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“Insane madness of the living can be more, more terrible than the bloody hunger of the undead...”
― Silvia Liam
“One thing you must know about science and technology. No science, no technology, is superior to nature. To assume otherwise is to invite doom.”
― Abhijit Naskar, Find A Cause Outside Yourself: Sermon of Sustainability
Visit beautiful Elvion.
Midjourney Prompt but added blur affect via Pixlr
A picture of a vintage old pickup truck from the 1930's, bright green color, in field of tall green grass with lots of blue and white poppies, lightly cartoonized, volumetric, vintage feel, detailed, --ar 16:9
I have learned from Kat to use "a picture of..." in the beginning of a prompt to make pictures using MidJourney. It was her advise when we began using MidJourney.
“Yes, talk to Murderbot about its feelings. The idea was so painful I dropped to 97 percent efficiency.”
― Martha Wells, All Systems Red
“The nuclear arms race is like two sworn enemies standing waist deep in gasoline, one with three matches, the other with five.”
― Carl Sagan
“Oh to be standing next to a stranger, staring at the same painting in an art museum, an unspoken romance between us.”
- TearInTheStars
Visit The Vordun Museum
“Living right in the heart of Tokyo itself is quite like living in the mountains – in the midst of so many people, one hardly sees anyone.”
― Yūko Tsushima, Of Dogs and Walls
Visit Levithan Bay
“The human capacity for burden is like bamboo- far more flexible than you'd ever believe at first glance.”
― Jodi Picoult, My Sister's Keeper
Generated By Midjourney V7
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**Prompt :**
Une boîte aux lettres ancienne en métal patiné, fixée à un mur de pierre recouvert de fleurs printanières en pleine floraison, s’ouvre lentement comme si elle respirait. De son intérieur s’échappent des dizaines de lettres anciennes scellées à la cire, qui prennent vie en déployant de délicates ailes translucides aux reflets irisés. Ces lettres ailées s’élèvent dans les airs avec grâce, portées par une brise douce et lumineuse.
Un petit oiseau bleu au plumage soyeux vole à proximité, battant des ailes au ralenti, comme s’il guidait ce ballet magique. La lumière est celle d’un coucher de soleil féerique, baignant la scène dans des teintes pastel de rose, lavande et or, avec des particules lumineuses flottant dans l’air, semblables à de la poussière d’étoiles.
À côté de la boîte aux lettres, une bougie allumée vacille dans un chandelier en fer forgé, sa flamme projetant des ombres dansantes sur la pierre. La cire fond lentement, ajoutant une sensation de temps suspendu. Les pétales de fleurs se détachent et flottent dans l’air, accompagnant les lettres dans leur ascension.
Caméra en travelling lent, profondeur de champ très faible (bokeh artistique), ultra haute définition, détails hyperréalistes des textures (métal oxydé, papier vieilli, cire craquelée, plumes fines). Éclairage volumétrique, rayons lumineux traversant la scène, atmosphère onirique mais crédible.
Style visuel entre réalisme magique et cinéma de fantasy haut de gamme, inspiré des grandes productions comme celles de Guillermo del Toro ou Studio Ghibli en version live-action. Rendu photoréaliste, 8K, HDR, global illumination, lens flare subtil, grain cinématographique léger.
Ambiance émotionnelle : nostalgie, poésie, espoir, comme si chaque lettre contenait une histoire oubliée cherchant à retrouver son destinataire.
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**Prompt:**
An antique weathered metal mailbox, mounted on a stone wall covered in blooming spring flowers, slowly creaks open as if it were breathing. From within, dozens of vintage letters sealed with wax drift outward, coming to life as they unfold delicate, translucent wings shimmering with iridescent light. These winged letters rise gracefully into the air, carried by a soft, glowing breeze.
A small blue bird with silky feathers flutters nearby, its wings beating in slow motion, as though guiding this quiet, magical procession. The lighting evokes a dreamy sunset, bathing the scene in pastel hues of pink, lavender, and gold. Tiny glowing particles float through the air like stardust, enhancing the ethereal atmosphere.
Beside the mailbox, a lit candle flickers in an ornate wrought-iron holder, its flame casting gentle, dancing shadows across the stone surface. Melted wax drips slowly, reinforcing a sense of suspended time. Flower petals detach and drift through the air, joining the letters in their gentle ascent.
The camera moves in a slow cinematic tracking shot, with a very shallow depth of field and artistic bokeh. Ultra-high-definition rendering reveals hyperrealistic textures: oxidized metal, aged paper, cracked wax seals, and fine feather details. Volumetric lighting streams through the scene, with soft rays piercing the atmosphere.
Visual style blends magical realism with high-end fantasy cinema, reminiscent of Guillermo del Toro-inspired worlds or a live-action Studio Ghibli aesthetic. Photorealistic rendering, 8K resolution, HDR, global illumination, subtle lens flare, and a delicate cinematic grain.
Emotional tone: nostalgic, poetic, quietly hopeful as if each letter carries a forgotten story searching for its long-lost recipient.
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--v 7 --style raw --ar 16:9 --q 2 --s 750 --chaos 8 --seed 12345
"Fashion embraces the weirdos. They're into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy, it brings something different."
- Chloe Sevigny
Taken at Kiyori City
“Yael wanted to be like the Valkyrie maidens in the old Norse lore. Winged women who rode to war on the backs of wolves, choosing which soldiers lived and died. She'd thought she could make death mean something, if she wielded it right”
― Ryan Graudin, Blood for Blood
“And for one second, it was like I could feel the timing clicking together, finally pieces falling into place.”
― Sarah Dessen, This Lullaby
Philomena's Last Machine: To End All Wars is available at Contraption. It is achingly beautiful to hear and watch as the figure moves and the little hammers dance against the strings. *Highly* recommended.
Hair: TRUTH Labyrinth
Outfit: ADN Sukub
Sphere: LuluB! - Selenica Mina
Horns: UNHOLY BALAR
Halo: LuluB! - Suspiria - Black
“You let your grief make you bitter. You let your suffering make you cruel. Want to know what that makes you? A villain. That's every comic book villain ever! They suffer, and then they inflict suffering on others. Good guys do the opposite. Good guys suffer, too - but they respond by helping.”
― Katherine Center, Things You Save in a Fire
“You have to be a romantic to invest yourself, your money, and your time in cheese.”
― Anthony Bourdain
If any of you Prompt Project folk want to come over to borrow cheese I now own a lot of cheese. Hit me up, I'll drop some by.
“You can’t see new places by staying in the port!”
― Mehmet Murat ildan
Taken at beautiful Valmoor Harbor
“Ain't nothing more natural than a girl on a pony.”
― John Larison, Whiskey When We're Dry
Visit Les Salines.
Prompt #25: They were strolling down beside a stream, barefooted, talking on their cellphone
Taken at the beautiful Elvion
Generated By Midjourney V6
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**Prompt :**
Un chat roux majestueux, au pelage dense et finement texturé, se tient debout sur ses pattes arrière au centre d’une clairière enchantée, jouant du violon avec une précision presque humaine. Son regard vert émeraude capte la lumière des étoiles, reflétant une intelligence calme et mystérieuse. La scène se déroule dans une forêt nocturne baignée d’une lueur céleste, où un ciel profond, saturé de constellations scintillantes et de nébuleuses colorées, semble descendre jusqu’aux arbres.
Des rayons lumineux volumétriques traversent la canopée, révélant des particules dorées flottant dans l’air, comme de la poussière d’étoiles. Autour du chat, une assemblée d’animaux anthropomorphes forme un orchestre féerique : des cerfs élancés jouent de la harpe, des renards tiennent des flûtes, des lapins manipulent de petits instruments à cordes. Leurs mouvements sont gracieux, synchronisés, presque chorégraphiés.
De petites créatures lumineuses, semblables à des fées, virevoltent en laissant derrière elles des traînées de lumière pastel. Le sol est couvert de mousse bioluminescente et de racines anciennes, légèrement humides, capturant les reflets ambiants. Une douce brume s’élève, ajoutant de la profondeur atmosphérique.
Style hyperréaliste, rendu 8K ultra détaillé, textures photoréalistes, éclairage cinématographique avec contraste élevé, profondeur de champ maîtrisée (bokeh subtil en arrière-plan), colorimétrie riche oscillant entre tons chauds (or, ambre) et froids (bleu nuit, violet cosmique). Composition centrée avec perspective immersive, légère contre-plongée pour accentuer la grandeur du sujet. Inspiration visuelle mêlant fantasy épique, photographie animalière haut de gamme et esthétique de film orchestral magique.
Ambiance : poétique, onirique, grandiose, comme une symphonie visuelle suspendue dans le temps.
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**Prompt:**
A majestic ginger cat, with dense, finely detailed fur, stands upright on its hind legs at the center of an enchanted forest clearing, playing a violin with almost human precision. Its emerald-green eyes catch and reflect the starlight, conveying a calm, mysterious intelligence. The scene unfolds at night beneath a deep celestial sky, overflowing with shimmering constellations and vibrant nebulae that seem to descend into the treetops.
Volumetric light rays pierce through the canopy, illuminating countless floating golden particles like drifting stardust. Surrounding the cat, an orchestra of anthropomorphic animals performs in harmony: elegant deer pluck glowing harps, foxes play flutes, and rabbits handle delicate string instruments. Their movements are graceful, synchronized, almost choreographed.
Small luminous creatures, resembling fairies, flutter through the air, leaving soft pastel light trails behind them. The forest floor is covered in bioluminescent moss and ancient, slightly damp roots that reflect the ambient glow. A gentle mist rises, enhancing depth and atmosphere.
Hyperrealistic style, ultra-detailed 8K rendering, photorealistic textures, cinematic lighting with high contrast, carefully controlled depth of field (subtle background bokeh), rich color grading blending warm tones (gold, amber) with cool hues (midnight blue, cosmic violet). Centered composition with immersive perspective, slight low-angle shot to emphasize the subject’s grandeur. Visual inspiration blending epic fantasy, high-end wildlife photography, and the aesthetic of a magical orchestral film.
Mood: poetic, dreamlike, grand, like a visual symphony suspended in time.
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--v 6 --ar 16:9 --style raw --q 2 --s 750 --chaos 12 --seed 42 --uplight
Generated By Midjourney V7
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**🎬 Prompt (FR) :**
Trois chatons ultra réalistes blottis dans un panier en osier tressé, posé sur une surface douce aux tons pastel, dans une ambiance chaleureuse et onirique. Le premier chaton, à gauche, est gris tigré avec les yeux fermés, profondément endormi, ses petites pattes repliées sous son museau. Le second, au centre, est un chaton roux aux yeux bleu clair perçants, regardant directement l’objectif avec une expression curieuse et innocente. Le troisième, à droite, est crème très clair, presque ivoire, avec des yeux bleu pâle légèrement humides, donnant une impression de douceur fragile.
Le panier est orné d’un ruban rouge satiné scintillant, noué en un large nœud parfaitement détaillé, avec des reflets lumineux subtils. À côté du panier repose une petite souris en tissu cousue main, avec des coutures visibles et une texture textile réaliste.
L’éclairage est cinématographique, doux et diffus, type golden hour, avec un léger contre-jour créant un halo délicat autour des chatons. Profondeur de champ très faible (bokeh crémeux), arrière-plan flou composé de fleurs pastel roses et beiges, ambiance rêveuse et romantique.
Textures extrêmement détaillées : chaque poil est visible, légèrement duveteux avec micro-reflets, les moustaches fines captent la lumière, le panier montre des irrégularités naturelles du bois tressé. L’atmosphère est légèrement brumeuse avec des particules flottantes lumineuses, ajoutant une touche magique.
Palette de couleurs harmonieuse : tons chauds, pastel, crème, pêche, rose poudré, avec contraste doux. Style photographique hyperréaliste, rendu 8K, netteté extrême sur les sujets, dynamique de lumière naturelle, HDR subtil.
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**🎬 Prompt (EN):**
Three ultra-realistic kittens nestled together inside a handwoven wicker basket, resting on a soft pastel-toned surface in a warm, dreamy atmosphere. The kitten on the left is a gray tabby, peacefully asleep with eyes closed, tiny paws tucked under its chin, fur slightly ruffled like brushed velvet. The center kitten is a ginger tabby with striking light blue eyes, gazing directly into the camera with an innocent, curious expression that feels almost human. The kitten on the right is a very pale cream, nearly ivory, with soft bluish eyes slightly glossy, conveying delicate tenderness.
The basket is wrapped with a shimmering red satin ribbon tied into a large, perfectly shaped bow, catching light with subtle specular highlights. Beside the basket lies a small handmade fabric mouse toy, with visible stitching, textured cloth, and tiny button-like eyes.
Lighting is cinematic and soft, reminiscent of golden hour, with gentle backlighting that creates a delicate halo around the kittens’ fur. Extremely shallow depth of field with creamy bokeh; the background melts into a blur of pastel flowers in pink and beige tones, evoking a romantic, storybook mood.
Textures are hyper-detailed: every strand of fur visible with fine micro-highlights, whiskers catching glints of light, the wicker basket showing natural imperfections and organic fiber detail. The air carries faint floating dust particles glowing softly, adding a magical, ethereal touch.
Color palette is harmonious and warm: soft creams, peach, blush pink, warm beige, balanced with gentle contrast. Style is hyperrealistic photography, ultra high resolution (8K), razor-sharp focus on subjects, subtle HDR, natural light rendering.
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--v 7 --style raw --ar 3:2 --q 2 --s 200 --chaos 8 --seed 12345
“An hour seldom passed in which she didn’t either sneeze, pick her nose, or wipe a bogie onto her snot-encrusted sleeve. But she had such a lovely colour. That pink glow which comes with the flu used to engulf her like an aura. It suited her. She always looked so damn effervescent.”
― Joss Sheldon, The Little Voice
Taken in my adorable apartment at Valmoor Harbor
“She had a strange feeling in the pit of her stomach, like when you're swimming and you want to put your feet down on something solid, but the water's deeper than you think and there's nothing there”
― Julia Gregson, East of the Sun
I ain't sure boiling this big old thing is the most efficient way to make ramen cups, but you work with what you have, right?
Guy: Did you see the sneakers on that last robber?
Buddy: The 2:30?
Guy: No, the four o'clock. The three-quarter high-top, gorgeous foam soles. I could barely feel it when he stepped on my face.
- Free Guy [2021]
One of my favorite movies. If you've not seen it I *highly* recommend it.
Thank you Bai for the killer rocket work, and Nen, Razor, Peaches, and Mako for posing!
“Wine is one of the most civilized things in the world and one of the most natural things of the world that has been brought to the greatest perfection, and it offers a greater range for enjoyment and appreciation than, possibly, any other purely sensory thing.”
― Ernest Hemingway
“You’re committed, you realize. You are…under the jurisdiction of me…the staff.” She’s holding up a fist, all those red-orange fingernails burning into her palm. “Under jurisdiction and control—”
- Nurse Ratched |One Flew Over the Cuckoo's Nest by Ken Kesey
Taken at What's Lost Spirits
This image is Generated using Midjourney V8.1 software then i process in photoshop.
Thank you for your visit and faves and comment.
Prompt..
Hyper realistic, full body portrait of a majestic Ragamuffin cat poised on weathered pavement, glossy black legs glistening in warm cinematic light. Fur ruffled by a gentle breeze, adding dynamic movement. Eiffel Tower rises prominently in the background against a golden hued sky with soft, feathery clouds. Piercing eyes reflect the tower's grandeur; fluffy tail curls playfully. 8K resolution, flawless textures, ultra sharp clarity, lifelike depth, 16:9 aspect ratio. Intricate details from delicate paw pads to weathered pavement cracks. Vibrant colors, dynamic contrast, emotional impact, feline elegance, Parisian charm, warm lighting, soft shadows, ultra realistic, cinematic quality.
--ar 16:9
--raw
--hd
--profile hech2qu
“Call them what you want. Garden gnomes. Lawn ornaments. Little evil outdoor statuary hell-bent on world domination. It doesn't matter. What does matter is that, right now, they're hiding in plain sight, pretending to be symbols of merriment and good will.”
― Chuck Sambuchino, How to Survive a Garden Gnome Attack: Defend Yourself When the Lawn Warriors Strike
“A familiar is such a creature, an animal or bird that sees inside to the very soul of its human companion, and knows what others might not.
What fears there might be, and what joys, for it shares the emotions of its human partner.”
― Alice Hoffman, Magic Lessons
“Poetry isn’t an island, it is the bridge.
Poetry isn’t a ship, it is the lifeboat.
Poetry isn’t swimming. Poetry is water.”
― Kamand Kojouri
Visit the Sakura Neighborhood Community Center
“All my images are self-portraits, even when I'm not in them.”
― Nuno Roque
Holy 100! Haha...I mean, I knew it was doable but I'm surprised I cut it this close.
Thanks to all the friends that encouraged me, laughed at me, gave me advice on locations, which images to use, and especially Mako who noticed that I was slacking and reminded me I had only a few months left to finish!
the prompt:
IMAGE: Ethereal Encounter CineStill 400D| STYLE: Experimental | MOOD: Enigmatic, Vibrant | COLOR: Monochromatic with hints of vibrant energy | BACKGROUND: Abstract concrete installation with smooth curves and ethereal abstractions | SCENE: A black man with white dreadlocks, dressed in flowing white garments, stands in extreme close-up | DETAILS: Blurry and layered elements create an otherworldly atmosphere | RENDER: Enigmatic and captivating | LIGHTING: Soft, diffused light with dynamic highlights | COMPOSITION: Intriguing and thought-provoking | SHOT: close-up | TAGS: Experimental, abstract, concrete installation, ethereal abstractions, layered details, vibrant energy, tonal, enigmatic --ar 16:9 --style raw
further processing
Ethereal Encounter CineStill 400D| STYLE: Experimental | MOOD: Enigmatic, Vibrant | COLOR: Monochromatic with hints of vibrant energy | BACKGROUND: Abstract concrete installation with smooth curves and ethereal abstractions TAGS: Experimental, abstract, concrete installation, ethereal abstractions, layered details, vibrant energy, tonal, enigmatic - Pan Up
and a pan right with the first prompt.
and --zoom 1.2 - Zoom Out with the second prompt
upscaling and framing with PS
Generated By Midjourney V6
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**Prompt :**
Deux planètes massives de type tellurique entrent en collision frontale dans l’immensité du vide spatial, capturées à l’instant précis de l’impact. La scène est hyperréaliste, avec un niveau de détail extrême : croûtes planétaires fissurées laissant apparaître des veines de magma incandescent, continents fragmentés, océans vaporisés en nuages de plasma. L’explosion centrale émet une lumière blanche aveuglante entourée d’un halo orange brûlant, projetant des jets de matière en fusion dans toutes les directions.
Des fragments rocheux de tailles variées flottent et tourbillonnent dans un ballet chaotique, certains encore en combustion, d’autres déjà refroidis, texturés avec une précision géologique. Des traînées de débris incandescents dessinent des arcs dynamiques, créant une sensation de mouvement intense et de puissance colossale. Les atmosphères des deux planètes se mélangent dans une tempête de gaz ionisés, formant des volutes lumineuses et turbulentes.
L’éclairage est dramatique et contrasté : la lumière de l’impact illumine violemment les surfaces fracturées tandis que l’arrière-plan spatial reste profond, presque noir, parsemé d’étoiles lointaines. Effet de lens flare cinématographique subtil, particules fines en suspension, rendu volumétrique de la lumière et de la chaleur.
Caméra virtuelle positionnée en légère plongée, avec une perspective grand angle (24mm), profondeur de champ maîtrisée, mise au point nette sur la zone de collision, flou progressif sur les débris en périphérie. Style visuel proche d’un blockbuster spatial, mélange de réalisme scientifique et d’esthétique épique, rendu 8K, textures ultra détaillées, global illumination, ray tracing, photoréalisme extrême.
Ambiance : apocalyptique, grandiose, énergie brute, sensation de fin et de renaissance cosmique.
---
**Prompt:**
Two massive terrestrial planets collide head-on in the vast emptiness of space, captured at the exact moment of impact. The scene is hyperrealistic, with extreme detail: planetary crusts cracking open to reveal glowing veins of molten magma, shattered continents, and oceans instantly vaporized into clouds of plasma. At the center, a blinding white explosion radiates outward, surrounded by a blazing orange halo, ejecting streams of incandescent matter in all directions.
Fragments of rock of varying sizes drift and spiral in a chaotic ballet, some still burning, others cooling with highly detailed geological textures. Trails of fiery debris carve dynamic arcs through space, emphasizing intense motion and colossal force. The atmospheres of both planets merge into a violent storm of ionized gases, forming luminous, turbulent swirls.
Lighting is dramatic and high-contrast: the impact’s brilliance harshly illuminates fractured planetary surfaces, while the deep space background remains nearly black, scattered with distant stars. Subtle cinematic lens flare, fine suspended particles, volumetric lighting, and heat distortion effects enhance realism.
Virtual camera positioned in a slight top-down angle with a wide-angle lens (24mm), controlled depth of field, sharp focus on the collision point, gradual blur on peripheral debris. Visual style reminiscent of a high-budget space blockbuster, blending scientific realism with epic aesthetics. Rendered in 8K, ultra-detailed textures, global illumination, ray tracing, extreme photorealism.
Mood: apocalyptic, awe-inspiring, raw cosmic energy, a sense of destruction and rebirth.
---
--ar 16:9 --v 6 --style raw --q 2 --chaos 15 --seed 1234
Prompt for this creation: There once was a dog named KaCey, Who was old and lazy, Laid around all day and was always in the way, But at least he wasn't pushing up Daisies.. Created in MidJourney...
“I have to find a place to hide
An island in the sea
Surrounded by a racing tide
Where I can live with me”
― Laurie Matthew, Groomed
Visit Skin Tower Island
“Everything is made of stories. They've all happened before, in similar circumstances. It's like a circle. It goes round and round and round.”
― Alan Moore
Visit Endless: Birdlings Flat
“I like its eyes: two black dots, nonreflective light-trappers. Utterly determined eyes, doubt-free, unselfconscious. Frightening eyes if they happen to be looking at you and you’re small enough to be dinner. The same eyes a man probably sees on an alligator before it drags him down and shakes the air out of his lungs and leaves him to rot a little in the murk, to be tenderized properly before he becomes a meal.”
― Mohsin Hamid, Moth Smoke
This cute little avi is from Steamboat Energy Co. They come in a few sizes and work with your AO. They are hilarious!
“Why is Santa an anagram for Satan? I mean, besides the fact that both have the same amounts of the same letters. Just consider the many other similarities between the two figures: both of them are red, both of them like to laugh, both of them give presents to children and both of them are kings of an ungodly underworld of unspeakable horror and suffering. Coincidence? I THINK NOT.”
― Sam Logan
“Our era has produced many great men--- robber barons, masters of innovation, beast of business---whose staggering wealth, incomparable ruthlessness and personal legends would seem to prove they are dominant species but then one has a look at their son, and doubts the theory of evolution entirely.
-DR. Bertrand Legmam Cooper,
Problems of Science and Society,
Posted by One Who Has Known Both, 1900”