to suffer. James 1:13
I don’t know any one that enjoys suffering. But it truly has eternal value. If and only if we give it to Jesus. The Passion of Jesus on the cross. Made suffering redemptive salvific love. He conquers sin by His obedience unto death. Jesus invites us to share in His Passion. This gives meaning to our suffering. It is no longer useless and meaningless. We now can have hope in our suffering as we can offer up our sufferings in union with Him. Our suffering can become part of Christ’s work. Through my own cross. Jesus invites us to join Him in His sacrifice of love. Powerful if we can understand we are united to Christ in His suffering for the redemption of people all over the world. We are living the Eucharist. Divine suffering is the currency of Jesus Christ our Lord. Suffering can help perches souls or help souls get to heaven. We can take part in that if we offer up our sufferings to Jesus’s cross.
1 Peter 4:13. Romans 8:17. 1 Peter 2:21. Luke 6:22,23. Romans 8:17. 2 Corinthians 1:7.
Let us not waste our suffering when it can help in saving souls with Jesus. All our suffering in sickness, disease and sacrifice’s should be offerd to the Lord’s cross. The elderly can offer up so much to the cross. We can help with conversion, Faith and Salvation from our sufferings. Just imagen even helping save one soul. Colossians 1:24, Luke 15:7 and Luke 15:10.
God allows sin, suffering and death in this world. That we may know that God, Jesus and Holy Spirit is greater then every sin, suffering and death. Look to the Cross of Christ to see this. In Jesus I trust.
Please look up Bible verses to help understand how this works. Pray often for others to come to salvation. Knowing we can only fully change our self for the better. Matthew 7:3, John 7:24, Matthew 7:12
Why dose God let suffering happen? To help us to convert to following him. So we will see a need for Him. That we may rely on Him. It’s much like a spaking from a parent. To teach us something we need to know. It is out of love for us. In the hope we repent of our sin’s. That we might choose to follow Jesus.
The writings of St. Faustina Kowalska.
“If the angels were capable of envy, they would envy us for two things: one is the receiving of the Holy communion, and the other is suffering”. Her diary, entry 1804.
I hope this will help some people think differently about our suffering in this life.
More pics in blog [mid & back] <3
Skin: LUMAE - Rhae Skin [T1] NEW!!!
Head: LeLUTKA - Avalon Head
Body: eBODY - Reborn
Boobs: eBODY REBORN - Juicy Boobs
Hair: no.match_ - No Engine [@ Uber]
Bodysuit: .:Beauty of Darkness:. CG-001 Bodysuit,
Tattoo: THIS IS WRONG - Electroclub shine+tattoo
Weapon: [REKT x TREVOR] - Swordmaster Kabuto [Check this video to see the different animations, options] NEW!!!
Boots: Diaboli Design - Solid Boots
Pose: Ana Poses - Moon
The nationwide scar that is Network Rail's palisade boundary fencing has now violated the tranquil rural setting of Lea Marston. This is not a question of why, as they are required to fence off the railway by law, but how; surely in sensitive places such as this a more subtle form of fencing could have been employed? Brightening the view, though, on a lovely sunny winters morning, is DB Cargo Class 67 No. 67029 'Royal Diamond' heading 5Z89 1011 Burton Wetmore Sidings - Wembley EFOC ECS on 24th February 2018. The uniform rake of BR blue & grey mark 2 stock enhances the scene. Copyright Photograph John Whitehouse - all rights reserved
Goddess Wearing Crown of Flames! Nikon D810 _ 14-24mm F2.8 Nikkor Zoom Slot Canyons Antelope Canyon Ghosts!
Dr. Elliot McGucken Fine Art Photography.
Nikon D810 Photos Ghosts & Lightbeams Slot Canyons Antelope Canyons Page Arizona! Dr. Elliot McGucken Fine Art Photography
Preparing some of the fine art for an A gallery show!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Here's how I do it:
Print: Fuji Crystal Lightjet Metallic front-mounted to 1/4" Acrylic.
Acrylic: 1/4" with regular polished edge
Backing: White aluminum 3mm
Hanging Mechanism: Silver aluminum float box
I'll be using the top-of-the-line, museum-quality gallery format consists of the highest-quality prints on Fujicolor Crystal Archival Paper, front-mounted to UV-resistant protective acrylic, backed by a solid aluminum sheet, and fastened to an aluminum silver frame "float box" for mounting on the wall.
Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
Follow me on facebook!
www.facebook.com/elliot.mcgucken
Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D8010 with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D810: Hero's Odyssey Mythology Photography!
Three-Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunset Photos of Malibu Sea Cave! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
join my new facebook page! www.facebook.com
Feel free to ask any questions about composing, shooting, finishing, mounting, and presenting Fine Art Photography! :)
All the Best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Join my new Instagrams:
instagram.com/johnnyrangermccoy
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Follow me on facebook!
www.facebook.com/elliot.mcgucken
Join/like my facebook page!
www.facebook.com/45surfAchillesOdysseyMythology
45SURF Fine Art!
DSC_0299
old watch illuminated with a flashlight.
Find me
on Facebook
www.facebook.com/pages/Kyrsos/640100769393622?ref=hl
on 500px
on instagram
Here's WIP of a tank I'm working on.
If I were to make instructions for some of my builds, would you guys be interested?
Dad, I ask you again, does this fur coat make my ass look fat?
________________________________________________
Abandoned (Kemp) road, Ottawa, Ontario
350. Clancy, 5yrs 42wks
Clancy's YEARBOOK 6: www.flickr.com/photos/130722340@N04/albums/72157690680496806
MONOCHROME Clancy: www.flickr.com/photos/130722340@N04/albums/72157655760302498
...to answer a question, the interiors were recently done and so were very clean and decent., however the exterior and the guests were not....and as I drove around to the back where my unit was at, it was disgusting. It was like the last 100 cars had emptied out their ashtrays on the pavement...like thousands of cigarette butts...then there was the picnic table chained down which had a shopping cart next to it and the remnants of someone homeless living there along with bottles in paper bags. To top off that scene, there was the overweight seedy guy on the 2nd floor balcony intently watching my every move, his apparent ho who appeared eventually out of an adjacent room and the guy who just hung around sitting in his car, all watching me...and so I looked at the unit, measured the doorway, rode in between the parking bumpers and over the curb into the room and closed the door behind me.
I have recently been told by an old high school friend of mine that he used to do the same thing...so maybe I'm not the first to do it, but it worked.
under the skies that transcend billions of universes,
the outsized elephant-room of questions & secrets;
deepak ` the lightwriter's canvas broach in open.
we read our dread, Who if I cried out would hear me?
mind the stillness-mat viz; feelings get encroached; at
first, you praise their dress, then you get ash-dressed.
'ours' keeps breaking - ourselves, within our perimeter.
bully / pulpit alters us; diminishes sickle consciousness.
betwixt the micro spaces of conversation / correctness,
a certain static silence had enshrined in - just all over.
harbinger of tenuous assumptions kept on ossifying
into the experiments with musts, doubts, turncoats.
approvers bare intimacy that bears inching eyes;
and when one is completely inside one's perfidy,
a cover-up mindset suborns a hushed horizon —
pretends - the decisions had been difficult. 'yes'
— deserts us in a forgetting curve that reminds us,
of sti-ff-ness between us, culturing the same sky.
take over air consternates us-sets dreams on fire.
formless hubris viz debris, give themselves to gust
to be e'er scattered betwixt this/that; bedraggled.
zeroing in, insecurity at the heart of human constructs
the displaced shoes let you see, the surface of yore.
a long haul to dig and find, the great heart of our past.
no spin here, to foresee, real ground under our feet.
unchopping a tree, perched on wasteland, silences..
a thousand mile stare, ensouls thousand silhouettes:
anagram—breathy.ed each other to the bridging truth;
and learnedness, endlessly multiplied with curtain call.
where e g /oquence isolates honest assessment, not
being one of their chiliad/st.ic quarters isn't isolation.
not a diminishment, if being exercised more fully -
- truth's episodic memory is tender and unwavering;
ongoing procedure of days - = - simply transformative,
to rain align, all the absorbed moments of illumination.
bathed in light, friendships bear holistic temperament
alert, alert, alter! “after the game is before the game”.
tales shine in via our window of thousand caresses,
where you are sewing a blouse that feeds the spine.
tender paws & sky-ball inside, dashing out of a conch;
over tears-coasts, the white expanse, so kind & clear.
coconut chirping an intrinsic and glorious awakening.
rose dew here, and trouble talk lies beyond the map.
the truth is made real through servitude in affection.
psithurism of intimate revelations recalls clutched keys;
the key did turn. everywhere you turn is full of wonder.
awed to see - the shift inside, shifts deep garden state!
how did a blackbird of the milky way land up here,
that joy glistens in the kaleidoscopic, tent•i•er eyes.
how else to truly trace this landscape of provenance,
a cat following a radiant butterfly to the ringing bells.
※
India ▪ that is Bhāratam
a quiet 'photo meditation' and a poem
to read in the quiet of your days.
and share as we gather around what we love.
© Think Through The — Magic Box Photographie [◎]
* The italicized line is by Rainer Maria Rilke.
Ci eravamo abituati male?
O peggio ancora, ce ne eravamo dimenticati?
Credo che stavolta ci faranno diventare matti a tutti quanti!
Ci vogliono far correre tutte le feste.....quali feste?
Quelle che ci hanno fatto, che ci fanno e che ci faranno in futuro?
pretendono che consumiamo come un popolo bue, che non ic lamentiamo, che ringraziamo della loro disponibilità, della loro magnanimità, delle loro belle ville, dei loro yacht, delle loro auto blu, dei loro bei discorsi, delle promesse, della capacità di risolvere le crisi.
Questo che vedete è uno spaccato del palazzo di giustizia della mia città, storto, piegato, annichilito da tanta arroganza, da tanta impunità, e sottratto alla sua funzione principale:
giudicare i colpevoli!
Ci vorrebbero schiene dritte e mani pesanti, ma non abbiamo disponibili nè l'una nè l'altra, abbiamo un Sistema, come si definisce anche la Camorra, ripiegato su se stesso, abbiamo servi di servitori inutili, abbiamo il mondo contro, la Real Casa contro il popolino, e non abbiamo nemmeno un Pasquino dalla nostra parte!
Tra poco è Natale....e già mi ha rotto spero passi in fretta......hola!
The Cosmic Question Mark (NGC 7822) is a nebula located in the constellation Cepheus, which is approximately 2,900 light years away. The nebula is home to one of the hottest stars known. The star is known as BD+66 1673. This star is one of the primary sources illuminating the nebula.
The nebula gets its name because it resembles a question mark in its entirety. I didn’t plan very well and didn’t shoot another couple mosaic panels to capture the entire nebula! The other two panels will be another project in the winter as this was a little bit of a pain to capture.
Image Detail:
- 22 hours of total integration time (300 seconds, gain 100, camera cooled to 14 degrees)
- 11 hours of HA/OIII narrowband data for each panel
Equipment:
- SVBONY SV503 80ED
- SVBONY SV220 HA/OIII dual narrowband filter
- SVBONY SV226 filter drawer
- Sky Watcher Star Adventurer GTi
- ZWO ASI 2600MC Pro
- ZWO ASIAIR Mini
- ZWO EAF
- ZWO 120MM guide camera
- ZWO guide scope
Software:
- PixInsight
- Adobe Photoshop
- RC Astro Blur Xterminator
- RC Astro Noise Xterminator
- RC Astro Star Xterminator
La question de ce fin de weekend!
Petit test!
Pouvez-vous juste vous
concentrer sur mes yeux ?
The question of this end of the weekend!
Little test!
Can you just
focus on my eyes?
Why do I love becoming a woman? A question I often ask myself as well as hearing from others who know of my liking to take ion a female persona. Do I regret being a man that desires to dress as a woman? Where is it all going to end up?
Questions, questions…
I accept we all have our own motivations and aspirations for expressing our desire to dress as women and which can also be a desire to inhabit a female persona. I have my personal feelings, emotional needs and ambitions for my female alter-ego which are not necessarily a reflection of how others feel about their own situation. For me, I have a need to actually pass as a woman and be perceived as being female when I cross-dress. I will admit to frustration over the years through a combination of my lack of skills in the art of male to female transformation, limits imposed by my physicality (being male) and I’m sure well meant advice telling me to forget passing and just enjoy it. To forget passing undermines everything that motivates my female side. When I become Helene I want to be a woman not simply a man dressed up. I dream of having a feminine appearance and emotionally being female rather than male. If this all sounds like serious transexual characteristics and an urgent need to start transition then let me say with utter certainty that is not what I want.
I don’t buy into the simplistic view that if you have a powerful desire to be a woman then the only answer is to transition. Nothing is that straightforward that you can boil it down to a one or the other answer. There exists a huge area of crossover. I genuinely like my male life and like being me. The idea of killing off my male self and only existing as a woman is not something I want. If I were to indulge in being simplistic, I could say I want it all, to be both a man and a woman. However, I know, especially now I am sixty years of age, how my feelings operate in terms of my transgender feelings. I can see now I have real intense moments of wanting to be female and this are all consuming when they occur. I do understand though, that these intense desires being too diminish and I am happy to return to being a man again. I would say that is reasonably creative cut as to why transitioning would not be a happy course of action for me.
I doubt I am alone in having these intense moments of wanting to be female forever but knowing they will at some point ease off. I will admit that it is these feelings that drive me to want to actually look convincingly female and to behave as a female both physically and emotionally when I transform myself from a man into a woman. It’s a fundamental part of my being and needs to be set free now and again.
In recent months my focus and aspirations for my female self has shifted towards passing myself off in a believable way as being a real woman. I find myself observing real women more and more and noting their choices in clothing, footwear and make-up. I also observe what men find attractive in women they encounter My goal is to be accomplished enough to be perceived as being a female and I too want to behave and respond as a female with any social interactions be that shopping, a polite hell, having a coffee in a cafe, visiting a gallery, having a meal and even creating some intrigue and desire with men. In short my aim for the few hours I take on my female persona I want o be able to cease being a man in every way and exist as a female.
Having outlined my feelings and aspirations does that answer any of the questions I began this narrative with? I think it partly addresses them. I do have many regrets about being a man that dresses as a woman. I kind of regret I never accepted this part of myself throughout my life. It caused me a lot of angst and made me a shy not very sociable person. I think I was far more transexual as a teenager and young man than I am now. Once I settled into a career I liked and a relationship that means more to me than my own inner desires and then had a family, everything took on a different level of contentment and also responsibility. My wife and family far outweigh my lifelong desire to become female, I would hate to cause any disruption to that. I do regret my cowardice as a young person not to act on my inner feelings in regard to desiring to be female. I chose the easy option of denial and suppression. Inevitably, I failed in that attempt at self control and had to come out as being transgender at the age of forty one. I do have regrets that certain people I came out to have used it against me, I misjudged their trust. I have regrets I don’t have breasts, a female body and look female, I dream of being feminine. Im not feminine though so this does distress me somewhat and I regret the lack of femininity.
Despite the regrets, they are not enough to crush me as I do enjoy my life, it’s an aspect I can handle, I know it is down to my own inaction that these regrets exist. I try to not let them intrude as I do enjoy my rare moments as a woman and find each opportunity incredibly rewarding and fulfilling.
Recently I was asked by a female friend where all of this was going to end up? It really made me think and I wanted to answer as honestly as I could. At the moment I think in the next few years I will start to spend time out and about as a woman not a man. This is a reflection of where I am going emotionally and also I do have personal ambitions in regard to the challenge of existing as a (part-time) woman. I want to do it well and never be considered as a man when I head out as a woman. I therefore see an increase in this kind of activity and a change in my wardrobe, hair and make-up to reflect this. I did consider what would occur if I were single. I don’t want to be single but it was a hypothetical scenario I felt I should muse over. I believe I would likely spend a lot more time as my female self if I were single but I’m pretty certain I would not transition. I still like my male self so I see such a scenario as being a less inhibited opportunity to fully express myself more freely.
It has taken me pretty much fifty years to accept myself and I don’t feel I’m still quite there yet, there is a lot more self acceptance I need to embrace. I think it’s my fear of damaging my relationship with my wife and family, who all know I have a female alter-ego, that prevents me from pushing things further. Al I can say is I do feel a lot more at ease with my inner female self than I did in past decades.
Question: Where is the monster? Where do these steel beasts come from, appearing without warning? Terrifying questions that sometimes haunt the sharp minds of our little ones as they innocently wander through the pedestrian streets of Périgueux. Is it normal to feel that shiver, that hint of panic creeping down their spine at the sight of these strange mechanical creatures? Of course not... but what can you do? It’s all part of the genius – or should I say the mischief? – of our dear mayor... www.flickr.com/photos/196162574@N04/52332610445/in/album-...
Question : Où est le monstre ? D’où surgissent ces molosses d’acier qui surgissent sans prévenir ? Terribles interrogations qui tourmentent parfois l’esprit éveillé de nos chers petits, lorsqu’ils déambulent innocemment dans les ruelles piétonnes de Périgueux. Est-ce normal de sentir ce frisson, ce soupçon de panique qui serpente le long de leur échine à la vue de ces étranges créatures mécaniques ? Bien sûr que non… mais que voulez-vous, c’est là tout le génie – ou la malice ? – de notre chère maire... www.flickr.com/photos/196162574@N04/52332610445/in/album-...
I ask a lot of questions to myself believing that the kind of questions you ask determine somehow the kind of life you lead. Perhaps it can be also true for my photographic work.
QTM n˚ 1 │ Is there a consistency in my work?
From Dollar Lake looking south, immediately, our decision to continue on our trek was questioned.
"Aaaaaah, it's just a little shower"
Kara Walker's Fons Americanus. This work (in London's Tate Modern) is inspired by the Victoria Memorial in front of Buckingham Palace. The memorial was designed in 1901 to honour the achievements of Queen Victoria. Rather than a celebration of the British Empire, Walker’s fountain inverts the usual function of a memorial and questions narratives of power