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Used as a flash fiction prompt on One Real Story.

Decided to buy some Derwent Pencils water-soluble sketching pencils to experiment with during #inktober2016. Today's #inktober official prompt was "scared," and this was my first attempt at using these pencils. Looking forward to doing more experimenting!

prompt credit to Patrick Slatter

When it's 8pm and you haven't shot your #potd yet...Mr. Incredible to the rescue!

Writing Prompts for #stillweb

The Flamingo Hotel in Santa Rosa, CA

Take a really strong aspect of your project and push it further. For example, you may have developed a great type relationship that communicates your message, but is obscured by clunky imagery and patterns. In this case, you might want to redo your whole layout by focusing on type and pushing other elements to the background.

Solar Sails Sailship, Cyber style.

 

MS Prompt

Schlepper / Tug

Baujahr: 2013

BRZ: 250

Pfahlzug: 71 t

Länge: 24.47 m

Breite: 11.33 m

Tiefgang: 5.54 m

Maschinenleistung: 4200 KW

Geschwindigkeit: 13 kn

IMO: 9647409

(Gesehen im Hamburger Hafen)

FINAL FANTASY XV ~EPISODE PROMPT~

 

魔導兵いっぱい

狙撃が楽しかった

Clipdrop AI,

Prompt: A young, sexy secretary with red hair and green eyes, red painted lips, wearing a white blouse with a wide neckline and a red miniskirt sits at a desk in front of a computer in an old-fashioned looking office. There are shelves with files on the walls and the sun shines in through a large open window. It's spring outside, you can see green trees and a few singing birds. colored french comic style.

Model: Stable Diffusion XL 1.0, Style: Comic Book

Mary Anne Kluth

Après moi, le déluge, 2025

 

Mary Anne Kluth creates landscapes that never quite come together, reflecting the uncertainty in how we see and understand the world around us. Her installations piece together clouds, rivers, cliffs, and glowing horizons, but stop short of forming a complete picture. The result is a space that feels both beautiful and fragile, reminding us that landscapes, like identities, are often constructed.

 

This sense of fragmentation mirrors our current moment. As we enter the second quarter of the 21st Century, we find ourselves in another technological revolution. If the first 25 years were defined by the internet’s reach into daily life, the present is marked by the rapid rise of artificial intelligence. AI is beginning to reshape how we think, work, and create. Where it will lead remains unknown, and Kluth channels this ambiguity into her practice.

 

Kluth’s fascination with illusion began with childhood visits to theme parks, fabricated “outsides” built indoors, and was deepened through time spent in real landscapes with her geologist parents. She also draws on 19th Century painters of the Hudson River School and Western Romantic traditions (Thomas Cole, Albert Bierstadt, Frederic Church, Thomas Moran), whose dramatic compositions mythologized American expansion into the West. Adapting their visual language through theme park imagery, from Disneyland rides to Sanrio Puroland, she employs devices such as darkened foregrounds and glowing horizons while leaving the wooden supports exposed to highlight the artificial nature of both theme parks and the national myths these painters helped create.

 

With a background in stage-set construction at Children’s Fairyland in Oakland, Kluth builds her installations from handcut wood painted with acrylics. More recently, she has turned to the generative AI program Stable Diffusion, prompting it with Romantic landscape titles to produce synthetic versions of canonical works. She then repaints these computer-made images by hand. In doing so, she draws attention to the hidden act of theft behind the technology – AI companies training their models on artists’ work without permission. By folding this act of appropriation back into her own landscapes, Kluth asks us to reconsider authorship, illusion, and the stories we attach to land and identity.

 

@makluth

www.makluth.com

 

Curated by Kevin B. Chen

My friend Jaye of artquiltmaker.com/blog recently hosted a giveaway as part of her Creative Prompt Project and I was SOOOOOO lucky to be one of the winners! The prize was a creative card pack. Here's the front of the card package. Very cool prize and I'm super excited to start using this pack!

OpenArt.ai,

Prompt: Colored French Comic Style. A sexy young woman with long red hair, green eyes and red lipstick is sitting in an office at a desk in front of a monitor and a keyboard. She is wearing a white, open blouse with a low neckline and a rust-colored vest. She has a pencil in one hand. On the desk is an open notepad, a cup with writing utensils and a stack of books. There are shelves on the walls with many more books and files. The spring sun is shining through a window in the background.

Modell: Flux (Pro), Style: None.

These prompts will help you to not only discover more content to create, they will also help you fall more deeply in love with life. Are you ready for that? If you use these prompts, please tag me across social media @JulieJordanScott

Take some phone pics and post on Instagram.

The 30 Day Journal Challenge

www.iheartrunwithscissors.com/

 

Prompt 9 & 10: fill a page with something random & illustrate a favourite song

Astrantia (Masterwort)

I just want to pet them and cuddle them. (Aaron)

Prompt: Drips. Watercolor drips in travel watercolor journal.

The photo prompt letter was N so I took a photo of the nasturtiums I've been growing. I love the colour and they taste nice too!

From the tell your story class.

Today's prompt- this season.

OLYMPUS DIGITAL CAMERA

Prompt 50

“For happiness is anyone and anything at all that's loved by you.”

Charlie Brown; Peanuts by Charles M. Schulz

Here is my sketch of "Quiet". What I immediately thought of was meditation and yoga. I have found both to be extremely beneficial in alleviate my stress symptoms. It was also good practice with my perspective in sketching.

After a trip to London and the Cool Britannia shop this page was just asking to be made!

This week's prompt was to make a page using only a credit card (or pieces thereof) and your fingers as tools. Another page that filled me with dread. Just not very comfortable with this kind of thing. I managed it, but it's not very impressive. However, I DO love the copper background. I will definitely use that on another page - when I can use a paintbrush to apply the paint. Obviously, I couldn't figure out how to do the lettering using my fingers, so I resorted to my Tim Holtz alphabet dies.

Close up picture of one of the telescopes.

So, I'm not entirely happy with the way this turned out, but I do think it's an accurate reflection of my childhood and now: I loved newspapers and to decorate things and couldn't wait to have my own home to decorate, and now I work as an editor in home design.

Pyjama Day in school!

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