View allAll Photos Tagged Question
The 18-sided main information booth is in the center of the concourse. Its attendants provide train schedules and other information to the public; in 2015, they fielded more than 1,000 questions an hour, according to an MTA spokesman. A door within the marble and brass pagoda conceals a spiral staircase down to a similar booth on the station's Dining Concourse. The Main Concourse booth originally had a simple counter surrounding the enclosed staircase and clock, though by the end of 1914 the entire booth was enclosed with a glass roof, and eventually with window panels on its sides.
The booth is topped by a four-faced brass clock, one of Grand Central's most recognizable icons. The clock was designed by Henry Edward Bedford and cast in Waterbury, Connecticut. Its mechanism was designed by the Self Winding Clock Company and built by the Seth Thomas Clock Company, along with several other clocks in the terminal. Each 24-inch (61 cm) face is made from opalescent glass, now often called opal glass or milk glass. An urban legend, which arose in news reports in the 1990s or even earlier, claimed that the clock faces were actually made of opal, a precious gem, and that renowned auction houses had estimated their worth at millions of dollars. This myth was spread by tour guides in the terminal, by its presentation as fact in Wikipedia from 2006 to 2013, and by major news publications into the present day. It was debunked by Untapped New York in 2020.
The clock was first stopped for repairs in 1954, after it was found to be losing a minute or two per day. One of the four original clock faces was damaged in 1968 by a police officer's bullet, while he chased members of the Youth International Party who staged a protest inside the terminal. The cracked face was removed in the 1990s during the terminal's restoration. It was replaced with a replica; the original is now part of the New York Transit Museum collection.
Along with the rest of the New York Central Railroad system's clocks, it was formerly set to a clock in the train dispatcher's office at Grand Central. Through the 1980s, they were set to a master clock at a workshop in Grand Central. Since 2004, they have been set to the United States Naval Observatory's atomic clock, accurate to a billionth of a second.
Our Daily Challenge ... the big question.
Why do the days, weeks and years seem to be getting shorter as I get older? I used to be able to get so much more done in a day than I can now. It must be that time is passing more quickly ... I'm sure I'm not getting slower ... not that much anyway!
Thanks to Garth for giving me the info on how to use GIMP for producing this sort of thing.
Question: For fellow travelers, far and near, are you like a WATER WELL of faith, hope and charity on each's mutually separate Journey of Life on long path, lite or unlighted?
______________________________
John 4:5-42 or 4:5-15, 19b-26, 39a, 40-42
A reflection on today's Sacred Scripture by Msgr. Paul Whitmore
| email: pwhitmore29@)yahoo.com :
Have you ever noticed how many people around you are carrying a bottle of water?
We cannot go for more than a couple of hours without satisfying our thirst. In fact, we would die in a matter of days if we couldn't quench that need. In the first reading today, the Jewish people were desperate for water. Then God gave them water from the rock.
Like the woman at the well in today's Gospel, we try every kind of water under the sun to satisfy our thirst. Later in life, we recognize that it's far more than physical thirst—it's thirst for happiness, satisfaction, peace of mind. Sometimes we "get it right," but often we look for the wrong kind of water, and we look for it in the wrong places. We often spend all kinds of money and waste a lot of time, looking for something to quench our thirsts.
Jesus offers us the spiritual water that really satisfies. He is offering us what He offered the Samaritan woman—water far superior to anything she had ever tasted or ever dreamed of. Certainly her five husbands (plus her newest lover) hadn't brought her what she was really looking for. We know that she had tried cheap love, and we presume she was no stranger to intoxication, power, and money! This isn't a gentle lady who comes to draw water from the well, but a toughened cynic. No wonder she is rude to this travel-dusty Jew, whom she is sure will avoid her with downcast eyes. Jews despised Samaritans who worshipped in the wrong church. But Jesus doesn't follow the accepted prejudice!
What a surprise, when Jesus, tired, hungry and thirsty, asks her for a drink of water. He breaks all the rules in speaking to her. Now, He keeps on talking, ignoring her hostility, aware that, in this unexpected encounter, the Father has provided Him with an opportunity for piercing the heart of this sinful woman with His love. Jesus forgets His own needs, and offers this woman living water, spiritual grace. Incredible! Even when He confronts her with her sins, she shows humility. When Jesus reveals to her that He is the Messiah, she drops her bucket and runs back to spread the good news. "I've found the Messiah!" And she had!
Lent is a time for us to let Jesus satisfy our thirst. Like the Samaritan woman, we find real joy and satisfaction in letting the Lord fill us with the grace of the season. Like her, we find that our joy is greatest when we share that gift with others—joining in a study or prayer-group, in visiting a nursing home, in being patient with our family members, and really listening to them, in praying from the heart in a quiet place, in reflecting on the Word privately or at daily Mass, and letting the Eucharist change us into the Body of Christ.
The Samaritan woman never did give Jesus a drink of water as He had requested. Do we stop to realize that Jesus' thirst for our love is even greater than our thirst for His love? I guess only saints understand that. It's what gives them the energy to pour themselves out in ministry up to their last breath.
Next Sunday, Lent will be half over. A question: "Are you satisfied with what you have done so far to let Jesus into your life?" Check out your prayer, your penance, your almsgiving. What are you planning for the remainder of Lent? It's all about quenching your thirst for life—to shun the type of thirst-quencher that doesn't really satisfy, and to earnestly beg Jesus to give you His living water.
EXPLORE # 216 on Monday, February 25, 2008
***Question: What do you do when you have three inter-related stories to tell that will all help to bring about the conclusion to a current story arc?
Answer: Build a story tower... of course!
So, without further ado. Here is the conclusion to "League of Heroes: Ascent: Jail Break".
League of Heroes: Ascent
Episode 1: Jail Break - Part 4
Exterior - The burning New Brickton prison:
“Your ten minutes are up…” Detective Garnet muttered to himself.
“Excuse me sir?” responded a young officer.
“Oh, nothing Williams. I was just talking to myself.” Detective Garnet paced uncomfortably and looked up at the burning prison. “Is the perimeter secure Williams?”
“Yes. Nothing is getting in or out of there with out us knowing,” the young officer motioned to the burning building and shouted over the din of sirens as more fire trucks slid into the prison yard. “Should we try to get some officers in there to restore some order to this chaos?”
“Let’s hold the line here a little longer, and give those firefighters some time to do what they do best.”
Garnet didn’t finish the rest of that sentence, but he silently thought to himself, “Well, you’ve just bought yourself five more minutes Cloak. You’d better make it count.”
Interior - Solitary confinement a.k.a. “Desolation Row”:
The Crimson Cloak had spent the last ten minutes fighting his way through unbearable heat, wicked flames, and the chaos of a hundred savage prisoners who suddenly had their life term commuted by an unexpected explosion. The men who were held in “Desolation Row” were the worst of the worst. They were career criminals with hands as bloody red as the cape worn by the Crimson Cloak. They would not hesitate to tear the hero limb from limb with their bare hands if given but one chance at him.
The Cloak had already dispatched a dozen roving gangs on his way down to solitary. His costume was stained with blood, charred from the flames, and torn from combat. Yet he still strode with an inhuman air of calm down the dimly lit corridor. These thugs, this human refuse, would not deter him from his prize. He needed answers, and the man to give him those answers lived right here in “Desolation Row”.
The Cloak knocked a would be attacker out cold with his staff, and stood before the cell of the Thin Man. The door to his cell had already been torn from its hinges, and hung limply to the side. The soft glow of the fluorescent light draped the Thin Man in a sickly hue as he cowered on his bunk. The Cloak stepped into the cell.
“Go away! Leave me alone!” shouted the slim prisoner as he scooted back as far as he could. The cold stone wall behind him an instant reminder that he was trapped.
“Shut up, and tell me what I need to know Thin Man.” the Cloak leaned in the fluorescent lights glowing ominously on his red goggles.
“Ah… Ahhhh… Abbb… About what?”
“This explosion!” The Cloak reached out and grabbed the whimpering man and hauled him up of his by his collar. “You know everything Thin Man. You are New Brickton’s resident stool pigeon, so don‘t hold back on me now.”
“Ahh… ye… ye… yesss… Of course n… no… notttt. Not for you kah… kah… Cloak!” The Thin Man’s feet dangled as the Cloak pressed him forcibly against the wall.
“TALK!”
“Wah… wah… well, yah… yah… you s-s-see. I’m not re… re… really privy t-t-to the pah… pah.. plan.” The Thin Man squirmed and avoided the steely glare of the Cloak.
“WHO WAS BEHIND THE EXPLOSION!!!” Crimson Cloak bellowed in a harsh and gravely voice, losing all patients with the small man who he held limply before him.
“It… it… it was the sk… sk… SKULL! Okay?!? This is juh… juh… just pah… pah… part of his puh… puh… plan. It g-g-goes SOOOO much deeper.
“I figured as much, now tell me something I don’t know. Who caused the explosion?” The Cloak lifted the squirming man up so that his head touched the buzzing fluorescent light.
“Duh… duh… doc… doctor... Doctor Toxin! L-l-listen! Th-th-that’s all I know!”
“Better watch your back Thin Man.” The Crimson Cloak threw the prisoner back onto his bunk like a rag doll, and strode out of the cell slamming the broken door behind him.
Interior - Tunnel system below the prison:
Sam Sterling was drenched in sweat, he was beaten and bruised, and now he was on the retreat. His fight against Firebug and Barricade had not gone well at all. With his gleaming shield and his mechanized armor, he was able to hold out against their combined might, however the structure around them had not fared so well and soon collapsed around them.
When Sam came to, he was three levels down and there was no sign of Firebug or Barricade. Though, he soon found his mentor, Captain Electron, broken and beaten to unconsciousness. William Watts lay in a heap against the cold cement floor. His mask had been torn away and he was left for dead by his attackers.
Sam regained his composure, the servos and actuators in his suit helping him to upright himself, and he got to his feet. His HUD in his helmet blared multiple warnings. Slowly, he made his way over to Watts and gathered the fallen hero into his arms.
“Sir? Are you awake? Are you even still alive?” Sam felt like weeping as he tried to check for a pulse. He had let down his mentor. He had promised him that he would be there when he needed him, but he had failed and now William Watts had paid the ultimate price.
“You’d know that if you’d look at your HUD… geez…” A weak voice groaned up at Sam.
“You’re alive!” Sam blushed, embarrassed that he forgot about all of the tech that was crammed into his suit. Suddenly alarms went off in his helmet… warning of an impending explosion.
Silver Sentry got to his feet and dashed away as quickly as he could, cradling Watts in his arms he could feel the heat of the explosion before he heard it. Flames burst through the subterranean corridor as the two heroes made their narrow escape.
… It all began with an explosion… Now it was time to rise from the flames.
A drawing I did for Underground Art School Magazine.
undergroundartschool.blogspot.com/
Explore: Sep 29, 2008 #395
I've not been as free to shoot as before due to a number of commitments, both at home and at work. I've always found photography as both therapeutic and a way to express my creativity (or the lack of it). I've been my own harshest critic and I often find myself questioning my work, albeit finding faults where improvements are needed.
I haven't found my true niche in photography. Should I stick with landscapes? Should I do portraits? Strobist perhaps? Candids?
I am a poet. And the shutter is my pen.
================================
© COPYRIGHT NOTICE
This photo is copyrighted and may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my consent and permission. All rights reserved.
I have many questions about the description of this photo, but from the age, who knows...here it is:
"Westbound II&I Passenger Train Wrecked at Momence"
No date, no real location in town. I want to believe that this is just west of the C&EI crossing looking at the telegraph pole style in the distance and the old-style crossing protection where RR street would be. But that is ALL a guess. I don't see interlocking signals, but the neighborhood looks right. The NYC stopped running passenger trains on the 3-I in 1920-ish, and I'm not an expert on clothes styles or dating photos, but it must have been sometime prior.
Passengers and or civilians can be seen standing around along with what appears to be the crew at center.
So, as labeled......
Westbound Indiana, Illinois & Iowa Passenger Train Wreck
Momence, Illinois
Circa, 1915??
Unknown photographer
--If this is in fact what it is, then this is probably NYC WEST-BOUND--FIRST-CLASS Train #1 (Mail & Express) due at Momence at 9:49 am.
When this installation was first on view, many have questioned what it was intended to mean. The words “Same but not equal” was painted in all caps on top of a collage of Thai newspaper “khaosod” on linen canvas. The panel was placed on top of two piles of Thai rice. Although the pile of rice appears the same, one pile of rice is ordinary rice and the other, apparently, is premium export-grade Thai jasmine rice.
To one art blog Blouin Art Info [1], it is a commentary about ABHK, where Art Basel Hong Kong, though featuring many of the same galleries seen Art Basel Switzerland and Art Basel Miami, is in many ways different than their counterparts given the type of art works being shown in comparison.
To me, it is a commentary on a larger issue where news media speak of the same kind of political news though their analysis and content is highly different.
Art is up to all kinds of interpretation. I have no idea if the artist created this piece specifically for ABHK, if so then perhaps that does have some validity. It is interesting nevertheless, though I would most certainly not pay 100-150k USD for it which is apparently the asking price for this work [2].
Rirkrit Tiravanija
Untitled (same but not equal), 2013
Newspaper on Linen, Rice
286 x 220 cm
# Rirkrit Tiravanija
b. 1961 Buenos Aires, Argentina
1980 Carleton University
1980-1984 Ontario College of Art, Toronto, Canada
1984 Banff Center School of Fine Arts
1984–86 School of the Art Institute of Chicago
1985-86 Whitney Independent Studies Program
1982 Moved to New York, NY
Rirkrit Tiravanija (Thai: ฤกษ์ฤทธิ์ ตีระวนิช, pronunciation: [rɯk-rit tira-wanit] or Tea-rah-vah-nit) is a contemporary artist residing in New York, Berlin, and Chiang Mai. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work.
en.wikipedia.org/wiki/Rirkrit_Tiravanija
# Shanghai Gallery of Art 沪申画廊
3F, No. 3, Zhong Shan Dong Yi Road
200002 Shanghai
China
# Notes
1. enjp.blouinartinfo.com/news/story/905969/same-but-not-equ...
2. artsy.net/artwork/rirkrit-tiravanija-untitled-same-but-no...
# SML Data
+ Date: 2013-05-23T17:45:10+0800
+ Dimensions: 5412 x 3619
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 29 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14129
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Mixed media installation by Rirkrit Tiravanija (b. 1961): Untitled (same but not equal), 2013 (Newspaper on Linen, Rice) / 沪申画廊 Shanghai Gallery of Art / Art Basel Hong Kong 2013 / SML.20130523.6D.14129
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RirkritTiravanija #沪申画廊 #ShanghaiGalleryOfArt #installation #mixedmedia #rice #same #equal
This photo caught me in a genuinely reflective moment in early June during a rather wonderful day of cross-dressing. I find I am still dealing with my cross-dressing and as the shutter closed I was suddenly in a moment of pure contentment because I was wearing full make-up, a wig, my entire body had been waxed and was smooth and hair free, I had plucked my eyebrows, I had false breasts, I was a wearing a bra and knickers, I was wearing a dress and high heel shoes, my nails were painted and I had attached clip on ear rings and dabbed on perfume. I suddenly found myself wondering about the whole thing, was I doing something wrong? Was I right to give into my desire to dress up as a woman? Why was I doing this? Many thoughts cascaded through my mind at this brief moment in time.
I describe myself as a transvestite and I like calling myself that. I find it gives me a thrill to realise I am a man that loves dressing up as a woman. In fact I think its an amazing thing to experience as a male. I enjoy all the effort and commitment required to try and look female. One of the big appeals is how far dare I push things to attempt to be feminine. As I'm not feminine it is a challenge for me and I'm drawn into it every time I cross-dress.
I'll be honest and admit I wish I was physically feminine and had smooth soft skin and a feminine face and physically smaller and slimmer, I would dearly love to be more feminine than masculine but I'm stuck with what I've got as I'm a man.
I enjoy living as a man the majority of the time but without warning the desire to be female can suddenly crash in and consume me and I could weep with the frustration of not being a woman. It's interesting as I feel I am definitely a transvestite, I like being an occasional cross-dressing male yet, I cannot deny at times the urge to be female is dominant and I desperately wish I was one. This overwhelming emotional desire can have me in its grip me for periods and I now know that eventually it diminishes and I get on with life as a man again. I feel there is an element of transsexualism within me as I do love being a woman when I dress up as one.
I am always aware though I am just dressing up and acting know matter how much effort I put into it, I'm still a man under the wig, make-up and dress. Funnily though, that very knowledge thrills and excites me, I genuinely like the idea I'm posing as a woman and it is all an illusion. Of course for me personally I have no real belief I succeed in my female illusion but I adore the experiences and gain a lot of reward from spending time in my female alter-ego. It works rather nicely on several levels for me, emotionally I love it, I enjoy the delight of having a shaved hair free body, I absolutely love wearing make-up...mascara, lipstick, eye-liner...ooh, such heaven! Having tucked genitals, false breasts and wearing lingerie and dresses and skirts is again such a delight and utterly wonderful and as for high heels, I just feel fabulous when I slip them on.
I know I look like a parody of a woman and not like a real woman but I do find an emotional comfort once I'm transformed to the best of my ability and I don't feel unsettled by my swapping gender in my head and acting more female. I've said it before but I would like to experience some time in the role of a woman. It may sound homosexual but I would like to be a female companion out for dinner or a wee drink with a man and I would play the part one hundred percent as a female. I'm not attracted to men at all but the desire to pass a woman and spend time as a female makes me feel such an experience would make my female illusion feel like it's working. It sounds harsh but the man would merely be a prop for my performance. I do see my Helene persona as more of a character acting performance as I ultimately know I live as a man. I've said many times I'm also frustrated actor at heart and the idea of playing a woman convincingly really holds great appeal and also the transsexual element within me feels at home with the scenario I outlined.
What I am attempting to to do, or more accurately become is an heterosexual woman. I know it's an act but I would love to play the role and see if I could carry it off convincingly. I would love to be referred to as 'she', 'her' and perceived as a lady...I would love it!
My biggest ambition is to one day master the ability of completely swapping gender and acting naturally as a woman. I can already do the man thing but I am intrigued to see if I can also be a woman when I become Helene. I lack the self belief just now and I am not that confident in my skills and abilities so much work is needed. I have been accused of being homosexual for expressing similar ambitions for my female persona in the past but I compare myself more to a straight male actor playing a gay man. In my case I'm a straight male playing a female character and I want to play the role realistically. I need to become the woman I am portraying to make the experience feel real to me.
There is of course a flip side to all of this as part of me says 'Really? Maybe you do have homosexual tendencies'. But really I don't quite feel that is correct for me. I just feel what I seek is when I'm a man then I'm a man but as I have an emotional need to feel I can be female now and again then it is natural that when I become a woman then I am a woman. Is it possible to be heterosexual in both genders when one of them, the female, is just an illusion because I'm really a man? I am excited by this as I believe one can be and the sheer daring and adventure of that is both thrilling and a personal challenge I'm attracted to exploring.
I do get frustrated by many in the transgender world being too simplistic and forcing things into black and white explanations, I think as transgender people things are very complex for us in many areas and this is not just about ones sexuality. For example the age old complaint of women can wear male clothing and nobody questions their choices but men cant wear women's clothes without being seen as odd does not quite hold water. When women wear male clothing they usually still look unmistakably like women, its rare they are perceived as being male. Also, they are not trying to look like men. However, when men dress in women's clothing we do take it a lot further as we wear make-up, wigs with female hair styles, add breasts and some of us shave our legs, chest and arms and tuck away our male genitals and wear female underwear...in short we are not just wearing female clothes in our case we are actually trying to look like women, it's quite a different approach to women wearing male clothing. There is a lot more going on in for cross-dressers than just clothes and make-up, we definitely take it emotionally and physically into different area, when we cross-dress many of us desire to look feminine and to look like women.
A friend recently asked me outright why I dressed up as a woman, it was curiosity not a hostile question. I found it was impossible to give him a simple answer as my own desire to seems to have several different motivations driving it. If I were simplistic about it I could say it's because I really enjoy it and I admit I really do! Yet within me are the things I described earlier in this musing and at its core I do have part of me that wishes I was indeed female yet the majority of my being likes my life as a man. I think it comes down to each of us who engage in transvestism has personal urges and desires and some are common but many are individual. I like dressing up and acting the part yet I know I would also like to be that women for real. Part of me believes I can be an heterosexual woman and when I am dressed as Helene I can talk reasonably comfortably about men and enjoy their attention. As I admitted I would be thrilled to actually play the role one hundred percent and be seen with a man and this leads onto what else would I do? Would I allow myself to be kissed? Would I have sex with a man? The reality I feel confident about it is I would not get intimate with a man as I'm married and loyal to my wife so it is unlikely anything I've outlined would ever happen. However, I like to question myself as I can delude myself and I ask if I were not in a relationship how far would I go? I do have a deep curiosity to see how much of a woman I can be and act as so maybe I would allow those kisses and enjoy flirting with a man. I will admit when I am dressed as a woman I am thrilled if a man desires me or finds me attractive as a woman. I cannot quite see that I really look female enough but it has happened and I was definitely thrilled by it.
I remember once, back in 2002, I hired a make-up artist to help me learn about applying make-up as I was keen to look good in make-up...ha! Some hope, I told you I was delusional. He told me once I was transformed into Helene that I was behaving like a man and very self conscious. I said something unconvincing in reply and he said look you've gone to all this effort so best become the female you are presenting as. He was right, I realised my own inhibitions and concerns were holding my female persona back, I needed to shake them off and move forward and embrace my female self. That meant I had to swap genders in my head and become a woman. That thought terrified me for my nearly a decade. It is only in the last few years I managed to attempt this and really this is thanks to a few years ago the tireless encouragement of Michele Bennet and in recent years the most wonderful support and encouragement ever from the lovely Pamela Lennon in Ireland that has revolutionised my mental attitude to cross-dressing and trying to fulfil my dreams. I owe those wonderful ladies a lot and I am still amazed they persisted with me. I confess I adore Pamela as she has enlightened me and been incredibly influential and has empowered me to true liberation as Helene. When others attacked me last year it was Pamela that supported me and never lost heart in encouraging my dream and rekindled my belief in Helene as I nearly gave up on my female self at one point.
Being a transvestite is an emotive experience and full of uncertainty and one can be a bit sensitive about things relating to it. It is a complex thing to live with and though it comes with incredible experiences, delights and joy it is for me always tinged with concerns, doubts and a high degree of guilt, fear and uncertainty, it's all part of the heady mix that goes with the knowledge and activity of being a transvestite.
Would it still be historically accurate to give a Russian the gaiter legs on the right? I was going to get a matching marine torso to use with it yesterday but thanks to friggin CB day they sold out within 30 minutes.
In the normal run of things I would not have shared this rather grainy and mundane snap of a Robin Hood bodied Iveco of Greater Manchester Buses. However I have learned that lurking in the background on the right is a Wardle Solar, a streetlamp of significance to those in the know, and Lady Wulfrun has kindly asked me to post the image.
The scene is The Strand, Kirkholt, Rochdale, in 1987. The bus is heading down Daventry Road towards Kingsway. The mini on the left and the vehicles on the parking bay on the right are all parked on The Strand. The large satellite dish belongs to the bookies in the row of shops opposite the parking bay. Do bookies still need humungus dishes these days? Betting is an area of human activity which has never interested me, so it is only en passant that I realise I don't know the answer to such questions.
The shops also included a laundrette, a post office, a chippy, and a GPs surgery which at the time was run by a colleague of mine, Dr. Gowri Swami, whom I first met when we were training together in psychiatry in Birch Hill Hospital, and who I am pleased to see is still in practice on The Strand, according to NHS Choices. The pratice has, since this photograph was taken, moved to larger, purpose-built premises a little further along the road.
We are happy to announce The 24 Photo Contest!
We want you to show us your creativity, your style, your imagination!
Rules
- Open to anyone.
- You can take snapshots and post them to out Flickr pool at www.flickr.com/groups/2277342@N21/?added=1
- Photo size might to be 1024x1024 pixels
- Max 3 photos per participant.
- By applying you allow us to use your photo in our sim/blog for promotional purposes
Dates
Aug 23rd - Open the Event
Aug 31st - Close Event
Winners
Winners will be selected by an impartial jury. Jurors will not know who the creator of the photo is.
Any questions please contact Lexie Jansma and Alon Alphaville
Siren Productions
Two people in Greenwich Park are questioned by police officers about the smoldering remains of a small fire close to where they were sitting. Unfortunately, I don't know who was responsible and it's not at all clear who was to blame for it.
Greenwich Park is just a short bus ride from where I live in London. It was not just the bleached grass that was shocking - many of the trees were already losing their leaves and younger trees looked seriously stressed. London and much of Europe have seen many weeks of extreme heat and drought.
The mainstream media reprimands individuals for wasting water, justifiably exhorting us to limit our showers, but all the while ignoring the highly profitable water companies which fail to invest in infrastructure, reservoirs or leakage prevention. The media also overlooks the devastating impact of large scale agribusiness, particularly livestock farming, which places an increasingly unsustainable demand on the planet's scarce water resources, as well as further inflating emissions and driving deforestation.
Meanwhile, corporate greed is accelerating the consumption of fossil fuels and water and turbocharging climate change. We need rain. We need more regulation. More action. We need to get to net zero asap and water management should not be in private hands. Water companies are siphoning off enormous profits from a vital public utility and failing to invest anything like what is needed.
The head of Thames Water (the same company which dumped raw sewage into rivers over 5000 times in 2021) is set to pocket £3 million as a 'golden hello' for signing on as CEO ,while in total the UK's water companies have handed an average of around £2 billion every year to their shareholders in dividends since they were privatised. If they were nationalised, those profits could instead have been invested to upgrade the infrastructure and mitigate the impact of climate change and have even provided extra funds to promote sustainable alternative energy sources.
www.theguardian.com/environment/2022/apr/20/thames-water-...
www.theguardian.com/environment/2020/jul/01/england-priva...
As Caroline Lucas writes in the Guardian (12.08.22) - ' (Drought) is a consequence of years of inaction on the climate emergency. This is producing a perfect storm of energy insecurity, food supply chaos and extreme weather that is wreaking havoc on society.'
www.theguardian.com/commentisfree/2022/aug/12/drought-uk-...
[ 問 ]
究竟~!
是象鼻蟲長得像花生,
還是花生長得像象鼻蟲...?
#讓我們繼續拍下去...😂
#六月份好像有三堂以上的微距外拍要帶...😂
#培養收假情緒...😂
Olympus PEN-F
Olympus 60mm F2.8 Macro
Godox TT350O
#每日一微 #微距 #Olympus #PENF #PENFlens #6028Macro #Godox #TT350O #microfourthirdsgallery #olympustwshare #Macro #マクロ #象鼻蟲 #花生
The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)
New Instagram! instagram.com/45surf
New Instagram!
instagram.com/johnnyrangermccoy
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
www.facebook.com/45surfAchillesOdysseyMythology
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
Pretty Swimsuit Bikini Model Goddess! :)
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
Fine art swimsuit model, ballerina, and ballet photography!
The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)
New Instagram! instagram.com/45surf
New Instagram!
instagram.com/johnnyrangermccoy
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
www.facebook.com/45surfAchillesOdysseyMythology
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
Pretty Swimsuit Bikini Model Goddess! :)
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
Fine art swimsuit model, ballerina, and ballet photography!
Hmmmm that question doesn’t have the same impact when it’s written down does it?
If it was asked verbally, it gets people all passionate and hot under the collar and insisting that the way they say it is the correct one.
So is it pronounced Skown or Skon?
Our family are firmly in the Skown camp.
Anyhoo we stopped for a cuppa and a warm up and the tea shop had these amazing looking scones - so we had one each. The appeal was, for some reason, no two looked the same - they were ‘all shapes’.
The best scone I’ve ever had? Can’t say for sure, but it must be close.
At one point Paul starting whispering something and wafting his hand near his face but I couldn’t make out what he was saying so I asked him to speak up. “You’ve got a big blob of cream on the end of your nose”…
Whilst we were in there enjoying the scones a guy walked in with a Shoei GT Air in the exact same colours (Colors?! Another pronunciation debate coming on) but different and amazing graphics. I like Shoei helmets - the last one stopped my head looking like a dish of spaghetti bolognese.
Now, how to pronounce Shoei?
Invercargill and the province of Southland.
The question that has always puzzled me is why does a city of 50,000 people exist on the southernmost tip of NZ which has the bleakest climate? Invercargill is the coolest, most bleak and cloudiest city in NZ. It averages just 1,600 hours of sunshine a year compared with 1,500 for London, 2,050 in Christchurch, 2,800 in Adelaide and 3,200 in Perth WA. It has around 200 mm of rain every month of the year and it is a very windy city. It is in fact one of the largest southern cities in the world only surpassed by Ushuaia and Punta Arenas in Argentina and Chile respectively. But because of its latitude it has long summer days. Even in mid-October when we visit the length of day will be around 13.5 hours with the sun setting around 8:20 pm. In high summer twilight ends around 10:30 pm with a 16 hour long day like in Scotland. At this time of the year one can often see the Aurora Australis or Southern Lights an atmospheric phenomena of subarctic regions. Like Dunedin Invercargill was settled by the Scots. Many of its streets and families have Scottish names. It developed as an offshoot of Scottish Otago. The Surveyor General of Otago selected the site for a new town in 1856 and laid out the streets in a grid pattern on this very flat city. The first land was sold in 1858 and by 1861 Invercargill was a very small but flourishing town. Why? Because it had three main riches, apart from some gold found in the hinterland in 1860: it had the largest most fertile plains of NZ; it had a coastline rich with oysters, lobsters, cod fish and abalone( paua); and it had heavily forested mountains with hardwoods which were in great demand throughout the world- rimu, totara, silver beech etc. These basic factors meant that the province of Southland when it separated from Otago in 1861 had a bright future. The land, rainfall, soils and seas would provide for the people as it had done for the Maoris before the whites arrived. Southland consequently has had a rich and varied agricultural past ranging from sheep pastoralism, grain growing especially oats for porridge and barley for illicit whisky making (how could the Scots survive in this cold climate without whisky?) ,linen flax growing and milling, dairying and milk processing, fish and seafood canning, timber cutting and timber mills, and meat freezing and butchering works. These rural industries necessitated railways and like Dunedin Invercargill become a major rail head with lines going north to Lumsden, Kingston and Queenstown in the Alps, across to Gore, and west towards Fjordland and the richly forested valleys adjacent to it. Timber in particular needed the railways. Invercargill established railway workshops and the manufacturing steam engines for the railways of NZ. Its first railway line was built in 1867 to the Bluff, the port for Southland. It was connected to Christchurch by 1878.
In the 20th century Southland has developed hydroelectricity which in turn has attracted industry to the region. Possums introduced from across the Tasman in 1858 have become a major pest but they have also spawned a new industry- possum textiles and woollens; red deer were introduced from Europe in 1901 to Fjordland and now with the advent of helicopters and helicopter farming they are “farmed” for venison and processed near Invercargill. The story of Southland and Invercargill is one generally of success and success based on the climate and the resources of the land. For example, dairying has been strong since the early 1880s and continues today with Fonterra Milk processing mainly for export to Asia; linen flax milling continued until 1956; flourmills have processed wheat and the oat mill in Gore produced porridge oats; and Chewings Fescue was found to thrive in Southland and has become a major industry producing lawns for houses around NZ. Southland introduced prohibition in 1905 which lasted until 1945 and the illegal moonshine or whisky making in the hills east of Invercargill near Gore continued whilst that was in place. But the really big success has been hydroelectricity which began with Lake Monowai Power station in 1925. It still powers Invercargill and feeds into the national power grid. More recently the enormous Manapouri Power Station 200 metres below the water level of Lake Manapouri near Te Anau in Fjordland was completed in 1971 after work commenced in 1964. It is the largest hydroelectric station in NZ and the second largest power station in NZ. It was developed for Comalco to erect an aluminium smelter and refinery at the Bluff near Invercargill which is now run by Rio Tinto and employs nearly 3,000 people from Invercargill but its financial viability is shaky and the plant has been threatened with closure. Another major industry of Invercargill is fertiliser production.
•Invercargill is a Scottish settlement. 40% of Invercargill’s suburbs and nearby towns have Scottish names and the first Presbyterian Church was the leading church of the province. The current church replaced an earlier 1863 church in 1915 when it was completed. It is built of brick with a domed roof, a 100 foot high tower and it is in the Italian Romanesque style. It is on the highway from Dunedin at 151 Tay St. Next on the right we will see St Johns Anglican Church( 108 Tay St) in red brick built in 1887; almost next door is the impressive Town Hall and Theatre ( 88 Tay St) built 1906 in classical style; next is the YMCA building of 1910 at 77 Tay St; at the roundabout (the location of the Boer War Memorial) at the end of the street is the old Bank of NSW built in 1904 on the right whilst on the left is the former Cornerstone Bank of NZ building from 1879 ; as we turn right into Dee St. you will see a plethora of brightly painted heritage buildings all in good repair – partly because the city’s young mayor from Auckland has supported and encouraged this to revitalise the city. At 136 Dee St is the Blackman building with the large black swan on the roof line and further along (178 Dee St.) is the Gothic St Pauls Presbyterian Church built in 1876 and added to in 1881. Next we turn right into Victoria Ave to visit the Information Centre, the Southland Museum and Queens Park with its rhododendron dell. After our visit here we will pass the City water Tower (a flat city needed a tower for water pressure) built in 1888 with 300,000 red, yellow and black bricks. 101 Doon St.
Other heritage buildings include:
•Anderson House built in 1828 in neo-Georgian style for a wealthy businessman Sir Robert Anderson who had links with forestry, timber selling and the Southland Building society. His estate with 30 acres and his art collection was bequeathed to the city and the house became the city art gallery. It was closed in 2013 because it did not meet earthquake building regulations.
•The three story WEA building built in 1912 as a Coffee and Spice mill at 100 Esk St which is also the main shopping street. The spice firm was established in 1872 and some parts of this remain behind the 1912 building. It is now the Southland Education Centre for adults. The beautiful Southland Times newspaper office (1908) is also in this street at number 67.
•The Catholic St Mary’s Basilica built in 1905 in neo-classical style a bit like St Peter’s in Rome but tiny. On corner of Tyne & Ninth Streets. Near there at 80 Forth St is the 1926 classical style Masonic Centre.
•The decorative and fanciful Railway Hotel built in 1886 with classical features and a few Australian Federation era features. It is at 3 Leven Street behind the City library at the end of Esk St.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Pretty! Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!
Marche du 1er juin pour la fondation SEVE Canada, dans le parc nature de la Pointe-aux-Prairies, Montréal, Québec
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
i won't be the last
i won't be the first
find a way to where the sky meets the earth
it's all right and all wrong
for me it begins at the end of the road
we come and go...
I was tagged by aDaywithGabby to do a 4 by 4 collage to answer my questions.
It is a little bit better to view LARGER
4 PLACES THAT I LOVE TO SHOP
* Home Depot
*Lowes
*PEP Boys
*B&H Photo
4 THINGS I LOVE TO SMELL
*Saltwater
*Used Motor Oil
*My Barbeque Ribs
*Wood Burning
4 THINGS THAT MAKE ME HAPPY
*Photography
*Deep sea Fishing
*Working with my hand and power tools
*Playing pool
4 FLICKER PALS I AM TAGGING
shall I make a tour by bike now, or shall I sit in the deckchair and read?
Mache ich jetzt eine Radtour, oder setze ich mich in den Liegestuhl und lese?
(gesehen im Rosarium in Sangerhausen)
Taken by : Vany*
Model : Mắm*
=))
Hơi bị run rồi.
*Questions
Tình hình là mình tò mò có ai tự tử ở Hồ Con Rùa không ?
À mà lỡ có tự tử thì có chết không ?
*Answer
Cái này chưa xác định mà hình như không.
Có, chết vì nước quá cạn
*LOL*
Makoto: “How do you do that?”
Yuki: “Do what?”
Makoto: “How do you project a question mark above your head?”
Yuki: “Is there a question mark above my head?”
Makoto: “Can’t you see it?”
Yuki: “What if I look up and it disappears? Will that mean you’re hallucinating?”
Makoto: “What if you look up and see it? Will that mean we’re both hallucinating?”
Yuki: “Maybe all these questions have manifested into an astrally-projected phenomenon?
Makoto: “Maybe we are victims of post-processing?”
Yuki: “If it were added in post-processing, why would you be reaching like that toward nothing?”
Makoto: “Maybe it’s time we gave the questions a rest for today?”
Yuki: “Are you thinking what I’m thinking?”
Makoto: “Snacks and a movie?”
Yuki: “How about ‘Dude, Where’s My Car?’”
Makoto: “Maybe a double-feature with ‘Who Framed Roger Rabbit?”
“Yuki: How can I say no to that?”
- - - - -
Created for the We’re Here contemplation of the Question Mark.
Altitude 2000+ special
It's all a question of perspective: The shot above is Andorra's Pic de Casamanya's Segudet slope, with Pic d'Estanyo at background. Both seem to be direct neighbours, but in fact their distance is 4 km. Camera position distance is 12 km.
So "perspective" is the main keyword of what we're doing, optical perspectives and others...
...
How we work
"Altitude 2000+" is an image collection of Andorra's mountain regions beyond the tree line (timberline), short distance or macro distance images of this ecologic precious zone, presenting rare mediterranean-alpine plants of the Pyrenees getting smaller and smaller with getting rarer and rarer.
Most shots are done at another time at often another lighting mood. Bringing it together over the years an orga conception is quite useful. To get plausible results for a story idea someting like a "film-style storybook" it's a must for scene continuity together with an esthetic framing (cadrage). Means: for trustable results we should have enough good scenes in stock that might match.
That's the way we work. Here in Andorra since 2005.
Well, we still are talking about "still photography", not about "video". Nevertheless our workflow offers quality headroom for movie quality, using the scene quality of just 1 perfect lighted and edited high-res still photo.
An example: A virtual flight through Andorra, based maybe on just 1 HiRes photography shot. Medium Format photography is recommended in this case. This kind of production via a selected high resolution still-photo gets interactive at a website or via mobil-phone app.
Medium format has the headroom for it. A zoom-in for details seem to be endless compared to amateur formats, and your video can be updated anytime as all images are based on dng format, a "quasi root format".
Tech-Talk: Size of Medium Format is about 2-times (or more) bigger than FullFrame (36/24) and 4-times bigger than HalfFrame as APS-C. And this is by far not the end. Best resolution at this level finally is defined by optical components before reaching the xxx-megapixel-sensor. Lenses in this category cost often more than the camera. Professionals need a lot of it, as each lens should be "prime", means no-zoom.
Does it bring something? Well, photography is similar to an audio production (where I basicly come from as soundengineer & recordingproducer). Overall quality is determined with both by the weakest link in the chain. And: Sins with both happen often (always...) at the begin of the recording chain, whether accoustics or optics, whether microphone or the lens. Or the singer :). Or impatience of the photographer.
Another aspect of our capacity is a metadata-controlled base to get best and "everlasting" results. Today, next months, the coming years - not a big problem yet. Yet! Or not? Proven standards of the internet exist since min 20 years, IPTC rules even much longer.
Operation of our "GEO-photography" system.
GEO photography in our own definition is a local/regional related interactive network of GEO images, based on our philosophy of "functional photography" (always need millions of additional dates). Explaining: We store the relation of a normal GPS location (camera position), but related to possible targets seen on this image, supplemented, if available, with editoral researches.
GEO photography is a mixture of automated records of all camera-movements, distance measurements plus a database interface including editorial edits as names, synonyms and story text to describe a target more exact and consistent. This 1 image is also related to all the others done over the past.
Result: 1 image is (in our case) related to all matching motives from the last 15 years, sometimes even longer. For Andorra this are 100.000+ images! Please note: To see the full functionality on a webpage or an app it needs individual server-side programming.
Another hot feature is an interactive use within a smartphone-app via GPS-sync. Means: A smartphone (with localisation function) shows stored selected images inclusive redactional text content in a continous flow while hiking Andorra. Fully automated. For example based on our new "Camis & Rutes" collection.
.....
That's it here!
Full features are available with full licensed images. Here at Flickr we present just "footage" in low resolution - not "ready to use" films or videos. Same with any additional information via metadata or editorial. If interested please ask your IT/Media partner and remember the old marketing rule: "Instead of 1001 words - just let pictures speak!"
....
About the image above:
* Half frame format 3x2 image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (10 years decade 2008-2018)
* "Andorra camis & rutes" active collection
* 2000+ collection „beyond the treeline“
A how-to about "Altitude 2000+ collection" and the way we work please read here:
www.flickr.com/photos/lutzmeyer/30762542358/
We offer 100.000+ photos of Andorra and North of Spain. HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.
More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.
Ask for licence! lutz(at)lutz-meyer.com
(c) Lutz Meyer, all rights reserved. Do not use this photo without license.
OLYMPUS DIGITAL CAMERA Symbol question.svg Pícea común
Kuusk Keila-Paldiski rdt ääres.jpg
Pícea de Noruega
Estado de conservación
Preocupación menor (LC)
Preocupación menor (UICN 3.1)1
Taxonomía
Reino:Plantae
División:Pinophyta
Orden:Pinales
Familia:Pinaceae
Subfamilia:Piceoideae
Género:Picea
Especie:Picea abies
(L.) H.Karst. 1881
Distribución
Distribución de abeto rojo. : ✖ Distribución natural. : ▲ Introducido y naturalizado.
Distribución de abeto rojo.
✖ Distribución natural.
▲ Introducido y naturalizado.
[editar datos en Wikidata]
Picea abies, la pícea común, pícea de Noruega o pícea europea, es una conífera de la familia de las pináceas. Aunque en ocasiones se le identifica popularmente como abeto, y más concretamente como abeto rojo, estrictamente hablando no es un abeto, por no pertenecer al género Abies, el de los abetos; razón por la que también se le conoce como falso abeto.
Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day.
~ Rainer Maria Rilke