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Young Art in the German Reich
The exhibition Young Art in the German Reich was commissioned by the Reichsstatthalter (The "Reichsstatthalter" ("Reich Lieutenant", "Reich Governor") was a title used in the German Empire and later the Third Reich) and Reichsleiter (Reich leader) Baldur von Schirach in 1943 at the Künstlerhaus (House of Art) in Vienna. Schirach's general cultural advisor, Walter Thomas in Vienna, commissioned Wilhelm Rüdiger from Munich to compile the exhibition. Shown were 582 works by 175 artists.
History
Wilhelm Rüdiger organized an exhibition of contemporary art in Weimar in the summer of 1942 on the occasion of a German-Italian youth meeting under the title "Young Creations". Schirach was enthusiastic about this exhibition and ordered the delivery of the exhibition to Vienna. In Vienna, the exhibition was supplemented by several Austrian artists.
Although the title said it was about "Young Art", many artists were already quite old. For example, Karl Albiker was already 65 years old. In the Völkischer Beobachter, Heinrich Neumayer wrote: "If we speak of young German art here, we already speak of purified wine, we do not experience fermentation processes, storm or cider in the art shown here." "Young" should be interpreted in the context of "old" art in the House of German Art. With the Exhibition Young Art in the German Reich, Schirach made a cautious attempt to reestablish the importance of Vienna as a cultural center.
Simultaneously with the exhibition Young Art in the German Reich, a Klimt exhibition was held in the exhibition house on Friedrichs street, also on the initiative of Schirach. This exhibition attracted the visitors: it counted 24,096 admissions, and the exhibition duration was extended by a week, while the exhibition young art in the German Reich reached only 9,084 visitors.
At the same time, works by Käthe Kollwitz and Egon Schiele were on display in the Albertina. All these exhibitions together were a protest against the official policy of the Berlin Reich Chamber of Culture and the Munich House of German Art. In addition, were in the exhibition Young Art in the German Reich also artists presented whose works were previously confiscated in German museums, including Josef Hegenbarth, Josef Henselmann, Hanna Nagel, Carl Moritz Schreiner, Milly Steger and Friedrich Vordemberge.
Adolf Ziegler described the exhibition in a report as a representation of "moderate form of decay art". Joseph Goebbels sent Karl Kolb, Director of the German House of Art, and Benno von Arent, Reichsbühnenbildner (Reich stage designer), to Vienna for an inspection. Their verdict was: nothing less than a "liberalist mess". The exhibition, scheduled from 7 February to 28 March, aroused the displeasure of Joseph Goebbels and Adolf Hitler. According to Schirach's memoirs, Baldur von Schirach was referred as the person responsible to Adolf Hitler: in the catalog of the exhibition this one had shown a picture and said "Look at this picture - a green dog!" (Work by Josef Hegenbarth). The exhibition was prematurely closed on March 7, 1943, allegedly because of overloading the Reichsbahn (German National Railway), as the Vienna Press reported.
In addition to the 1933 exhibition organized by the National Socialist German Student Union in Berlin "30 German Artists", it was was one of the few official Nazi exhibitions that was closed because of the "alleged suspicion of art degeneration". The exhibition was one intended provocation, not as a resistance to the Nazi regime per se. Schirach wanted to try an escape from the "sterility of the official exhibitions" to reopen the 1933/34 violent Expressionism debate in Germany. It was also an action against his inner party enemies, Goebbels and Alfred Rosenberg.
This exhibition has hurt the participating artists very much. Only two years later, these artists were seen as so-called followers and minions.
Junge Kunst im Deutschen Reich
Die Ausstellung Junge Kunst im Deutschen Reich wurde im Auftrag des Reichsstatthalters und Reichsleiters Baldur von Schirach 1943 im Wiener Künstlerhaus durchgeführt. Schirachs Generalkulturreferent, Walter Thomas in Wien, beauftragte Wilhelm Rüdiger aus München, die Ausstellung zusammenzustellen. Gezeigt wurden 582 Werke von 175 Künstlern.
Geschichte
Wilhelm Rüdiger organisierte bereits im Sommer 1942 in Weimar anlässlich eines deutsch-italienischen Jugendtreffens eine Ausstellung zeitgenössischer Kunst unter dem Titel „Junges Schaffen“. Schirach war von dieser Ausstellung begeistert und verfügte die Übergabe der Ausstellung nach Wien. In Wien wurde die Ausstellung um einige österreichische Künstler ergänzt.
Obwohl es im Titel hieß, es gehe um „Junge Kunst“, waren viele Künstler bereits recht betagt. Karl Albiker war zum Beispiel bereits 65 Jahre alt. Im Völkischen Beobachter schrieb Heinrich Neumayer dazu: „Wenn hier von junger deutscher Kunst die Rede ist, so ist durchaus schon von geläutertem Wein die Rede, nicht Gärungsprozesse, Sturm oder Most erleben wir in der hier gezeigten Kunst“. „Jung“ sollte im Kontext der „alten“ Kunst im Haus der Deutschen Kunst gedeutet werden. Mit der Ausstellung Junge Kunst im Deutschen Reich unternahm Schirach einen vorsichtigen Versuch, die Bedeutung Wiens als Kulturzentrum wieder zu etablieren.
Gleichzeitig mit der Ausstellung Junge Kunst im Deutschen Reich fand im Ausstellungshaus an der Friedrichsstraße, ebenfalls auf Anregung Schirachs, eine Klimtausstellung statt. Diese Ausstellung zog die Besucher an: sie zählte 24.096 Eintritte, und die Ausstellungsdauer wurde um eine Woche verlängert, während die Ausstellung Junge Kunst im Deutschen Reich lediglich 9.084 Besucher erreichte.
Ebenfalls zur selben Zeit waren in der Albertina Werke von Käthe Kollwitz und Egon Schiele zu sehen. Alle diese Ausstellungen zusammen kamen einem Protest gegen die offizielle Politik der Berliner Reichskulturkammer und des Münchner Hauses der Deutschen Kunst gleich. Außerdem wurden in der Ausstellung Junge Kunst im Deutschen Reich auch Künstler präsentiert, deren Werke zuvor in deutschen Museen beschlagnahmt wurden, darunter Josef Hegenbarth, Josef Henselmann, Hanna Nagel, Carl Moritz Schreiner, Milly Steger und Friedrich Vordemberge.
Adolf Ziegler bezeichnete die Ausstellung in einem Bericht als eine Darstellung von „gemäßigter Form der Verfallskunst“. Joseph Goebbels entsandte Karl Kolb, Direktor des Deutschen Haus der Kunst, und Benno von Arent, Reichsbühnenbildner, zu einer Inspektion nach Wien. Deren Urteil lautete: Eine einzige „liberalistische Schweinerei“. Die Ausstellung, geplant vom 7. Februar bis 28. März, erregte das Missfallen von Joseph Goebbels und Adolf Hitler. Baldur von Schirach wurde, gemäß Schirachs Memoiren, als Verantwortlicher vor Adolf Hilter zitiert: Dieser habe im Katalog der Ausstellung auf eine Abbildung gezeigt und gesagt „Schauen Sie sich dieses Bild an – ein grüner Hund!“ (Werk von Josef Hegenbarth). Die Ausstellung wurde vorzeitig am 7. März 1943 geschlossen, angeblich wegen Überlastung der Reichsbahn, wie die Wiener Presse vermeldete.
Sie war neben der 1933 vom Nationalsozialistischen Deutschen Studentenbund in Berlin organisierten Ausstellung „30 Deutsche Künstler“ eine der wenigen offiziellen NS-Ausstellungen, die wegen des „angeblichen Verdachts der Kunst-Entartung“ geschlossen wurde. Die Ausstellung war eine, nicht als Widerstand gegen das NS-Regime an sich, beabsichtigte Provokation. Schirach wollte einen Ausbruch aus der „Sterilität der offiziellen Ausstellungen“ versuchen, um die 1933/34 in Deutschland heftig geführte Expressionismusdebatte wieder zu eröffnen. Es war auch eine Aktion gegen seine innerparteilichen Feinde, Goebbels und Alfred Rosenberg.
Den teilnehmenden Künstlern hat diese Ausstellung sehr geschadet. Nur zwei Jahre später sah man diese Künstler als sogenannte Mitläufer und Günstlinge an.
From the history of our parish
1.10.2008
Twenty-eighth October 1888 was for our ancestors, then living in the suburbs of Bratislava called New Town, solemn day, the day of consecration new temple. But this day is solemn and important for us and will be important also for future generations. Our grandfathers built and because church leaders dedicated the temple on that day not only for themselves and for their children, but for all future generations. Those who build Blumentál physically, but spiritually primarily through your prayers, we left a wonderful legacy: church dedicated to the Assumption, the church, which has one hundred and twenty years invites believers can confidently say that the whole city that it glorified God, bring the sacrifice of Christ, purify your soul and implore the gifts of the Spirit for themselves and for their loved ones.
Celebration of consecration
The parish priest Jozef Poeck completed his work, who has devoted many years of his life, as we wrote about in previous figures. For believers Bratislava Nové Mesto parish is 118 years after its establishment saw to it that the faithful have a decent temple, whose tall slender tower towered over the entire eastern part of the city. Blumental Church was until recent times the only dominating this site. As he writes in his book Pozdech pastor, consecration of a new church in Bratislava expected not only residents of suburban New City but the entire Bratislava. Dedication of the temple designated day for 28 October on the feast of St. Simon and Jude, which that year fell on the October last Sunday.
Building a new church was of great interest of the Cardinal John Simor and the highest church dignitary of the Archdiocese of Esztergom, to which at that time belonged Bratislava. He himself a considerable amount contributed to its construction and it is no wonder that himself this new tabernacle of God sanctified .
Bratislavans prepared Cardinal decent adoption. Cardinal-Primate arrived in Bratislava on 27 October At the main station hailed him a great multitude of believers who lined the streets along which he passed to the Primate's Palace. There he has always stayed when visiting Bratislava (the Town palace bought in 1903 for their needs), and even there that day to receive the representatives of the city, various offices, army officials, townspeople and professional groups. The whole city was decorated and lit.
Newly built temple consecration ceremonies began 28 morning at nine. Ceremony was attended by about 30,000 believers (Bratislava at that time had about 70 000 inhabitants). We can imagine where it is today around our church could gather such a large crowd? At that time, however, surrounding the church was not built like today. 9.00 h in the morning on day dedication Blumentálu rozozvučali the bells of all the churches in Bratislava and the Cardinal-Primate, accompanied by church officials came to the new temple. Assisted prelates Cardinal Dr. Francis Horecký and Charles Rimel, Bratislava canons. Accompanied were prelate Dr. Jozef Danko, honest deacons Anton Leek and Joseph Urge, canon Graeff, and other dignitaries, priests and religious. Ceremony was also attended by Dr. Julius Machovič, notary stool Archbishop of Esztergom and the archbishop's office director Dr. John Black, who later became Archbishop of Esztergom. Bishop became a member of another parade Dr. Rimley. Ceremony was attended by prominent city officials, representatives of various agencies and states, armies, and large numbers townspeople simple people of God.
The ceremonies began before the temple gate, then svätiteľ Cardinal Simor escorted entered the church, where the ceremonies continued sanctification anointing altars and the temple walls. To save the remains of the altar stone martyr Adalbert and Gerhard. First Mass in our church served Baltizár bishop and the first sermon delivered svätiteľ Cardinal Simor. The church preached three preachers: Jesuit P. Emil Volbert German, and two Franciscans, one Slovak and one Hungarian. The ceremonies lasted until one o'clock in the afternoon. After the solemn procession returned to the Primate's Palace, where Cardinal Simor for invited guests was given a formal dinner. It goes without saying that it is attended by a priest Poeck, without whose selfless work would not stand this temple.
In connection with the consecration of Blumentálu mentions the event, which was to become the pastor Poeck fatal. On the way to the Primate's Palace was stampeded horses pulled the carriage in which he sat, and as pastor writes Pozdech only by God's providence remained alive.
Celebrations dedication of the temple after years
Believers of this site for years to commemorate the big day solemn consecration of the temple worship, after which they were folk festivities. The annual celebration of the dedication of the temple waving their spiritual and secular. The spiritual part was solemn character, Mass serve senior dignitaries and preachers coming festive. Worship enriched various choirs and ensembles; secular part called. Forgive was associated with folk festivals and party. That day came not only parishioners, but people from all over the city from the nearer and wider surroundings. At that time, around the church still extremely suitable for such celebrations. Open space provide plenty of room for a variety of stalls, attractions, festivals roundabouts... spestrovala brass band from Záhorska Bystrica.
Pozdech pastor remembers that when he wrote his memories, older parishioners at these festivities still remember, as young as yourself to participate in them. Such spectacular folk festivals disappeared after the First World War.
Great was the celebration of consecration Blumentálu in the twenty-fifth anniversary. Although the history of the temple twenty-five years is not much, because the church is built on centuries, writes pastor Pozdech: every believer adhesions with its parish church, where baptism was received into the bosom of the Church, there is divested of their sins, receive the Savior, there is a double promises connects life inextricably to a man with a woman and introduces a new family, there priest begs for mercy for those who embarked on the path of eternity...
Spiritual program began a day before the big feast solemn litanies. In the anniversary Mass celebrated by the parish priest Evariast Czaykowski and preached prelate A. Gaibl. Ceremony was attended by celebrities Bratislava, led by mayor.
In 45 Blumentálu anniversary of the dedication of the restored organ.
In December r. Opened in 1941 Blumentálska fare lecture hall. On that occasion was solemn litany in our church Nuncio Msgr. Dr. Joseph Burzio, who repeatedly took part in the celebrations in Blumentáli. In Slovakia, had to r., 1945. Farewell to Mons. Burzio held on Blumentálska fare.
On the 60th year anniversaries were scheduled to work on the renovated church interior, upgraded lighting should be introduced electric heating, had to return the original painting, restore the altars, and an altar of Our Lady of Lourdes. Estimated costs were two to two and a half million dollars. A Committee made the collections and 4 April 1948 launched the work. On how to fix Blumentálu continued, we have news.
The celebration of the centennial anniversary of the consecration and stodesiateho Blumentálu would know what to say - then- pastor VDP. John Frog and long-time parish administrator VDP. Stephen Herényi. Written reports we have .
www.blumental.sk/casopis-blumental/2008/10/z-historie-nas...
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
Please don't use this image on webpages, blogs or other media without my explicit permission. Contact me at K.Golpayegani@gmail.com
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
Some folks in charge of the Micropolis Water Authority decided that was a bit of a mouthful, so they engaged a PR firm to come up with a better name. Thus, Purify was born, and this building is the Purify HQ which sits in the heart of Downtown. Its distinctive architecture reflects how waste water is treated and recycled to be used again. Ref: D1721-035
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
model: Haley
Let the rains of heaven
cleanse the scourge of hell
Let the water's flow
purge true, death's swell
Dead right! Well, half right anyway... sunlight to matter and ashes to pure carbon, dust to dust. Gracie is gone. This title idea hit me as curious. This is just a stone cold composition of a stone I caught in of my eye while shooting the tomb I posted earlier.
Once again but this new year, I was trying to capture tombstones in this shot than previously. The title idea was obviousbut the shot with tombstones didn't come together. This is just a composition of color and contrasts.
This is another shot that captures and controls a radical range of light, just what I like. Two layers DO NOT flatten a scene when both layers contain overly long ranges. I now need to look for new possible locations because autumn is creeping away this year. I wander here periodically and take detail shots that are available at the time. I love shooting heavy range scenes with this camera and lens so I maximized the shadow detail while preserving all but the spectral highlights
Detail from the Chapel of Seti I.
The king is led forward in a litter, supported by the Souls of Pe and Nekhen. The Iunmutef (Iwn-mwt.f ) priest goes before them and is turned to purify the procession with a censer. In front of the procession, eight gods are depicted upon their standards.
Seti I Temple at Abydos
Varanasi is considered to be a holy city by Buddhists and Jains, and is viewed as the holiest place in the world by Hindus who believe that it was founded by the Hindu deity, Lord Shiva, around 5,000 years ago. It is believed to be one of the oldest continually inhabited cities in the world. Although the Ganges is extremely polluted, people believe that it will physically and spiritually cleanse them. Laundry and bathing can be seen continally along the Ganges at Varanasi.
aIMG_9856
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
Aarti (Hindi आरती), also spelled arathi, aarthi (from the Sanskrit word "आरात्रिक" with the same meaning) is a Hindu religious ritual of worship, a part of puja, in which light from wicks soaked in ghee (purified butter) or camphor is offered to one or more deities. Aartis also refer to the songs sung in praise of the deity, when lamps are being offered.
Wikipedia
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
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A House-warming ceremony also known as Grahapravesha ceremony, is done after the completion of the building on the day, the Owner occupies the building. This is essentially done to purify the house by means of a pooja (ritual) and to make it ready for occupation.
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
The Unicorn Purifies Water (from the Unicorn Tapestries, cartoon Paris, woven Southern Netherlands), 1495–1505, wool warp with wool, silk, silver, and gilt wefts, 368.3 x 378.5 cm (The Cloisters, The Metropolitan Museum of Art)
भगवा ध्वज पवित्र ध्वज
The Bhagwa Jhanda is an saffron color flag that has been used by a number of Hindu-oriented political entities in the history of India.
The flag historically served as the flag of the #Marathas.
The #Bhagwa_Dhwaj is the #symbol of #Hindu_culture and Dharma from times immemorial. It reminds us of our great heritage, it defines our identity and above all it inspires us. For this purpose, in Sangh, the #Bhagwa_Dhwaj has been placed before us as the Guru or guide and hence we pay respect to it.
The word #’Bhagwa’ comes from #’Bhaga’_or_Sun.
#’Bhagwa’ is a symbol of six things: all kinds of #wealth, #Dharma, #reputation, #prosperity, #knowledge and #detachment. It has existed and guided the Hindu society right from its origin. It has inspired and has been honoured by Hindu Saints and heroes. In the past the #Hindu_warriors would carry the flag into the battlefield. It would dispel all fears and lead them into victory. The Hindu monks wear #Bhagwa coloured robes to signify that they have renounced everything and put themselves on the path of salvation.
The colour of the flag embodies the glorious orange hue of the Sun that dispels darkness and sheds light all around. It has the colour of fire. The fire is a great purifier. The shape of rising flames and orange colour tell us to shake off one’s lethargy and do one’s duty.
The Sun shines brilliantly throughout the day giving energy and life without demanding anything in return. So, we make sacrifices for the samaj without expectations. The rising flames tell us to rise above all our dogmatic arguments and make our samaj glorious. The question is asked why Doctorji, the founder of Sangh was not taken as the Guru or any other person for that matter. The reason that Doctorji gave himself was that, a person cannot live forever and there is no guarantee that everyone will continue to follow him always, and secondly an individual cannot be at many places at the same
time. Therefore Doctorji placed before us the Bhagwa Dhwaj which, as well as being able to have an inspiring influence in all ours shakhas, has been inspiring and guiding the Hindu society, saints and heroes from ancient times and has been the Guru of all Gurus.
The #Bhagwa_Dhwaj is #eternal (Sanatan) and #universal (Vaishvic). Since we have accepted the Bhagwa Dhwaj as our Guru in Sangh, we do Pranam at the starting and ending of our Shakha. It is now our turn to make great sacrifices before the Bhagwa Dhwaj just as great men of the past did and strive to achieve our mission.
Honen-in Temple lies on the hillside on the northeastern edge of Kyoto.
These sand mounds are said to purify one’s body and soul. Usually temples and shrines have a basin to wash hands at the entrance, but this temple has sand mounds instead. Every three or four days a monk draws a new pattern on the mounds in the early morning.
Reforged x Metallix
The new gen of matoran and protector of Okoto's exotic forest and waterfalls. Vizuna dons a new crystal green metallic mask & armor, rich in color and bonds far more than the previous painted parts that was dark & thick. A new built axe. This green warrior now cleaned up & upgraded sets out hunting once again. Armored up like a high leveled but still new to the game.
tbreviews.com/top-10-best-air-purifier-reviews/ - Air purifier reviews are ideal source of information for consumers who needs to buy an one. The best ones are the ones made by consumers, because you could be sure that it isn't biased because there are some reviews that are made by people for companies, so expect their product to be super efficient.