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A cavallo tra il 2010 ed il 2011 un nome più di tutti è emerso tra gli appassionati di pop elettronico, un nome che fa capo ad un duo con base a Manchester. Si tratta degli inglesi Hurts che, con la pubblicazione del loro debutto intitolato Happiness, hanno reso felici tutti gli appassionati di un particolare momento della musica anni ’80 che faceva capo a band come Human League, New Order, Depeche Mode, Ultravox. Con un solo disco, infatti, gli Hurts hanno riscoperto e rivitalizzato quei suoni rendendoli nuovamente attuali attraverso la scrittura di una vera e propria opera pop eccelsa. Con Happiness gli Hurts hanno infatti conquistato sia i neofiti dell’elettro-pop sia chi gli anni Ottanta li ha vissuti in prima persona, grazie a singoli come Better Than Love, Wonderful Life, Stay e Sunday, decretando la loro opera prima come uno degli album di maggiore successo del 2010/2011. Ed è nel 2011 che la band vince la nomination di Best New Band agli NME Awards, con oltre 2milioni di copie vendute in tutto il mondo.
Nell’elettro-pop di Adam Anderson e Theo Hutchcraft, con rimandi al rock oscuro di Joy Division, Interpol, Editors e White Lies, si ritrova tutta la magia ed il glam degli anni ’80, una stagione tanto bistrattata quanto apprezzata per il cambio radicale che ha imposto ai canoni della pop-music. Anche dal vivo gli Hurts non tradiscono questa magia: il glam diventa parte integrante dello show che è, sin dagli esordi, uno dei live più affascinanti degli ultimi anni, con esplosioni sonore che flirtano con la dance. Imperdibili.
Theo Hutchcraft - voce
Adam Anderson - sintetizzatore, chitarra, pianoforte, tastiere
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A cavallo tra il 2010 ed il 2011 un nome più di tutti è emerso tra gli appassionati di pop elettronico, un nome che fa capo ad un duo con base a Manchester. Si tratta degli inglesi Hurts che, con la pubblicazione del loro debutto intitolato Happiness, hanno reso felici tutti gli appassionati di un particolare momento della musica anni ’80 che faceva capo a band come Human League, New Order, Depeche Mode, Ultravox. Con un solo disco, infatti, gli Hurts hanno riscoperto e rivitalizzato quei suoni rendendoli nuovamente attuali attraverso la scrittura di una vera e propria opera pop eccelsa. Con Happiness gli Hurts hanno infatti conquistato sia i neofiti dell’elettro-pop sia chi gli anni Ottanta li ha vissuti in prima persona, grazie a singoli come Better Than Love, Wonderful Life, Stay e Sunday, decretando la loro opera prima come uno degli album di maggiore successo del 2010/2011. Ed è nel 2011 che la band vince la nomination di Best New Band agli NME Awards, con oltre 2milioni di copie vendute in tutto il mondo.
Nell’elettro-pop di Adam Anderson e Theo Hutchcraft, con rimandi al rock oscuro di Joy Division, Interpol, Editors e White Lies, si ritrova tutta la magia ed il glam degli anni ’80, una stagione tanto bistrattata quanto apprezzata per il cambio radicale che ha imposto ai canoni della pop-music. Anche dal vivo gli Hurts non tradiscono questa magia: il glam diventa parte integrante dello show che è, sin dagli esordi, uno dei live più affascinanti degli ultimi anni, con esplosioni sonore che flirtano con la dance. Imperdibili.
Theo Hutchcraft - voce
Adam Anderson - sintetizzatore, chitarra, pianoforte, tastiere
This photo © 2013 by Interweave Press.
The Electra Wrap pattern was first published in the summer 2013 issue of Interweave Crochet magazine.
The yarns used are Luna (lace weight mohair) and Crystal (fancy sequined carry-along strand) by Filatura di Crosa/Stacy Charles.
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Twins Of Evil Tour questo il nome del tour che vede sullo stesso palco Rob Zombie e Marilyn Manson, vere e proprie icone dell'industrial metal.
L'infernale ed esplosiva accoppiata chiuderà in Italia il lungo tour mondiale che ha portato i due controversi artisti in America ed Europa per 36 date.
Quello di Bologna si preannuncia uno show micidiale e altamente spettacolare, tra scenografie ad alto impatto visivo, imponenti impianti luce e audio, megaschermi che proiettano immagini e personaggi di film horror e gli immancabili travestimenti estremi e provocatori dei due artisti.
Marilyn Manson presenterà i brani dell'ultimo album "Born Villain" oltre a celebri pezzi come "Beautiful People", mentre Rob Zombie presenterà l'ultimo album di remix "Mondo Sex Head".
Rob Zombie, all'anagrafe Robert Bartleh Cummings, è un cantante, regista e attore statunitense, autore di film horror come La casa dei 1000 corpi. È noto soprattutto per essere il fondatore, nonché cantante e compositore del gruppo alternative metal White Zombie, gruppo con il quale ha suonato fino al 1998, anno dello scioglimento dello stesso. Successivamente al 1998 ha iniziato la carriera solista che lo ha portato alla pubblicazione di 4 album, alcuni anni dopo è uscito nelle sale cinematografiche il suo primo film in veste di regista La casa dei 1000 corpi, seguito da La casa del diavolo. Ha continuato la carriera da regista dirigendo con successo il reboot Halloween - The Beginning.
Part of a larger long term project. This is from the cover of the book Practical English, Book 2, published in 1971 as a companion piece to the pioneering ESL television program Sut Yung Ying Yee (Practical English), put out in San Francisco by Chinese For Affirmative Action in 1970. Eventually, I intend to restore & colorize the whole book cover, but that's going to take awhile.
There are four little vignette pictures along the front spine of the book, and, as of this moment, I've now posted the two easy ones from the middle. The other two, on the top and bottom, are slightly more damaged, and there are many ambiguous details which require some research on the bottom one.
Seeing the lady's matching purse & gloves brings to my mind my mother telling me that, when she was growing up in the 50's & early 60's, a woman never thought of going to downtown San Francisco without gloves.
I'd like to do some more research on this program. If anyone knows where it can still be watched, or if you can tell me who the people in the pictures are, please let me know. All of the actors in the program--according to some sources--were local activists.
In terms of the restoration/ colorization, this was the easiest of the four little pictures: not very damaged, and a plain background. I used the standard method of cutting different layers for different colors. I tried several colors for the lady's dress before settling on this violet shade.
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Dopo aver scelto il Summer Festival di Lucca per presentare al pubblico italiano il suo nuovo album "Little Broken Heart", Norah Jones regalerà all'Italia un nuovo concerto del suo tour mondiale, in programma a Milano, presso il Teatro degli Arcimboldi, martedì 18 settembre 2012.
Intanto, dai primi giorni di settembre è in rotazione sulle radio italiane il singolo 'Say Goodbye', tratto dall'ultimo album 'Little Broken Hearts', pubblicato a maggio. Il disco, il quinto dall'esordio del 2002 con il successo di 'Come Away With Me', ha già venduto più di 800mila copie in tutto il mondo.
Norah, figlia di Ravi Shankar, il maestro di sitar del Beatle George Harrison, non è cresciuta con lui ma solo con sua madre, Sue Jones, cantante di musica soul, che le ha trasmesso l'amore per la musica. Il suo nome completo di battesimo era Geethali Norah Jones Shankar: all'età di 16 anni lo ha legalmente cambiato in Norah Jones, a conferma del difficile rapporto con il padre. Fino a qualche anno fa, di lui riusciva solo a dire "è un grande musicista". La sorella, figlia di Ravi e di un'altra donna, Anoushka Shankar, di due anni più piccola, è anche lei una musicista: "ha un talento raro", dice di lei Jones.
Josh Lattanzi - bass
Pete Remm - keyboards
Jason Abraham Roberts - guitar
Greg ‘G Wiz’ Wieczorek - drums
Bain News Service,, publisher.
Mrs. F.B. Harrison
1914 May 1 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
Photo shows Mrs. Mabel Judson Cox, second wife of Francis Burton Harrison (1873-1957) who served as Governor-General of the Philippines. (Source: Flickr Commons project, 2010)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.14383
Call Number: LC-B2- 2842-3
2018 Mermaid Parade
Saturday June 16th 2018
Coney Island, Brooklyn (NY)
© 2018 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
My photo of the deck of the Rainbow Warrior on the inside cover of the German Greenpeace Magazine. Note the Isle of Grain Chimney in the background!
(L) The image on the left is from the published Soil Survey of Carter County, Kentucky.
(R) The image on the right is from the original soil scientist's field sheet.
Soil mapping is the process of delineating natural bodies of soils, classifying and grouping the delineated soils into map units, and capturing soil property information for interpreting and depicting soil spatial distribution on a map.
The soils and miscellaneous areas (e.g., Rock outcrop) in a survey area are in an orderly pattern that is related to the geology, landforms, topography, climate, and natural vegetation. Each kind of soil and miscellaneous area is associated with a particular kind of landform or with a segment of the landform. Soil scientists delineate these repeating patterns of landform segments, or natural bodies, on a map. By observing the soils and miscellaneous areas in the survey area and relating their position to specific segments of the landform, a soil scientist develops a concept, or model, of how they formed. Thus, during mapping, these models enable the soil scientist to predict with considerable accuracy the kind of soil or miscellaneous area on the landscape (Hudson, 1992).
The repetitive patterns imprinted in soils by the soil-forming factors can be observed at scales ranging from continental to microscopic. These patterns are the basis for soil identification and mapping at different scales. A system of terminology, definitions, and operations can be ascribed to the various scales. Hierarchical systems of classes and subclasses are established to produce groupings at the different scales.
Commonly, individual soils on the landscape merge into one another as their characteristics gradually change. To construct an accurate soil map, however, soil scientists must determine the boundaries between the soils. Some boundaries are sharp, where soils change over a few meters, while others are more gradual. Soil scientists can observe only a limited number of pedons. Nevertheless, these observations, supplemented by an understanding of the soil-vegetation-landscape relationship, are sufficient to verify predictions of the kinds of soil and to determine their boundaries.
Soil scientists record the characteristics of the pedons, associated plant communities, geology, landforms, and other features that they study. They describe the kind and arrangement of soil horizons and their color, texture, size and shape of soil aggregates, kind and amount of rock fragments, distribution of plant roots, reaction, and other features that enable them to classify and identify soils (see chapters 2 and 3 for details). They describe plant species present (their combinations, productivity, and condition) to classify plant communities, correlate them to the soils with which they are typically associated, and predict their response to management and change.
After the soil scientists identify and describe the properties of landscape components, or natural bodies of soils, the components are correlated to an appropriate taxonomic class, which is used for naming map units. Correlation, or comparison of individual soils with similar soils in the same taxonomic class in other areas, confirms data and helps the staff determine the need to assemble additional data. Taxonomic classes are concepts. Each taxonomic class has a set of soil characteristics with precisely defined limits. The classes are used as a basis for comparison to classify soils systematically. Soil Taxonomy, the system of taxonomic classification used in the United States, is based mainly on the kind and character of soil properties and the arrangement of horizons within the profile (Soil Survey Staff, 1999).
While a soil survey is in progress, samples of some of the soils in the area are collected for laboratory analyses. Soil scientists interpret the data from these analyses and tests as well as the field observed characteristics of the soil properties to determine the range of values for key soil properties for each soil. They also use these data to determine the expected behavior of the soils under different uses. Soil property data is organized and stored in a database, where it is used to generate soil interpretations for use and management. Interpretations for all of the soils are field tested through observation of the soils in different uses and under different levels of management. Special studies to document dynamic soil properties that are affected by use and management may be conducted. Data are assembled from other sources as well, such as research information and field experience of specialists.
After survey staff locate and identify the significant natural bodies of soil in the survey area, they draw the boundaries of these bodies on a map and identify each as a specific map unit by name. Imagery showing trees, buildings, roads, and rivers is commonly used as a base map to help in locating boundaries accurately. Tonal shades and patterns on aerial photographs or digital images are used to indicate potential changes in vegetation, drainage conditions, parent materials, and other factors affecting surface reflectance. As digital mapping techniques are being increasingly integrated into mapping (see chapter 5), additional sources of information, such as multispectral bands, digital elevation models, and other data layers (such as geology), along with global positioning systems (GPS) are used to accurately locate map unit boundaries. Although the processes used in digital mapping techniques are different from nondigital conventional methods, the principles are the same.
In the United States, soil surveys vary in scale and in intensity of observations. The components of map units are designated by taxa in Soil Taxonomy (Soil Survey Staff, 1999) or as miscellaneous areas (i.e., nonsoil areas). In naming a map unit, soil taxa names (commonly a soil series name) are modified with phase terms (indicating surface texture, slope, flooding, stoniness, etc.) to convey information that is either more specific than the wider range of properties defined for the series (e.g., surface texture) or that represents a property outside of the soil itself (e.g., flooding). The phase commonly is a portion of the range of properties exhibited by the taxon. For example, a certain soil series may have slopes ranging from 3 to more than 60 percent but the map units are shown with narrower ranges (e.g., 3 to 8, 8 to 15, 15 to 25) to provide information that is useful in managing the soils in the area.
Historically, soil surveys have classified entire polypedons and grouped their properties for interpretative output as vector maps (polygons). Some contemporary surveys classify only certain soil properties, such as surface rock fragment cover, and output the information as raster maps, in which each pixel represents a specific value of the property. With these maps, commonly called “soil property maps,” the user can decide how to group or aggregate the information for their needs. Strictly speaking, maps of individual soil properties are not synonymous with soil surveys, which by definition delineate natural soil bodies.
The Postcard
A postally unused carte postale that was published by Lévy Fils et Cie of Paris. The card has a divided back.
Boulogne-sur-Mer
Boulogne-sur-Mer is a coastal city in Northern France. It is a sub-prefecture of the département of Pas-de-Calais.
Boulogne lies on the Côte d'Opale, a touristic stretch of French coast on the English Channel between Calais and Normandy.
Boulogne is its département's second-largest city after Calais, and the 60th.-largest in France. It is also the country's largest fishing port, specialising in herring.
Boulogne in the Great War
During the First World War, Boulogne was the arrival port for the first unit of the British Expeditionary Force to land in France, and for many others thereafter.
Boulogne was one of the three base ports most extensively used by the Commonwealth armies on the Western Front throughout the First World War.
It was closed and cleared on the 27th. August 1914 when the Allies were forced to fall back ahead of the German advance, but was opened again in October, and from that month to the end of the war, Boulogne and Wimereux formed one of the chief hospital areas.
Until June 1918, the dead from the hospitals at Boulogne itself were buried in the Cimetière de L'Est, one of the town's cemeteries, the Commonwealth graves forming a long, narrow strip along the right hand edge of the cemetery.
In the spring of 1918, it was found that space was running short in the Eastern Cemetery in spite of repeated extensions to the south, and the site of a new cemetery at Terlincthun was chosen.
To see a photograph of the cemetery, please search for the tag 45TBC33
Boulogne in World War II
In World War II, on the 15th. June 1944, 297 aircraft (155 Avro Lancasters, 130 Handley Page Halifaxes, and 12 De Havilland Mosquitos) of the Royal Air Force bombed Boulogne harbour to suppress German naval activity following D-Day.
Some of the Lancasters carried Tallboy bombs, and as a result, the harbour and the surrounding area were completely destroyed.
In August 1944 the town was declared a "fortress" by Adolf Hitler, but it succumbed to assault and liberation by the 3rd. Canadian Infantry Division in September. In one incident, a French civilian guided the Canadians to a "secret passage" leading into the walled old town and by-passing the German defenders.
Reconstruction of Boulogne After World War II
To replace the destroyed urban infrastructure, affordable housing and public facility projects in functional, brutalist building styles were carried out in the 1950's and 60's.
The Boulogne Basilica
The Basilica was built between 1827 and 1875 on the site of Boulogne's medieval cathedral.
The original cathedral flourished until the French Revolution, when it was brought under government control. After a period as a military warehouse, the cathedral was sold and demolished in stages. In 1783 its celebrated miraculous statue of Our Lady of the Sea was burned. Only a small portion of the statue's hand survived and is still on display.
When construction on the new church started in 1827, workers discovered a crypt that had lain unknown for centuries, having probably been filled in during the 1544 siege of Boulogne by Henry VIII of England.
The crypt is 128 metres long, and is the oldest in France. The many rooms include the foundations of a Roman temple dedicated to Mars. Cannon balls from the 1544 siege lie alongside offerings from the site's many medieval pilgrims.
The area beneath the dome of Notre-Dame was initially designed to form the complete church, but additional funding allowed the expansion to the nave and transept that form a Latin cross. This gives the finished building the unusual internal appearance of being formed by two distinct churches.
Woohoo! My first officially published pictures. They made it into the August 2010 edition of "The Lutheran" magazine.
It's a nice article that involves an excellent feature about my friends at Humble Walk.
You can see the whole set here. And I'll also try to link to the issue when it's online. Otherwise head to you local Lutheran dealer to pickup your own copy.
Strobist info: sb900 at 1/4 bounced into the white part of a 5-in-1 reflector over the subject. Triggered via manual CLS.
The Lutheran Magazine - August 2010, pgs. 28-29, Augsburg Fortress
Published by Essex County Library A wonderful booklet of 1979, a nostalgic look at Essex Windmills. edited PR Gifford with a foreword by Vincent Pargeter, who was employed by Essex County Council as a millwright. Printed by WS Cowell Ltd. Ipswich.
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L'artista presenta "Made in London" al Teatro dal Verme
Bagnati dal sole e Un uomo è un albero sono i due singoli cui Noemi si presenta a Sanremo 2014 e che fanno parte del suo nuovo album, Made in London, in cui compare come se fosse la protagonista di un francobollo, vintage, intrigante, rossa come sempre. Di quel RossoNoemi che l'ha portata prima all'interno di uno dei talent show più famosi del nostro palinsesto televisivo in veste di concorrente e ultimamente in un altro talent, nel ruolo di giudice. Ne ha fatta di strada la ragazza lanciata da Morgan, che ha cantato con Fiorella Mannoia o che ha interpretato Vasco, realizzando così uno dei suoi sogni più grandi.
Noemi, nome d'arte di Veronica Scopelliti, è una cantautrice, personaggio televisivo, sceneggiatrice e regista di videoclip italiana. È divenuta nota nel 2009 in seguito alla partecipazione alla seconda edizione di X Factor, firmando un contratto con l'etichetta discografica Sony Music. Ha partecipato a tre Festival di Sanremo nel 2010, nel 2012 e nel 2014 ottenendo nel corso degli anni 26 riconoscimenti tra vittorie e candidature.
The set of 4 books has a soft cardboard case (pictured above on the books).
Each book is approximately 60mm x 85mm.
"Anaheim Street, Long Beach"
On March 10, 1933, a magnitude 6.3 earthquake struck Long Beach, California and surrounding communities. It caused 50 million dollars damage, and claimed 120 lives. This photo is from a souvenir booklet that was published shortly afterwards.
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Giovedì 12 Dicembre 2013, Forum di Assago, Finale di X Factor 7: prima ancora dell’inizio del talent, già si parlava di questo evento.
Un palco mai visto prima in un programma televisivo: 650 motorizzati, 1000 metri di americana in quota, 188 punti motore, 800 metri quadri di ledwall cielo-terra. Un allestimento costruito grazie all’impegno di 200 tecnici e in appena 65 ore.
In gara per lo scettro che l'anno scorso è stato di Chiara Galiazzo, Violetta, Michele, Aba e Ape Escape, rispettivamente della squadra di Mika (under donne), Morgan (under uomini), Elio (over 25 uomini) e Simona Ventura (gruppi vocali).
La puntata è attesissima anche per gli ospiti tra i quali spiccano gli One Direction (idoli delle teenagers, lanciati proprio dall'edizione inglese di X Factor del 2010, in cui si classificarono terzi), Marco Mengoni, Giorgia, Elisa e Mario Biondi.
I finalisti si sfideranno per la vittoria dinanzi ad un pubblico di oltre 7mila persone. Come sempre il premio consiste in un contratto discografico con la Sony che per un giovane artista emergente rappresenta una grande opportunità.
La finale di X Factor non andrà in onda solamente su Sky ma anche su Cielo.
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La grande stagione dei concerti milanesi non poteva dirsi tale senza gli Independent Days, meglio conosciuti come IDays. La manifestazione musicale, si svolge dal 21 al 24 giugno presso il Parco Experience di Rho, ovvero la struttura nata dall’ex Area Expo 2015.
il 23 giugno è il giorno di Noel Gallagher’s High Flying Birds.
Noel Gallagher è uno dei songwriter che hanno fatto la storia del rock con oltre 85 milioni di album venduti. Vincitore di un NME award con i suoi "High Flying Birds".
Dopo Lollapalooza, Pukkelpop e Roskilde Noel Gallagher atterra @ I-Days per incantare il pubblico con le sue Wonderwall, Don't Look Back In Anger e tante altre!
I Noel Gallagher's High Flying Birds sono un gruppo alternative rock inglese fondato da Noel Gallagher nel 2010, dopo lo scioglimento degli Oasis.
Come specificato più volte dallo stesso Gallagher, in realtà non si tratta di una band in senso stretto, non potendo contare su una formazione stabile e consolidata, bensì di un "collettivo" soggetto a mutamenti.
Adesso ne comincia una nuova. Chasing Yesterday è il nuovo lavoro discografico del gruppo di Noel, da cui è tratto il singolo In The Heat Of The Moment, brano che annuncia un album variegatissimo e molto interessante.
Dal west coast rock al rock'n'roll classico fino addirittura allo space jazz, con assoluta maestria.
Il surrealismo non è da meno. Proprio l'ipnotico primo singolo è ispirato a un documentario in cui un astronauta dice che andare nello spazio per la prima volta è come toccare il viso di Dio. "Se questa non è la frase iniziale perfetta per una canzone - dichiara Gallagher - non so cosa possa esserlo".
Noel Gallagher - voce, chitarra solista
Turnisti
Jeremy Stacey - batteria
Mikey Rowe - tastiera
Tim Smith - chitarra ritmica
Russell Pritchard - basso e cori
Alexis Mag Vol.003
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Photography: Shavonne Wong (zhiffyphotography)
Styling: Raudhah Hanafi
Assistants: Dewi Sriwahyuto, Li Kah Yan, & Jeslin Lee
Hair and Makeup: Julyen Z L.
Model: Victoria Stutterheim (Phantom Models)
Bain News Service,, publisher.
Mrs. Arthur S. Burden at Newport
1913 August 29 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
Photo shows socialite and art collector Mrs. Arthur Scott Burden (1884-1966), formerly the Honorable Cynthia Burke Roche of London. (Source: Flickr Commons project, 2010)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.14117
Call Number: LC-B2- 2814-6
A fascinating textbook on Outdoor Advertising - "its function in modern advertising and marketing" published in 1953 and claiming to be the first such volume published since Cyril Sheldon's 1916 "Billposting" that had been reissued in 1927. The book considers, in three sections, the practical production of advertising including the contractor, agent and designer; a second looking at application of planning and selection of advertising type and location including the impact of the then new planning laws and, finally, research into target audiences for various campaigns.
The book has numerous illustrations including a series of uncredited sketches showing aspects of advertising in the 'townscape' as well as various reproductions of poster artwork.
Cadbury's Bourn-Vita was the company's 'answer' to Ovaltine and Horlicks, a chocolate/cocoa based drink promoted as an aid to restful sleep. This page looks at how a continuing theme in press advertising can lead to a more minimalist approach due to product recognition. The sleepy mug and night hat was available in real life as a moulded earthenware mug and plastic 'cap' and indeed I still have an example. The main poster is by "Clynick".
[Published on Dawn.com as a part of a media gallery]
Girl | March 30, 2011 | She came up to me quietly and asked if I would take her photo.
First published in Penguin in 1965.
Reprinted in 1967,1969,1970,1971 and 1972.
This reprint published in 1973.
The cover shows a detaiil of a painting by Paul Klee
This photo of Meacham Grove has been published in the Fall 2012 issue of the "Conservationist." It is a publication of the Forest Preserve District of DuPage County.
The nice people at Fuse recently licensed 35 of my photographs from the BBC Radio 1 Big Weekend in Derry (Northern Ireland) for their gallery of the weekend.
A LOT more from this weekend will be up soon.
The Photograph is © Ollie Millington
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2012 by clicking
here .
You can more examples of my published work by clicking
here .
You can see all the folders I have on public view (added to daily) by clicking here .
Published 4.2007 "Jton Magazine"
Visit the Jton Magazine website or see the published work on my website
Published in a National Geographic Traveler special supplement: "The Western Balkans: Land of Discovery"
For all photo's: Copyright Dennis Kok Fotografie. All rights reserved. Please note the following: although my pic's are published in the public domain it does not mean they are public property or free stock images. Therefore, it's use without my written consent is illegitimate.
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