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The Postcard
A postally unused postcard that was published by the B. S. Reynolds Co. of 1202, D. Street Northwest, Washington, D.C. The card was produced by C. T. American Art Colored of Chicago.
The card has a divided back. In the space for the stamp it states:
'Place One Cent
Stamp Here.'
Also printed on the back of the card is the following:
'The Printing Press.
By John W. Alexander.
Mural Painting in the
Library of Congress
in Washington, D.C.
Gutenberg, the inventor of
printing, is reading a proof
which has just come from
the press.'
The man on the right seems to have adopted a very peculiar stance - unless he is bracing his feet against a wall on the right, he is about to fall over.
The Evolution of the Book
The Evolution of the Book is a series of six murals painted circa 1896 by John W. Alexander in the Library of Congress Thomas Jefferson Building.
John White Alexander
John White Alexander was born in Allegheny, Pennsylvania on the 7th. October 1856. He was an American portrait, figure, and decorative painter and illustrator.
John White Alexander - The Early Years
John was orphaned in infancy, and was reared by his grandparents. At the age of 12, he became a telegraph boy in Pittsburgh.
Edward J. Allen became an early supporter and patron of John, adopting him while he worked at the Pacific and Atlantic Telegraph Co. as a young man.
Allen brought Alexander to the Allen home at "Edgehill" where Alexander painted various members of the Allen family, including Colonel Allen.
John moved to New York City at the age of 18 and worked in an office at Harper's Weekly, where he was an illustrator and political cartoonist at the same time that Abbey, Pennell, Pyle, and other celebrated illustrators worked there.
After an apprenticeship of three years, he traveled to Munich for his first formal training. Owing to a lack of funds, he moved to the village of Polling, Bavaria, and worked with Frank Duveneck. They traveled to Venice, where he profited by the advice of Whistler, and then he continued his studies in Florence, Italy; the Netherlands; and Paris.
John White Alexander's Career
In 1881, John returned to New York City and speedily achieved great success in portraiture, numbering among his sitters Oliver Wendell Holmes, John Burroughs, Henry G. Marquand, R.A.L. Stevenson, and president McCosh of Princeton University.
John's first exhibition in the Paris Salon of 1893 was a brilliant success, and was followed by his immediate election to the Société Nationale des Beaux Arts.
Many additional honors were bestowed on him. In 1889 he painted for Mrs. Jeremiah Milbank a well-received portrait of Walt Whitman and one of her husband.
In 1901, he was named Chevalier of the Legion of Honor, and in 1902, he became a member of the National Academy of Design, where he served as president from 1909 to 1915. He was a member of the American Academy of Arts and Letters.
Among the gold medals received by him were those of the Paris Exposition (1900) and the World's Fair in St. Louis, Missouri (1904). He served as President of the National Society of Mural Painters from 1914 to 1915.
John White Alexander's Personal Life and Death
Alexander was married to Elizabeth Alexander, to whom he was introduced in part because of their shared last name. Elizabeth was the daughter of James Waddell Alexander, President of the Equitable Life Assurance Society at the time of the Hyde Ball scandal. The Alexanders had one child, the mathematician James Waddell Alexander II.
Alexander died at the age of 58 in New York on the 31st. May 1915.
John White Alexander's Works
Many of John's paintings are in museums and public places in the United States and in Europe, including the Metropolitan Museum of Art, the Brooklyn Art Museum, the Los Angeles County Museum of Art, the Museum of Fine Arts, Boston, the Butler Institute, and the Library of Congress in Washington D.C.
In addition, in the entrance hall to the Art Museum of the Carnegie Institute in Pittsburgh, Pennsylvania, a series of Alexander's murals titled "Apotheosis of Pittsburgh" (1905–1907) covers the walls of the three-story atrium area.
Alexander's artist's proof of his portrait of Whitman, signed by the artist in April 1911, is in the Walt Whitman Collection at the University of Pennsylvania.
The Hyde Ball Scandal
James Hazen Hyde (June 6, 1876 — July 26, 1959) was the son of Henry Baldwin Hyde, the founder of The Equitable Life Assurance Society of the United States.
James Hazen Hyde was twenty-three in 1899 when he inherited the majority shares in the billion-dollar Society. Five years later, at the pinnacle of social and financial success, efforts to remove him from The Equitable set in motion the first great Wall Street scandal of the 20th. century, which resulted in his resignation from The Equitable and relocation to France.
James Hazen Hyde's Career
James was appointed a vice president of The Equitable after graduating from college. In addition, he served on the boards of directors of more than 40 other companies, including the Wabash Railroad and Western Union.
His homes included a large estate on Long Island, where he maintained horses, stables, roads, and trails to engage in coach racing. He also took part in horse shows and horse racing. Hyde accumulated a collection of coaches and carriages, which he later donated to the Shelburne Museum.
Removal from The Equitable
Following his father's death, Hyde was the majority shareholder and in effective control of The Equitable. By the terms of his father's will, he was scheduled to assume the presidency of the company in 1906.
Members of the board of directors, including E. H. Harriman, Henry Clay Frick, J.P. Morgan, and company President James Waddell Alexander attempted to wrest control from Hyde through a variety of means, including an unsuccessful attempt to have him appointed as Ambassador to France.
On the last night of January 1905, Hyde hosted a highly publicized Versailles-themed costume ball. Falsely accused through a coordinated smear campaign initiated by his opponents at The Equitable of charging the $200,000 party ($6,032,000 today) to the company, Hyde soon found himself drawn into a maelstrom of allegations of corporate malfeasance.
The allegations almost caused a Wall Street panic, and eventually led to a state investigation of New York's entire insurance industry which resulted in laws to regulate activities between insurance companies, banks and other corporations.
Hyde's personal net worth in 1905 was about $20 million ($603,200,000 today). After the negative press generated by the efforts to remove him from The Equitable, Hyde resigned from the company later that same year, gave up most of his other business activities, and moved to France.
This photo of rice growing in Southern Brazil has been published online in a Rice Today article, by the International Rice Research Institute (IRRI), called Country Snapshots: Brazil, in Rice Today
Mark Brennae, CanWest News Service
Published: Wednesday, June 13, 2007 Article tools
OTTAWA — A one-week-old Ontario infant died from complications after undergoing a circumcision in a provincial hospital.
Information about the case was published in the April edition of Paediatric Child Health.
The baby, whose name has been withheld by the parents, passed away after his kidneys became enlarged to seven times their normal size.
The child was born at an unidentified Ontario hospital “sometime in the last three years,” said Dr. Jim Cairns, Ontario’s deputy chief coroner. “The family wants to keep this anonymous.”
No charges were ever laid and no legal action was ever taken in the case.
According to the Paediatric Child Health article, the boy was “bottlefed and was reported to be doing well when he was circumsized.”
Five hours later, the parents returned to their family doctor with the infant, who had become “irritable and had blue discolouration” below the belly button.
Doctors noticed the discolouration and slight swelling of the penis, but sent the child home.
Fourteen hours after the circumcision, according to Cairns, the child was brought to another hospital where doctors noted he was extremely irritable with marked swelling of the penis and bruising to the scrotum.
The child was then transferred to a paediatric centre, where his bladder was diagnosed, Cairns said, to “seven or eight times its normal size.”
The PlastiBell ring, which is used to hold back the foreskin after circumcision, was removed and drained and the child went into shock.
“If the PlastiBell had been taken off five hours after he got there, he would be alive,” said Cairns.
The child’s death was attributed to septic shock — “an overwhelming infection, leading to multi-organ failure,” Cairns said.
“Death is rare after circumcision,” said Cairns. “But complications can happen.”
The case was brought to Cairns’ attention because the circumstances of every death of an Ontario child under five years of age must be reviewed by the provincial coroner’s office.
The Postcard
A postally unused postcard published by C.T. They state on the divided back of the card that it is a genuine Curteich-Chicago 'C.T. Art-Colortone' postcard. (Reg. U.S. Patent Office).
I don't know why they bothered to patent it - the print quality is awful.
C.T. state on the back of the card that a One Cent stamp is required for postage. They also state:
'The Bridal Altar is one of the oldest
and most historic features in Mammoth
Cave.
Many couples have been married at
this spot'.
Mammoth Cave National Park
Mammoth Cave National Park is an American national park in west-central Kentucky, encompassing portions of Mammoth Cave, the longest-known cave system in the world.
Since the 1972 unification of Mammoth Cave with the even-longer system under Flint Ridge to the north, the official name of the system has been the Mammoth–Flint Ridge Cave System.
The park was established as a national park on the 1st. July 1941, and a World Heritage Site on the 27th. October 1981.
The Green River runs through the park. Mammoth Cave is the world's longest known cave system with more than 400 miles (640 km) of surveyed passageways. It is nearly twice as long as the second-longest cave system, Mexico's Sac Actun underwater cave.
The Geology of Mammoth Cave
Mammoth Cave developed in thick Mississippian-aged limestone strata capped by a layer of sandstone, which has made the system remarkably stable. New discoveries and connections add several miles to the cave's known length each year.
At one valley bottom in the southern region of the park, a massive sinkhole has developed. Known as Cedar Sink, the sinkhole features a small river entering one side and disappearing back underground at the other side.
Visiting Mammoth Cave
The National Park Service offers several cave tours to visitors. Some notable features of the cave, such as Grand Avenue, Frozen Niagara, and Fat Man's Misery, can be seen on lighted tours ranging from one to six hours in length.
Two tours, lit only by visitor-carried paraffin lamps, are popular alternatives to the electric-lit routes. Several "wild" tours venture away from the developed parts of the cave into muddy crawls and dusty tunnels.
The Echo River Tour, one of the cave's most famous attractions, took visitors on a boat ride along an underground river. The tour was discontinued for logistic and environmental reasons in the early 1990's.
Mammoth Cave in Prehistory
The story of human beings in relation to Mammoth Cave spans five thousand years. Several sets of Native American remains have been recovered from Mammoth Cave, or other nearby caves in the region, in both the 19th. and 20th. centuries. Most mummies found represent examples of intentional burial, with ample evidence of pre-Columbian funerary practice.
An exception to purposeful burial was discovered when in 1935 the remains of an adult male were discovered under a large boulder. The boulder had shifted and settled onto the victim, a pre-Columbian miner, who had disturbed the rubble supporting it.
The remains of the ancient victim were named "Lost John" and exhibited to the public into the 1970's, when they were interred in a secret location in Mammoth Cave for reasons of preservation as well as emerging political sensitivities with respect to the public display of Native American remains.
Research beginning in the late 1950's led by Patty Jo Watson, of Washington University in St. Louis, Missouri, has done much to illuminate the lives of the late Archaic and early Woodland peoples who explored and exploited caves in the region.
Preserved by the constant cave environment, dietary evidence yielded carbon dates enabling Watson to determine the age of the specimens. An analysis of their content allows determination of the relative content of plant and meat in the diet of either culture over a period spanning several thousand years. This analysis indicates a timed transition from a hunter-gatherer culture to plant domestication and agriculture.
Another technique employed in archaeological research at Mammoth Cave, was experimental archaeology, in which modern explorers were sent into the cave using the technology that was employed by the ancient cultures whose leftover implements lie discarded in many parts of the cave. The goal was to gain insight into the problems faced by the ancient people who explored the cave.
Ancient human remains and artifacts within the caves are protected by various federal and state laws. One of the most basic facts to be determined about a newly discovered artifact is its precise location and situation. Even slightly moving a prehistoric artifact contaminates it from a research perspective. Explorers are properly trained not to disturb archaeological evidence, and some areas of the cave remain out-of-bounds for even seasoned explorers, unless the subject of the trip is archaeological research on that area.
Besides the remains that have been discovered in the portion of the cave accessible through the Historic Entrance of Mammoth Cave, the remains of cane torches used by Native Americans, as well as other artifacts such as drawings, gourd fragments, and woven grass moccasin slippers are found in the Salts Cave section of the system in Flint Ridge.
Though there is undeniable proof of their existence and use of the cave, there is no evidence of further use past the archaic period. Experts and scientists have no answer as to why this is, making it one of the greatest mysteries of Mammoth Cave to this day.
Earliest Written History
The 31,000-acre (13,000 ha) tract known as the "Pollard Survey" was sold by indenture on the 10th. September 1791 in Philadelphia by William Pollard. 19,897 acres (8,052 ha) of the Pollard Survey between the North bank of Bacon Creek and the Green River were purchased by Thomas Lang, Jr..
Lang was a British American merchant from Yorkshire, England. He bought the land on the 3rd. June 1796 for £4,116, but the land was lost to a local county tax claim during the War of 1812.
Legend has it that the first European to visit Mammoth Cave was either John Houchin or his brother Francis Houchin, in 1797. While hunting, Houchin pursued a wounded bear to the cave's large entrance opening near the Green River.
Some Houchin Family tales have John Decatur "Johnny Dick" Houchin as the discoverer of the cave, but this is highly unlikely because Johnny Dick was only 10 years old in 1797, and was unlikely to be out hunting bears at such a tender age.
His father John is the more likely candidate from that branch of the family tree, but the most probable candidate for discoverer of Mammoth Cave is Francis "Frank" Houchin, whose land was much closer to the cave entrance than his brother John's.
There is also the argument that their brother Charles Houchin, who was known as a great hunter and trapper, was the man who shot the bear and chased it into the cave. The shadow over Charles's claim is the fact that he was residing in Illinois until 1801.
Contrary to this story is Brucker and Watson's 'The Longest Cave', which asserts that the cave was certainly known before that time. Caves in the area were certainly known before the discovery of the entrance to Mammoth Cave. Even Francis Houchin had a cave entrance on his land very near the bend in the Green River known as the Turnhole, which is less than a mile from the main entrance to Mammoth Cave.
The land containing this historic entrance was first surveyed and registered in 1798 under the name of Valentine Simons. Simons began exploiting Mammoth Cave for its saltpeter reserves.
Mammoth Cave in the 19th. Century
In partnership with Valentine Simon, various other individuals owned the land through the War of 1812, when Mammoth Cave's saltpeter reserves became significant due to the Jefferson Embargo Act of 1807 which prohibited all foreign trade.
The blockade starved the American military of saltpeter and therefore gunpowder. As a result, the domestic price of saltpeter rose and production based on nitrates extracted from caves such as Mammoth Cave became more lucrative.
In July 1812, the cave was purchased from Simon and other owners by Charles Wilkins and an investor from Philadelphia named Hyman Gratz. Soon the cave was being mined for calcium nitrate on an industrial scale, utilizing a labor force of 70 slaves to build and operate the soil leaching apparatus, as well as to haul the raw soil from deep in the cave to the central processing site.
A half-interest in the cave changed hands for ten thousand dollars (equivalent to over $150,000 in 2020). After the war when prices fell, the workings were abandoned and it became a minor tourist attraction centering on a Native American mummy discovered nearby.
When Wilkins died his estate's executors sold his interest in the cave to Gratz. In the spring of 1838, the cave was sold by the Gratz brothers to Franklin Gorin, who intended to operate Mammoth Cave purely as a tourist attraction, the bottom long having since fallen out of the saltpeter market.
Gorin was a slave owner, and used his slaves as tour guides. One of these slaves would make a number of important contributions to human knowledge of the cave, and become one of Mammoth Cave's most celebrated historical figures.
Stephen Bishop, an African-American slave and a guide to the cave during the 1840's and 1850's, was one of the first people to make extensive maps of the cave, and named many of the cave's features.
Stephen Bishop was introduced to Mammoth Cave in 1838 by Franklin Gorin. Gorin wrote, after Bishop's death:
"I placed a guide in the cave – the celebrated and
great Stephen, and he aided in making the discoveries.
He was the first person who ever crossed the Bottomless
Pit, and he, myself and another person whose name I have forgotten were the only persons ever at the bottom of
Gorin's Dome to my knowledge.
After Stephen crossed the Bottomless Pit, we discovered
all that part of the cave now known beyond that point. Previous to those discoveries, all interest centered in
what is known as the 'Old Cave' ... but now many of the
points are but little known, although as Stephen was wont
to say, they were 'grand, gloomy and peculiar'."
In 1839, Dr. John Croghan of Louisville bought the Mammoth Cave Estate, including Bishop and its other slaves from their previous owner, Franklin Gorin. Croghan briefly ran an ill-fated tuberculosis hospital in the cave in 1842-43, the vapors of which he believed would cure his patients. A widespread epidemic of tuberculosis ultimately claimed the life of Dr. Croghan in 1849.
Throughout the 19th. century, the fame of Mammoth Cave grew so much that the cave became an international sensation. As a result of the growing renown of the cave, the cave boasted famous visitors such as actor Edwin Booth (his brother, John Wilkes Booth, assassinated Abraham Lincoln in 1865), singer Jenny Lind (who visited the cave on the 5th. April 1851), and violinist Ole Bull who together gave a concert in one of the caves. Two chambers in the caves have since been known as "Booth's Amphitheatre" and "Ole Bull's Concert Hall".
By 1859, when the Louisville and Nashville Railroad opened its main line between these cities, Colonel Larkin J. Procter owned the Mammoth Cave Estate. He also owned the stagecoach line that ran between Glasgow Junction (Park City) and the Mammoth Cave Estate. This line transported tourists to Mammoth Caves until 1886, when he established the Mammoth Cave Railroad.
Early 20th. century: The Kentucky Cave Wars
The difficulties of farming life in the hardscrabble, poor soil of the cave-country influenced local owners of smaller nearby caves to see opportunities for commercial exploitation, particularly given the success of Mammoth Cave as a tourist attraction.
The "Kentucky Cave Wars" was a period of bitter competition between local cave owners for tourist money. Broad tactics of deception were used to lure visitors away from their intended destination to other private show caves. Misleading signs were placed along the roads leading to the Mammoth Cave. A typical strategy during the early days of automobile travel involved representatives (known as "cappers") of other private show caves hopping aboard a tourist's car's running board, and leading the passengers to believe that Mammoth Cave was closed, quarantined, caved in or otherwise inaccessible.
In 1906, Mammoth Cave became accessible by steamboat with the construction of a lock and dam at Brownsville, Kentucky.
In 1908, Max Kämper, a young German mining engineer, arrived at the cave by way of New York. Kämper had just graduated from technical college and his family had sent him on a trip abroad as a graduation present. Originally intending to spend two weeks at Mammoth Cave, Kämper spent several months.
With the assistance of Stephen Bishop, Kämper produced a remarkably accurate instrumental survey of many kilometers of Mammoth Cave, including many new discoveries. Reportedly, Kämper also produced a corresponding survey of the land surface overlying the cave: this information was to be useful in the opening of other entrances to the cave, as soon happened with the Violet City entrance.
The Croghan family suppressed the topographic element of Kämper's map, and it is not known to survive today, although the cave map portion of Kämper's work stands as a triumph of accurate cave cartography: not until the early 1960's and the advent of the modern exploration period would these passages be surveyed and mapped with greater accuracy.
Kämper returned to Berlin, and from the point of view of the Mammoth Cave country, disappeared entirely. It was not until the turn of the 21st. century that a group of German tourists, after visiting the cave, researched Kämper's family and determined his fate: the young Kämper was killed in trench warfare in the Great War on the 10th. December 1916 at the Battle of the Somme.
Famed French cave explorer Édouard-Alfred Martel visited the cave for three days in October 1912. Without access to the closely held survey data, Martel was permitted to make barometric observations in the cave for the purpose of determining the relative elevation of different locations. He identified different levels of the cave, and correctly noted that the level of the Echo River within the cave was controlled by that of the Green River on the surface.
Martel lamented the 1906 construction of the dam at Brownsville, pointing out that this made a full hydrogeologic study of the cave impossible. Among his precise descriptions of Mammoth Cave, Martel suggested that Mammoth Cave was connected to Salts and Colossal Caves: this would not be proven correct until 60 years after Martel's visit.
In the early 1920's, George Morrison created, via blasting, a number of entrances to Mammoth Cave on land not owned by the Croghan Estate. Absent the data from the Croghan's secretive surveys, performed by Kämper, Bishop, and others, which had not been published in a form suitable for determining the geographic extent of the cave, it was now conclusively shown that the Croghans had been for years exhibiting portions of Mammoth Cave which were not under land they owned. Lawsuits were filed and, for a time, different entrances to the cave were operated in direct competition with each other.
In the early 20th. century, Floyd Collins spent ten years exploring the Flint Ridge Cave System (the most important legacy of these explorations was the discovery of Floyd Collins' Crystal Cave and exploration in Salts Cave) before dying at Sand Cave, Kentucky, in 1925.
While exploring Sand Cave, Floyd dislodged a rock onto his leg while in a tight crawl-way and was unable to be rescued before dying of starvation. Attempts to rescue Collins created a mass media sensation; the resulting publicity would draw prominent Kentuckians to initiate a movement which would soon result in the formation of Mammoth Cave National Park.
The National Park Movement (1926–1941)
As the last of the Croghan heirs died, momentum grew among wealthy citizens of Kentucky for the establishment of Mammoth Cave National Park. Private citizens formed the Mammoth Cave National Park Association in 1924. The park was authorized on the 25th. May 1926.
Donated funds were used to purchase some farmsteads in the region, while other tracts within the proposed national park boundary were acquired by right of eminent domain. In contrast to the formation of other national parks in the sparsely populated American West, thousands of people were forcibly relocated in the process of forming Mammoth Cave National Park. Often eminent domain proceedings were bitter, with landowners paid what were considered to be inadequate sums. The resulting acrimony still resonates within the region to this day.
The New Entrance, closed to visitors since 1941, was reopened on the 26th. December 1951, becoming the entrance used for the beginning of the Frozen Niagara tour.
The longest cave (1954–1972)
By 1954, Mammoth Cave National Park's land holdings encompassed all lands within its outer boundary with the exception of two privately held tracts. One of these, the old Lee Collins farm, had been sold to Harry Thomas of Horse Cave, Kentucky, whose grandson, William "Bill" Austin, operated Collins Crystal Cave as a show cave in direct competition with the national park, which was forced to maintain roads leading to the property. Condemnation and purchase of the Crystal Cave property seemed only a matter of time.
In February 1954, a two-week expedition under the auspices of the National Speleological Society was organized at the invitation of Austin: this expedition became known as C-3, or the Collins Crystal Cave Expedition.
The C-3 expedition drew public interest, first from a photo essay published by Robert Halmi in the July 1954 issue of True Magazine, and later from the publication of a double first-person account of the expedition, 'The Caves Beyond: The Story of the Collins Crystal Cave Expedition' by Joe Lawrence, Jr. (then president of the National Speleological Society) and Roger Brucker.
The expedition proved conclusively that passages in Crystal Cave extended toward Mammoth Cave proper, at least exceeding the Crystal Cave property boundaries. However, this information was closely held by the explorers: it was feared that the National Park Service might forbid exploration were this known.
In 1955 Crystal Cave was connected by survey with Unknown Cave, the first connection in the Flint Ridge system.
Some of the participants in the C-3 expedition wished to continue their explorations past the conclusion of the C-3 Expedition, and organized as the Flint Ridge Reconnaissance. This organization was incorporated in 1957 as the Cave Research Foundation. The organization sought to legitimize the cave explorers' activity through the support of original academic and scientific research. Notable scientists who studied Mammoth Cave during this period include Patty Jo Watson.
In March 1961, the Crystal Cave property was sold to the National Park Service for $285,000. At the same time, the Great Onyx Cave property, the only other remaining private inholding, was purchased for $365,000. The Cave Research Foundation was permitted to continue their exploration through a Memorandum of Understanding with the National Park Service.
Colossal Cave was connected by survey to Salts Cave in 1960, and in 1961 Colossal-Salts cave was similarly connected to Crystal-Unknown cave, creating a single cave system under much of Flint Ridge. By 1972, the Flint Ridge Cave System had been surveyed to a length of 86.5 miles (139.2 km), making it the longest cave in the world.
During the 1960's, the Cave Research Foundation (CRF) exploration and mapping teams found passageways in the Flint Ridge Cave System that penetrated under Houchins Valley and came within 800 feet (240 m) of known passages in Mammoth Cave.
In 1972, CRF Chief Cartographer John Wilcox pursued an aggressive program to finally connect the caves, fielding several expeditions from the Flint Ridge side as well as exploring leads in Mammoth Cave.
On a July 1972 trip, deep in the Flint Ridge Cave System, Patricia Crowther—with her slight frame of 115 pounds (52 kg)—crawled through a narrow canyon later dubbed the "Tight Spot", which acted as a filter for larger cavers.
A subsequent trip past the Tight Spot on the 30th. August 1972, by Wilcox, Crowther, Richard Zopf, and Tom Brucker discovered the name "Pete H" inscribed on the wall of a river passage with an arrow pointing in the direction of Mammoth Cave. The name is believed to have been carved by Warner P. "Pete" Hanson, who was active in exploring the cave in the 1930's. Hanson had been killed in World War II. The passage was named Hanson's Lost River by the explorers.
Finally, on the 9th. September 1972, a six-person CRF team of Wilcox, Crowther, Zopf, Gary Eller, Stephen Wells, and Cleveland Pinnix (a National Park Service ranger) followed Hanson's Lost River downstream to discover its connection with Echo River in Cascade Hall of Mammoth Cave.
With this linking of the Flint Ridge and Mammoth Cave systems, the "Everest of Speleology" had been climbed. The integrated cave system contained 144.4 miles (232.4 km) of surveyed passages and had fourteen entrances.
Recent Discoveries
Further connections between Mammoth Cave and smaller caves or cave systems have followed, notably to Proctor/Morrison Cave beneath nearby Joppa Ridge in 1979.
Proctor Cave was discovered by Jonathan Doyle, a Union Army deserter during the Civil War, and was later owned by the Mammoth Cave Railroad, before being explored by the CRF. Morrison cave was discovered by George Morrison in the 1920's. This connection pushed the frontier of Mammoth exploration southeastward.
At the same time, discoveries made outside the park by an independent group called the Central Kentucky Karst Coalition or CKKC resulted in the survey of tens of miles in Roppel Cave east of the park.
Discovered in 1976, Roppel Cave was briefly on the list of the nation's longest caves before it was connected to the Proctor/Morrison's section of the Mammoth Cave System on the 10th. September 1983. The connection was made by two mixed parties of CRF and CKKC explorers. Each party entered through a separate entrance and met in the middle before continuing in the same direction to exit at the opposite entrance. The resulting total surveyed length was near 300 miles (480 km).
On the 19th. March 2005, a connection into the Roppel Cave portion of the system was surveyed from a small cave under Eudora Ridge, adding approximately three miles to the known length of the Mammoth Cave System.
The newly found entrance to the cave, now termed the "Hoover Entrance", had been discovered in September 2003, by Alan Canon and James Wells. Incremental discoveries since then have pushed the total to more than 400 miles (640 km).
It is certain that many more miles of cave passages await discovery in the region. Discovery of new natural entrances is a rare event: the primary mode of discovery involves the pursuit of side passages identified during routine systematic exploration of cave passages entered from known entrances.
Related and Nearby Caves
At least two other massive cave systems lie short distances from Mammoth Cave: the Fisher Ridge Cave System and the Martin Ridge Cave System.
The Fisher Ridge Cave System was discovered in January 1981 by a group of Michigan cavers associated with the Detroit Urban Grotto of the National Speleological Society. So far, the Fisher Ridge Cave System has been mapped to 125 miles (201 km).
In 1976, Rick Schwartz discovered a large cave south of the Mammoth Cave park boundary. This cave became known as the Martin Ridge Cave System in 1996, as new exploration connected the 3 nearby caves of Whigpistle Cave (Schwartz's original entrance), Martin Ridge Cave, and Jackpot Cave.
As of 2018, the Martin Ridge Cave System had been mapped to a length of 34 miles (55 km), and exploration continues.
Biology and Ecosystem
The following species of bats inhabit the caverns: Indiana bat, gray bat, little brown bat, big brown bat, and the eastern pipistrelle bat.
All together, these and more rare bat species such as the eastern small-footed bat had estimated populations of 9–12 million just in the Historic Section.
While these species still exist in Mammoth Cave, their numbers are now no more than a few thousand at best. Ecological restoration of this portion of Mammoth Cave, and facilitating the return of bats, is an ongoing effort. Not all bat species here inhabit the cave; the red bat is a forest-dweller, and is found underground only rarely.
Other animals which inhabit the caves include: two genera of crickets, a cave salamander two genera of eyeless cave fish, a cave crayfish, and a cave shrimp.
Common fossils of the cave include crinoids, blastoids, and gastropods. The Mississippian limestone has yielded fossils of more than a dozen species of shark. In 2020, scientists reported the discovery of part of a Saivodus Striatus, a species comparable in size to a modern great white shark.
The Mammoth Cave Name
The cave's name refers to the large width and length of the passages connecting to the Rotunda just inside the entrance. The name was used long before the extensive cave system was more fully explored and mapped, to reveal a mammoth length of passageways.
No fossils of the woolly mammoth have ever been found in Mammoth Cave, and the name of the cave has nothing to do with this extinct mammal.
Currently Available Tours
Currently (2022) available tours operating in Mammoth Cave are:
-- Accessible Tour
-- Cleaveland Avenue Tour
-- Discovery Self-Guided
-- Domes and Dripstones Tour
-- Extended Historic Tour
-- Frozen Niagara Tour
-- Gothic Avenue Tour
-- Grand Avenue Tour
-- Grand Historic Tour
-- Great Onyx Lantern Tour
-- Historic Tour
-- Mammoth Passage Tour
-- River Styx Tour
-- Star Chamber Tour
-- Violet City Lantern Tour
-- Wondering Woods Tours
Market Makers of Philippine Equities todate
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To the Clueless.. What on earth is BANCOM?
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By Flor G. Tarriela
Published: July 11, 2013
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Recently, I attended the book launch of BANCOM MEMOIRS, a story of the rise and fall of BANCOM by Sixto K. Roxas III, “SKR.” From his perspective, “BANCOM’s story is not the banal story of a financial corporation that was modestly established, rose to great size and prominence and then faded in oblivion. It is an account of the ambitious attempt to build on the platform of a modern business corporation an institution committed to serving the needs of communities at every stage of development or underdevelopment. As it sought this wild vision, it brought together and motivated a corps of some of the most brilliant, creative and aggressive young men and women the country has seen, to shape an organization with an esprit that is still remembered as a Camelot – and it almost succeeded. “
Bancom’s Beginnings
What is the animal or puzzle that is BANCOM? What is its “tragic mystique”? How did it rise so fast from its beginning in 1964 (not just known in the Philippines but outside as well) and yet fall dramatically in 1981, after 17 years of existence? What was right in BANCOM and what went wrong? What lessons can we learn from this?
BANCOM started as a joint venture, an investment bank between BANkers Trust (an American bank) and COMmercial Bank and Trust Co. (CBTC, a local bank) with P7-million capital in 1964 with Sixto Roxas as President/CEO. Wash Sycip, well known to both parties, introduced them. CBTC was then ran by bankers Manuel Marquez and Augusto Barcelon who both established their banking careers in PNB. Mr. Wash is currently a director in PNB.
Sixto K.Roxas (SKR)
One can’t talk or remember BANCOM without SKR. Francis Estrada, in his introduction at the book launch, said “it is not easy to describe an individual as complex, brilliant and yes HUMAN as SKR. SKR has traveled far and wide in the journey of human experience, and has an incredibly high highs and yes a number of low lows.” Ray Orosa said that SKR is the “pioneering spirit behind the institution and if he had a problem, it was “he was way ahead of his time.” Art Aguilar who wrote “The Tragic Mystique of BANCOM said “SKR’s personal genius and charisma was intertwined with BANCOM” and Vic Macalingcad calls SKR the “father of the money and capital market of the Philippines.”
Bancom’s People
SKR’s original team were: Rolly Gapud who handled financial consultancy, Louie Villafuerte legal engineering, Ray Ilusorio money and capital markets desk. All three were 1973 TOYM awardees. Another TOYM awardee, former Secretary of Finance Ramon del Rosario, Jr. said “Bancom was every young man’s dream of a launching pad for a career in finance. It had the reputation of innovation and daring. It had unquestioned integrity. And it had as head one with a unique combination of genius and charisma. It was eminently successful, and even foreign governments sought its advice and assistance.”
BANCOM was the training ground for leadership in Philippine finance. In so short a history, it had the most number of TOYM awardees in a single business organization: SKR, former Finance Secretary Jose Pardo, Manny Pangilinan, Fernando Balatbat, and add to these, BANCOM alumni occupying key positions in financial and corporate world.
In SKR’s memoirs, he said that “Bancom attracted a corps of intelligent, creative, aggressive and ambitious young men and women fresh out of college or graduate school, with little experience because it was in its way a learning organization, a center for post graduate education where one midget learn innovative finance doing real transactions with real money. In Bancom, these men and women believed there was nothing they could not do… the slogan was: THE DIFFICULT WE DO RIGHT AWAY, THE IMPOSSIBLE TAKES A WHILE LONGER.” We learn what we don’t know or have not done before and nothing was really impossible.
Evelyn Singson, Chairman of BANCOM Alumni Inc. (BALI) said: “BANCOM was a company of contradictions. With so many things going on and so many people doing different things, it was almost impossible to know everything. We were so independent yet so inter-dependent. We knew so much, yet we knew so little. We were competitors yet collaborators. We were responsible yet irresponsible. It was an organization that kept challenging us to be better than ourselves. It was a workplace where everyone was driven and serious, yet it provided a workplace of fun, friendship and family.”
Thank you dear SKR for my first job right after Masters from UCLA. Investment research with Mandy Eduque as my first boss and later in investment service with Lito Manahan/Francis Moran. This was when Bancom was on its upward trajectory. I value the experience that has opened doors for me that when I joined Citibank later, having come from the premier investment bank, I was given the title of “Financial Engineering Coordinator.”
Bancom’s Beginning of the End
So what went wrong? What lessons can we learn from BANCOM? If Citi is the University of Banking, Josue Camba, a BALI trustee, says he is from UE, the University of Experience. (SKR upon hearing this, sent him off to Harvard to round up his training). Josh and Cynthia Picazo were the able emcees for the book launch, a very well attended affair of BANCOM alumni and friends that SKR said, “it is as if I can see my life passing me by.”
Manny Tordesillas, BALI President said “as the saying goes, failure is the better teacher than success.” He said: “Common to the failure of these financial institutions were fundamental management issues such as poor asset quality, asset-liability mismatches, high gearing, and in most cases, excessive risk-taking. But the straw that usually breaks the camel’s back is oftentimes the hubris that comes along when we, as money managers or investment bankers, having created innovative financial products or having command of substantial financial resources or having the ability to raise billions of pesos or dollars for our customers, ourselves begin to believe that we are the new masters of the universe. It is this feeling of invincibility that we all need to check in ourselves from time to time. Otherwise, history simply will repeat itself.” Hopefully, the BANCOM memoirs of SKR will shed light on what went wrong and learn from these lessons.
SKR opened the book with “Oh Lord , help me… to speak out spontaneously and say what I sincerely want readers of these memoirs to derive from it. I am writing to leave as a legacy the lessons from my over four score years of life so far. Every life is meant to offer a unique contribution to the forming of the Mystical Body of Christ. Each person has qualities that make him unique and that uniqueness impose on each individual the responsibility to do everything possible to realize the full glory of his potential”.
SKR closed the memoirs saying he feels inadequate. And he concluded his speech about the final lesson to all. It is about the vine and the branches where the Lord said ... “I am the vine you are the branches; he who abides in Me and I in him bears much fruit, for without Me you can do nothing”. This is the TRUTH and a good lesson to all of us.
Advance happy birthday greetings to dear SKR who will be turning 86 on August 6. Thank you for everything and may the Lord bless you even more abundantly! More power to you!
The BANCOM book project was made possible by the generous support of Manny V. Pangilinan and edited by Danding Yotoko. For more on the BANCOM Memoirs, do contact BALI’s dependable secretary, Nenette Lee at 0917-8126533.
Just keeping this here for as a backup and proof that at least one of >my pictures has been published.
Hey look! I got another article published over at DPS! It's not my image (I forgot to submit one lol). It's over here:
www.digital-photography-school.com/5-key-skills-for-the-m...
oh and of course the blog, as usual, where you can get more of the same...or better...is over at www.shotslot.net
Woohoo!!
Shot at three times life size with a Canon MPE-65mm macro lens back in March of 2009. I wanted to see how much my post processing skills had changed. Blog post here.
Published in the Jan/Feb 2011 edition of Nation Geographic Young Explore magazine, pages 10 and 11.
The tour that I went on today was lead by Pat Liddy (who I highly recommend) and sponsored by Dublin City Council (thanks). Toured part of the Liberties and despite the fact that I live not far from the area and despite that I went to Kevin Street College I saw parts of the the city that I never saw before. I will revisit most of the area when the weather is better and I will of course publish some more photographs.
Pat Liddy is a well-known Dublin historian, author and artist who has developed a unique walking tour service for Dublin. Covering the inner city and, by advance request, the coastal villages, waterways, hills and intriguing suburbs, the tours are compiled by Pat Liddy himself based on his years of experience, historical research and the collection of anecdotal and legendary stories of Ireland's Capital City
The Liberties of Dublin, Ireland were manorial jurisdictions that existed since the arrival of the Anglo-Normans in the 12th century. They were town lands united to the city, but still preserving their own jurisdiction. The most important of these liberties were the Liberty of St. Sepulchre, under the Archbishop of Dublin, and the Liberty of Thomas Court and Donore belonging to the Abbey of St. Thomas (later called the Earl of Meath's Liberty). Today's "Dublin Liberties" generally refer to the inner-city area covered by these two liberties.
Many places in The Liberties still have connections with a turbulent past in which political upheaval or dire poverty were the order of the day. In the 17th century, parts of them became wealthy districts, when the weaving crafts of the immigrant Huguenots had a ready market around the present day Meath Street Market, and a healthy export trade.
In the late 17th century development started in order to house the weavers who were moving into the area. Woolen manufacture was set up by settlers from England, while many Huguenots took up silk weaving, using skills they had acquired in their home country, France. They constructed their own traditional style of house, Dutch Billies, with gables that faced the street. Thousands of weavers became employed in the Coombe, Pimlico, Spitalfields and Weavers' Square.
However, English woolen manufacturers felt threatened by the Irish industry, and heavy duties were imposed on Irish wool exports. The Navigation Act was passed to prevent the Irish from exporting to the whole colonial market, then in 1699 the English government passed the Wool Act which prevented export to any country whatsoever, which effectively put an end to the industry in the Liberties.
A weavers' hall was built by the Weavers' Guild in the Lower Coombe in 1682. In 1745 a new hall was provided, financed by the Huguenot, David Digges La Touche. In 1750 the Guild erected a statue of George II on the front of their hall "as a mark of their sincere loyalty". The hall was demolished in 1965.
In the eighteenth century a revival took place by importing Spanish wool into Ireland, which was helped from 1775 by the Royal Dublin Society, but the events of 1798 and 1803, in which many weavers in the Liberties took part, and the economic decline that set in after the Act of Union, prevented any further growth in this industry in the Liberties.
Similarly, the successful growth of the silk and poplin industries, which was supported by the Royal Dublin Society in the second half of the 18th century, was hindered by an act passed by the Irish government in 1786, which prevented the society from supporting any house where Irish silk goods were sold. When war was declared against France under Napoleon and raw materials were difficult to obtain, the silk weavers suffered greatly.
The final blow came in the 1820s when the British government did away with the tarifs imposed upon imported silk products. From this time on fate of the Liberties was sealed and most of the once-prosperous houses became poverty-stricken tenements housing the unemployed and destitute.
The Tenter House was erected in 1815 in Cork Street, financed by Thomas Pleasants. Before this the poor weavers of the Liberties had either to suspend work in rainy weather or use the alehouse fire and thus were (as Wright expresses it) "exposed to great distress, and not unfrequently reduced either to the hospital or the gaol." The Tenter House was a brick building 275 feet long, 3 stories high, and with a central cupola. It had a form of central heating powered by four furnaces, and provided a place for weavers to stretch their material in bad weather.
Part of the area was redeveloped into affordable housing and parkland by the Iveagh Trust, the Dublin Artisans Dwellings Company and the City Council in the early to mid twentieth century. The appalling slums, dire poverty and hazardous dereliction have now been wiped away, and only a few scattered pockets remain to be demolished.
The Kaiser Permanente Center for Total Health is sending its Google Glass V1 back as part of the Explorer exchange program.
Published in: Google Glass rolls out a try-before-you-buy program
Company K, 29th Illinois Infantry
From History of Montgomery County, Kansas, By Its Own People, Published by L. Wallace Duncan, Iola, Kansas, 1903, Pg. 358-359:
Scott, James H. Bio
The well-known citizen whose name initiates this historical sketch has passed twenty-three years as a resident of Montgomery county. He first saw the county in 1879 and in the following year brought his family out from the east and established them on his Independence township farm, in sections 22 and 23, township 33, range 15, modest, fertile and substantially and attractively improved.
Mr. Scott is of Irish birth. Belfast was his native city and his natal day and year were December 6, 1840. His father was Rev. James Scott, a Methodist minister, and his mother’s maiden name was Jane McCregor. The father was born in 1796 and died at New Burnside, Illinois, in 1880. The mother bore eight children—five of whom came to the United States—the mother died in Ireland when our subject was a small boy. Those of the family now living, besides James H. are: William M., of Belfast, Ireland, and Mrs. Mary J. Threldkeld, of Hampton, Kentucky. Rev. James Scott located in Quincy, Illinois, when he first came to the new world and was engaged in religious work for over fifty years. He afterward established his family in Brown county, Illinois, and there James H. Scott, of this record, was brought up.
Our subject was the fourth of five children in the family and came to maturity on a farm. He acquired a good common school education and himself engaged in teaching district school before the outbreak of the Civil war. He enlisted at Metropolis, Illinois, August 11, 1861, in Company “K,” Twenty-ninth Infantry, Capt. J. A. Carmichael’s company. The regiment was assigned to Grant’s command along the Mississippi river and participated in the battles of Forts Henry and Donelson, in which latter engagement Mr. Scott received a wound in the left shoulder, but instead of entering the hospital, he furloughed home and there recuperated in the quiet among friends. Returning to his regiment, he took part in the second battle of Corinth and in the siege of Vicksburg. A large part of the Twenty-ninth Illinois being captured at Holloy Springs, Mississippi, Company “K,” was placed on board one of the Federal gunboats and performed service in the navy for some six months, or until the captured portion of the regiment was “exchanged” and rejoined their comrades and resumed their old position as an integral part of the conquering army. Being orderly sergeant of his company, Mr. Scott was made captain of one of the twenty-four pound howitzers of the gunboats while in the navy. The regiment rendezvoused in the vicinity of Vicksburg after the fall of the city, for some months, and when it moved, went to Natchez, Mississippi, where scouting and guarding and patrol duty occupied its time till September, 1864, when, owing to his increasing deafness, out subject was mustered out.
Returning home, Mr. Scott continued teaching school and took up the study of medicine, continuing both till his hearing became so bad that he was found to abandon them. He owned a farm in the county where he lived and the cultivation of it occupied his attention. Since that date he has been a farmer. He was not been actively engaged in the work himself—being much of the time, in later life, an invalid—but his interest have remained those of the farmer and so he has classed himself.
May 5, 1872, James H. Scott was united in marriage with Mary A. Wright, a daughter of John R. Wright, who married Maria H. Sterling. The Wrights were from Mt. Holly, Morris county, New Jersey, where Mrs. Scott was born March 11, 1845. Mr. Wright died in Pope county, Illinois, in 1889, and his wife survived him until 1895, when she also passed away. Their children were Amos, Cooper and Martha, all deceased; Mrs. Scott; Ella, wife of James L. Murphy, of Metropolis, Illinois; Lucy, who married Anson Neely, and died having one child; Archer, of Pope county, Illinois; and Emma, also deceased.
The family of Mr. And Mrs. Scott consist of the following children, namely: Maria J., born in 1873; Martha P., of Ottawa, Kansas, born 1875; Lillie K., born 1877; Walter J., born 1880; Roy H., born in 1882; Stella A., born 1884; and Charles E., born 1886.
In politics, Mr. Scott affiliates with the Republican party. His ambition has been only to see a fair and proper administration of public affairs and to be permitted the full and free enjoyment of the blessings of our Republic.
Published on Gothamist June 1st, 2010, here: gothamist.com/2010/06/01/marina_mania.php
Marina in the home stretch. This was taken right before the end...
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La quinta edizione del festival organizzato da Wired Italia. Due lunghi fine settimana in cui vivere l’innovazione nell’economia, nella scienza, nella politica, nell’intrattenimento, nella cultura. Milano e Firenze si trasformano per un fine settimana nel luna park della scienza e della tecnologia. Oltre 150 relatori, performance artistiche, laboratori di stampa 3D, droni in volo, videogame, film, documentari, speed date sul lavoro, maratone di coding e workshop per tutte le età. A Milano da venerdì 26 a domenica 28 maggio ai Giardini Indro Montanelli.
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ore 10:00
Come si combatte l’Isis (sui social)
Speaker
Abdalaziz Alhamza - Fondatore Raqqa is Being Slaughtered Silently
Abdalaziz Alhamza, nato a Raqqa nel 1991, è un giornalista e attivista siriano, che oggi vive a Berlino. È fondatore e portavoce del progetto Raqqa is Being Slaughtered Silently (RBSS), gruppo di citizen journalism fondato dall’esilio in Turchia, che informa sulle violenze compiute da Isis in Siria, grazie alle informazioni passate da cittadini rimasti all’interno della città. Nel gennaio 2016 l’International Business Times ha descritto RBSS come “la più credibile fonte di informazioni dall’interno di Raqqa”.
Alhamza è laureato in biologia e da studente ha organizzato numerose proteste contro il governo siriano. È stato arrestato varie volte dal regime e più volte ha ricevuto minacce per la sua attività da Isis. RBSS ha vinto nel 2015 l’International Press Freedom Award dal Committee to Protect Journalists e il premio del Foreign Policy Global Thinkers Award.
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ore 10:30
Tra calcio e futuro
Speaker
Diletta Leotta - Conduttrice Sky Sport
Giulia Diletta Leotta, 1991, è conduttrice a Sky Sport. Si è laureata in Giurisprudenza alla LUISS di Roma con una tesi dal titolo Il contratto di lavoro sportivo. Ha iniziato la sua carriera televisiva nel 2010, a diciannove anni, sulla rete locale Antenna Sicilia, affiancando Salvo La Rosa nella conduzione dell’11º Festival della nuova canzone siciliana e nel programma di intrattenimento Insieme. L’anno successivo è passata a Mediaset dove ha condotto la trasmissione Il Compleanno di La5 sull’omonima rete digitale. Nel 2012 diventa una delle conduttrici di Sky Meteo 24.
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ore 12:30
Serie internazionale
Speaker
Salvatore Esposito - Attore
Salvatore Esposito nasce a Napoli il 2 febbraio 1986. Sin da bambino nutre la passione per la recitazione. Raggiunta la maggiore età inizia i suoi studi di recitazione presso la Scuola di cinema di Napoli per poi trasferirsi a Roma dove studia con l’acting trainer Beatrice Bracco.
Ha fatto il suo esordio televisivo nel 2013 con Il clan dei camorristi, interpretando il ruolo di Domenico Ruggiero. Nel 2014 arriva il successo al grande pubblico con Gomorra – la serie, Salvatore interpreta Genny Savastano.
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ore 13:00
Lavoro e ricchezza nell’epoca dell’ Intelligenza Artificiale
Speaker
Jerry Kaplan - Esperto di Intelligenza Artificiale e Imprenditore
Jerry Kaplan è un esperto di Intelligenza Artificiale noto in tutto il mondo, un innovatore, seriael entrepreneur, educatore, futurista e autore di best sellers. Ha fondato quattro startup della Silicon Valley, due delle quali sono divenute società di fama, e insegnato alla Stanford University. Hanno parlato di lui tutti i principali quotidiani in lingua inglese e le riviste specializzate di tutto il mondo
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ore 14:00
La strada della musica
Speaker
Michele Bravi - Cantante
Michele Bravi esordisce nel 2013 con la vittoria di XFactor Italia.
Portato alla vittoria da Morgan e presentato al grande pubblico con un pezzo scritto per lui da Tiziano Ferro e Zibba, Michele pubblica il suo EP di debutto “La Vita e la Felicità”. A Gennaio 2014 il primo singolo “La Vita e la Felicità” viene certificato disco d’oro.
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ore 14:30
Il tocco vincente
Speaker
Mara Maionchi - Produttrice discografica
Mara Maionchi (Bologna, 22 aprile 1941) è una produttrice discografica e personaggio televisivo italiano.
Attualmente considerata la figura femminile di maggiore spicco nella discografia italiana, producendo sia per conto di major come Sony e Warner che come produttrice indipendente attraverso la sua etichetta, sostenendo tuttavia in numerose dichiarazioni che la vera scena musicale – intensa e multisfaccettata – è all’estero e che in Italia “si fa quel che si può”.
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ore 15:00
Maniaca di SerieTV
Speaker
Miriam Leone - Attrice
Nasce a Catania. Ha frequentato il Liceo Classico Gulli e Pennisi ad Acireale e la Facoltà di Lettere e Filosofia dell’Università degli Studi di Catania. Studia contemporaneamente recitazione. Nel 2008 partecipa e vince sia la fascia di Miss Italia che quella di Miss Cinema.
Nel 2010 debutta come attrice sia sul grande schermo con il film Genitori & figli – Agitare bene prima dell’uso, di Giovanni Veronesi, con Silvia Orlando e Margherita Buy, sia sul piccolo schermo con il film TV Il ritmo della vita, diretto da Rossella Izzo e trasmesso su Canale 5.
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ore 15:30
Indie a chi?
Speaker
Lo Stato Sociale - Musicisti
Nel 2012 esce il loro primo album, Turisti della democrazia, al quale fa seguito un tour di 200 concerti in Italia ed in Europa. Nel 2013, ad un anno dalla prima pubblicazione, Turisti della democrazia viene ripubblicato in edizione deluxe, in formato doppio CD. Il primo CD presenta la tracklist originale mentre il secondo CD comprende tutti gli 11 brani del disco originale coverizzati da 11 artisti, oltre a tanti remix e inediti. Alla ripubblicazione dell’album, segue un lungo tour dello spettacolo di teatro-canzone Tronisti della democrazia, nel quale le canzoni dell’album d’esordio sono alternate a monologhi e sketch a formare “un minicorso in 5 atti di buone maniere”. Con Turisti della democrazia, tra i più discussi album usciti in ambito indie rock in Italia, la band bolognese ha ricevuto la Targa Giovani Mei e il Premio SIAE “Miglior Giovane Talento dell’Anno” e altri riconoscimenti.
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ore 16:00
L’uomo che ha dato forma al pc
Speaker
Mario Bellini - Architetto
Mario Bellini è un architetto e designer noto in tutto il mondo. Ha ricevuto il Premio Compasso d’Oro otto volte e 25 delle sue opere sono nella collezione permanente del MoMA di New York, che gli ha dedicato una retrospettiva nel 1987. È stato direttore della rivista Domus (1985-1991). Ha progettato numerose mostre d’arte e di architettura sia in Italia, sia all’estero, l’ultima a Palazzo Reale con i capolavori di Giotto (2015).
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ore 16:00
C’è risata e risata
Speaker
Saverio Raimondo - Stand Up Comedian e conduttore CCN
Saverio Raimondo, 33 anni, comico satirico, è stato definito sulle pagine di Repubblica “l’unico stand up comedian italiano che sembra vero” e “il comico più bravo in circolazione” da Aldo Grasso del Corriere della Sera. È il comico di punta di Comedy Central Italia (canale 124 di Sky) per il suo show CCN – Comedy Central News, striscia satirica di grande successo di pubblico e critica, giunta alla terza stagione – attualmente in corso, in onda tutti i mercoledì alle 22 – e per la quale ha vinto il Premio Satira Politica per la Tv Forte Dei Marmi.
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ore 16:30
Il suono dal caos
Speaker
Levante - Musicista
Levante nasce a Caltagirone e cresce a Palagonia (Catania) in una famiglia affollata da menti creative. A nove anni scrive le prime canzoni e soltanto ad undici inizia a suonare la chitarra, rubandola al fratello, per la pura esigenza di musicare i propri testi. Dopo la morte del padre, lei e la madre si trasferiscono nella magica città di Torino. Qui tante sono le collaborazioni, i contratti andati male, i dischi mai usciti e gli anni di manifestazioni musicali, provini e gavetta.
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ore 17:00
Non è bello ciò che è bello, ma che bello che bello che bello
Speaker
Maccio Capatonda - Attore e Regista
Nino Frassica - Comico e Presentatore
Maccio Capatonda, pseudonimo di Marcello Macchia, è un attore, regista e comico italiano. Ha partecipato ai programmi televisivi Mai dire Lunedì e Mai dire Martedì. Precedentemente aveva fondato a Milano la Shortcut Productions, insieme a Enrico Venti, suo storico amico, anche lui di Chieti. Ha lavorato per AllMusic e lavora stabilmente sul web, affianco all’attività televisiva. Nel 2013 è ideatore, regista e interprete principale della serie televisiva Mario. In un primo tempo si è dedicato (accompagnato dal suo inseparabile gruppo) alla produzione di finti reality televisivi, come il Divano Scomodo e il Gabinetto.
Nel 1985 Arbore coinvolge Nino Frassica nel varietà “Quelli della notte” nei panni di frate Antonino da Scasazza, organizzatore di un improbabile concorso a premi. Seguono “Indietro tutta” dove veste i panni del bravo presentatore e mette in scena una spassosa parodia del tipico conduttore televisivo. Partecipa successivamente a “Fantastico”, “Domenica In”, “Scommettiamo che…?”, “I Cervelloni”, “Acqua calda”, “Colorado Cafè” e “Markette” condotto da Piero Chiambretti. Nel 1999 inizia l’avventura della fiction televisiva “Don Matteo” con Terence Hill, Flavio Insinna e successivamente Simone Montedoro, giunta ormai alla decima serie. Nino interpreta il ruolo del maresciallo dei Carabinieri Nino Cecchini.
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ore 17:30
Comicità all’italiana
Speaker
Herbert Ballerina - Attore e Comico
Maccio Capatonda - Attore e Regista
Herbert Ballerina, pseudonimo di Luigi Luciano, nato a Campobasso il 7 marzo 1980, è un attore, comico, conduttore radiofonico e produttore cinematografico italiano. Dopo essersi laureato al DAMS di Bologna si trasferisce a Milano entrando a far parte della Shortcut Productions di Marcello Macchia ed Enrico Venti (in arte Maccio Capatonda e Ivo Avido), inizialmente come assistente e poi come attore e autore. Con Marcello Macchia è protagonista, con lo pseudonimo di Herbert Ballerina, di numerosi trailer umoristici trasmessi all’interno dei programmi televisivi Mai dire Lunedì e Mai dire Martedì.
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ore 18:00
La democrazia della rete
Speaker
Luigi Di Maio - Vicepresidente della Camera
Nato a Avellino il 6 luglio 1986, ha conseguito il diploma di liceo classico ed è giornalista pubblicista. Eletto nella circoscrizione XIX (CAMPANIA 1) nel 2013 alla Camera dei Deputati con il Movimento Cinque Stelle, diventa il più giovane Vicepresidente della Camera. È uno dei volti di punta del Movimento Cinque Stelle, per molti naturale candidato alle prossime elezioni.
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ore 18:30
Non smetto più
Speaker
Sydney Sibilia - Regista, Sceneggiatore e Produttore cinematografico
Luigi Di Capua - Regista, sceneggiatore e attore
Francesca Manieri - Sceneggiatrice
Sydney Sibilia, nato a Salerno nel 1981, è un regista, sceneggiatore e produttore cinematografico italiano. Sydney Sibilia inizia a realizzare cortometraggi insieme all’amico Fabio Ferro nella loro natìa Salerno. Nel 2007 si trasferisce a Roma e successivamente realizza un cortometraggio che ottiene numerosi riconoscimenti, Oggi gira così (2010), prodotto dalla Ascent Film e scritto insieme a Valerio Attanasio.
Sempre con Valerio Attanasio, scrive la sceneggiatura della sua opera prima Smetto quando voglio. Il film, prodotto dalla Fandango di Domenico Procacci, dalla Ascent FIlm di Matteo Rovere e da Rai Cinema, viene distribuito nelle sale cinematografiche nel febbraio 2014, riscuotendo un successo sorprendente e ottenendo 12 candidature ai David di Donatello 2014. Nel 2017 è nelle sale il seguito, Smetto quando voglio – Masterclass, in attesa del terzo episodio.
Regista, sceneggiatore e attore. Insieme a Matteo Corradini e Luca Vecchi è il fondatore del collettivo The Pills, nato nell’estate del 2011. Il collettivo è diventato celebre grazie alla web serie omonima che ha debuttato su YouTube nello stesso anno, diventando immediatamente fenomeno del web. Dopo il successo ottenuto anche con la seconda stagione, nel 2014 la serie approda su Italia 1. Nello stesso anno, The Pills sono autori insieme a Matteo Rovere, Luca Ravenna, Sydney Sibilia e Daniele Grassetti della serie tv Zio Gianni in onda su Rai2. Il 21 gennaio 2016 esce nelle sale il loro primo film, The Pills – Sempre meglio che lavorare.
Sceneggiatrice tra le più apprezzate in Italia, è laureata in filosofia.
Tra i suoi lavori: Zanzibar. Una storia daAmore, di cui ha curato anche la regia, Passione sinistra, Il rosso e il blu, La foresta di ghiaccio, Vergine giurata, Veloce come il vento, Nemiche per la pelle, il corto Era ieri, Come fai sbagli e il successo Smetto quando voglio.
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ore 19:00
L’identità della bellezza
Speaker
Samuel - Cantante e Musicista
Samuel Umberto Romano, conosciuto semplicemente come Samuel (Torino, 7 marzo 1972), è un cantautore e chitarrista italiano. È il frontman del gruppo dei Subsonica, in cui è anche compositore e autore dei testi delle canzoni insieme a Max Casacci e Davide Dileo, meglio conosciuto come Boosta.
Nel 2016 ha annunciato attraverso le proprie pagine Facebook e Instagram di essere al lavoro sul suo primo album da solista, anticipato il 9 settembre 2016 dal suo primo singolo da solista, La risposta, seguito tre mesi dopo da Rabbia.
The Postcard
A postally unused carte postale published by L. B. of Dijon and distributed by Ch. Macé of Versailles. The card has a divided back.
The Gardens of Versailles
The Gardens of Versailles are situated to the west of the palace. They cover some 800 hectares (1,977 acres) of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre.
Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain (a protected wildlife preserve) to the west, and by the Satory Forest to the south.
In 1979, the gardens along with the château were inscribed on the UNESCO World Heritage List due to its cultural importance during the 17th. and 18th. centuries.
The gardens are now one of the most visited public sites in France, receiving more than six million visitors a year.
The gardens contain 200,000 trees, 210,000 flowers planted annually, and feature meticulously manicured lawns and parterres, as well as many sculptures.
50 fountains containing 620 water jets, fed by 35 km. of piping, are located throughout the gardens. Dating from the time of Louis XIV and still using much of the same network of hydraulics as was used during the Ancien Régime, the fountains contribute to making the gardens of Versailles unique.
On weekends from late spring to early autumn, there are the Grandes Eaux - spectacles during which all the fountains in the gardens are in full play. Designed by André Le Nôtre, the Grand Canal is the masterpiece of the Gardens of Versailles.
In the Gardens too, the Grand Trianon was built to provide the Sun King with the retreat that he wanted. The Petit Trianon is associated with Marie-Antoinette, who spent time there with her closest relatives and friends.
The Du Bus Plan for the Gardens of Versailles
With Louis XIII's purchase of lands from Jean-François de Gondi in 1632 and his assumption of the seigneurial role of Versailles in the 1630's, formal gardens were laid out west of the château.
Claude Mollet and Hilaire Masson designed the gardens, which remained relatively unchanged until the expansion ordered under Louis XIV in the 1660's. This early layout, which has survived in the so-called Du Bus plan of c.1662, shows an established topography along which lines of the gardens evolved. This is evidenced in the clear definition of the main east–west and north–south axis that anchors the gardens' layout.
Louis XIV
In 1661, after the disgrace of the finance minister Nicolas Fouquet, who was accused by rivals of embezzling crown funds in order to build his luxurious château at Vaux-le-Vicomte, Louis XIV turned his attention to Versailles.
With the aid of Fouquet's architect Louis Le Vau, painter Charles Le Brun, and landscape architect André Le Nôtre, Louis began an embellishment and expansion program at Versailles that would occupy his time and worries for the remainder of his reign.
From this point forward, the expansion of the gardens of Versailles followed the expansions of the château.
(a) The First Building Campaign
In 1662, minor modifications to the château were undertaken; however, greater attention was given to developing the gardens. Existing bosquets (clumps of trees) and parterres were expanded, and new ones created.
Most significant among the creations at this time were the Versailles Orangerie and the "Grotte de Thétys". The Orangery, which was designed by Louis Le Vau, was located south of the château, a situation that took advantage of the natural slope of the hill. It provided a protected area in which orange trees were kept during the winter months.
The "Grotte de Thétys", which was located to the north of the château, formed part of the iconography of the château and of the gardens that aligned Louis XIV with solar imagery. The grotto was completed during the second building campaign.
By 1664, the gardens had evolved to the point that Louis XIV inaugurated the gardens with the fête galante called Les Plaisirs de L'Île Enchantée. The event, was ostensibly to celebrate his mother, Anne d'Autriche, and his consort Marie-Thérèse but in reality celebrated Louise de La Vallière, Louis' mistress.
Guests were regaled with entertainments in the gardens over a period of one week. As a result of this fête - particularly the lack of housing for guests (most of them had to sleep in their carriages), Louis realised the shortcomings of Versailles, and began to expand the château and the gardens once again.
(b) The Second Building Campaign
Between 1664 and 1668, there was a flurry of activity in the gardens - especially with regard to fountains and new bosquets; it was during this time that the imagery of the gardens exploited Apollo and solar imagery as metaphors for Louis XIV.
Le Va's enveloppe of the Louis XIII's château provided a means by which, though the decoration of the garden façade, imagery in the decors of the grands appartements of the king and queen formed a symbiosis with the imagery of the gardens.
With this new phase of construction, the gardens assumed the design vocabulary that remained in force until the 18th. century. Solar and Apollonian themes predominated with projects constructed at this time.
Three additions formed the topological and symbolic nexus of the gardens during this phase of construction: the completion of the "Grotte de Thétys", the "Bassin de Latone", and the "Bassin d'Apollon".
The Grotte de Thétys
Started in 1664 and finished in 1670 with the installation of the statuary, the grotto formed an important symbolic and technical component to the gardens. Symbolically, the "Grotte de Thétys" related to the myth of Apollo - and by association to Louis XIV.
It represented the cave of the sea nymph Thetis, where Apollo rested after driving his chariot to light the sky. The grotto was a freestanding structure located just north of the château.
The interior, which was decorated with shell-work to represent a sea cave, contained the statue group by the Marsy brothers depicting the sun god attended by nereids.
Technically, the "'Grotte de Thétys" played a critical role in the hydraulic system that supplied water to the garden. The roof of the grotto supported a reservoir that stored water pumped from the Clagny pond and which fed the fountains lower in the garden via gravity.
The Bassin de Latone
Located on the east–west axis is the Bassin de Latone. Designed by André Le Nôtre, sculpted by Gaspard and Balthazar Marsy, and constructed between 1668 and 1670, the fountain depicts an episode from Ovid's Metamorphoses.
Altona and her children, Apollo and Diana, being tormented with mud slung by Lycian peasants, who refused to let her and her children drink from their pond, appealed to Jupiter who responded by turning the Lycians into frogs.
This episode from mythology has been seen as a reference to the revolts of the Fronde, which occurred during the minority of Louis XIV. The link between Ovid's story and this episode from French history is emphasised by the reference to "mud slinging" in a political context.
The revolts of the Fronde - the word fronde also means slingshot - have been regarded as the origin of the use of the term "mud slinging" in a political context.
The Bassin d'Apollon
Further along the east–west axis is the Bassin d'Apollon. The Apollo Fountain, which was constructed between 1668 and 1671, depicts the sun god driving his chariot to light the sky. The fountain forms a focal point in the garden, and serves as a transitional element between the gardens of the Petit Parc and the Grand Canal.
The Grand Canal
With a length of 1,500 metres and a width of 62 metres, the Grand Canal, which was built between 1668 and 1671, prolongs the east–west axis to the walls of the Grand Parc. During the Ancien Régime, the Grand Canal served as a venue for boating parties.
In 1674 the king ordered the construction of Petite Venise (Little Venice). Located at the junction of the Grand Canal and the northern transversal branch, Little Venice housed the caravels and yachts that were received from The Netherlands and the gondolas and gondoliers received as gifts from the Doge of Venice.
The Grand Canal also served a practical role. Situated at a low point in the gardens, it collected water that drained from the fountains in the garden above. Water from the Grand Canal was pumped back to the reservoir on the roof of the Grotte de Thétys via a network of windmill- and horse-powered pumps.
The Parterre d'Eau
Situated above the Latona Fountain is the terrace of the château, known as the Parterre d'Eau. Forming a transitional element from the château to the gardens below, the Parterre d'Eau provided a setting in which the symbolism of the grands appartements synthesized with the iconography of the gardens.
In 1664, Louis XIV commissioned a series of statues intended to decorate the water feature of the Parterre d'Eau. The Grande Command, as the commission is known, comprised twenty-four statues of the classic quaternities and four additional statues depicting abductions from the classic past.
Evolution of the Bosquets
One of the distinguishing features of the gardens during the second building campaign was the proliferation of bosquets. Expanding the layout established during the first building campaign, Le Nôtre added or expanded on no fewer that ten bosquets between 1670 and 1678:
-- The Bosquet du Marais
-- The Bosquet du Théâtre d'Eau, Île du Roi
-- The Miroir d'Eau
-- The Salle des Festins (Salle du Conseil)
-- The Bosquet des Trois Fontaines
-- The Labyrinthe
-- The Bosquet de l'Arc de Triomphe
-- The Bosquet de la Renommée (Bosquet des Dômes)
-- The Bosquet de l'Encélade
-- The Bosquet des Sources
In addition to the expansion of existing bosquets and the construction of new ones, there were two additional projects that defined this era, the Bassin des Sapins and the Pièce d'Eau des Suisses.
-- The Bassin des Sapins
In 1676, the Bassin des Sapins, which was located north of the château below the Allée des Marmoset's was designed to form a topological pendant along the north–south axis with the Pièce d'Eau des Suisses located at the base of the Satory hill south of the château.
Later modifications in the gardens transformed this fountain into the Bassin de Neptune.
-- Pièce d'Eau des Suisses
Excavated in 1678, the Pièce d'Eau des Suisses - named after the Swiss Guards who constructed the lake - occupied an area of marshes and ponds, some of which had been used to supply water for the fountains in the garden.
This water feature, with a surface area of more than 15 hectares (37 acres), is the second largest - after the Grand Canal - at Versailles.
(c) The Third Building Campaign
Modifications to the gardens during the third building campaign were distinguished by a stylistic change from the natural aesthetic of André Le Nôtre to the architectonic style of Jules Hardouin Mansart.
The first major modification to the gardens during this phase occurred in 1680 when the Tapis Vert - the expanse of lawn that stretches between the Latona Fountain and the Apollo Fountain - achieved its final size and definition under the direction of André Le Nôtre.
Beginning in 1684, the Parterre d'Eau was remodelled under the direction of Jules Hardouin-Mansart. Statues from the Grande Commande of 1674 were relocated to other parts of the garden; two twin octagonal basins were constructed and decorated with bronze statues representing the four main rivers of France.
In the same year, Le Vau's Orangerie, located to south of the Parterrre d'Eau was demolished to accommodate a larger structure designed by Jules Hardouin-Mansart.
In addition to the Orangerie, the Escaliers des Cent Marches, which facilitated access to the gardens from the south, to the Pièce d'Eau des Suisses, and to the Parterre du Midi were constructed at this time, giving the gardens just south of the château their present configuration and decoration.
Additionally, to accommodate the anticipated construction of the Aile des Nobles - the north wing of the château - the Grotte de Thétys was demolished.
With the construction of the Aile des Nobles (1685–1686), the Parterre du Nord was remodelled to respond to the new architecture of this part of the château.
To compensate for the loss of the reservoir on top of the Grotte de Thétys and to meet the increased demand for water, Jules Hardouin-Mansart designed new and larger reservoirs situated north of the Aile des Nobles.
Construction of the ruinously expensive Canal de l'Eure was inaugurated in 1685; designed by Vauban it was intended to bring waters of the Eure over 80 kilometres, including aqueducts of heroic scale, but the works were abandoned in 1690.
Between 1686 and 1687, the Bassin de Latone, under the direction of Jules Hardouin-Mansart, was rebuilt. It is this final version of the fountain that one sees today at Versailles.
During this phase of construction, three of the garden's major bosquets were modified or created. Beginning with the Galerie des Antiques, this bosquet was constructed in 1680 on the site of the earlier and short-lived Galerie d'Eau. This bosquet was conceived as an open-air gallery in which antique statues and copies acquired by the Académie de France in Rome were displayed.
The following year, construction began on the Salle de Bal. Located in a secluded section of the garden west of the Orangerie, this bosquet was designed as an amphitheater that featured a cascade – the only one surviving in the gardens of Versailles. The Salle de Bal was inaugurated in 1685 with a ball hosted by the Grand Dauphin.
Between 1684 and 1685, Jules Hardouin-Mansart built the Colonnade. Located on the site of Le Nôtre's Bosquet des Sources, this bosquet featured a circular peristyle formed from thirty-two arches with twenty-eight fountains, and was Hardouin-Mansart's most architectural of the bosquets built in the gardens of Versailles.
(d) The Fourth Building Campaign
Due to financial constraints arising from the War of the League of Augsburg and the War of the Spanish Succession, no significant work on the gardens was undertaken until 1704.
Between 1704 and 1709, bosquets were modified, some quite radically, with new names suggesting the new austerity that characterised the latter years of Louis XIV's reign.
Louis XV
With the departure of the king and court from Versailles in 1715 following the death of Louis XIV, the palace and gardens entered an era of uncertainty.
In 1722, Louis XV and the court returned to Versailles. Seeming to heed his great-grandfather's admonition not to engage in costly building campaigns, Louis XV did not undertake the costly rebuilding that Louis XIV had.
During the reign of Louis XV, the only significant addition to the gardens was the completion of the Bassin de Neptune (1738–1741).
Rather than expend resources on modifying the gardens at Versailles, Louis XV - an avid botanist - directed his efforts at Trianon. In the area now occupied by the Hameau de la Reine, Louis XV constructed and maintained les Jardins Botaniques.
In 1761, Louis XV commissioned Ange-Jacques Gabriel to build the Petit Trianon as a residence that would allow him to spend more time near the Jardins Botaniques. It was at the Petit Trianon that Louis XV fell fatally ill with smallpox; he died at Versailles on the 10th. May 1774.
Louis XVI
Upon Louis XVI's ascension to the throne, the gardens of Versailles underwent a transformation that recalled the fourth building campaign of Louis XIV. Engendered by a change in outlook as advocated by Jean-Jacques Rousseau and the Philosophes, the winter of 1774–1775 witnessed a complete replanting of the gardens.
Trees and shrubbery dating from the reign of Louis XIV were felled or uprooted with the intent of transforming the French formal garden of Le Nôtre and Hardouin-Mansart into a version of an English landscape garden.
The attempt to convert Le Nôtre's masterpiece into an English-style garden failed to achieve its desired goal. Owing largely to the topology of the land, the English aesthetic was abandoned and the gardens replanted in the French style.
However, with an eye on economy, Louis XVI ordered the Palisades - the labour-intensive clipped hedging that formed walls in the bosquets - to be replaced with rows of lime trees or chestnut trees. Additionally, a number of the bosquets dating from the time of the Sun King were extensively modified or destroyed.
The most significant contribution to the gardens during the reign of Louis XVI was the Grotte des Bains d'Apollon. The rockwork grotto set in an English style bosquet was the masterpiece of Hubert Robert in which the statues from the Grotte de Thétys were placed.
Revolution
In 1792, under order from the National Convention, some of the trees in the gardens were felled, while parts of the Grand Parc were parcelled and dispersed.
Sensing the potential threat to Versailles, Louis Claude Marie Richard (1754–1821) – director of the Jardins Botaniques and grandson of Claude Richard – lobbied the government to save Versailles. He succeeded in preventing further dispersing of the Grand Parc, and threats to destroy the Petit Parc were abolished by suggesting that the parterres could be used to plant vegetable gardens, and that orchards could occupy the open areas of the garden.
These plans were never put into action; however, the gardens were opened to the public - it was not uncommon to see people washing their laundry in the fountains and spreading it on the shrubbery to dry.
Napoléon I
The Napoleonic era largely ignored Versailles. In the château, a suite of rooms was arranged for the use of the empress Marie-Louise, but the gardens were left unchanged, save for the disastrous felling of trees in the Bosquet de l'Arc de Triomphe and the Bosquet des Trois Fontaines. Massive soil erosion necessitated planting of new trees.
Restoration
With the restoration of the Bourbons in 1814, the gardens of Versailles witnessed the first modifications since the Revolution. In 1817, Louis XVIII ordered the conversion of the Île du Roi and the Miroir d'Eau into an English-style garden - the Jardin du Roi.
The July Monarchy; The Second Empire
While much of the château's interior was irreparably altered to accommodate the Museum of the History of France (inaugurated by Louis-Philippe on the 10th. June 1837), the gardens, by contrast, remained untouched.
With the exception of the state visit of Queen Victoria and Prince Albert in 1855, at which time the gardens were a setting for a gala fête that recalled the fêtes of Louis XIV, Napoléon III ignored the château, preferring instead the château of Compiègne.
Pierre de Nolhac
With the arrival of Pierre de Nolhac as director of the museum in 1892, a new era of historical research began at Versailles. Nolhac, an ardent archivist and scholar, began to piece together the history of Versailles, and subsequently established the criteria for restoration of the château and preservation of the gardens, which are ongoing to this day.
Bosquets of the Gardens
Owing to the many modifications made to the gardens between the 17th. and the 19th. centuries, many of the bosquets have undergone multiple modifications, which were often accompanied by name changes.
Deux Bosquets - Bosquet de la Girondole - Bosquet du Dauphin - Quinconce du Nord - Quinconce du Midi
These two bosquets were first laid out in 1663. They were arranged as a series of paths around four salles de verdure and which converged on a central "room" that contained a fountain.
In 1682, the southern bosquet was remodeled as the Bosquet de la Girondole, thus named due to spoke-like arrangement of the central fountain. The northern bosquet was rebuilt in 1696 as the Bosquet du Dauphin with a fountain that featured a dolphin.
During the replantation of 1774–1775, both the bosquets were destroyed. The areas were replanted with lime trees and were rechristened the Quinconce du Nord and the Quinconce du Midi.
Labyrinthe - Bosquet de la Reine
In 1665, André Le Nôtre planned a hedge maze of unadorned paths in an area south of the Latona Fountain near the Orangerie. In 1669, Charles Perrault - author of the Mother Goose Tales - advised Louis XIV to remodel the Labyrinthe in such a way as to serve the Dauphin's education.
Between 1672 and 1677, Le Nôtre redesigned the Labyrinthe to feature thirty-nine fountains that depicted stories from Aesop's Fables. The sculptors Jean-Baptiste Tuby, Étienne Le Hongre, Pierre Le Gros, and the brothers Gaspard and Balthazard Marsy worked on these thirty-nine fountains, each of which was accompanied by a plaque on which the fable was printed, with verse written by Isaac de Benserade; from these plaques, Louis XIV's son learned to read.
Once completed in 1677, the Labyrinthe contained thirty-nine fountains with 333 painted metal animal sculptures. The water for the elaborate waterworks was conveyed from the Seine by the Machine de Marly.
The Labyrinthe contained fourteen water-wheels driving 253 pumps, some of which worked at a distance of three-quarters of a mile.
Citing repair and maintenance costs, Louis XVI ordered the Labyrinthe demolished in 1778. In its place, an arboretum of exotic trees was planted as an English-styled garden.
Rechristened Bosquet de la Reine, it would be in this part of the garden that an episode of the Affair of the Diamond Necklace, which compromised Marie-Antoinette, transpired in 1785.
Bosquet de la Montagne d'Eau - Bosquet de l'Étoile
Originally designed by André Le Nôtre in 1661 as a salle de verdure, this bosquet contained a path encircling a central pentagonal area. In 1671, the bosquet was enlarged with a more elaborate system of paths that served to enhance the new central water feature, a fountain that resembled a mountain, hence the bosquets new name: Bosquet de la Montagne d'Eau.
The bosquet was completely remodeled in 1704 at which time it was rechristened Bosquet de l'Étoile.
Bosquet du Marais - Bosquet du Chêne Vert - Bosquet des Bains d'Apollon - Grotte des Bains d'Apollon
Created in 1670, this bosquet originally contained a central rectangular pool surrounded by a turf border. Edging the pool were metal reeds that concealed numerous jets for water; a swan that had water jetting from its beak occupied each corner.
The centre of the pool featured an iron tree with painted tin leaves that sprouted water from its branches. Because of this tree, the bosquet was also known as the Bosquet du Chêne Vert.
In 1705, this bosquet was destroyed in order to allow for the creation of the Bosquet des Bains d'Apollon, which was created to house the statues had once stood in the Grotte de Thétys.
During the reign of Louis XVI, Hubert Robert remodeled the bosquet, creating a cave-like setting for the Marsy statues. The bosquet was renamed the Grotte des Bains d'Apollon.
Île du Roi - Miroir d'Eau - Jardin du Roi
Originally designed in 1671 as two separate water features, the larger - Île du Roi - contained an island that formed the focal point of a system of elaborate fountains.
The Île du Roi was separated from the Miroir d'Eau by a causeway that featured twenty-four water jets. In 1684, the island was removed and the total number of water jets in the bosquet was significantly reduced.
The year 1704 witnessed a major renovation of the bosquet, at which time the causeway was remodelled and most of the water jets were removed.
A century later, in 1817, Louis XVIII ordered the Île du Roi and the Miroir d'Eau to be completely remodeled as an English-style garden. At this time, the bosquet was rechristened Jardin du Roi.
Salle des Festins - Salle du Conseil - Bosquet de l'Obélisque
In 1671, André Le Nôtre conceived a bosquet - originally christened Salle des Festins and later called Salle du Conseil - that featured a quatrefoil island surrounded by a channel containing fifty water jets. Access to the island was obtained by two swing bridges.
Beyond the channel and placed at the cardinal points within the bosquet were four additional fountains. Under the direction of Jules Hardouin-Mansart, the bosquet was completely remodeled in 1706. The central island was replaced by a large basin raised on five steps, which was surrounded by a canal. The central fountain contained 230 jets that, when in play, formed an obelisk – hence the new name Bosquet de l'Obélisque.
Bosquet du Théâtre d'Eau - Bosquet du Rond-Vert
The central feature of this bosquet, which was designed by Le Nôtre between 1671 and 1674, was an auditorium/theatre sided by three tiers of turf seating that faced a stage decorated with four fountains alternating with three radiating cascades.
Between 1680 and Louis XIV's death in 1715, there was near-constant rearranging of the statues that decorated the bosquet.
In 1709, the bosquet was rearranged with the addition of the Fontaine de l'Île aux Enfants. As part of the replantation of the gardens ordered by Louis XVI during the winter of 1774–1775, the Bosquet du Théâtre d'Eau was destroyed and replaced with the unadorned Bosquet du Rond-Vert. The Bosquet du Théâtre d'Eau was recreated in 2014, with South Korean businessman and photographer Yoo Byung-eun being the sole patron, donating €1.4 million.
Bosquet des Trois Fontaines - Berceau d'Eau
Situated to the west of the Allée des Marmousets and replacing the short-lived Berceau d'Eau (a long and narrow bosquet created in 1671 that featured a water bower made by numerous jets of water), the enlarged bosquet was transformed by Le Nôtre in 1677 into a series of three linked rooms.
Each room contained a number of fountains that played with special effects. The fountains survived the modifications that Louis XIV ordered for other fountains in the gardens in the early 18th. century and were subsequently spared during the 1774–1775 replantation of the gardens.
In 1830, the bosquet was replanted, at which time the fountains were suppressed. Due to storm damage in the park in 1990 and then again in 1999, the Bosquet des Trois Fontaines was restored and re-inaugurated on the 12th. June 2004.
Bosquet de l'Arc de Triomphe
This bosquet was originally planned in 1672 as a simple pavillon d'eau - a round open expanse with a square fountain in the centre. In 1676, this bosquet was enlarged and redecorated along political lines that alluded to French military victories over Spain and Austria, at which time the triumphal arch was added - hence the name.
As with the Bosquet des Trois Fontaines, this bosquet survived the modifications of the 18th. century, but was replanted in 1830, at which time the fountains were removed.
Bosquet de la Renommée - Bosquet des Dômes
Built in 1675, the Bosquet de la Renommée featured a fountain statue of Fame. With the relocation of the statues from the Grotte de Thétys in 1684, the bosquet was remodelled to accommodate the statues, and the Fame fountain was removed.
At this time the bosquet was rechristened Bosquet des Bains d'Apollon. As part of the reorganisation of the garden that was ordered by Louis XIV in the early part of the 18th. century, the Apollo grouping was moved once again to the site of the Bosquet du Marais - located near the Latona Fountain - which was destroyed and was replaced by the new Bosquet des Bains d'Apollon.
The statues were installed on marble plinths from which water issued; and each statue grouping was protected by an intricately carved and gilded baldachin.
The old Bosquet des Bains d'Apollon was renamed Bosquet des Dômes due to two domed pavilions built in the bosquet.
Bosquet de l'Encélade
Created in 1675 at the same time as the Bosquet de la Renommée, the fountain of this bosquet depicts Enceladus, a fallen Giant who was condemned to live below Mount Etna, being consumed by volcanic lava.
From its conception, this fountain was conceived as an allegory of Louis XIV's victory over the Fronde. In 1678, an octagonal ring of turf and eight rocaille fountains surrounding the central fountain were added. These additions were removed in 1708.
When in play, this fountain has the tallest jet of all the fountains in the gardens of Versailles - 25 metres.
Bosquet des Sources - La Colonnade
Designed as a simple unadorned salle de verdure by Le Nôtre in 1678, the landscape architect enhanced and incorporated an existing stream to create a bosquet that featured rivulets that twisted among nine islets.
In 1684, Jules Hardouin-Mansart completely redesigned the bosquet by constructing a circular arched double peristyle. The Colonnade, as it was renamed, originally featured thirty-two arches and thirty-one fountains – a single jet of water splashed into a basin center under the arch.
In 1704, three additional entrances to the Colonnade were added, which reduced the number of fountains from thirty-one to twenty-eight. The statue that currently occupies the centre of the Colonnade - the Abduction of Persephone - (from the Grande Commande of 1664) was set in place in 1696.
Galerie d'Eau - Galerie des Antiques - Salle des Marronniers
Occupying the site of the Galerie d'Eau (1678), the Galerie des Antiques was designed in 1680 to house the collection of antique statues and copies of antique statues acquired by the Académie de France in Rome.
Surrounding a central area paved with colored stone, a channel was decorated with twenty statues on plinths, each separated by three jets of water.
The Galerie was completely remodeled in 1704 when the statues were transferred to Marly and the bosquet was replanted with horse chestnut trees - hence the current name Salle des Marronniers.
Salle de Bal
This bosquet, which was designed by Le Nôtre and built between 1681 and 1683, features a semi-circular cascade that forms the backdrop for a salle de verdure.
Interspersed with gilt lead torchères, which supported candelabra for illumination, the Salle de Bal was inaugurated in 1683 by Louis XIV's son, the Grand Dauphin, with a dance party.
The Salle de Bal was remodeled in 1707 when the central island was removed and an additional entrance was added.
Replantations of the Gardens
Common to any long-lived garden is replantation, and Versailles is no exception. In their history, the gardens of Versailles have undergone no less than five major replantations, which have been executed for practical and aesthetic reasons.
During the winter of 1774–1775, Louis XVI ordered the replanting of the gardens on the grounds that many of the trees were diseased or overgrown, and needed to be replaced.
Also, as the formality of the 17th.-century garden had fallen out of fashion, this replantation sought to establish a new informality in the gardens - that would also be less expensive to maintain.
This, however, was not achieved, as the topology of the gardens favored the Jardin à la Française over an English-style garden.
Then, in 1860, much of the old growth from Louis XVI's replanting was removed and replaced. In 1870, a violent storm struck the area, damaging and uprooting scores of trees, which necessitated a massive replantation program.
However, owing to the Franco-Prussian War, which toppled Napoléon III, and the Commune de Paris, replantation of the garden did not get underway until 1883.
The most recent replantations of the gardens were precipitated by two storms that battered Versailles in 1990 and then again in 1999. The storm damage at Versailles and Trianon amounted to the loss of thousands of trees - the worst such damage in the history of Versailles.
The replantations have allowed museum and governmental authorities to restore and rebuild some of the bosquets that were abandoned during the reign of Louis XVI, such as the Bosquet des Trois Fontaines, which was restored in 2004.
Catherine Pégard, the head of the public establishment which administers Versailles, has stated that the intention is to return the gardens to their appearance under Louis XIV, specifically as he described them in his 1704 description, Manière de Montrer les Jardins de Versailles.
This involves restoring some of the parterres like the Parterre du Midi to their original formal layout, as they appeared under Le Nôtre. This was achieved in the Parterre de Latone in 2013, when the 19th. century lawns and flower beds were torn up and replaced with boxwood-enclosed turf and gravel paths to create a formal arabesque design.
Pruning is also done to keep trees at between 17 and 23 metres (56 to 75 feet), so as not to spoil the carefully designed perspectives of the gardens.
Owing to the natural cycle of replantations that has occurred at Versailles, it is safe to state that no trees dating from the time of Louis XIV are to be found in the gardens.
Problems With Water
The marvel of the gardens of Versailles - then as now - is the fountains. Yet, the very element that animates the gardens, water, has proven to be the affliction of the gardens since the time of Louis XIV.
The gardens of Louis XIII required water, and local ponds provided an adequate supply. However, once Louis XIV began expanding the gardens with more and more fountains, supplying the gardens with water became a critical challenge.
To meet the needs of the early expansions of the gardens under Louis XIV, water was pumped to the gardens from ponds near the château, with the Clagny pond serving as the principal source.
Water from the pond was pumped to the reservoir on top of the Grotte de Thétys, which fed the fountains in the garden by means of gravitational hydraulics. Other sources included a series of reservoirs located on the Satory Plateau south of the château.
The Grand Canal
By 1664, increased demand for water necessitated additional sources. In that year, Louis Le Vau designed the Pompe, a water tower built north of the château. The Pompe drew water from the Clagny pond using a system of windmills and horsepower to a cistern housed in the Pompe's building. The capacity of the Pompe 600 cubic metres per day - alleviated some of the water shortages in the garden.
With the completion of the Grand Canal in 1671, which served as drainage for the fountains of the garden, water, via a system of windmills, was pumped back to the reservoir on top of the Grotte de Thétys.
While this system solved some of the water supply problems, there was never enough water to keep all of the fountains running in the garden in full-play all of the time.
While it was possible to keep the fountains in view from the château running, those concealed in the bosquets and in the farther reaches of the garden were run on an as-needed basis.
In 1672, Jean-Baptiste Colbert devised a system by which the fountaineers in the gardens would signal each other with whistles upon the approach of the king, indicating that their fountain needed to be turned on. Once the king had passed a fountain in play, it would be turned off and the fountaineer would signal that the next fountain could be turned on.
In 1674, the Pompe was enlarged, and subsequently referred to as the Grande Pompe. Pumping capacity was increased via increased power and the number of pistons used for lifting the water. These improvements increased the water capacity to nearly 3,000 cubic metres of water per day; however, the increased capacity of the Grande Pompe often left the Clagny pond dry.
The increasing demand for water and the stress placed on existing systems of water supply necessitated newer measures to increase the water supplied to Versailles. Between 1668 and 1674, a project was undertaken to divert the water of the Bièvre river to Versailles. By damming the river and with a pumping system of five windmills, water was brought to the reservoirs located on the Satory Plateau. This system brought an additional 72,000 cubic metres water to the gardens on a daily basis.
Despite the water from the Bièvre, the gardens needed still more water, which necessitated more projects. In 1681, one of the most ambitious water projects conceived during the reign of Louis XIV was undertaken.
Owing to the proximity of the Seine to Versailles, a project was proposed to raise the water from the river to be delivered to Versailles. Seizing upon the success of a system devised in 1680 that raised water from the Seine to the gardens of Saint-Germain-en-Laye, construction of the Machine de Marly began the following year.
The Machine de Marly was designed to lift water from the Seine in three stages to the Aqueduc de Louveciennes some 100 metres above the level of the river. A series of huge waterwheels was constructed in the river, which raised the water via a system of 64 pumps to a reservoir 48 metres above the river. From this first reservoir, water was raised an additional 56 metres to a second reservoir by a system of 79 pumps. Finally, 78 additional pumps raised the water to the aqueduct, which carried the water to Versailles and Marly.
In 1685, the Machine de Marly came into full operation. However, owing to leakage in the conduits and breakdowns of the mechanism, the machine was only able to deliver 3,200 cubic metres of water per day - approximately one-half the expected output. The machine was nevertheless a must-see for visitors. Despite the fact that the gardens consumed more water per day than the entire city of Paris, the Machine de Marly remained in operation until 1817.
During Louis XIV's reign, water supply systems represented one-third of the building costs of Versailles. Even with the additional output from the Machine de Marly, fountains in the garden could only be run à l'ordinaire - which is to say at half-pressure.
With this measure of economy, the fountains still consumed 12,800 cubic metres of water per day, far above the capacity of the existing supplies. In the case of the Grandes Eaux - when all the fountains played to their maximum - more than 10,000 cubic metres of water was needed for one afternoon's display.
Accordingly, the Grandes Eaux were reserved for special occasions such as the Siamese Embassy visit of 1685–1686.
The Canal de l'Eure
One final attempt to solve water shortage problems was undertaken in 1685. In this year it was proposed to divert the water of the Eure river, located 160 km. south of Versailles and at a level 26 m above the garden reservoirs.
The project called not only for digging a canal and for the construction of an aqueduct, it also necessitated the construction of shipping channels and locks to supply the workers on the main canal.
Between 9,000 to 10,000 troops were pressed into service in 1685; the next year, more than 20,000 soldiers were engaged in construction. Between 1686 and 1689, when the Nine Years' War began, one-tenth of France's military was at work on the Canal de l'Eure project.
However with the outbreak of the war, the project was abandoned, never to be completed. Had the aqueduct been completed, some 50,000 cubic metres of water would have been sent to Versailles - more than enough to solve the water problem of the gardens.
Today, the museum of Versailles is still faced with water problems. During the Grandes Eaux, water is circulated by means of modern pumps from the Grand Canal to the reservoirs. Replenishment of the water lost due to evaporation comes from rainwater, which is collected in cisterns that are located throughout the gardens and diverted to the reservoirs and the Grand Canal.
Assiduous husbanding of this resource by museum officials prevents the need to tap into the supply of potable water of the city of Versailles.
The Versailles Gardens In Popular Culture
The creation of the gardens of Versailles is the context for the film 'A Little Chaos', directed by Alan Rickman and released in 2015, in which Kate Winslet plays a fictional landscape gardener and Rickman plays King Louis XIV.
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Opening-act dei Whitesnake all’Alcatraz di Milano il 29 novembre 2015, The Dead Daisies.
Influenced by 70’s and early 80’s hard rock, The Dead Daisies sound is soulful and accessible – equal parts of The Faces, Bad Company and Foreigner: muscular vocals, bluesy riffs, big choruses, powerful melodies and strong hooks. With stellar musicianship and pulverizing live shows, fans across the globe are discovering the band that is bringing back Rock & Roll!
The musical collective is created by a rotating line-up that features some of the best Rock musicians on the planet. This includes: Richard Fortus (Guns N’ Roses/The Psychedelic Furs), Dizzy Reed (Guns N’ Roses/Hookers and Blow), Darryl Jones (The Rolling Stones), Charley Drayton (The X-pensive Winos/The Cult), Jon Stevens (Noiseworks/INXS), Brian Tichy (Ozzy Osbourne/Billy Idol), David Lowy (Red Phoenix/Mink), John Tempesta (The Cult/Rob Zombie), Marco Mendoza (Thin Lizzy/Whitesnake), John Corabi (Motley Crue/RATT), Alex Carapetis (Julian Casablancas + The Voidz/Nine Inch Nails), Bernard Fowler (The Rolling Stones) and Frank Ferrer (Guns N’ Roses/The Psychedelic Furs).
Richard Fortus, originally from St. Louis, Missouri, is probably best know for his ‘other’ position, guitarist with legendary American rock band Guns N’ Roses where he handles both rhythm and lead duties since first joining the band 2001.
Marco Mendoza is a well-known face around the rock music circuit. His bass playing skills have seen him hold down the rhythm section for many legendary bands like Thin Lizzy, Whitesnake, Dolores O'Riordan, Lynch Mob and Ted Nugent among others.
John Corabi was already an established singer in the rock world with bands like Angora and Scream before he joined Motley Crue in 1992 as their new lead singer. He recorded the critically acclaimed self titled album before Vince Neil returned in 1996.
Dizzy Reed is a multi-talented keyboard/vocalist who has been part of The Dead Daisies line-up since 2013.
Brian Tichy started drumming from age 8. He attended the prestigious Berklee College of Music from 1986-1990.
Throughout his career, rhythm guitarist David Lowy has extensively played with various Australian rock bands, including Red Phoenix, Mink and Doc Neeson’s Angels. Read
David Lowy – rhythm guitar
Richard Fortus – lead guitar
Dizzy Reed – keyboards
Marco Mendoza – bass
John Corabi – lead vocals
Brian Tichy – drums
The Postcard
A postcard that was published by Blackmore of Minehead. It was posted in Minehead, Somerset on Friday the 6th. September 1963 to:
Mr. McGill,
71, Wembdon Road,
Bridgwater.
The message on the divided back was as follows:
"Dear Mr. McGill,
Do wish you could have
come with us.
We are in Butlin's just
now having a cup of tea.
Hope to see you soon.
The Good Companions".
Dunster
Dunster is a village within the English county of Somerset, just within the north-eastern boundary of the Exmoor National Park. The United Kingdom Census of 2011 recorded a parish population of 817.
Iron Age hillforts testify to occupation of the area for thousands of years. The village grew up around Dunster Castle which was built on the Tor by the Norman warrior William I de Moyon shortly after the Norman Conquest of 1066. The Castle is mentioned in the Domesday Book of 1086.
The Castle was remodelled on several occasions by the Luttrell family who were lords of the manor from the 14th. to the 20th. centuries.
The Benedictine Dunster Priory was established in about 1100. The Priory Church of St George, dovecote and tithe barn are all relics from the Priory.
The village became a centre for wool and cloth production and trade, of which the Yarn Market, built by George Luttrell (d. 1629), is a relic.
There existed formerly a harbour, known as Dunster Haven, at the mouth of the River Avill, yet today the coast having receded is now about 0.5 miles (0.8 km) from the village, and no sign of the harbour can be seen on the low lying marshes between the village and the coast.
Dunster Castle
At the end of the 14th. century the de Mohuns sold the castle to the Luttrell family, who continued to occupy the property until the late 20th. century. During the English Civil War, Dunster was initially held as a garrison for the Royalists. It fell to the Parliamentarians in 1645, and orders were sent out for the castle to be demolished. However, these orders were not carried out, and the castle remained the garrison for Parliamentarian troops until 1650.
Major alterations to the castle were undertaken by Henry Fownes Luttrell who had acquired it through marriage to Margaret Fownes-Luttrell in 1747. Following the death of Alexander Luttrell in 1944, the family was unable to afford the death duties on his estate.
The castle and surrounding lands were sold off to a property firm, the family continuing to live in the castle as tenants. The Luttrells bought back the castle in 1954, but in 1976 Colonel Walter Luttrell gave Dunster Castle and most of its contents to the National Trust, which operates it as a tourist attraction. It is a Grade I listed building and scheduled monument.
Dunster Priory was established as a Benedictine monastery around 1100. The first church in Dunster was built by William de Mohun who gave the church and the tithes of several manors and two fisheries, to the Benedictine Abbey at Bath. The priory, which was situated just north of the church, became a cell of the abbey.
The church was shared for worship by the monks and the parishioners, however this led to several conflicts between them. One outcome was the carved rood screen which divided the church in two, with the parish using the west chancel and the monks the east.
The priory church is now in parochial use as the Priory Church of St George. It still contains 12th. and 13th. century work, although most of the current building dates from the 15th. century. It has been designated as a Grade I listed building.
In 1346 Cleeve Abbey built a nunnery in Dunster, but it was never inhabited by nuns, and was used as a guest house.
Gallox Bridge
Dunster had become a centre for woollen and clothing production by the 13th. century, with the market dating back to at least 1222, and a particular kind of kersey or broadcloth became known as 'Dunsters'.
The prosperity of Dunster was based on the wool trade, with profits helping to pay for the construction of the tower of the Priory Church of St. George, and to provide other amenities. The 15th. century Gallox Bridge was one of the main routes over the River Avill on the southern outskirts. The market was held in "The Shambles". However these shops were demolished in 1825, and now only the Yarn Market remains.
Dunster in WWII
During the Second World War, considerable defences were built along the coast as a part of British anti-invasion preparations, though the north coast of Somerset was an unlikely invasion site. Some of the structures remain to this day. Most notable are the pillboxes on the foreshore of Dunster Beach.
These are strong buildings made from pebbles taken from the beach and bonded together with concrete. From these, soldiers could have held their ground if the Germans had ever invaded.
Beach Huts
The beach site has a number of privately owned beach huts (or chalets as some owners call them) along with a small shop, a tennis court and a putting green. The chalets, measuring 18 by 14 feet (5.5 by 4.3 m), can be let out for holidays; some owners live in them all the year round.
Dunster Culture
Dunster was the birthplace of the song "All Things Bright and Beautiful" when Cecil Alexander was staying with Mary Martin, the daughter of one of the owners of Martins Bank.
The nearby hill, Grabbist, was originally heather-covered before its re-forestation, and was described as the "Purple-headed mountain".
On the evening of the 1st. May each year, the Minehead Hobby Horse visits Dunster and is received at the Castle. A local newspaper that was printed in May 1863 records:
"The origin professes to be in commemoration
of the wreck of a vessel at Minehead in remote
times, or the advent of a sort of phantom ship
which entered the harbour without Captain or
crew.
Once the custom was encouraged, but now is
much neglected, and perhaps soon will fall into
desuetude."
Another conjecture about its origin is that the hobby horse was the ancient King of the May. The Hobby Horse tradition begins with the waking of the inhabitants of Minehead by the beating of a loud drum. The hobby horse dances its way about the town and on to Dunster Castle.
Annually on the third Friday in August the village hosts the Dunster Show where local businesses and producers come together to showcase what Exmoor and West Somerset have to offer. A major part of the show is the showing of livestock, especially horses, cattle and sheep.
A more recent tradition (started in 1987) is Dunster by Candlelight which takes place every year on the first Friday and Saturday in December when this remarkably preserved medieval village turns its back on the present and lights its streets with candles.
To mark the beginning of the festival on Friday at 5 pm, there is the Lantern Lighting Procession that starts on the Steep and continues through the village until all the lanterns in the streets have been lit. The procession of children and their families is accompanied by colourful stilt walkers in costumes who put up the lanterns.
The old English Christmas tradition of burning the Ashen faggot takes place at the Luttrell Arms hotel every Christmas Eve. The pub was formerly a guest house for the Abbots of Cleeve; its oldest section dates from 1443.
The Dunster Yarn Market
The 17th. century Yarn Market is a market cross which was probably built in 1609 by the Luttrell family who were the local lords of the manor in order to maintain the importance of the village as a market, particularly for wool and cloth.
The Yarn Market is an octagonal building constructed around a central pier. The building contains a hole in one of the roof beams, a result of cannon fire in the Civil War. A bell at the top was rung to indicate the start of trading.
The Dunster Dovecote
The Dovecote was probably built in the late 16th. century. It has been designated as a Grade II* listed building and Scheduled Ancient Monument. It is approximately 19 feet (5.8 m) high and 19 feet (5.8 m) in diameter, with walls around 4 feet (1.2 m) thick.[81]
In the 18th. century the floor level and door were raised among several major alterations. The lower tiers of nest holes were blocked to protect against brown rats which had arrived in the Britain in 1720 and had reached Somerset by 1760.
A revolving ladder, known as a "potence", was installed to allow the pigeon keeper to search the nest holes more easily. In the 19th. century two feeding platforms were added to the axis of the revolving ladder.
When the ladder was installed in the 16th. century the base rested on a pin driven into a beam on the floor. The head of the pin sits in a metal cup in the base of the wooden pillar, which means the mechanism has never had to be oiled. When the Dunster Castle estate was sold, the dovecote was bought by the Parochial church council and opened to the public. Extensive repairs were undertaken in 1989.
The Dunster Tithe Barn
The Tithe Barn was originally part of the Benedictine Priory. It has been much altered since the 14th. century, and only a limited amount of the original features survive.
In the "Valor Ecclesiasticus" of 1535, the net annual income of the Dunster Tithe Barn is recorded as being £37. 4s. 8d (£37.23p), with £6. 13s. 7d (£6.68p) being passed on to the priory in Bath. The Somerset Buildings Preservation Trust has co-ordinated a £550,000 renovation project, turning the barn into a multi-purpose community hall under a 99-year lease at a pepper-corn rent, by the Crown Estate Commissioners who own the building.
Conygar Tower
Conygar Tower is a folly used as a landmark for shipping. It is at the top of Conygar Hill, and overlooks the village. It is a circular, 3 storey tower built of red sandstone. It was commissioned by Henry Luttrell and designed by Richard Phelps, and stands about 18 metres (59 ft) high so that it can be seen from Dunster Castle on the opposite hillside.
There is no evidence that it ever had floors or a roof. It has no strategic or military significance. The name Conygar comes from two medieval words Coney meaning rabbit and Garth meaning garden, indicating that it was once a warren where rabbits were bred for food. In 1997 a survey carried out by The Crown Estate identified cracks in the walls which were repaired in 2000.
Dunster Doll Museum
Dunster Doll Museum houses a collection of more than 800 dolls from around the world, based on the collection of the late Mollie Hardwick, who died in 1970 and donated her collection to the village memorial hall committee.
Established in 1971, the collection includes a display of British and foreign dolls in various costumes. Thirty-two of the dolls were stolen during a burglary in 1992 and have never been recovered.
An American Baseball Milestone
So what else happened on the day that the card was posted?
Well, on the 6th. September 1963, the 100,000th. American major league baseball game was played.
The milestone was calculated by baseball historians from the first official game, played on the 4th.May 1871 by the National Association of Professional Base Ball Players.
In game number 100,000, the Washington Senators defeated the visiting Cleveland Indians, 7 to 2.
Mark Chesnutt
The day also marked the birth in Beaumont, Texas, of American country music singer Mark Chesnutt.
Billy J. Kramer
Also on the 6th. September 1963, the Number One chart hit in the UK was 'Bad to Me' by Billy J. Kramer.
Construction articles for John’s Tarantula were published in Strictly IC magazine in the 80s. The engine consists of nine Cox .049 1-cylinder model-airplane engines geared together in an aluminum crankcase within a plastic Williams Brothers Pratt & Whitney R-985 model-engine kit. The nine engines are geared to the propeller shaft and all cylinders fire at the same time.
The engine performed flawlessly and surprisingly, the heat did not distort the plastic kit during operation. One carburetor is mounted on a centralized intake manifold in the back, which has 9 tubes extending from the manifold to each engine- resembling the legs of a spider. -Thus the name “Tarantula”.
See More Radial Engines at: www.flickr.com/photos/15794235@N06/sets/72157636169553994/
See Our Model Engine Collection at: www.flickr.com/photos/15794235@N06/sets/72157602933346098/
Courtesy of Paul and Paula Knapp
Miniature Engineering Museum
Challenge to use the meta-parts (or mega-bricks) of lego planes to make it a spacecraft : Set 60104, 60102, 60022, 3181, 7893.
Brick number 30201 (Quarter Saucer Base) : in old theme : Aquazone, Space Insectoids and Alpha team Mission Deep Sea
Brick number 30317 (Quarter Saucer Top) : in old theme : space UFO, Alpha team Mission Deep Sea
The central command post is round, as Startrek's spaceships. The central circle is in 2 floors : the officers on the 1st floor on the bridge, and the Commandos Squad/robots on the ground floor. There are 1445 Bricks.
Crew :
3 Officers on the Bridge.
2 Pilots in the cockpit.
3 Battle droids.
6 Space Commandos.
Arms :
1 Double Laser Gatling.
2 Big Missiles (or 2 big Sondes, if we want to explore).
8 small missiles
The Postcard
A Comic Series novelty card published by Bamforth & Co. Ltd. of Holmfirth, Yorkshire. The artwork was by Fitzpatrick.
The card was posted in Scarborough on Sunday the 12th. August 1973 to:
Miss H. Fisher,
84, Huddersfield Road,
Skelmanthorpe,
Nr. Huddersfield,
Yorkshire.
The message on the other side of the card was as follows:
"We haven't had much sun
so far, so unlike you I won't
get as brown as a berry!
We went to see Lulu last
week at the Futurist - she is
really exciting.
Hope you are enjoying your
holiday, the time's flying isn't
it?
We have spent a lot of time
in Peasholm Park and the
amusements.
We got chased by a rabbit
last week.
That sounds funny doesn't it?
Actually it was a fella dressed
up.
Love from Celia".
The Futurist Theatre
The Futurist Theatre was a theatre and cinema located on Foreshore Road in Scarborough. It closed its doors on the 6th. January 2014 after the operators' lease expired.
The Futurist was built as a cinema in 1921. It remained in this role until 1958 when the stage was extended to allow live performances at the venue which included The Black and White Minstrel Show, the Beatles, Morecambe & Wise, Shirley Bassey, Ken Dodd and the Bachelors. (And of course, Lulu!)
The Futurist had the twelfth largest seating capacity (2,155) for a theatre in the country, and the fifth largest capacity outside London.
The Futurist has the misfortune of being located in an area earmarked for redevelopment, therefore its future looks far from promising.
Richard Reid - The Shoe Bomber
So what else happened on the day that Celia posted the card?
Well, the 12th. August 1973 marked the birth of Richard Colvin Reid, also known as the 'Shoe Bomber'.
He is a British terrorist who attempted to detonate a shoe bomb while on American Airlines Flight 63 from Paris to Miami in 2001.
Born to a father who was a career criminal, Reid converted to Islam as a young man in prison after years as a petty criminal. Later he became radicalised and went to Pakistan and Afghanistan, where he trained and became a member of al-Qaeda.
On the 22nd. December 2001, he boarded American Airlines Flight 63 between Paris and Miami, wearing shoes packed with explosives, which he unsuccessfully tried to detonate. Passengers subdued him on the plane, which landed at Logan International Airport in Boston, Massachusetts, the closest US airport.
He was arrested, charged, and indicted. In 2002, Reid pleaded guilty in U.S. federal court to eight criminal counts of terrorism, based on his attempt to destroy a commercial aircraft in flight. He was sentenced to three life terms plus 110 years in prison without parole, and was transferred to ADX Florence, a super maximum security prison in Colorado, United States.
Richard Reid - Background
Reid was born in Bromley to Lesley Hughes, who was of native English descent, and Colvin Robin Reid, a man of mixed race whose father was a Jamaican immigrant. When Reid was born, his father, a career criminal, was in prison for stealing a car.
Reid attended Thomas Tallis School in Kidbrooke, leaving at 16 and becoming a graffiti writer who was in and out of detention. He accumulated more than 10 convictions for crimes against persons and property. He served sentences at Feltham Young Offenders Institution and at Maidstone Prison.
The next time Reid was imprisoned, in 1992 for three years, for various street robberies, he converted to Islam.
The Islamic Radicalisation of Richard Reid
Upon his release from prison in 1995, he joined the Brixton Mosque. He later began attending the Finsbury Park Mosque in North London, headed at that time by the anti-American cleric Abu Hamza al-Masri, who was described as 'The heart of the extremist Islamic culture' in Great Britain.
By 1998 Reid was voicing extremist views. At the Finsbury Park Mosque he fell under the sway of 'terrorist talent spotters and handlers' allied with al-Qaeda, including Djamal Beghal, one of the leaders of the foiled plan for a 2001 suicide bombing of the American Embassy in Paris.
Reid spent 1999 and 2000 in Pakistan, and trained at a terrorist camp in Afghanistan.
The Attempted Bombing
Reid and Saajid Badat, another British man preparing to be a terrorist, returned to Pakistan in November 2001, and travelled overland to Afghanistan.
They were both given 'shoe bombs', casual footwear adapted to be covertly smuggled onto aircraft before being used to destroy them. Later forensic analysis of both bombs showed that they contained the same plastic explosive, and that the detonator cords had come from the same batch: the cut mark on Badat's cord exactly matched that on Reid's.
On the 21st. December 2001, Reid attempted to board a flight from Paris to Miami, Florida. His boarding was delayed because his dishevelled physical appearance had aroused the suspicions of the airline passenger screeners.
In addition, Reid did not answer all of their questions, and had not checked in any luggage for the transatlantic flight.
Additional screening by the French National Police resulted in Reid being re-issued a ticket for a flight on the following day. He returned to the Paris airport on the 22nd. December 2001, and boarded American Airlines Flight 63 from Paris to Miami, wearing his special shoes packed with plastic explosives in their hollowed-out bottoms.
During the flight, a passenger on Flight 63 complained of the smell of smoke in the cabin shortly after a meal service.
One flight attendant, Hermis Moutardier, thinking she smelled a burnt match, walked along the aisles of the plane, trying to assess the source. A passenger pointed to Reid, who was sitting alone near a window and attempting to light a match. Moutardier warned him that smoking was not allowed on the airplane. Reid promised to stop.
The Actions of Other Passengers on the Flight
A few minutes later, Moutardier found Reid leaned over in his seat. After she asked him what he was doing, Reid grabbed at her, revealing one shoe in his lap, a fuse leading into the shoe, and a lit match. Several passengers worked together to subdue the 6 foot 4 inch (193 cm) tall Reid weighting more than 200 pounds (over 90 kg).
They restrained him using plastic handcuffs, seatbelt extensions, leather waist belts and headphone cords. A doctor on board administered a tranquilliser which was found in the emergency medical kit of the airliner. The flight was immediately diverted to Logan International Airport in Boston, Massachusetts, the closest US airport.
The explosive apparently did not detonate due to the delay in the take-off of Reid's flight. The rainy weather, perhaps along with Reid's foot perspiration, caused the fuse to be too damp to ignite.
Legal Proceedings and Sentencing
Reid was arrested at Logan International Airport after the incident. Two days later, he was charged before a federal court in Boston with 'Interfering with the performance of duties of flight crew members by assault or intimidation', a crime which carries a penalty of up to 20 years in prison and a $250,000 fine. Additional charges were added when he was formally indicted by a grand jury.
The judge ordered Reid to be held in jail without bail, pending trial due to the gravity of the crimes and the perceived high risk that he would try to flee. Officials at the time indicated that Reid's shoes contained 10 ounces (283 g) of explosive material characteristic of C-4, enough to blow a hole in the fuselage and cause the plane to crash.
During a preliminary hearing on the 28th. December, an FBI agent testified that forensic analysis had identified the chemicals as PETN, the primary explosive, and TATP (triacetone triperoxide), a chemical needed to detonate the bomb with a fuse and match.
The Charges
Reid was charged with nine criminal counts related to terrorism, namely:
- Attempted use of a weapon of mass destruction,
- Attempted homicide,
- Placing or transporting an explosive or incendiary device on an aircraft or public mass transportation vehicle,
- 2 counts of interference with flight crew members and attendants on an aircraft
- Attempted destruction of an aircraft or public mass transportation vehicle
- Using a destructive device during and in relation to a crime of violence, and
- Attempted destruction of an aircraft
- Attempted wrecking of a mass transportation vehicle.
The ninth charge, attempted wrecking of a mass transportation vehicle, was dismissed on the 11th. June 2002, because the Congressional definition of 'vehicle' did not include aircraft.
The Guilty Plea
Reid pleaded guilty to the remaining eight counts on the 4th. October 2002. On the 31st. January 2003, he was sentenced by Judge William Young to the maximum of three consecutive life sentences and 110 years with no possibility of parole. Reid was also fined the maximum of $250,000 on each count, a total of $2 million.
A Comment From the Judge
During the sentencing hearing, Reid said he was an enemy of the United States, and in league with al-Qaeda. When Reid said he was a Soldier of God under the command of Osama bin Laden, Judge Young responded:
"You are not an enemy combatant,
you are a terrorist. You are not a
soldier in any army, you are a terrorist.
To call you a soldier gives you far too
much stature. (Points to U.S. flag).
You see that flag, Mr Reid? That is the
flag of the United States of America.
That flag will be here long after you
are forgotten".
Changes in Airline Security Procedures
As a result of these events, airlines started to require passengers to pass through airport security in socks or bare feet while their shoes are scanned for bombs.
Scanners cannot find PETN in shoes or strapped to a person. A chemical test is needed. However, X-rays are an effective way to see if the shoe has been altered to hold a bomb.
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this page without written permission and consent.
-----------------------------
Opening-act di Juliette and the Licks, il 6 giugno al Circolo Magnolia di Segrate a Milano, i Gambardellas.
I Gambardellas nascono nel 2012 come one-man-band dalla volontà di Mauro Gambardella, batterista già attivo da anni nella scena indipendente italiana (George Merk, The R’s, Paletti), che sentiva il bisogno e l’urgenza di intraprendere un progetto solista che lo rappresentasse pienamente.
La prima uscita discografica del nuovo progetto vede la luce nel febbraio 2013: “Sloppy Sounds”, album, co-prodotto dal produttore bergamasco Fabio “FabzTheDale” Dalè e dallo stesso Mauro e mixato dal noto produttore Fabio Trentini (Guano Apes), è la piena rappresentazione delle influenze e gusti musicali del suo creatore: un caleidoscopio di sonorità che vanno dal garage rock al power pop, una musica che da notevole importanza alla struttura delle canzoni e dove predominano ritornelli catchy. L’album ottiene ottimo riscontro sia dal pubblico che dalla critica e i video dei tre singoli si aggiudicano esclusive su alcuni dei più importanti siti nazionali: Flash (rockol.it), Tito (rollingstonemagazine.it) e Needs (xl.repubblica.it).
Nello stesso anno parte lo Sloppy Sounds Tour che porta i Gambardellas ad esibirsi in più di 40 concerti in Italia, aprendo anche live di: Ministri, Fast Animals and Slow kids, Il pan del Diavolo, King of the Opera e Aucan.
Nel settembre 2013 i Gambardellas diventano una band a tutti gli effetti grazie all’ingresso ufficiale tra le fila di Glenda Frassi (chitarra-cori) e Grethel Frassi (tastiere-cori), già presenti nella precedente formazione live. Nello stesso mese la nuova formazione entra all’IndieHub studio di Milano per registrare un nuovo lavoro: “Ashes” (BigWave Records), EP prodotto da Giovanni Spinotti (ex assistente di Bob Clearmountain) e dai Gambardellas, segna un importante punto di svolta sonora per la band e rappresenta una passaggio a una maggiore maturità compositiva di una band in continua crescita. Il sound del nuovo lavoro è più scuro del precedente ed è decisamente più scarno. Anche i testi risultano essere più critici e di denuncia, ambientazioni cupe e profonde, che si rispecchiano anche nell’immagine della band.
L’Ashes tour porta i Gambardellas, tra il 2014 ed il 2015, in tutta Italia ed in Europa per più di 60 date collezionando aperture prestigiose (tra le quali: Linea77, BudSpencerBluesExplosion, Brunori SAS, Boxerin Club, Maria Antonietta, Giuradei, Luminal) e a partecipazioni a manifestazioni di spicco italiane ed estere come il Woodstock Poland Festival (unici italiani a partecipare al festival che ha contato 750.000 presenze nel 2014 e una line up di tutto rispeto: Hatebreed, Skid Row, Volbeat) e il Milano Film Festival.
Terminato il tour europeo nel novembre 2015, i Gambardellas tornano in studio di registrazione per registrare il secondo full lenght della loro carriera. L’album viene registrato e prodotto presso gli UpStudios di Pavia nei mesi tra febbraio e maggio 2015. Attualmente la band è pronta a tornare on the road in attesa dell’uscita del nuovo album.
Mauro Gambardella: lead vocals, drums
Glenda Frassi: guitars, backing vocals
Grethel Frassi: backing vocals, keys
The Postcard
A postcard published by the London View Co. Ltd. The card was posted in Brighton on Friday the 25th. December 1908 to:
Mrs. Norris,
73, Southampton Street,
Reading,
Berks.
The message on the divided back of the card was as follows:
"Dear Mrs. Norris,
Just a p.c. to remind you
of dear old Brighton.
Wishing you a jolly Xmas
and a prosperous New
Year.
Yours as ever,
E. Colin".
The Old Steine
The Old Steine is a thoroughfare in central Brighton, East Sussex. The southern end leads to Marine Parade, the Brighton seafront and the Palace Pier. The Royal Pavilion is located immediately to the north of the Old Steine.
The word Steine comes from the Old English stoene, meaning 'Stony Place'. The name comes from the number of large sarsen stones which once lay in the area. Many of the stones can still be seen at the base of the Steine's Victoria Fountain, where they were placed when it was built in 1823. You can see the fountain in the photograph.
The Old Steine was originally an open green with a stream running adjacent to the easternmost dwellings of Brighthelmstone. The area was used by local fishermen to lay out and dry their nets.
When Brighton started to become fashionable in the late 18th. century, the area became the centre for visitors. Building around the area started in 1760, and railings started to appear around the green area in the 1770's, reducing its size. This continued throughout the 19th century. The eastern lawns of the Royal Pavilion were also originally part of the Old Steine.
Dr. Richard Russell, whose 1750 paper on the health benefits of sea water helped to popularise Brighton, had a house built on the Old Steine in 1759; the site is now occupied by the Royal Albion Hotel.
Maria Fitzherbert
Maria Fitzherbert lived in Steine House on the west side of the Old Steine from 1804 until her death in 1837.
Maria Anne Fitzherbert (née Smythe, 26th. July 1756 – 27th. March 1837) was a long-time companion of George IV of the United Kingdom before he became king.
In 1785, they secretly contracted a marriage that was invalid under English civil law because his father, King George III, had not consented to it.
Maria was a Roman Catholic which meant that had the marriage been approved and valid, George would have lost his place in the line of succession, because the law at the time forbade Catholics or spouses of Catholics from becoming monarch.
However, her nephew-in-law from her first marriage, Cardinal Weld, persuaded Pope Pius VII to declare the marriage sacramentally valid.
Quentin Crisp
So what else happened on the day that the card was posted?
Well, the 25th. December 1908 marked the birth in Sutton, Surrey of Quentin Crisp. Quentin, who was born Denis Charles Pratt; 25 December 1908 – 21 November 1999) was an English writer, raconteur and actor. He also served as an artist's model. His most notable work was 'The Naked Civil Servant'.
Growing up in a conventional suburban background, Crisp wore make-up and painted his nails from an early age. During his teenage years he worked briefly as a rent-boy.
He then spent 30 years as a professional model for life-classes in art colleges.
The interviews he gave about his unusual life attracted increasing public curiosity, and he was soon sought after for his very personal views on social manners and the cultivating of style.
His one-person stage show was a long-running hit both in Britain and America, and he also appeared in films and on TV.
At the age of ninety, Crisp came to the realisation that he was a trans woman rather than a gay man. In 'The Last Word', published posthumously, Crisp said:
"The only thing in my life I have wanted
and didn't get was to be a woman. It will
be my life's biggest regret.
If the operation had been available and
cheap when I was young, say when I was
twenty-five or twenty-six, I would have
jumped at the chance. My life would have
been much simpler as a result".
Crisp defied convention by criticising both gay liberation and Diana, Princess of Wales, especially during her attempts to gain public sympathy following her divorce from Prince Charles. He stated:
"I always thought Diana was such trash and
got what she deserved. She was Lady Diana
before she was Princess Diana so she knew
the racket.
She knew that royal marriages have nothing
to do with love. You marry a man and you stand
beside him on public occasions, and you wave
and for that you never have a financial worry
until the day you die."
Following Diana's death in 1997, he commented that it was perhaps her "fast and shallow" lifestyle that led to her demise:
"She could have been Queen of England –
and she was swanning about Paris with
Arabs. What disgraceful behaviour! Going
about saying she wanted to be the Queen
of Hearts.
The vulgarity of it is so overpowering."
The Death of Quentin Crisp
Quentin died of a heart attack at the age of 90 on the 21st. November 1999 in Chorlton-cum-Hardy, Manchester.
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this page without written permission and consent.
-----------------------------
La quinta edizione del festival organizzato da Wired Italia. Due lunghi fine settimana in cui vivere l’innovazione nell’economia, nella scienza, nella politica, nell’intrattenimento, nella cultura. Milano e Firenze si trasformano per un fine settimana nel luna park della scienza e della tecnologia. Oltre 150 relatori, performance artistiche, laboratori di stampa 3D, droni in volo, videogame, film, documentari, speed date sul lavoro, maratone di coding e workshop per tutte le età. A Milano da venerdì 26 a domenica 28 maggio ai Giardini Indro Montanelli.
-----------------------------
ore 10:00
Come si combatte l’Isis (sui social)
Speaker
Abdalaziz Alhamza - Fondatore Raqqa is Being Slaughtered Silently
Abdalaziz Alhamza, nato a Raqqa nel 1991, è un giornalista e attivista siriano, che oggi vive a Berlino. È fondatore e portavoce del progetto Raqqa is Being Slaughtered Silently (RBSS), gruppo di citizen journalism fondato dall’esilio in Turchia, che informa sulle violenze compiute da Isis in Siria, grazie alle informazioni passate da cittadini rimasti all’interno della città. Nel gennaio 2016 l’International Business Times ha descritto RBSS come “la più credibile fonte di informazioni dall’interno di Raqqa”.
Alhamza è laureato in biologia e da studente ha organizzato numerose proteste contro il governo siriano. È stato arrestato varie volte dal regime e più volte ha ricevuto minacce per la sua attività da Isis. RBSS ha vinto nel 2015 l’International Press Freedom Award dal Committee to Protect Journalists e il premio del Foreign Policy Global Thinkers Award.
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ore 10:30
Tra calcio e futuro
Speaker
Diletta Leotta - Conduttrice Sky Sport
Giulia Diletta Leotta, 1991, è conduttrice a Sky Sport. Si è laureata in Giurisprudenza alla LUISS di Roma con una tesi dal titolo Il contratto di lavoro sportivo. Ha iniziato la sua carriera televisiva nel 2010, a diciannove anni, sulla rete locale Antenna Sicilia, affiancando Salvo La Rosa nella conduzione dell’11º Festival della nuova canzone siciliana e nel programma di intrattenimento Insieme. L’anno successivo è passata a Mediaset dove ha condotto la trasmissione Il Compleanno di La5 sull’omonima rete digitale. Nel 2012 diventa una delle conduttrici di Sky Meteo 24.
-----------------------------
ore 12:30
Serie internazionale
Speaker
Salvatore Esposito - Attore
Salvatore Esposito nasce a Napoli il 2 febbraio 1986. Sin da bambino nutre la passione per la recitazione. Raggiunta la maggiore età inizia i suoi studi di recitazione presso la Scuola di cinema di Napoli per poi trasferirsi a Roma dove studia con l’acting trainer Beatrice Bracco.
Ha fatto il suo esordio televisivo nel 2013 con Il clan dei camorristi, interpretando il ruolo di Domenico Ruggiero. Nel 2014 arriva il successo al grande pubblico con Gomorra – la serie, Salvatore interpreta Genny Savastano.
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ore 13:00
Lavoro e ricchezza nell’epoca dell’ Intelligenza Artificiale
Speaker
Jerry Kaplan - Esperto di Intelligenza Artificiale e Imprenditore
Jerry Kaplan è un esperto di Intelligenza Artificiale noto in tutto il mondo, un innovatore, seriael entrepreneur, educatore, futurista e autore di best sellers. Ha fondato quattro startup della Silicon Valley, due delle quali sono divenute società di fama, e insegnato alla Stanford University. Hanno parlato di lui tutti i principali quotidiani in lingua inglese e le riviste specializzate di tutto il mondo
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ore 14:00
La strada della musica
Speaker
Michele Bravi - Cantante
Michele Bravi esordisce nel 2013 con la vittoria di XFactor Italia.
Portato alla vittoria da Morgan e presentato al grande pubblico con un pezzo scritto per lui da Tiziano Ferro e Zibba, Michele pubblica il suo EP di debutto “La Vita e la Felicità”. A Gennaio 2014 il primo singolo “La Vita e la Felicità” viene certificato disco d’oro.
-----------------------------
ore 14:30
Il tocco vincente
Speaker
Mara Maionchi - Produttrice discografica
Mara Maionchi (Bologna, 22 aprile 1941) è una produttrice discografica e personaggio televisivo italiano.
Attualmente considerata la figura femminile di maggiore spicco nella discografia italiana, producendo sia per conto di major come Sony e Warner che come produttrice indipendente attraverso la sua etichetta, sostenendo tuttavia in numerose dichiarazioni che la vera scena musicale – intensa e multisfaccettata – è all’estero e che in Italia “si fa quel che si può”.
-----------------------------
ore 15:00
Maniaca di SerieTV
Speaker
Miriam Leone - Attrice
Nasce a Catania. Ha frequentato il Liceo Classico Gulli e Pennisi ad Acireale e la Facoltà di Lettere e Filosofia dell’Università degli Studi di Catania. Studia contemporaneamente recitazione. Nel 2008 partecipa e vince sia la fascia di Miss Italia che quella di Miss Cinema.
Nel 2010 debutta come attrice sia sul grande schermo con il film Genitori & figli – Agitare bene prima dell’uso, di Giovanni Veronesi, con Silvia Orlando e Margherita Buy, sia sul piccolo schermo con il film TV Il ritmo della vita, diretto da Rossella Izzo e trasmesso su Canale 5.
-----------------------------
ore 15:30
Indie a chi?
Speaker
Lo Stato Sociale - Musicisti
Nel 2012 esce il loro primo album, Turisti della democrazia, al quale fa seguito un tour di 200 concerti in Italia ed in Europa. Nel 2013, ad un anno dalla prima pubblicazione, Turisti della democrazia viene ripubblicato in edizione deluxe, in formato doppio CD. Il primo CD presenta la tracklist originale mentre il secondo CD comprende tutti gli 11 brani del disco originale coverizzati da 11 artisti, oltre a tanti remix e inediti. Alla ripubblicazione dell’album, segue un lungo tour dello spettacolo di teatro-canzone Tronisti della democrazia, nel quale le canzoni dell’album d’esordio sono alternate a monologhi e sketch a formare “un minicorso in 5 atti di buone maniere”. Con Turisti della democrazia, tra i più discussi album usciti in ambito indie rock in Italia, la band bolognese ha ricevuto la Targa Giovani Mei e il Premio SIAE “Miglior Giovane Talento dell’Anno” e altri riconoscimenti.
-----------------------------
ore 16:00
L’uomo che ha dato forma al pc
Speaker
Mario Bellini - Architetto
Mario Bellini è un architetto e designer noto in tutto il mondo. Ha ricevuto il Premio Compasso d’Oro otto volte e 25 delle sue opere sono nella collezione permanente del MoMA di New York, che gli ha dedicato una retrospettiva nel 1987. È stato direttore della rivista Domus (1985-1991). Ha progettato numerose mostre d’arte e di architettura sia in Italia, sia all’estero, l’ultima a Palazzo Reale con i capolavori di Giotto (2015).
-----------------------------
ore 16:00
C’è risata e risata
Speaker
Saverio Raimondo - Stand Up Comedian e conduttore CCN
Saverio Raimondo, 33 anni, comico satirico, è stato definito sulle pagine di Repubblica “l’unico stand up comedian italiano che sembra vero” e “il comico più bravo in circolazione” da Aldo Grasso del Corriere della Sera. È il comico di punta di Comedy Central Italia (canale 124 di Sky) per il suo show CCN – Comedy Central News, striscia satirica di grande successo di pubblico e critica, giunta alla terza stagione – attualmente in corso, in onda tutti i mercoledì alle 22 – e per la quale ha vinto il Premio Satira Politica per la Tv Forte Dei Marmi.
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ore 16:30
Il suono dal caos
Speaker
Levante - Musicista
Levante nasce a Caltagirone e cresce a Palagonia (Catania) in una famiglia affollata da menti creative. A nove anni scrive le prime canzoni e soltanto ad undici inizia a suonare la chitarra, rubandola al fratello, per la pura esigenza di musicare i propri testi. Dopo la morte del padre, lei e la madre si trasferiscono nella magica città di Torino. Qui tante sono le collaborazioni, i contratti andati male, i dischi mai usciti e gli anni di manifestazioni musicali, provini e gavetta.
-----------------------------
ore 17:00
Non è bello ciò che è bello, ma che bello che bello che bello
Speaker
Maccio Capatonda - Attore e Regista
Nino Frassica - Comico e Presentatore
Maccio Capatonda, pseudonimo di Marcello Macchia, è un attore, regista e comico italiano. Ha partecipato ai programmi televisivi Mai dire Lunedì e Mai dire Martedì. Precedentemente aveva fondato a Milano la Shortcut Productions, insieme a Enrico Venti, suo storico amico, anche lui di Chieti. Ha lavorato per AllMusic e lavora stabilmente sul web, affianco all’attività televisiva. Nel 2013 è ideatore, regista e interprete principale della serie televisiva Mario. In un primo tempo si è dedicato (accompagnato dal suo inseparabile gruppo) alla produzione di finti reality televisivi, come il Divano Scomodo e il Gabinetto.
Nel 1985 Arbore coinvolge Nino Frassica nel varietà “Quelli della notte” nei panni di frate Antonino da Scasazza, organizzatore di un improbabile concorso a premi. Seguono “Indietro tutta” dove veste i panni del bravo presentatore e mette in scena una spassosa parodia del tipico conduttore televisivo. Partecipa successivamente a “Fantastico”, “Domenica In”, “Scommettiamo che…?”, “I Cervelloni”, “Acqua calda”, “Colorado Cafè” e “Markette” condotto da Piero Chiambretti. Nel 1999 inizia l’avventura della fiction televisiva “Don Matteo” con Terence Hill, Flavio Insinna e successivamente Simone Montedoro, giunta ormai alla decima serie. Nino interpreta il ruolo del maresciallo dei Carabinieri Nino Cecchini.
-----------------------------
ore 17:30
Comicità all’italiana
Speaker
Herbert Ballerina - Attore e Comico
Maccio Capatonda - Attore e Regista
Herbert Ballerina, pseudonimo di Luigi Luciano, nato a Campobasso il 7 marzo 1980, è un attore, comico, conduttore radiofonico e produttore cinematografico italiano. Dopo essersi laureato al DAMS di Bologna si trasferisce a Milano entrando a far parte della Shortcut Productions di Marcello Macchia ed Enrico Venti (in arte Maccio Capatonda e Ivo Avido), inizialmente come assistente e poi come attore e autore. Con Marcello Macchia è protagonista, con lo pseudonimo di Herbert Ballerina, di numerosi trailer umoristici trasmessi all’interno dei programmi televisivi Mai dire Lunedì e Mai dire Martedì.
-----------------------------
ore 18:00
La democrazia della rete
Speaker
Luigi Di Maio - Vicepresidente della Camera
Nato a Avellino il 6 luglio 1986, ha conseguito il diploma di liceo classico ed è giornalista pubblicista. Eletto nella circoscrizione XIX (CAMPANIA 1) nel 2013 alla Camera dei Deputati con il Movimento Cinque Stelle, diventa il più giovane Vicepresidente della Camera. È uno dei volti di punta del Movimento Cinque Stelle, per molti naturale candidato alle prossime elezioni.
-----------------------------
ore 18:30
Non smetto più
Speaker
Sydney Sibilia - Regista, Sceneggiatore e Produttore cinematografico
Luigi Di Capua - Regista, sceneggiatore e attore
Francesca Manieri - Sceneggiatrice
Sydney Sibilia, nato a Salerno nel 1981, è un regista, sceneggiatore e produttore cinematografico italiano. Sydney Sibilia inizia a realizzare cortometraggi insieme all’amico Fabio Ferro nella loro natìa Salerno. Nel 2007 si trasferisce a Roma e successivamente realizza un cortometraggio che ottiene numerosi riconoscimenti, Oggi gira così (2010), prodotto dalla Ascent Film e scritto insieme a Valerio Attanasio.
Sempre con Valerio Attanasio, scrive la sceneggiatura della sua opera prima Smetto quando voglio. Il film, prodotto dalla Fandango di Domenico Procacci, dalla Ascent FIlm di Matteo Rovere e da Rai Cinema, viene distribuito nelle sale cinematografiche nel febbraio 2014, riscuotendo un successo sorprendente e ottenendo 12 candidature ai David di Donatello 2014. Nel 2017 è nelle sale il seguito, Smetto quando voglio – Masterclass, in attesa del terzo episodio.
Regista, sceneggiatore e attore. Insieme a Matteo Corradini e Luca Vecchi è il fondatore del collettivo The Pills, nato nell’estate del 2011. Il collettivo è diventato celebre grazie alla web serie omonima che ha debuttato su YouTube nello stesso anno, diventando immediatamente fenomeno del web. Dopo il successo ottenuto anche con la seconda stagione, nel 2014 la serie approda su Italia 1. Nello stesso anno, The Pills sono autori insieme a Matteo Rovere, Luca Ravenna, Sydney Sibilia e Daniele Grassetti della serie tv Zio Gianni in onda su Rai2. Il 21 gennaio 2016 esce nelle sale il loro primo film, The Pills – Sempre meglio che lavorare.
Sceneggiatrice tra le più apprezzate in Italia, è laureata in filosofia.
Tra i suoi lavori: Zanzibar. Una storia daAmore, di cui ha curato anche la regia, Passione sinistra, Il rosso e il blu, La foresta di ghiaccio, Vergine giurata, Veloce come il vento, Nemiche per la pelle, il corto Era ieri, Come fai sbagli e il successo Smetto quando voglio.
-----------------------------
ore 19:00
L’identità della bellezza
Speaker
Samuel - Cantante e Musicista
Samuel Umberto Romano, conosciuto semplicemente come Samuel (Torino, 7 marzo 1972), è un cantautore e chitarrista italiano. È il frontman del gruppo dei Subsonica, in cui è anche compositore e autore dei testi delle canzoni insieme a Max Casacci e Davide Dileo, meglio conosciuto come Boosta.
Nel 2016 ha annunciato attraverso le proprie pagine Facebook e Instagram di essere al lavoro sul suo primo album da solista, anticipato il 9 settembre 2016 dal suo primo singolo da solista, La risposta, seguito tre mesi dopo da Rabbia.
OK, it's just in a Legal Journal's "Fiction Edition" (legal fiction?), but it's still pretty cool. Unfortunately, the printing process did a number on the photo itself. It looks better here than in reality, since I did some post processing.
Published 1965
Souvenir of Clairol Carousel at the New York World's Fair 1964-65.
Description of the Clairol Carousel:
Ladies can see themselves in various hair colors, view a film on beauty and talk with experts.
Designed for women only, the carousel encloses a revolving turntable, divided into 38 individual booths in which the film is shown. Elsewhere, ladies may peer into a mirrored device to see themselves in several different hair colors, and beauty consultants provide formulas for the colors desired.