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Published in January 1894 by The Historical Publishing Company, author J. W. Buel, this book contains 300 photographs of every aspect of the fair.
The World's Fair: Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus' arrival in the New World in 1492. At the core of the fair was an area that quickly became known as the White City for its buildings with white stucco siding and its streets illuminated by electric lights.
Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info and order at www.offonroad.com/books/did-we-ever-meet/
Some news for you - The Cornwall Tourist Board have chosen two of my photos to use in the 2008 Cornwall Destination Guide.
Got my copy hot of the press yesterday!
This is my picture of Portreath on the front cover.
To be found in TICs all around the country :)
You can also find me on Instagram: tekapa_pictures
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#Frankfurt#Germany#City#urban#cityphotography#urbanphotography#cityexplorer#exploringthecity#urbanexplorer#street#streetphotography#streetshot#blackandwhitephotography#blackandwhite#bw#bnw#blacknwhite#blackandwhitephoto#bwlover#bwlovers#tekapapics
Published by Hamlyn in 1972, 2nd impression (1st publishd 1969). Story by Marie d'Aulnoy, adapted by Jan Vladislav... Illustrated by Mirko Hanak.
Picked up in a local charity shop last week, sadly no dust wrapper, but some very nice vintage illustrations.
Publish by the amazing Kabult Magazine.
Model: Fran Garcia
Make up: Mary Torres
Special thanks to Cristiano Benassi for let me shoot in his house. You can see the complete publicaction in : www.kaltblut-magazine.com/homie-by-tim-asato/
Publish Janu,18/01/ 2017 BD LIVE HITS is a YouTube Chanel that presents all Hit Model, , Videos, News, , Live Performance, Juicy jokes etc ! ** Sonam's going to Hollywood!** Priyanka Chopra and Deepika Padukone, Sonam Kapoor, after traveling to Hollywood. Huma kuresirao international film debut. Britain, however, the film is not Hollywood. Sonam's father Anil Kapoor has already recovered Hollywood debut. Mission impossible: Ghost Protocol, and he acted in Slumdog Millionaire. Now Hollywood is Sonam. Ease of coffee with Sonam has acknowledged. Huma Qureshi international film debut. He is working with the director, Gurinder cadda his name. Bend It Like Beckham director Gurinder's film. Huma Qureshi is going to release the film in the UK on March 3 this year. Subscribe our channel : goo.gl/FD2h1b Share the video youtu.be/5D2hCeYZPOI Facebook fun page : ift.tt/2gF3THr Twitter : twitter.com/anis01713734673 *****KEYWORD****** ** Sonam's going to Hollywood**
Welcome ladies to your eighth panel!
This week you girls posed in edgy & shocking shots for the cover of Mood Magazine. The winner of this week’s challenge will have their cover published.
Let’s just get right into the critiques, in alphabetical order. Starting with Aisha;
Aisha:
I REALLY love this. The look is over-all very cohesive & dark, and everything i was looking for. It’s well edited & very eye-catching. I do however have an issue with how you changed the design of the template I gave… It totally messes up it’s cohesive-ness with any of the other covers I’ve done. If you didn’t do that, this would be literal PERFECTION.
Bizou: www.flickr.com/photos/cherrylipgloss100/33913986268/in/ph...
This is extremely pretty & artsy! I’m so into the look you gave here. The only things I would’ve wanted is for the photo to be in a little closer because there’s wayyyy too much head room, and I also would’ve loved to see you have a slightly more bitchy expression. Still such a great photo!
Carrie: www.flickr.com/photos/147623741@N04/33876663538/in/photos...
You see, I like this look and you’ve done it REALLY well… But it just seems very under-whelming in comparison to most of the other girls. I asked for shocking, and this is fairly basic to me. You could’ve taken the E-Girl style to a much more shocking & edgy place but unfortunately you didn’t. If the theme was E-Girl, you would have KILLED IT! But, that’s not exactly what I was looking for. Also, there’s a few details like your orange brows + blonde hair, those strange clips and your poorly edited checkered shirt that also let you down.
Cleopatra: www.flickr.com/photos/157608442@N04/46820251185/in/photos...
Honestly, this week you’ve kinda left me feeling disappointed. You often do edgy photos so I was expecting you to kill it this week, but it just seems rather messy. Your outfit is cute & I love your brows, but I just wish more was going on in terms of the photo besides that you’re reading a bible. The bible is a cute touch, but you could’ve ran with it and made it even more shocking & nasty. The photo also seems much too dark, especially because you left the Mood logo in black. Lowkey expected better this week.
Gina: www.flickr.com/photos/143613184@N02/47866843961/in/datepo...
Ok, fashion girl! This outfit, this hair & brows combo, this hot makeup. I LIVE! You really turned it out this week and I’m so happy. Everything here is so good, but there’s just one thing that’s a bit much for me and that’s the different design elements going on; we have a gradient, and a red drop shadow and a plain grey font, and some bevel+emboss on only some parts… It’s just a bit inconsistent, but still over-all an absolute serve.
Kirby: www.flickr.com/photos/jkuli0/47843804121/in/photosof-9427...
I’m loving you with this red hair! The look over-all is perfect and your design is pretty good. I just feel like your face is a bit dull looking & the top of your dress seems a bit unfitting. There’s also just A LOT going on, so maybe just trying to simplify things a bit in the future could help. A good photo, just not your best.
Lisa-Sandra: www.flickr.com/photos/bratzboymax/47688673952/in/photosof...
This is really good! I’m loving you in this edgy blonde look. The pose & face are as always, a serve. However, I do wish the photo was cropped in more because like Bizou, there’s too much head room. I also wish your lip colour was either red like the font, or the font was purple like your lips because at the moment it’s just a bit too jumbled for me. Really great, though!
Although I had to unfortunately eliminate Sadie for not contacting me any further, there will still be an elimination.
The girl with best photo, and going to have her cover published is….
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1. Gina!
Congratulations on your second, FCO! Your Mugler SERVE was shocking.
The rest of the call-out:
2. Aisha
3. Bizou
4. Lisa-Sandra
5. Kirby
BOTTOM TWO
CLEOPATRA & CARRIE
This week, you two both let me down. Cleopatra, I expected a much more edgy & shocking photo from you but instead you gave me something dull & simple. Carrie, although your photo was HOT it wasn’t really at all on theme, or at least you didn’t take it to where it could be. It sucks to see either of you go, but only one can stay. The girl still in the running is…
SAFE: Cleopatra. Congratulations, your past work has been enough to keep you safe.
ELIMINATED: Carrie. I’m really sorry to see you go. You’ve done so well these past 8 weeks & I’m excited to see what you do in the future. You may exit.
Okay ladies… So because now that we’re officially down to our Top 6, that means we’re going to take things international. The six of your better get your passports ready because we’re going to…..
CHINA.
Home of one of the fashion capitals of the world, Shanghai. Full of colourful sceneries & exciting fashion.
NEW THEME HERE:
6 girls remain. Who will be eliminated next?
Courageous Creativity - Flying Chicadee
PRETTY EXCITING!! I was just published as the featured photographer in this ezine.
issuu.com/flyingchickadee/docs/march_2015_print Every full-page photograph is one of mine, including the front and back covers.
Geneva Bible.
The Geneva Bible was first published at Geneva in 1560, and was the first English edition to introduce verse numeration. Issued in a handy form, instead of in folio, with compendious notes of a Calvinistic flavour, it was the Bible most widely read in private use in England for fifty years.
It is popularly known as the 'Breeches Bible' because it renders Genesis 3, verse 7 "they...made themselves breeches" where the Authorized Version translates 'aprons'.
This copy was printed in London by Robert Barker in 1608.
If you zoom in you can see the verse towards the bottom of the page.
I was published in a major photography magazine in Greece, which featured an article on macrophotography.
Magazine "ΦΩΤΟΓΡΑΦΟΣ", pages 46-47 (spread), Issue No.218, May-June 2012
Note: this photo was published in a Jan 11, 2015 blog titled "Choosing Haena Vacation Rentals."
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In 1996 and 1997, I spent two full summers in the tiny little town of Polson, on the southern shore of Flathead Lake (the largest freshwater lake west of the Mississippi River), and grew quite attached to the town and its surrounding mountains, rivers, and lake -- photos of which you can see here and here. You might also be interested in some of my observations about life in Polson and Montana, which I wrote about in blogs titled The Polson Parade, and Leaving Montana. But then life changed, other things intervened, and I drifted away from Montana altogether.
In the summer of 2010, I had a chance to re-visit Polson, and spend three short days driving around to re-acquaint myself with the area. It had been over a dozen years since I was last there (not counting a brief drive-through with my younger son in 2006), so I was expecting some changes ... but in general, the town of about 5,000 people was pretty much the same. My favorite restaurant had closed down, a Mailboxes Etc outlet had been replaced by a video-rental outlet, and the local McDonald's outlet was no longer posting all of the bounced checks from desperate customers on its wall. It looked like some of the local ranchers and farmers had sold off some of their acreage, for there were a few new "vacation communities" filling up what had been open meadows and pasture just outside of town.
But the lake had not changed at all, and the Mission Mountains along the eastern shore of the lake were as pretty as ever. Just for the heck of it, I got up at 5 AM one morning, and photographed the pre-dawn stillness on the lake, and then the changing colors of clouds above the lake as the sun slowly rose up to peek over the top of the mountains. Unfortunately, I didn't have time to drive down to the Kerr Dam, and I didn't drive all the way around the north end of the lake: I only made it up to Big Fork on the eastern side, and LakeSide on the western side of the lake. I was going to take the half-day white-water rafting trip down the Flathead River, south of the dam, but there wasn't time for that, either ... Nor was there any time for fishing, or even to rent a jet-ski and zoom around on the broad expanse of water in Polson Bay, at the south end of the lake.
I took a bunch of photos throughout the visit, and you can view them here) on Flickr. And after my return from that 2010 trip, I happened to chat with a business colleague about Polson and heard some great things from him about a “dude ranch” located just outside Big Fork, right on the shore of the lake. It was the Flathead Lake Lodge, and after a few more years of distractions and delays, I managed to get most (but not all) of my family together for a weeklong vacation at the lodge. The weather was great, the food was delicious, the horses were cooperative, the lake was beautiful … and that’s pretty much what you’ll see in the photos that I’ve put into this album.
Enjoy … and, if you get the chance, gather your own family together and take them out to the Flathead Lake Lodge for a week. You won’t regret it!
Itch Magazine features visuals and texts in an online and a print version. Each issue has an original and often quite obscure theme, the latest being "i". My photo "An I and A Man" is featured in this issue (issue 6).
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 41.603+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Thursday October 21st 2021
CREATIVE RF gty.im/1347381908 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 5,550th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Forty five metres at 13:23pm on an overcast summer afternoon on Tuesday 20th July 2021, off Chessington Avenue in Bexleyheath, Kent.
Here we see a juvenile Carrion crow (Corvus corone), ever the inquisitive little thing, a passerine bird of the family Corvidae and the genus Raven (Higher classification: Corvus), which is native to western Europe and eastern Asia. It can grow to twenty inches in length with a wingspan of up to thirty nine inches. This one keeps the magpie's and Jackdaw's in their place, as top of the food chain, afraid of nothing.They can reach a length of 47cm with a 104cm wingspan and a weight of up to 650g, and in the UK they are in the Green conservation list status with over one million breeding territories.
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Nikon D850 Focal length 600mm Shutter speed: 1/320s Electronic front-curtain enabled Aperture f/7.1 ISO320 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (5350k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.02s
LONGITUDE: E 0d 8m 10.63s
ALTITUDE: 45.00m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.7MB
PROCESSED (JPeg) FILE: 48.20MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info and order at www.offonroad.com/books/did-we-ever-meet
American postcard by Disney Enterprises / Pixar Animation Studios, 2005. Image: Pixar Animation Studios. Concept art by Tia Kratter and Nat McLaughlin for A Bug's Life (John Lasseter, 1998). From 'The Art of Pixar: 100 Collectible Postcards', published by Chronicle Books.
A Bug's Life (John Lasseter, 1998) is an American computer-animated film produced by Pixar Animation Studios and released by Buena Vista Distribution. It was the second film by Disney and Pixar. Written by Andrew Stanton, the film involves a misfit ant, Flik, who is looking for 'tough warriors' to save his colony from a protection racket run by Hopper's gang of grasshoppers. Unfortunately, the 'warriors' he brings back turn out to be an inept troupe of Circus Bugs.
An ant colony on an island is suppressed by a group of locusts, led by Hopper. Each year, they claim a part of the food supply. One of the ants is Flip, an outsider who prefers to work alone and is constantly trying to come up with new inventions. He is seen as an eccentric. On the day the locusts come again, Flip causes all the food he has collected to literally fall into the water. The locusts think that, because of the lack of food, the ants are trying to revolt. Hopper demands that the ants deliver a double supply of food before the end of autumn. Then he and his gang leave. While Flip is on trial for what he has done, he suggests going to town to find larger insects that can drive the locusts away. The ant council agrees as they would like to get rid of Flip. Flip reaches the insect city, a metropolis built of old boxes and other rubbish. In the same city, there is a circus. The artists of this circus are fired by their boss, P.T. Vlo, after a performance degenerated into chaos. Flip finds the fired insects and thinks they are the warriors he needs. The Bugs, in turn, think that Flip wants to hire them for their act. He takes them to the colony. On the island, the performers soon make themselves popular when they rescue the young ant Dot from a bird. The attack gives Flip the idea of chasing off the grasshoppers with a fake bird. On his instructions, the ants build this bird.
A Bug's Life was initially inspired by Aesop's fable 'The Ant and the Grasshopper'. The storyline originated from a lunchtime conversation between John Lasseter, Andrew Stanton, Pete Docter, and Joe Ranft, the studio's head story team; other films such as Monsters, Inc., Finding Nemo and WALL-E were also conceived at this lunch. Lasseter and his story team had already been drawn to the idea of insects serving as characters. Like toys, insects were within the reach of computer animation back then, due to their relatively simple surfaces. Production began shortly after the release of Toy Story (1995). The screenplay was penned by Stanton and comedy writers Donald McEnery and Bob Shaw from a story by Lasseter, Stanton, and Ranft. The ants in the film were redesigned to be more appealing, and Pixar's animation unit employed technical innovations in computer animation. Randy Newman composed the music for the film. During the production of A Bug's Life, a public feud erupted between DreamWorks' Jeffrey Katzenberg, and Pixar's Steve Jobs and John Lasseter. Katzenberg, former chairman of Disney's film division, had left the company in a bitter feud with CEO Michael Eisner. In response, he formed DreamWorks SKG with Steven Spielberg and David Geffen and planned to rival Disney in animation. After DreamWorks' acquisition of Pacific Data Images (PDI)—long Pixar's contemporary in computer animation—Lasseter and others at Pixar were dismayed to learn from the trade papers that PDI's first project at DreamWorks would be another ant film, to be called Antz. By this time, Pixar's project was well known within the animation community. Both Antz and A Bug's Life center on a young male ant, a drone with oddball tendencies that struggles to win a princess's hand by saving their society. Whereas A Bug's Life relied chiefly on visual gags, Antz was more verbal and revolved more around satire. The script of Antz was also heavy with adult references, whereas Pixar's film was more accessible to children. It was clear that Lasseter and Jobs believed that the idea was stolen by Katzenberg. Katzenberg had stayed in touch with Lasseter after the acrimonious Disney split, often calling to check up. In October 1995, when Katzenberg asked what they were doing next, Lasseter described what would become A Bug's Life in detail. When the trades indicated production on Antz, Lasseter, feeling betrayed, called Katzenberg and asked him bluntly if it were true, who in turn asked him where he had heard the rumor. Lasseter asked again, and Katzenberg admitted it was true. Lasseter raised his voice and would not believe Katzenberg's story that a development director had pitched him the idea long ago. Katzenberg claimed Antz came from a 1991 story pitch by Tim Johnson that was related to Katzenberg in October 1994. Lasseter grimly relayed the news to Pixar employees but kept morale high. Katzenberg moved the opening of Antz from spring 1999 to October 1998 to compete with Pixar's release. The film grossed $363.3 million worldwide, surpassing DreamWorks' Antz. Despite the successful box office performance of both Antz and A Bug's Life, tensions would remain high between Jobs and Katzenberg for many years.
A Bug's Life won in 1999 the Academy Award for Best Music and received positive reviews. Todd McCarthy of Variety wrote, "Lasseter and Pixar broke new technical and aesthetic ground in the animation field with Toy Story, and here they surpass it in both scope and complexity of movement while telling a story that overlaps Antz in numerous ways." Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, saying "I enjoyed too the use of animation to visualize a world that could not be seen in live-action and could not be created with special effects. Animation contains enormous promise for a new kind of storytelling, freed from reality and gravity, but although the Japanese have exploited that freedom, too many American feature cartoons follow the Disney formula of plucky young heroes and heroines and comic sidekicks. It's a formula that has produced wonderful movies. But the Pixar computer animation studio, a Disney co-producer, broke new ground with "Toy Story" in 1995, and now with "A Bug's Life," it runs free. The story, about an ant colony that frees itself from slavery to grasshoppers, is similar in some ways to the autumn's other big animated release, "Antz," but it's aimed at a broader audience and lacks the in-jokes." And at AllMovie, Matthew Doberman wrote: "A Bug's Life is a high point in animated family fare. It's the kind of film adults enjoy as much as, if not more than, their preschool offspring. Even the fake "outtakes" following the film are hilarious: like much of the film's humor, they aim for a surprising level of sophistication. The creators use animation not just to put a child-friendly face on some normally creepy critters, but to go where live-action can't, creating a world of shapes, colors, and sounds that couldn't be accomplished otherwise."
Sources: Roger Ebert (RogerEbert.com), Matthew Doberman (AllMovie), Wikipedia (Dutch and English), and IMDb.
December is Pixar month at EFSP!
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I got contacted by Romany WG a while ago if I was interested in being featured in a book alongside 49 other photographers from all around the globe. I'm featured next to some other amazing artist I admire like Vik, Danielle T, Matijn, Midnight, Miss Aniela and many more
The book finally got finished and he already has a first print to show everyine. I'm hoping to get mine as soon as possible.
you can even own one yourself, so get it now and get it here
Altered Images: New Visionaries in 21st Century Photography
They used to say that 'the camera never lies'. The next generation may find that difficult to believe. Photography has come full circle, from the 19th century obsession with realism, to the 21st century addiction to hyper-reality. Opportunities for artists have multiplied just as the problems have proliferated.
As ever, theory runs to catch up with practice. The images collected here put strain on the old definitions and demand new ones.
What are they? Well, they are not, strictly speaking photographs anymore.
New territory needs new maps.
50 contributing photographers from 18 different countries.
Book Released: Late October.
I have been honored by the editors of Better Photography to have one of my monsoon photographs published in the July 2009 issue...
(see below)
Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info, edition, price - www.offonroad.com/books/did-we-ever-meet/