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One of my opinipics of Opinicus was printed in Sheffield's Telegraph today.
They used five, actually, because its one of the ones I faffed about with.
I'm especially fond of the cheesy fake film strip.
See you at the Boardwalk on Wednesday then.
This photograph was published in the Illustrated Chronicle on the 15th of July 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
We hope you enjoy looking through our collection, you are welcome to download and share our images for your own personal use, as they are to our knowledge, in the public domain. If you would like to use the images for commercial purposes, please contact us and we can provide a High Quality Digital Image for a fee. If you are able to use the Low Resolution Image from the website please do, but we would appreciate a credit: Image from the Newcastle City Library Photographic Collection, Thank you.
Published in 2004/April EDN ASIA magazine. It told us that don't be stupid to pay the money which is worth a deer to buy a dog.
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In the latest edition of the magazine CHIP Foto-Video Digitiaal (nr. 03/2011) one of my streetshot Voorburg has been published.
The name of the section in which this streetshot has been published is called "Your photo in the magazine".
This is a close up of the streetshot.
1/29/12
My goal was to get my entire 2011 Project52 collection published before the end of January...just made it.
For those who may be interested in previewing and ordering the book, click here: www.blurb.com/bookstore/invited/2389684/3003e8c8dfa25d5e8...
Added to the 112 Pictures in 2012 group as #13 - Achievement
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Opening-act di Cosmo il 2 febbraio 2019 a Milano, al Mediolanum Forum di Assago, M¥SS KETA.
Una vita in Capslock è il titolo del primo album di M¥SS KETA, l’angelo dall’occhiale da sera, la diva definitiva dal volto velato e regina suprema dell’eccesso.
Il disco è un vero e proprio viaggio interiore che ha portato M¥SS KETA a esplorare nuove sonorità, mostrando la maturità acquisita in questi anni.
L’#UVIC Tour ha preso il via lo scorso aprile dai Magazzini Generali di Milano, la città che l’ha vista nascere e diventare “la stella più brillante dello star system contemporaneo”.
Un live esagerato che inaugura il nuovo capitolo della vita di M¥SS KETA, che sceglie definitivamente la selva oscura e perde la retta via per trasformarsi “da domata a domatrice, diventando protagonista di una vita sfrenata, incontrollabile e surreale: Una vita in Capslock.”
M¥SS KETA - la cui identità non è mai stata resa nota, così come il volto, mostrato sempre coperto sia durante gli spettacoli dal vivo che negli scatti promozionali - ha esordito nel 2013 con il brano “Milano, sushi e coca”, al quale sono seguiti “In gabbia (non ci vado)”, “Burqa di Gucci”, “Le ragazze di Porta Venezia”: le prime canzoni registrate dall'artista e diffuse al pubblico per mezzo dei social network sono state raccolte, nel 2016, nel "best of" “L’angelo dall’occhiale da sera: col cuore in gola". Nell’estate del 2017 la cantante pubblica per l’etichetta La Tempesta l’EP “Carpaccio ghiacciato”, prodotto da Motel Forlanini, alla realizzazione del quale prendono parte, tra gli altri, Riva e Populous, quest'ultimo coinvolto come produttore del singolo “Xananas”. Il 20 aprile del 2018 esce per Universal Music/La Tempesta il primo album di Myss Keta, "Una vita in Capslock": prodotto da un team composto da RIVA, Populous, Clap Clap, Bot, Zeus! e H-24, il disco vede le partecipazioni di di Birthh ai cori in "Inferno" e "Ultima botta a Pargi" e di Adele Nigro (Any Other) al sax sempre in "Ultima botta a Parigi". Tra gli autori dell'album, oltre alla stessa cantante e RIVA, ci sono Simone Rovellini, Dario Pigato e il collettivo di creativi milanesi raggruppatosi intorno al nome di Motel Forlanini.
Secondo quanto ha dichiarato l'artista, sarebbe andata in vacanza con l'avvocato Gianni Agnelli, sarebbe stata la prima musa di Salvador Dalí ed Andy Warhol e avrebbe avuto dei flirt con note personalità della politica e dello spettacolo. Ha anche asserito di aver avuto diciotto anni negli anni settanta e diciannove nel 2001.
Alla chitarra, Giungla, pseudonimo di Emanuela Drei, cantautrice di base a Bologna, già voce e chitarra di Heike Has The Giggles ed ex bassista di His Clancyness.
Got a photo published today in 'San Diego City Beat'.
Shot i took of Erick Diaz, DJ & Designer.
Bad crop by the paper though.
Published 13/11/1917
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
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Catsmob.com - The coolest pics on the net! foto 2d convertida para 3d anaglifo[ use red/cian galsses to view]
This photograph was published in the Illustrated Chronicle on the 26th of February 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories or information to add please comment below.
Copies of this photograph may be ordered from us, for more information see: www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.
Lady Gaga,
Joanne World Tour (Opening Night),
Tuesday, August 1st 2017,
Vancouver, Canada,
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Nino D’Angelo festeggia i suoi 60 anni (compiuti il 21 giugno) con uno show-evento “Il Concerto 6.0” il 24 giugno allo Stadio San Paolo di Napoli.
“Avrei dovuto fare un live in ogni vicolo di Napoli, o nel quartiere dove sono nato e cresciuto, per ringraziare il pubblico che mi segue da sempre”
Uno spettacolo in cui Nino D’Angelo ripercorrerà una straordinaria carriera tra musica, cinema e teatro, che ha fatto di Nino uno degli artisti più amati e di riferimento per le generazioni successive d’interpreti. “Mi piacerebbe che fosse una grande festa popolare, verace, dove divertirci tutti insieme, con un concerto ricco di canzoni che mi hanno visto crescere, a cominciare da quelle degli anni Ottanta”.
Il palco sarà allestito in quella Curva B tanto cara a Nino, protagonista in uno dei suoi film più amati. “Ho scelto lo stadio San Paolo perché per questo compleanno ho sentito l’esigenza di avere uno spazio grande, comunque un simbolo della città. Avrei dovuto fare un live in ogni vicolo di Napoli, o nel quartiere dove sono nato e cresciuto, per ringraziare il pubblico che mi segue da tanti anni ormai. Da qui la scelta dello stadio, senza dimenticare che io sono sempre “quel ragazzo della Curva B””.
Un concerto, questo, dove Nino D’Angelo proporrà, accompagnato dal suo gruppo musicale, i successi di una carriera lunga più di 40 anni e che da “San Pietro a Patierno” lo ha portato a essere uno degli artisti più apprezzati da pubblico e critica. Uno show dove le hit degli anni ’80 (“Nu jeans e na maglietta”, “Maledetto treno”, “Sotto ‘e stelle”) e degli anni ’90 (“Mentecuore”, “Nun te pozzo perdere”, “Carezza luntana”) si sposeranno con le canzoni degli anni successivi che hanno visto Nino maturare artisticamente, fino alla “svolta” sociale, etnica, cosi definita dalla critica (“Senza giacca e cravatta”, “Jammo ja’”, “Jesce sole”).
Sul palco si avvicenderanno tanti amici e colleghi che, in molti casi, duetteranno con Nino. Tra i primi nomi annunciati, Clementino, Gigi Finizio, Enzo Gragnaniello, Rocco Hunt, Maria Nazionale, Raiz, Sal Da Vinci, James Senese, Fortunato Cellino, Brunella Selo, Franco Ricciardi, Daniele Sanzone, Luchè e tanti altri ospiti...
“Il Concerto 6.0” è l’avvio di un progetto che proseguirà per tutto il 2017, culminando presto in un triplo cd che conterrà il dvd dello show al San Paolo; un disco di inediti; e uno con i maggiori “insuccessi di Nino D’Angelo” (come ama definirli l'artista). L’opera si chiamerà “Nino D’Angelo 6.0” e uscirà tra settembre e ottobre.
"Twentysix Gasoline Stations is the first artist's book by the American pop artist Ed Ruscha. Published in April 1963 on his own imprint National Excelsior Press, it is often considered to be the first modern Artist's book, and has become famous as a precursor and a major influence on the emerging artist's book culture, especially in America. The book does exactly what its title suggests, reproducing 26 photographs of gasoline stations next to captions indicating their brand and location. From the first service station, 'Bob's Service' in Los Angeles where Ruscha lived, the book follows a journey back to Oklahoma City where the artist had grown up, and where his mother still resided. The last image is of a Fina Gasoline Station in Groom, Texas, which Ruscha has suggested should be seen as the beginning of the return journey, 'like a coda'.
All of the gasoline stations are on Route 66, a road that had already been mythologized by the TV series Route 66 and in Steinbeck's The Grapes Of Wrath, and later reappeared as a motif in Dennis Hopper's Easy Rider
The book has also been cited as an artist's book equivalent of a road movie, and as a pop version of Walker Evans' photos of America, such as his deserted gasoline station in 'Highway Corner Reedsville West Virginia, 1935'
(Wikipedia)
"Ruscha did talk about the influence photography has had on his work. He cited Walker Evans as a influence in terms of his straightforward and historical style, methods which certainly manifest themselves sometimes in Ruscha’s work though usually nuanced with text additions. He also noted that Evans was the artist that made him appreciate the United States, a statement quite interesting in its implications."
(thechicagoartblog.wordpress)
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Nei giorni immediatamente successivi agli eventi sismici che a maggio hanno colpito la popolazione dell’Emilia Romagna, 14 big della musica italiana hanno deciso di dare il loro sostegno alla popolazione emiliana con un grande e significativo concerto che si svolgerà il 22 settembre al Campovolo di Reggio Emilia.
BIAGIO ANTONACCI, CLAUDIO BAGLIONI, ELISA, TIZIANO FERRO, GIORGIA, LORENZO JOVANOTTI, LIGABUE, LITFIBA, FIORELLA MANNOIA, NEGRAMARO, NOMADI, LAURA PAUSINI (assente perché in dolce attesa), RENATO ZERO e ZUCCHERO, questi i grandi artisti che hanno deciso di esprimere solidarietà alla popolazione colpita dal sisma e di aiutare la raccolta dei fondi per la ricostruzione.
La musica e i suoi protagonisti, come in passato e come è successo con il concerto degli Artisti Emiliani allo Stadio Dall’Ara di Bologna, possono fare cose importanti, possono smuovere le coscienze e non far dimenticare, possono farci sentire uniti.
Il 22 settembre al Campovolo ci sarà l’Italia tutta, centinaia, migliaia di battiti che attraverso la musica diventeranno un solo grande battito, un battito di solidarietà, pieno di speranza, emozioni e voglia di ricominciare e ricostruire.
L’obiettivo dell’evento, a cui gli artisti parteciperanno senza percepire alcun compenso, è devolvere l’intero incasso a uno degli obiettivi primari che verranno sottoposti dalla Regione Emilia Romagna che, con il suo presidente Vasco Errani (nominato commissario per la ricostruzione), è promotrice dell’iniziativa.
A sostenere i costi e a contribuire con ulteriori fondi, saranno alcune tra le più importanti realtà dell’industria privata italiana.
2018 Mermaid Parade
Saturday June 16th 2018
Coney Island, Brooklyn (NY)
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Its not often i get something published, no really its not. But today i did. The People`s Monarch :)
One of my photos got published in the Dutch dive magazine "Duiken". The article was written by Steven Weinberg
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Erykah Badu è nata come Erica Abi Wright a South Dallas, Texas, nel 1971. Il lavoro della madre, attrice, ha evidentemente avuto un impatto enorme sulla piccola Erykah, che a soli 4 anni era già su un palco del “Dallas Theatre Centre”; sempre grazie all'influenza materna la piccola Erica si cimenta nella pittura, nel canto e nella danza, sognando di seguire le orme dei suoi artisti preferiti: Stevie Wonder e Chaka Kan. Erykah cresce proprio quando avviene l'esplosione del fenomeno musicale dell'Hip Hop; così a 14 anni l'artista inizia a fare del free style per una radio locale chiamata "Knon", aiutata dal beat di un altro esordiente, il futuro trombettista Jazz Roy Hargrove, e decide di utilizzare un nome d'arte, considerando il suo nome originale come un nome da schiava. Erica diviene Erykah, utilizzando il suffisso "kah" "luce interiore", e come cognome prende Badu derivante dal fraseggio tipico del jazz ("ba-doo"); più tardi l'artista scoprirà che il termine Badu in arabo significa "verità e luce".
La musica di Erykah Badu è fortemente ispirata da r&b tradizionale, hip hop e jazz; alcuni definiscono il suo stile musicale Conscious Hip-hop, per via dei suoi testi incentrati su una filosofia urban molto personale e spesso caratterizzati da riflessioni politiche e sociali definite dai critici "mistiche" e di difficile interpretazione e che, a detta di molti critici, lanciano sfide emozionali agli ascoltatori. La critica la considera una delle personalità musicali più eclettiche e fantasiose del nuovo millennio, oltre che una delle più influenti artiste neo-soul degli ultimi quindici anni.
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The Postcard
A postally unused carte postale that was published by Lévy Fils et Cie of Paris, with photography by Charles Ledieu of Arras. The card has a divided back.
The shelters in the photograph would provide little if any protection from a large-calibre artillery shell.
Abba Eban
"History teaches us that men and
nations behave wisely when they
have exhausted all other alternatives".
This was said during a speech in London UK on 16th. December 1970 by Abba Eban (1915-2002), an Israeli diplomat and writer.
Visé Paris No. 2857
The card bears the imprimatur 'Visé Paris' followed by a unique reference number. This means that the image was inspected and deemed by the military authorities in the French capital not to be a security risk.
'Visé Paris' indicates that the card was published during or soon after the Great War.
Marœuil
Marœuil is a commune in the Pas-de-Calais department, Arrondissement Arras, in the Hauts-de-France region of France.
Marœuil is a large farming and light industrial village situated 4 miles (6 km) northwest of Arras.
The village was first recorded as Maraculum around 680, then as Maroel in 1104, Maroeul in 1307, and finally as Marœuil in 1670.
A church was first built here by St.-Bertille around the year 697. The village's population in 2017 was 2,464.
There are two Commonwealth War Graves Commission cemeteries near Marœuil.
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
With an average length of two feet, that number of shells if laid end to end would stretch for 64,394 miles (103,632 kilometres). That's over two and a half times round the Earth. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
A huge mine under the German lines did not explode during the battle of Messines in 1917. The mine, containing several tons of ammonal and gun cotton, was triggered by lightning in 1955, creating an enormous crater.
The precise location of a second mine which also did not explode is unknown. Searches for it are not planned, as they would be too expensive and dangerous. For more on this, please search for "Cotehele Chapel"
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
Published Winter 1995. Cover photo of Gregory Corso and Harold Norse at The Beat Generation Conference, New York, May 1994. The event was reviewed by Rod Anstee, Mike Cusimano and Dr. Peter Georgelos, and papers by some of the participants, including James T. Jones and Robert C. Timm were published. The issue also included a Charles Bukowski memorial.
This photograph was published in the Illustrated Chronicle August 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.