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PROMOTE GA team members attended the Showcase Excellence in Technology Conference at the university to present our web page and be an audience for other presenters. Afterwards we were treated to a nice meal and entertainment.

Promoting Shelter & Time Out of Mind. Now Playing at Digital Gym CINEMA

North Park.

 

Michael McConnell & Moises Esparza on San Diego 6 News.

 

November 2015.

 

www.digitalgym.org/cinema

Promoting River People's production of "Little Matter" - see I told you puppets are scary

Rwanda’s Business Development Fund (BDF), in partnership with the Rwanda Green Fund (FONERWA), UN Environment’s United for Efficiency initiative and the Basel Agency for Sustainable Energy (BASE) have today launched the ‘Coolease’ financial mechanism to promote adoption of energy efficient and climate friendly cooling solutions in Rwanda.

 

The Coolease scheme is one of the first of its kind in Africa, and will enable suppliers and consumers of air conditioning and refrigerations products to transition to the latest technology without an upfront investment.

On December 24, 2014, a Job Fair was held in Sabirabad to support the employment of rural women in the framework of “Promoting Rural Women’s Participation in the Social and Economic Life” project. The Job Fair was co-organized by the State Committee for Family, Women and Children’s Affairs for Family, the United Nations Development Programme (UNDP) in Azerbaijan, Executive Power of Sabirabad and the Employment office of the Ministry of Labor and Social Protection of Population. The Fair provided an opportunity for rural women to access the potential employers and introduce themselves, as well as to get a suitable job offer.

 

The Deputy Chairperson of State Committee for Family, Women and Children’s Affairs, Mrs. Sadagat Gahramanova and UNDP Deputy Resident Representative in Azerbaijan, Mrs. Nato Alhazashvili met the Women Resource Center’s members and active rural women.

 

The overall objective of the project is to create an enabling environment for rural women and support their business and social activities. One of the goals of the project is to establish a mechanism to facilitate exchange and transfer of knowledge, teaching skills and information aimed at increasing the business opportunities of rural women. This mechanism, launched and operational since 2013, was designed as the regional Women's Resource Center (WRC) tasked to improve business and social opportunities.

 

This joint project has been designed in compliance with the State Programme on “promotion of opportunities for self-employment, entrepreneurship, the development of cooperatives among women” and on Poverty Reduction and Sustainable Development (2008-2015), as well as in line with the strategy on improving economic situation of the most vulnerable groups (young women, single mothers, disable women) stipulated in the National Employment Strategy of the Republic of Azerbaijan for 2006-2015. The project will support the Government of Azerbaijan and namely the Committee in fulfilling the obligations Azerbaijan undertook by the Millennium Development Goals (Goals 1 and 3), the Beijing Declaration and Platform for Action, as well as to implement the national measures in response to recommendation of the Committee of the Convention on the Elimination of All Forms of Discrimination against Women.

 

promoting Birdemic: Shock and Terror at the Fantastic Films Weekend in Bradford.

Pilates workouts promote strength and balanced muscle development as well as flexibility and increased the range of motion for the joints. Join our Pilates Mat Classes program to improve your health and feel happy, stay healthy. Visit Here: bit.ly/36cDQ3W

promoting the Chinese New Year event, Hollywood California

U.S. Army Garrison Red Cloud and Area I Commander, Col. Jack Haefner promoted Chaplain David Mvondo, the garrison chaplain, to major at Warrior Chapel February 5.

Taipei promote Expo 2010 Shanghai China.

台北市為迎接2010年上海世博會,與上海進行雙城交流推廣兩岸城市藝術節,舉辦「上海文化週」。

台北市信義區香堤大道上自2009/10/16起展出為期10天的「 2010上海世博會圖片展」,除介紹世博會籌辦情形外, 也展出台灣與各國展館的設計。

 

Taipei, Taiwan.

2009/10/16

c11656

 

The Healthy Lifestyle Festival was held at the Commissary June 15, 2018. Hosted by Kirk U.S. Army Health Clinic and the Commissary, the event offered free blood pressure screenings and information about diabetes, tobacco cessation, nutrition, stress management and Humana health care benefits.

 

"The purpose of this event is to target and promote healthy lifestyles and encourage individuals to take care of themselves," said Public Health Nurse Sue Singh, with KUSAHC.

  

U.S. Army photos by Rachel Ponder, APG News

U.S. Army Garrison Red Cloud and Area I Commander, Col. Jack Haefner promoted Chaplain David Mvondo, the garrison chaplain, to major at Warrior Chapel February 5.

In collaboration with UNESCO and the ILO, the Padang City Government hosted a Sixth High-Level Meeting of Mayors for Inclusive Cities on 27 September 2016. The meeting was aimed to pursue the development of Network of Mayors for Inclusive Cities as an active, purpose-driven, self-sustaining coalition to promote and spread the policies that advance the rights of people with disabilities.

 

For further information about ILO activities on disability in Indonesia, please visit: www.ilo.org/jakarta/whatwedo/projects/WCMS_211048/lang--e...

 

Copyright: ILO

 

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US

Kasai Masai from Democratic Republic of Congo DRC with Nickens Nkoso & Robert Maseko Performing at Coin Street African Music Festival Promoted by The Limpopo Club at Gabriel's Wharf London 31st July 1999

Promoted my daughter N. tonight to orange belt. Our last class with USA Jiu-Jitsu in Springfield. Now we'll have to wait and see what there is in Texas.

 

(http://www.usajj.com)

 

(unfortunately the guy I asked to take the picture didn't know the autofocus wasn't on, so the picture is a bit blurry)

Promotor Alejandra corona

Rdv Brenda Vázquez

Promoting "Priscilla, Queen of the Desert" in the queue (sorry line) for the the TKTS booth on Duffy Square.

 

The show was great fun too.

No one goes to Norfolk by accident. I means its not on the way to anywhere else, so those who come, we must assume, want to go there either to visit of live. And in Kings Lynn, out in the bandit country of west Norfolk, you really only come here because you're going to Kings Lynn, or gong on to Hunstanton or trying to escape via the A17.

 

I was posted to RAF Marham at the beginning of the 90s for two years, though before getting married we used to go to The Globe and other such delights, the finer points of its trading past were somewhat lost on me.

 

So, a long held plan was to revisit, so when Jools suggested I go away for a few days, King's Lynn was the answer.

 

The answer to the question nobody asked.

 

I found a cheap place to stay, paid, and so come Tuesday morning, after coffee and packing, Jools dropped me off at Dover Priory, where I found that they only sell "anytime" returns at that hour, and the £88 return I saw online the night before was going to be that amount for just the single to get me there.

 

Sigh.

 

I paid, and hoped I could get something cheap on the way back on Wednesday, though I was seeing how I could use this to factor in a stop off in Ely on the way back.

 

I took a seat once the train pulled in, and a working couple, colleagues at Saga, sat opposite, and she began talking about how undervalued she was there, and how people were not promoted on merit, and then they left, the company had to pay double to get someone to take over those tasks.

 

Such a familiar story.

 

Anyway, the train wasn't full, so all very pleasant, and just a walk over the road to King's Cross, so time to go to M&S for something for breakfast, then ambled over only to find I had just 90 seconds to gallop over the platform 9 to get the train, which was three quarters full.

 

The young lady in the seat in front took an hour to re-apply her make up using the phone camera as a mirror. I don't know, but it that normal amount of time to achieve the "natural" look?

 

I don't know.

 

I ate my fruit and pastrami sandwich to follow, eating as the countryside rolled by, happy in my air-conditioned chariot.

 

Through Cambridge, where most passengers got off, and off into the fens beyond and north, where once upon a time this was endless mires, marshes and stagnant pools, where the Isle of Ely, once an actual island, is visible for ten miles before arriving,

 

Tomorrow, I thought, I'll explore the Isle of Eels once again.

 

The train eased out and after the junction with lines leading north west and east, we headed north to Downham Market and King's Lynn beyond.

 

A family got on at one of the small intermediate stations, two older parents to a hyper ten year old boy who wanted everything, but out here in the wild west, there was no signal, phones could not be pared, so there was just looking out the window at the flat line of the horizon and the drainage sewers and sluices.

 

We arrived in King's Lynn just before eleven, and the heat hit like it did when I worked in Vegas. I walked out of the station, over the main road, the family following me as the father tried to cope with two suitcases, their son and a cowardly small dog, stopping every ten yards to collect everything that had been dropped.

 

They had to get to the bus station to go on to Hunstanton or some other glittering resort dotted with casinos and pleasure beaches.

 

Their bus was in, waiting.

 

I walked on.

 

I walked through a shopping centre exotically called "The Vancouver Centre". I couldn't see nothing in common, but who knows?

 

I walked through and along the main street to a junction, where I felt I should sit down and have a swig of the remaining pop I had. I was outside the King's Lynn branch of Wimpy.

 

Wimpy, a British fast food chain based on at table slow food, named after a character in Popeye, so of course King's Lynn had a huge branch.

 

There were signs to the historical quarter, so after a while I set off, heading for the Purfleet Sluice and the Customs House.

 

Did I mention it was hot?

 

I got shots, then walked on to the quayside, where candy-coloured buoys were lined up for their next duty, and behind the quay, a warren of cobbled lanes with brick houses and courtyards and warehouses, showing how prosperous the town clearly once was.

 

A lady saw me taking shots and made sure I came to her private yard to see the large, church-like tower built to keep an eye on incoming ships.

 

It was getting hotter.

 

I walked down the quay, then into Saturday Market Place where there is a market on Saturdays. One side is lines with the Guildhall and the other the Minster church.

 

I took shots of the Guildhall, and it being half midday, went in search of food and drink, and came upon Wenns Chop and Ale House, where I asked if they had cold bears (beers). They did.

 

I ordered a pint of Coke and burger and fries.

 

The place was quiet, but efficient, with enough staff to fill glasses and bring sauces.

 

I eat up but order another half pint of coke to build fluids up, then after paying walk over to the Minster to take shots, before an organ recital meant children and photographers made their escape. Not that I don't like organ music, church organ music, but this had a shrillness to it, that wasn't altogether pleasant.

 

It was then I received the call.

 

The room where I was booked into, had a flooded toilet and so I would not be able use it, so there was nowhere to stay. Something was mentioned about a refund, but I was in town, there was a music festival on and almost no rooms.

 

I tried a hotel portal, got a room for eighty quid, like I had a choice, then repaired to a pub for some more cold beer.

 

I watched the Hundred cricket as I drank, and people watched a family as they tried to claim control over their finances after falling out with a son who had messed up their mail be redirecting it, or something.

 

So calls were made between pints, games of pool and going outside for a gasper.

 

I drank on, and the cricket carried on.

 

I had three pints of ice cold German beer. It was wet and cold, which is all that mattered as the hottest part of the day blazed down outside.

 

It was five, so I had better find my room for the night. Now, here's the thing with these hotel portals: you don't know if its an hotel or just a room in a house.

 

This was a room in a house.

 

And it was a 15 minute walk, but in temperatures of 33 degrees back round to the station and then on a bit, and I had to check the address twice as I walked past it three times.

 

I had been texted a code to get in, and a code for my room on the top floor.

 

So far so good.

 

The room as in a converted attic, a foot from hundreds of tiles that had been baking all day in the sun. It was like an oven.

 

I should have gone to the station and went home, but using the desk fan, I cooled down, though any time away from the bed and the fan meant I was sweating like a waterfall in a couple of minutes.

 

I hoped it would cool down. I had a shower in the bathroom one floor down, went back up and was as hot and sweaty as before in ten minutes.

 

There was water to drink, and I wasn't hungry, so I whiled away the evening until dusk, when I collapsed on the bed and facing into the full force of the fan, fell asleep.

 

----------------------------------------------------------------------------------------

 

Kings Lynn is Norfolk's third largest town, but it feels bigger than the second largest, Great Yarmouth, because it is so far from anywhere else. Lynn is proudly and inarguably the centre of its large rural hinterland, the gateway to the Ouse delta and the largest town on the Wash.

It is a fascinating town. In the middle ages, Lynn was one of the dozen biggest towns in England, and until 1960 or so it could boast one of the finest medieval centres of any town in England. During the course of the next twelve years, about a quarter of this was destroyed, to be replaced by dull, soulless pedestrian shopping concourses; these are now themselves being taken down, and replaced with superstores and car parks. Given that traffic in the town is already horrendous, you might think that they'd be better off trying to keep traffic out rather than attract it.

 

But much remains of Medieval Lynn, and of Georgian Lynn as well, for it was a wealthy merchant town until well into the 19th century. The geography of the town is complex, but satisfying. As the Ouse silted up, the mouth of the river moved westwards, and the town was extended towards it in a series of phases. Parallel with the river front, and several hundred metres from it, the main street connects two open spaces; at the north is the wide square of the Tuesday Market, and at the other is the more cluttered Saturday Market. This was the heart of the town at the end of the medieval period, and contains the finest buildings, including the magnificent 16th century guildhall. Opposite is the vast bulk of St Margaret. The church's three towers rise high above the Saturday Market and the narrow streets around, the huge bulk of the nave and chancel brooding at the ends of openings, new and intriguing vistas presenting themselves. It is one of the finest urban medieval moments in England.

 

St Margaret is far bigger than any of the Norwich medieval churches, and is second in size in East Anglia only to St Nicholas at Great Yarmouth, which is the largest medieval parish church in England. From the west, the overall layout consists of two western towers separated by a west front, a clerestoried and aisled nave, a central tower above a crossing with transepts, and a clerestoried chancel. Pevsner, who has measured it, tells us that the building is 235 feet long from end to end.

 

To understand it, it is best to consider the order in which it was built. A Norman Priory church came first, probably on the site of the present nave, but little trace of it survives. The Priory was founded in 1101, five years after Norwich cathedral, by the same man, Herbert de Losinga. The Priory's fortunes burgeoned, and about the middle of the 12th century the two massive towers were begun at the west end. They would take almost a century to complete. The south-west tower is pretty much in its original form, changing from Norman to Early English as it climbs. The tower to the north-west was either not completed, or was for some reason taken down and replaced, because what we see today is largely the work of the 15th century. It would continue to cause trouble, as we shall see.

 

In the 13th century, the body of the church was rebuilt, the vast chancel being added in the height of the Early English style, with a walkway in the clerestory. The east window was added in the 15th century; it is a curious rose shape, although we need to be aware that it was reconstructed by Ewan Christian as part of a 19th century restoration. Beneath it, in the external east wall, are three large and elaborate image niches, which may have contained a rood group. Because of the layout of the town, this east front is hidden away in a narrow side street, and is easily missed.

 

Also in the 15th century, the crossing tower was surmounted by a lantern, probably a bit like that at Ely cathedral, 20 miles away. The nave was completed, and the upper exterior of the chancel was redone, retaining the internal structural features. The west front with its porch and massive window was completed, as was the north-west tower. Both towers were surmounted by steeples, and the church was now at the peak of its glory, spired, battlemented, replete with gargoyles and grotesques. It must have looked like a cathedral.

 

The Priory was dissolved along with all the others in the 1530s, and after the Reformation the church fulfilled its new role as a large, urban protestant preaching space. The lack of emphasis on the upkeep of buildings in the 17th and 18th centuries served it ill, however. About midday on the 8th of September 1741, the spire and the top of the north-west tower came down in a storm, right into the heart of the nave, pretty much destroying it.

 

It took five years to replace the ruined nave, during which time the congregation retreated into the chancel. The rebuilding was the work of the architect Matthew Brettingham, most famous for Holkham Hall. Perhaps because country houses were being fashionably designed in a kind of proto-gothick at this time, Brettingham used the same language for the nave of St Margaret; intelligently, because there was no liturgical imperative for the aisles, arcades and clerestory. The result is curiously modern, a smoothed-off Gothic with wide, languid arches and elephantine pillars. The lantern tower was removed, as was the spire on the south-west tower. Externally, that was pretty much it; the Victorians tarted up the transepts and removed a row of shops that had been built on to the north side (hence the curious north porch with its tall arch to the east). The clock on the south-west tower shows the time of high tides.

 

And so, to the inside. This is one of the most welcoming of all urban churches. It is open everyday, and the people greet you warmly as if they're really grateful that you've come; which they probably are, because Lynn is a socially deprived area and benefits from tourism when it can. There is a little cafe in the south transept where you can get a cup of tea and a bun. It is possible to enter from the north porch, which is done out really well in a full-on 1960s style in modern glass and slate. You certainly should not miss this, but for the full effect it is really important to enter St Margaret for the first time through the west doors. As you go in, notice on your right the markers that record successive town floods in the 19th and 20th centuries.

 

You step into a vastness that swallows all sound. The arcades stretch away into the distance like a forest glade, and you will see straight away that, as little as the Victorians found to do outside, no effort was spared by them internally to bring the church up to scratch. An acreage of shiny encaustic tiles spreads before you, and the windows to north and south are all full of Victorian glass, most of which depicts Saints, but only some of which is good, I'm afraid. George Gilbert Scott was responsible for the restoration of the nave, and the font is, again, not the best example of 19th century work, although it looks rather imposing on its high pedestal. However, be patient; the nave is not St Margaret's best feature.

Brettingham had raised the nave floor, and when Scott lowered it again he revealed the bases of the original pillars of the arcades, which are curiously elaborate, like elephants feet, under Brettingham's columns. The nave is a good place to wander; it is not a complex space, but each vista is pleasing, and some are of interest; note the way that the west end of the south aisle ends in a Norman arch, and you can see the roofline of the original Norman church above it. There is a massive Norman pillar and arch facing south from the base of the north-west tower. The soaring chancel arch is surmounted by a Charles II royal arms, which looks a little lost up there.

 

You step beneath the chancel arch and immediately it gets more complex and more interesting; you wonder at what must have been lost in the nave. Now the eye is drawn by Bodley's 1899 reredos, a glorious Flemish-style confection of angels and Saints. In such a large sanctuary it does not impose as it would in a smaller church, instead providing a backdrop to the complexities of the chancel. In the middle of the chancel is one of those big latten eagle lecterns with lion feet, so familiar from this part of Norfolk. This is the best of them, I think, being from the same workshop as the one at Redenhall. A modern sculpture of the Blessed Virgin and child has been intelligently placed to the north of the sanctuary. Again, the hugeness of the space means that nothing dominates, and allows you to take in the whole chancel with all its details.

 

Most striking of all is the clerestory. Unusually, it has a walkway within it, the inner pillars being 13th century and the exterior windows 15th century, so the arrangement must have existed from the start. The south chancel aisle extends to the east end, tapering slightly, while that to the north is truncated. The aisles are separated by some of the most elaborate screens in any Norfolk church, wonders of intricate and characterful carvings. In particular, the little figures that form the conceits of tiny corbels to the arcading. The best date from the early part of the 14th century. The capitals to the arcade are also full and elaborate, full of intricacies. Shadowy beyond, the chancel aisle chapels are secretive places, each furnished in a modern style for private prayer.

 

Ewan Christian was responsible for the 19th century restoration of the chancel, and it was much more successful than Scott's work in the nave; even the encaustic tiles lend a sympathetic rigor to the place, as if acknowledging that this is the business place of the church. There are reminders of the Priory status of St Margaret before the Reformation; return stalls with misericord seats fill the western part of the chancel. The best of the seat carvings features a mysterious green man, but all the heads are full of 14th century confidence.

 

Coming back into the crossing, there is another screen which is equally remarkable in its own way. This is across the north transept, which now houses the 1754 organ. The lower part consists of blank arcading, while above there are two levels of open arches. It is dated 1584, but as well as Thomas Gurlin, the mayor, who was perhaps the donor, it also records James I becoming king in 1603. The wood is a delicious chocolatey brown, as evocative of its age as the 14th century screen in the chancel.

 

East Anglia's two largest brasses are reset in the south chancel aisle. They date from the middle of the 14th century, immediately after the Black Death; they depict former mayor Adam of Walsoken, who was carried away by it, and Robert Braunche, who was himself mayor at the time. They are not English brasses, but Flemish, being uncut latten plates, and reflect Lynn's links with the continent. Each man is depicted with his two wives; either bigamy was a privilege extended to burgesses of 14th century ports, or the first died and each man then remarried. The plates are about two metres tall, and there are elaborate illustrations at the feet of the figures.

 

St Margaret is a pleasing church to visit; it is not a complicated building, but repays time spent poking into its corners. Peter and I were in here for nearly an hour without getting bored. As with many big, Victorianised buildings, there is not really much of an atmosphere; but unlike the Lavenhams of this world this is not a pompous building. It has a feel of the thousands of ordinary townspeople who have known it over the centuries as their church; less a matter of civic pride, than recalling busy lives lived in its shadows.

 

Simon Knott, November 2005

 

www.norfolkchurches.co.uk/lynnstmargaret/lynnstmargaret.htm

Promoting Youth Leadership through Intercultural & Interfaith Relations (March 11-13, 2018)

promoting his new restaurant in NYC - Guy's American Kitchen & Bar

Chief Warrant Officer 4 Terrance Jones, the senior ordnance/logistics officer with Headquarters, Headquarters Company, 3rd Expeditionary Sustainment Command, is promoted to Chief Warrant Officer 4 during a promotion ceremony at the All American Chapel on Fort Bragg, N.C., May 1, 2017.

Tiger Shroff promotes Heropanti at Varanasi bit.ly/1qv9Nhc

Khuda Haafiz Full Video | The Body | Rishi K, Emraan H, Sobhita,Vedhika | Arijit Singh, Arko,

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Khuda Haafiz Full Video | The Body | Rishi K, Emraan H, Sobhita,Vedhika | Arijit Singh, Arko,

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lseries.in/hindi-latest/khuda-haafiz-full-video-the-body/

This is a photograph from the 5th annual running of the Meath Spring Half Marathon and 10KM Road Races and Fun Runs which were promoted and hosted by Bohermeen Athletic Club at Bohermeen, Navan, Co. Meath, Ireland on Sunday 13th of March 2016 at 12:00. The half marathon consists of a 11KM and 10KM repeated loop around the roads of Bohermeen and Oristown. The course is a fast fair course with a few small hills. This year the course was 'reversed' which just meant that the traditional course changed to accomodate the large number of participants and the narrow country roads on which both the race participants and race traffic must both share before, during and after the race. Most runners agreed that this made the course much faster as a result. There was almost a total of 1,000 participants in both races.

The other great variable in road racing - the weather - was at its spectacular best. It was as close to perfect running conditions. Little or no breeze, around 10C temperature and clear conditions.

Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. Having now organised the event for five years running it is certain that the event will continue to grow and expand become one of the mainstays on the Irish athletic club road racing calendar for many years to come.

The race is supported by substantial local sponsorship from businesses in the local area.

 

Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.

 

We have photographs from both the start and the finish of the races today - they are all available on Flickr [https://www.flickr.com/photos/peterm7/albums/72157665850980555]. Some photographs of the 10KM are included.

 

Useful Internet Links associated with the Race

MapMyRun GPS Trace of the Route in 2016: www.mapmyrun.com/routes/view/988503627

Codam Building Services Ltd. www.codam.ie/

Google Streetview of the Race Start: goo.gl/maps/rtj1X

Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR

Photographs from previous events

Our Flickr Photograph set from the 4th Spring Marathon 2015: www.flickr.com/photos/peterm7/albums/72157648897769373

Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563

Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/

Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...

Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

In collaboration with UNESCO and the ILO, the Padang City Government hosted a Sixth High-Level Meeting of Mayors for Inclusive Cities on 27 September 2016. The meeting was aimed to pursue the development of Network of Mayors for Inclusive Cities as an active, purpose-driven, self-sustaining coalition to promote and spread the policies that advance the rights of people with disabilities.

 

For further information about ILO activities on disability in Indonesia, please visit: www.ilo.org/jakarta/whatwedo/projects/WCMS_211048/lang--e...

 

Copyright: ILO

 

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US

Promoting the Friday night show on the Big Rick Hunter Show

Chief Warrant Officer 4 Terrance Jones, the senior ordnance/logistics officer with Headquarters, Headquarters Company, 3rd Expeditionary Sustainment Command, is promoted to Chief Warrant Officer 4 during a promotion ceremony at the All American Chapel on Fort Bragg, N.C., May 1, 2017.

New tool arrived today: Promote remote camera controller. I'll be testing this device out soon.

 

3 photo HDR processed with SNS-HDR-Pro

Canon 5DmkII + Nikkor 85mm

 

South African Gospel Music promoted by SAHC at the Barbican Centre London Reception in the Fountain Room Dr Lindiwe Mabuza RIP Relatives

Went to the bathroom where the tap was dripping. Opportunity knocks? Maybe!

 

Lots of level playing and stuff.

Akshay Kumar and Tamannaah Bhatia promotes Entertainment in Mumbai bit.ly/1AO4vQy

South African Gospel Music promoted by SAHC at the Barbican Centre London Reception in the Fountain Room with Ditshupo aka Dee Beautiful Nurse from Botswana in Green Dress and Kansani in Burberry Check Dress from SA

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