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Published in The Film Daily, 1926 in a special edition celebrating Laemmle's 20th Anniversary in the film business
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I have been working on this play with my friend Jason for about seven years. It's gone through dozens of drafts and been performed in many different ways. I'm proud to say it has finally been published. Congrats Jason!
Lowtide Revelry
Published in the Highland News of July 26th 2008 !!! Their photographer hadnt turned up so I got asked if Id like to contribute on of mine
Inverness Highland Games, July 2008
This photograph was published in the Illustrated Chronicle on the 10th of July 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
We hope you enjoy looking through our collection, you are welcome to download and share our images for your own personal use, as they are to our knowledge, in the public domain. If you would like to use the images for commercial purposes, please contact us and we can provide a High Quality Digital Image for a fee. If you are able to use the Low Resolution Image from the website please do, but we would appreciate a credit: Image from the Newcastle City Library Photographic Collection, Thank you.
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this page without written permission and consent.
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Liam Gallagher arriva in Italia con due straordinari concerti: Il 26 febbraio 2018 è al Fabrique di Milano.
William John Paul Gallagher, conosciuto come Liam Gallagher, è un cantautore inglese, già frontman del gruppo musicale degli Oasis, una delle più note band musicali del mondo dagli anni novanta, e dei Beady Eye, formazione nata a seguito dello scioglimento degli Oasis e attiva fino al 2014, e attivo attualmente come solista. Degli Oasis Liam è stato la prima voce e autore di alcuni brani, in collaborazione col fratello maggiore Noel, l'altra figura di rilievo del gruppo originario di Manchester.
Liam Gallagher ha pubblicato lo scorso 6 ottobre via Warner Music il suo album di debutto come artista solista, intitolato “As You Were”. In Italia il disco ha debuttato alla posizione #4 nella classifica musicale degli album più venduti, segnalandosi come la più alta entrata e come l’album di un artista straniero più venduto della settimana. In Gran Bretagna, invece, il disco è entrato direttamente alla posizione #1, superando addirittura in termini di vendite quelle dei primi 15 album in classifica. Il disco si configura, ancora, come il terzo album dell’anno con il maggior numero di copie vendute durante la prima settimana (oltre 100.000 copie). Il vinile, infine, risulta essere il più venduto degli ultimi 20 anni durante i primi sette giorni dall’uscita.
Riguardo al disco, che riprende e rivisita allo stesso tempo certe influenze musicali anni ’60 e ’70, Liam ha dichiarato: “Non ho voluto reinventare nulla o lanciarmi in viaggi ipergalattici. È lo stesso suono di Cold Turkey di Lennon, degli Stones, dei classici. Ma fatti a modo mio, ora”.
From a visit to Preus Museum, The National Museum of Photography in Horten, Norway. June 1, 2013
The camera was designed in about 1840-45 to be used with any of the three processes of photography published by Hans Thøger Winther in 1845. The original Winther's camera has not been preserved.
Excellent craft of the artist, camera maker Kjell Dyrhaug 1974.
Welcoming Mass and Reception for Religious, Nov. 15, 2014, Diocesan Pastoral Center, Phoenix.
Photos by Ambria Hammel/CATHOLIC SUN
More: www.catholicsun.org
ORDERING INFORMATION
Looking for a hard copy of this photo? Please call 602-354-2140 or send an e-mail for ordering information. Please note the photo's title when ordering.
Copyright 2006-2014 The Catholic Sun. All rights reserved. This photo and all photos on this Web site credited to The Catholic Sun are provided for personal use only and may not be published, broadcasted, transmitted or sold without the expressed consent of The Catholic Sun.
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La jazz band britannica di Amplified Soul live con Gregory Porter.
Precursori dell'acid jazz, gli Incognito, capitanati da Jean-Paul “Bluey” Maunick (chitarrista, anima e mente del gruppo), vantano una carriera trentennale e sedici album registrati in studio. Un sound in grado di fondere la raffinatezza del jazz con l'energia e il calore del soul funk, tra fiati, percussioni e un groove molto vicino all'R&B contemporaneo. Amplified Soul è la loro ultima fatica discografica, una nuova calda avventura dal funky raggiante che la band presenta al Festival di Villa Arconati. A condividere il palco con loro, Gregory Porter, jazz man di raro talento, non a caso, Grammy Award.
Quest’anno è il 35° compleanno degli Incognito. 35 anni ricchi di musica intrisa di soul, avvolta nel jazz, con tocchi di funk e dance, creata sempre cercando di animare, coinvolgere e far ballare il mondo. Nel anno di questo 35° anniversario, il 03 Giugno 2014, gli Incognito pubblicano il loro 16° album in studio “Amplified Soul” su etichetta EarMUSIC, distribuzione Edel. 16 nuovi brani registrati e mixati nel leggendario Livingston Studio a nord di Londra, dove è stato mixato l’omonimo primo album dei Buena Vista Social Club, che ha venduto milioni di copie nel mondo, e dove è stato registrato e mixato anche l’album di debutto di Björk nel 1993. I brani creano un tappeto di grooves, soul e funky, che sono il marchio caratteristico degli Incognito. A volte in questo album la band si sposta verso un suono più scuro rispetto alle loro opere precedenti, offrendo all'ascoltatore una nuova avventura con canzoni meravigliosamente avvolte in toni caldi. Altre volte offre solo un funky raggiante!
Jean-Paul 'Bluey' Maunick: chitarra e voce
Matt Cooper: tastiera
Vanessa Haynes: voce
Tony Momrelle: voce
Francis Hylton: basso
Francesco Mendolia: batteria
João Caetano: percussioni
Sidney Gauld: tromba
James Anderson: sax
Trevor Mires: trombone
From an out-of-copyright bowling book published in the 1950s. Manipulated during scan, then reassembled, cleaned, adjusted, recolored, etc., in Photoshop.
Photo published with permission from Alvin Johnson [www.facebook.com/AlvinJohnsonPhotography]. All rights reserved.
One of my photos got published in the Dutch dive magazine "Duiken". The article was written by Steven Weinberg
This photograph was published in the Illustrated Chronicle on the 8th of July 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
We hope you enjoy looking through our collection, you are welcome to download and share our images for your own personal use, as they are to our knowledge, in the public domain. If you would like to use the images for commercial purposes, please contact us and we can provide a High Quality Digital Image for a fee. If you are able to use the Low Resolution Image from the website please do, but we would appreciate a credit: Image from the Newcastle City Library Photographic Collection, Thank you.
Title: New York, New York. Children's Colony, a school for refugee children administered by a Viennese. Refugee children, after learning English at Children's Colony, attend public school
Creator(s): Collins, Marjory, 1912-1985, photographer
Date Created/Published: 1942 Oct.
Medium: 1 negative ; 2 1/4 x 2 1/4 inches or smaller.
Reproduction Number: LC-USW3-009969-E (b&w film neg.)
Rights Advisory: No known restrictions. For information, see U.S. Farm Security Administration/Office of War Information Black & White Photographs(www.loc.gov/rr/print/res/071_fsab.html)
Call Number: LC-USW3- 009969-E [P&P]
Other Number: D 37515
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 hdl.loc.gov/loc.pnp/pp.print
Notes:
Title and other information from caption card.
LOT 0268 (Location of corresponding print.)
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
More information about the FSA/OWI Collection is available at hdl.loc.gov/loc.pnp/pp.fsaowi
Film copy on SIS roll 11, frame 1252.
Subjects:
United States--New York (State)--New York.
Format:
Film negatives.
Collections:
Farm Security Administration/Office of War Information Black-and-White Negatives
Part of: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)
Bookmark This Record:
www.loc.gov/pictures/item/owi2001012549/PP/
View the MARC Record for this item.
Rights assessment is your responsibility.
Photo Credit: Library of Congress, LC-USW3-009969-E
This photograph was published in the Illustrated Chronicle on the 14th of July 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
We hope you enjoy looking through our collection, you are welcome to download and share our images for your own personal use, as they are to our knowledge, in the public domain. If you would like to use the images for commercial purposes, please contact us and we can provide a High Quality Digital Image for a fee. If you are able to use the Low Resolution Image from the website please do, but we would appreciate a credit: Image from the Newcastle City Library Photographic Collection, Thank you.
P. Craig Russell's symbolist comics interpretation of the play Salomé by Oscar Wilde, set to music by Richard Strauss. Published by Eclipse in 1986, it was easily one of my favorite works of art to come out of the 1980's. Meeting Russell and getting this beautiful sketch meant the world to me.
Published by Jos Geo Gilbert Ltd.
As performed by Harry Davidson.
All items are original, and from my personal collection.
By
Chandler Stark
Published On
March 25, 2015
Updated on
May 18, 2023
Spanning 50 years, the Ford Thunderbird is one of the most iconic cars in American history. First introduced for the 1955 model year, Ford marketed the Thunderbird as a personal luxury car that featured outstanding performance from big-block V8s. The original run of the Thunderbird lasted for 10 generations from the 1955–1997 model years, before Ford briefly halted production. It did make one last comeback from 2002–2005 for an 11th generation, but Ford has since retired the moniker again.
x
Also known as the “T-Bird,” in 1957 the Thunderbird became one of the first production cars with a factory equipped supercharger. The 1950s T-Birds are some of the most recognizable American cars of all-time, with their classic tailfins and headlights. From 1968–1971, Ford released the ThunderJet variant, which was essentially a muscle car with its 429 cid V8 engine pumping out 360 horsepower and almost 500 lb-ft of torque. This article will cover the first six generations of the Thunderbird, from 1955–1976. Make sure to check out our other article for the 1977–2005 Ford Thunderbird.
Ford Thunderbird, 1955–1976 Overview
The first six generations of the Ford Thunderbird spanned 22 model years from 1955–1976. The Thunderbird sold well, almost eclipsing 100,000 cars annually for a few model years. Originally, Ford only made the Thunderbird available as a two-door convertible with a removable fiberglass top, but soon they added a Rayon-top option, and in 1958 Ford introduced a four-seater version. In 1967, Ford brought out the first four-door T-Bird in history, which was very successful at first, but sales soon slumped.
The first generation of the Thunderbird lasted from 1955–1957. Available engines were either a 292 or 312 cid V8, and in 1957 a supercharger was added to increase horsepower and torque. Ford created the Thunderbird to compete with the Chevrolet Corvette that General Motors had released a few years earlier in 1953. The Thunderbird vastly outsold the Corvette even though they sold for similar prices. The T-Bird quickly became popular with racing enthusiasts, they were a staple of 1950s and 1960s drag racing.
Ford produced the second generation of the Thunderbird from 1958–1960, and in 1959 Ford gave the T-Bird its first big-block V8 engine, a 430 cid V8 making 350 horsepower and 490 lb-ft of torque. The car got some slight restyling and added a convertible option in 1958, and production soured. The third generation lasted from 1961–1963, and production stayed relatively steady as did performance, with a 390 cid V8 now the base power plant.
The Thunderbird Continues
Ford created the fourth generation from 1964–1966, keeping the 390 cid V8 and introducing a 428 cid V8, too. Ford closed the decade with the fifth generation T-Bird, which lasted from 1967–1971. From 1968–1971, Ford released the high performance variant, the ThunderJet, which had a 429 cid V8 that was similar to the iconic Super Cobra Jet 429 V8.
The sixth generation lasted from 1972–1976, and sold relatively steadily. It was the largest Thunderbird ever, weighing over 5,000 pounds and featuring only 429 or massive 460 cid V8s.
First Generation Ford Thunderbird
Credit: Greg Gjerdingen/Wikipedia (1957 Ford Thunderbird)
Known as the “Early Birds,” the first generation of the Ford Thunderbird lasted from 1955–1957. Ford built the T-Bird to compete with the Chevrolet Corvette that was introduced a few years earlier by GM. Both were inspired by the European roadsters and sports cars of the 1940s, which caught the attention of countless GIs who were overseas serving in the Second World War. The T-Bird was a two-door, two-seater, that had a removable fiberglass top to make the car into a convertible. Also available was a Rayon top for an extra $300.
Priced at just $2,944 with standard equipment, the T-Bird was just $35 more than a V8 powered Corvette. The T-Bird also made 3 more horsepower than the Corvette, but weighed about 100 lbs more. Still performance was very comparable between the two. The 1955 Ford Thunderbird was incredibly popular, and Ford more than exceeded their 10,000 unit target. More than 16,000 Thunderbirds came off the line in 1955, dwarfing the Corvette production of just 700.
Celebrities loved driving the T-Bird, such as Marilyn Monroe who had a 1956 model. For the 1956 Thunderbird changes were relatively minimal, and mainly included different badging and a new rear bumper that increased storage space. For the 1957 Thunderbird, the tailfins got larger, as did the grille and tail lamps, and the front bumper took a new shape too. Though sales slightly dipped in 1956, they were still strong, and the 1957 Ford Thunderbird broke internal records with more than 21,000 units sold.
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Con sette album di studio all’attivo e una solida reputazione conquistata grazie alle loro esibizioni dal vivo, i New Found Glory annunciano lo spostamento, dai Magazzini Generali al Tunnel di Milano, della loro unica data italiana prevista per il prossimo 6 dicembre.
Precedentemente conosciuti come A New Found Glory, nascono nel 1997 a Coral Springs, Florida, e diventano subito qualcuno grazie alla loro capacità di togliere un articolo al loro nome e di unire una sensibilità pop ad un sound punk rock, negli album in studio e nei live energetici e coinvolgenti. Alternative rock, pop punk, punk revival, emo, sfumature, a volte, addirittura emo-pop.
L'ultima loro fatica discografica è Radiosurgery del 2011, album rende omaggio alle band che li hanno ispirati fin dalla loro adolescenza a Coral Spring. "Questo album è il culmine di tutti i nostri album messi insieme e quando suoniamo queste canzoni ci sentiamo come se fossimo una nuova band, eccitati e pieni di energia al pensiero che continueremo ad essere una band per molto tempo ancora" riassume così il chitarrista Steve Klein, che ha lasciato la band nel 2013.
Jordan Pundik – Lead vocals
Chad Gilbert – Lead guitar, backing vocals
Ian Grushka – Bass guitar
Cyrus Bolooki – Drums, percussion
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Juliette Lewis è un elegante animale da palcoscenico, una pantera con un animo da rocker, un personaggio carismatico ed unico; sette anni dopo la loro ultima apparizione sui palchi italiani Juliette and the Licks tornano per un’unica imperdibile data in Italia, il 6 giugno al Circolo Magnolia di Segrate a Milano.
Ragazza prodigio del cinema americano degli anni '90, ha trovato la sua vera dimensione sul palco proponendo progetti musicali sempre di forte impatto e sempre in linea con il suo innato senso artistico, che spesso va a braccetto con la sua fortissima personalità e la teatralità che la caratterizzano sia fuori che sopra il palco.
Con quattro album di successo all’attivo e la fama di essere uno straordinario live act, nel 2009 Juliette and the Licks si sciolgono e la frontwoman si focalizza sulla sua carriera di attrice, girando diversi film e serie tv.
Ma il richiamo della musica alla fine si è fatto sentire: Juliette and The Licks sono tornati a suonare insieme nel 2015, con un comeback show al Rey Theatre di Los Angeles. Ed hanno messo in cantiere un nuovo album, la cui uscita è prevista nel corso del 2016.
È la stessa Juliette a spiegare come ha preso forma l’idea di una reunion: “mentre registravo in studio insieme a Brad Shultz dei Cage The Elephant, ho iniziato a pensare che dovevamo assolutamente formare una band fantastica. Poi ho pensato: ma perché non rimetto semplicemente insieme la migliore band che abbia mai avuto? Sto parlando ovviamente dei The Licks! Avevamo una chimica pazzesca, e un’energia furiosa sul palco! Inoltre, l’ultima venue in cui ho suonato sia da solista che con la mia altra band (The New Romantiques) è stato El Ray, un posto che ho sempre amato tantissimo. Quindi perché non ripartire proprio da lì?”
Juliette Lewis – lead vocals
Todd Morse – lead guitar
Jason Womack – bass
Kemble Walters - guitar
Ed Davis – drums