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It all starts innocently enough with a buttercup, the old 'how to tell if you like butter' routine.
Before you know it, you're in a downward spiral of flowery addiction, from buttercups to dandelions, dandelions to daisies. Maybe later on, someone will offer you a tulip, an allium, some kind of anemone.
It only ever takes one anemone.
Daisies are a gateway flower. Tread on them at your peril.
Back to catch up with you all later. Happy Mondaying. :)
An E402 Electric pushes it's Intercity Train through Manarola Station on the Cinque Terre. The back of Manarola is on the cliffs in the distance and the station is reached, like a lot of stations on the Cinque Terre by either a tunnel (as here) or a cliff top path.
****Want to learn more about Light Painting? Find out how you can create images just like this one and many, many more by purchasing my E-Book here: www.davidgilliver.com/photography
It was great to meet you Mark - I hope you learned loads. I look forward to catching up with you again in the near future. 29/03/14
Into the sun test shot at ISO 800, f/8, 1/10000 electronic shutter, with substantial Highlight and Shadow recovery processing on RAW image in Iridium Developer and Aperture.
Winter along the California coast can be full of drama. It is one of my favorite seasons to photograph this area. High winds, heavy weather, and big surge all mingle together and play out some beautiful music.
I always layer up for cold and wet weather when I go. I also bring plenty of lens wipes :o)
Exposure 0.001 sec (1/800)
Aperture f/9.0
Focal Length 166 mm
ISO Speed 200
Cleanup, black and white conversion via Lightroom, Photoshop, and NIK Silver Efex
"Who you callin' a rodent, Gecko-features?"
Two more galactic bounty hunters turn up late at the meeting and try to push into the line-up
Highlight of the weekend for me was the use of 72 Fenchurch between the LNWR Observation Saloon 1503 and the GNR Directors Saloon 43909 in 'Push and Pull' mode.
Inspired by fellow photog friends to shoot the last of my PX70 PUSH film.
I cut the chemical pods off the back of the film when I was happy with development. Images haven't color shifted in almost two days. :)
In an effort to keep the old cars together across the rolling profile of the old Soo, WC placed power (and an engineer) on both ends for the trip to Escanaba. A boxy F45 pushes past the old crossing of the Nicollet Badger & Northern, once a C&NW route that continued north to Iron River, MI. February 5, 2000.
Chicago. 2017
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I've got a quirky preoccupation with graveside floral arrangements. Just another mental deviation I've come to accept. I think the underlying basis has to do with the dichotomy of bright colors, full of life and happiness played out against the tableau of grim death. Photographically this often strays into the realm of how things make me feel versus how they actually appear.
Found myself mesmerized by the funeral procession for Queen Elizabeth. Watching the royal hearse traverse mile after mile through towns and villages with people lining the way. Oddly joyous to observe, but all the while mindful that it was a one-way journey that would end in a crypt. The same sentiment as this simple floral arrangement, except played out on an immense scale. I'm not sure the world will ever see such a spectacle again.
NS 4064 helps push the rear of NS 38G through Huntington, PA, as the train continues east on the middle division toward Harrisburg.
Road America creates natural barriers on the edge of the racing line. Jimmie Johnson pushing the envelope to the limit during qualifying on Saturday.
#48: Jimmie Johnson, Chip Ganassi Racing Honda
NTT IndyCar Series
REV Group Grand Prix
Road America, Elkhart Lake, WI USA
Saturday June 19, 2021
World Copyright: Peter Burke
LAT Images
Lumen Digital Agency