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Primeiro produtinho que acabou entre os 10 que selecionei para o Project Pan. Fiquei bem feliz, afina a famosa cerinha não era mesmo um dos meus produtos favoritos para as cutículas. Agora posso usar outros que gosto mais!
Governor Kay Ivey gave remarks to the Project South Announcement at The Lab on Dexter Tuesday October 18, 2022 in Montgomery, Ala. Manna Beverages & Ventures plans to build a 1.7 million-square foot facility in Montgomery. The investment from Manna Beverages & Ventures will offer co-packing services combined with warehousing facilities for beverage companies. The project will create more than 280 new jobs in the River Region. The facility will include a research and development center with a bottling line that will provide entrepreneurs, with a focus on women-owned and minority businesses, a place to test new products. The facility will be located off the Interstate 65 Hope Hull exit in Montgomery and will encompass more than 180 acres in the new industrial park developed by the Montgomery Economic Development team. (Governor’s Office/Hal Yeager)
Occupying what was originally a C19th warehouse, offices of Paul McAneary Architects.
This project is the result of recession economics – as young architects, survival required creative thinking beyond the drawing board – applying business to architecture – by looking at every angle, this project was conceived. PMA had outgrown its first office but were forced out due to the landlord raising the rent by 50 per cent. Paul negotiated a substantial rent free period with a new landlord in lieu of substantial transformation of his dilapidated listed warehouse building. Economically, traditional procurement would not have been feasible for PMA. The creative solution, from both design and economic perspectives was for this young architects practice to setup a design and build company – which has since went on to build 2 further small projects. On top of this the procurement of construction materials was a further economic issue. As architects we wanted the highest spec for our office but were economically challenged. Recycling was employed on a massive scale. Off cuts of reconstituted stone became the kitchen and bathroom tops. The 3.2m high glass facade of the office was even recycled from another project – making the project feasible. It has to be said that over the 2 years we have spent slowly building the office – we have probably learned more from our experiments than through any previous education by experimental building our own office. Two days after the completion of our new basement we suffered a massive flood from the building above us. The office was 200mm deep in water – we lost much research – but this was actually an opportunity for us to redesign some of the destroyed built details that we had thought of better solutions since completion – the greatest test of all. Indeed the experiments have become very important to us as a practice and they continue – as we have built, what we call our 'laboratory' – a workshop in our new basement where we constantly run tests, make mockups and explore detail before construction as well as make architectural models. A sky light has been introduced into the ground floor ceiling to the rear of the office, bringing light to the full extent of the plan. It is placed above a design room, directly above a glass box down into the basement level laboratory. This connects all the levels of the project, and providing a second shaft for architectural models to be dramatically raised through. To make the basement level functional, it was imperative to increase the height of the room and bring natural light. PMA used a special fibre reinforced concrete floor, that could be cast as a tiny 70mm thick slab – that avoided underpinning costs. The open space is designed for exhibitions and presentations, with clean light walls and completely adaptable lightng – 4 light wells and a structural glass and structural metal mesh floor will bring the maximum amount of natural light possible down, whilst connecting the two areas of the office. The ground floor facade has been developed following secure by design consultations with the Police as the passageway outside the office suffered drug dealing, prostitution, and urination due to its location on a dark back alley in London's West End. The facade is made from solid oak beams that respect its neighbours, finished entirely flush, removing many nooks that facilitated crime and the glass being full height, gives a sense of overlooking that has reduced crime level significantly. The light natural coloured facade that has oak and unpainted render has not suffered typical graffiti (it would appear graffiti artists respect the integrity of natural elements). The results of the facade, that has been installed for a few months now, is that it has changed the atmosphere of this medieval narrow pedestrian passage way and countless passers have made the effort to come and tell us of their delight and how they feel safer whilst applauding the design.
[Open House London]
I really wanted to get out and take some outdoor photos this weekend, enjoy the fresh snowfall we had in Pittsburgh. BUT the cold that my wife and daughter had during the week finally caught up with me and I'm feeling pretty crappy so I was taking some pictures of Lily and my dog and I looked out the window and the sun made an appearance. This was taken thru my not-so-clean window and the screen. Rather than post another Lily or dog shot, I posted this one instead.
Week 29.
So I still have tons of catching up to do, and I'm doing these all out of order... But here's week 29 for Project 104! This is in the downstairs of my house, currently it's being redone, and repainted so there's all this creepy plastic stuff over everything, and it rustles when you walk by. So I felt like I was in a horror movie... Not really the best feeling. And I would come back to my camera to look through the photos, and I was fine for a while! Until I started thinking about Insidious and how the creepy old lady is in the back of the photos, and that's when I had to stop and go back upstairs where it's light and not creepy.
Anywhoo (I obviously use that word too much...), hope you enjoy it! And comments/feedback is always helpful to my growth as an artist! Thanks! :)
Three drawers below with fold-down flap/desk/table above. The top will fold-back midway for a more open effect. When closed, the fold-down flap will appear as two upper drawers, so it looks like a five drawer tallboy. All the timber is salvaged and recycled. The ply is new but offcuts from a shopfitting job of a mate's neighbour.
For this project I decided to focus on my childhood memory of always practicing soccer in my backyard. Basically my entire childhood revolved around playing soccer almost everyday of the week wither it was for leisure or for an actual team. Throughout these set of pictures you can see the things that went in to me playing in my backyard as a kid, whether it was eating snacks, tying my cleats, or accidentally kicking the ball in my moms plants. My work focuses on the different aspects of one main idea. Although my main ideal through this project playing soccer, I also tried to show what needs to be done in order to play whether it be take a water break or put on bug spray etc.
#112 of 365 Daily Drawings
Inspiration: I was looking at pictures taken in Kyoto & reminded how heavy Heian Court robes were when I tried them on.
Result: Kimono doodle
Materials: Pentel 0.3 HB, Platinum Carbon Fountain Pen, Staedtler Karat Aquarell pencils in a Stillman & Birn Alpha series sketchbook ( 21.6 cm 27.9 cm / 8 1/2" x 11")
Location: Home
Note: Happily playing in the Stillman & Birn Alpha sketchbook, which, holds up wonderfully to light washes, as I explore how the Platinum carbon ink handles this paper & reacts with (under & over) other materials. All I could think of, besides loving this paper, is the need to invest in some superior Faber-Castell watercolour pencils...
Shoots durant le concert d'akb 48 a la Japan Expo.
rien de bien interessant si ce n'est de jolies filles et une tentative de montrer l'aspect "similaire" des chanteuses
Geocaching. A cache rated at 1.5 terrain one should not need to climb a tree to reach it. The clue says it is 'at head height'. Whose head, a blooming giant?
Thursday, 26th January 2017.
I'm on holidays for a week and I'm going to do lots of mountain activities. I borrowed a GoPro from a fiend and these days I will use it. This is the photo of my first activity, We're going to do a mountain route in less than 24h. This is the begining.
Seen on the fish counter at the New World supermarket in Thorndon.
For 365: The 2019 Edition weekly theme 9 - Food.
Tuesday, 26th February 2019
Like the most other models of my Project Ginger, I met Edvard at the metro station Christianshavn in Copenhagen. Somehow, this is the spot where all the gingers spawn. :D
It was very funny to photograph Edvard as he after a while explained that he was a photographer, too, and we exchanged websites and photography plans.
Check out his website: www.blikfanget.dk
20th February 2013
There are a few of the squares I have done for my Magic Carpet afghan. I'm about to put this project on hold for a while as I am going to make a beekeeper's quilt for my next grandchild who is due in September.
1. Tunisian Stripes, 2. Trinket Box 1, 3. Sequin Stripes, 4. Arabian Stripes, 5. Grid 1, 6. Aztec 3_1
Created with fd's Flickr Toys
...not from the camera. the roll came unraveled a bit - i like it...
Seattle Pike Place Market
Hasselblad 500c
Carl Zeiss Planar 80/2.8
Shanghai GP3/100
A small project consisting of setting up a shoot with random passersby and getting them to pull a face.
All participants where informed of the project and asked if they wanted to be a part. To see the rest of the project you can visit cambrils.tumblr.com/
Lighting is provided by a softbox umbrella camera right and a bare strobe for hair light.
Yesterday I went into the city with the goal to work on my socializing skills while talking to the people i photographed to maybe get better and more relaxed street portrait.
I could practice right away on Thorvald and his family, which I met in Christianshavn (Copenhagen). While Thorvald was a little skeptical in the beginning, his mum was on right from the beginning. Instead of excusing, snapping a photo and leaving again, I tried to be relaxed, talk an even propose to walk over to a spot with sunlight. So this is not the very first photo I took of Thorvald, but one of the last ones where I challenged him to do other faces than just smile and I could feel that I grew more confident by that.
It was a great experience, that I will definitively work further on as I really like the outcome.
Thought I'd give this Project 365 a go. During the last year, my incentive to go out and take photos has been near to non-existent. Perhaps this is the kick up the arse that I need?
What will I take photos of? Spiders in my bath, snails in the yard, crap parking at the supermarket... Sounds boring already - LOL!
This photo is not officially part of my 365, more a preview or statement of intent.
How long will I last? A week if I'm lucky... :-)
The PROJECT
Ein dokumentarisch-fiktiver Abend über Identität
In Anlehnung an «The DNA-Project» der Künstlerin Marina Belobrovaja
von und mit Enzo Scanzi TEATRO MATTO
Wohin und zu wem gehören wir? Menschen, die sich in der Gegenwart verunsichert fühlen, suchen nach Verankerung, zum Beispiel in ihrer Herkunft. Wissenschaftliche Beweise lösen soziale Zugehörigkeit ab und gleichzeitig wird kaum etwas so emotional diskutiert wie Identität und Herkunft. Die in Zürich lebende ukrainisch-isrealische Künstlerin Marina Belobrovaja hat 49 Juden und Jüdinnen aus der Schweiz, aus Deutschland, Russland, Israel und aus der Ukraine zum Jüdisch-Sein interviewt. Roter Faden ist die Reaktion der Interviewten auf das jeweils vorangehende Gespräch. So entsteht eine Art DNA-Kette.
Das dokumentarische Material beleuchtet die Sehnsucht nach Selbstverortung und konfrontiert uns mit der Frage: Wer und was sind wir?
Premiere Do 25. September 2014, 20 Uhr
weitere Spieldaten:
Fr 26. September 2014
Sa 27. September 2014
Di 30. September 2014
Mi 01. Oktober 2014
Do 02. Oktober 2014
Fr 03. Oktober 2014
Sa 04. Oktober 2014
je 20 Uhr
Tickets 30.- / ermässigt 20.-
Reservation marketing@kulturmarkt.ch oder 044 454 10 10
Abendkasse & Bar Eine Stunde vor Veranstaltungsbeginn
Regie Enzo Scanzi
Dramaturgie Ann-Marie Arioli
Schauspiel Nicole Tobler, Rebekka Burckhardt, Nikolai Bosshardt, Joey Zimmermann
Cello Tehila Machado
Kostüme / Requisiten Isabel Schumacher
Szenografie Mona Fischer
Gestaltung Flyer / Plakat Werner Holtmann
Lichtdesign Gioia Scanzi
Technik Kulturmarkt
Regie-Assistenz Tina Kümpel
Produktionsleitung Cristina Achermann
Eine Koproduktion mit Kulturmarkt Zürich und Theater im Burgbachkeller Zug
I think this is my fav. shot out of all of my violin photos.
More fun with my FD "close up" Vivitar 28mm Lens.
It's the closest thing to a macro lens I have.
Background is a black hoodie on the floor.
One of our Extreme Project brought us to India to see how our engineers took on the largest modernisation project ever to be carried out on a live network. This network was operated by Vodafone, serving over 10 million customers across some of the most densely populated cities in the world- Delhi, Kolkata, Punjab and Mumbai. The network was struggling with poor reception, maxed out capacity and no future roadmaps for 3G support. The mission was to swap over 10500 sites within 13 months across four different regions. Thanks to global presence and local knowledge, here's how we did it.
I decided I needed a sofa bed for the sewing room (it's the only room I have for guests). I looked at some online and saw two I liked on Harvey Norman's website. After work today I went to the shop to sit and lie on them to see if they were comfortable, It was clear that one was the clear winner. However, when I checked the price it was $500 more than I'd seen on the website. It turned out that it was not the one on the website. Similar, but not the same, Probably better, but more than I was looking to spend. Meanwhile I noticed this 'trundler bed'. A king single with another mattress underneath that can be raised to the same height. At $100 less than my second choice of sofa bed, more comfortable and with the option to sleep more than one, I think this is what I will have. I can cover it with a nice crocheted throw when not in use as a bed. I just need to measure the space to see if I can rearrange the room to make it fit.
Thursday, 12th December 2019.
Crews build the roof of the underground station structure at Arbutus Station. This photo shows this section of roof just before concrete was poured.
St Mary & St Chad's at Brewood (pronounced 'Brood') is very grand building in warm red sandstone with a soaring west steeple, though externally at least the nave appears largely Victorian, especially the eccentric outer south aisle with it's sequence of gables (echoing a lost medieval feature apparently); The chancel is clearly Early English, with lancets aplenty.
Within it is a large, cavernous space, the eye is drawn to the chancel with it's reredos and tombs, and the odd arrangement in the south aisles with their extra arcade. Here are two fonts, a simple post-Reformation one and a 'more correct' Victorian one which seems to have been demoted. Nearby is late medieval incised slab, sadly more worn, and a charming mid 17th century coloured wall monument to the Moreton family with miniature couples & children facing each other.
The real gem here however is the collection of Giffard tombs in the chancel, alabaster effigies galore, mid 16th century to early 17th, with a twosome and threesome on each side of the chancel respectively, and an extensive array of weepers (most of them appear to be shrouded babies on the earliest tomb, all surreally shown the same size as the few children who survived into adulthood).
This is a highly rewarding church, and happily, unlike many in this area, is kept open and welcoming to visitors.