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File name: 09_03_000044
Title: Twentieth Programme
Creator/Contributor: Boston Symphony Orchestra
Created/Published:
Date created: March 25, 1938
Physical description: music program
Summary: Peter and the Wolf’s United States premiere took place in Boston at Symphony Hall on March 25, 1938. Subtitled “An Orchestral Fairy Tale for C hildren,” the piece featured narrator Richard Hale, a film actor best known for his villainous roles. In the March 26 review of the performance in the Boston Globe, the music critic noted that the “music is sleek and ingenious, pointing up the story with unerring humor.”
Location: Boston Public Library, Music Department
Rights: Rights status not evaluated.
Programme of events for Wednesday, June 19, 1929, "Mohawk Day" including a re-enactment of the Mohawk landing , unveiling of a monument on the site of the first Mohawk church, speeches by Duncan Campbell Scott, Superintendent-General of Indian Affairs and Dr. [Charles] Seager, Bishop of Ontario, concerts, softball and lacrosse games, fireworks and street dancing.
Page 13 of the souvenir and programme for the 1929 Loyalist celebrations in Deseronto, Ontario.
Members of the community of Ndevana attending the World Aids Day Build-up Programme led by Deputy Minister of Telecommunications and Postal Services Stella Ndabeni-Abrahams at Empilisweni HIV/AIDS and Orphans Care Centre in Eastern Cape. (Photo: GCIS)
Todos los jueves desde junio y hasta mediados de julio nuestra terraza se convierte en un espacio en el que desarrollamos un programa de actividades en el que se mezclan lo corporal y lo sonoro con lo educativo y participativo.
Este año las encargadas de diseñar la programación han sido María Jerez y Magui Dávila.
“Cuerpos peludos, cuerpos sin cabeza, cuerpos plásticos. Cuerpos en tiras, atravesados por cables, mientras vocean imágenes. Cuerpos de plata bailando al son del algodón, poniendo objetos que giran entre un disco-pre y un disco-post. Cuerpos amorfos que dicen cosas que nadie quiere oir: “hello, I am una chancha”, y mientras otros giran sobre su plato saboreando un cóctel de Hawai. Arbustos parlantes y pelos largos que acarician la terraza al atardecer. Un hueso que no es, un cementerio para un perro. Entre esos árboles del camino, que no son árboles, llegamos a una película que ocurre de continuo y oscila entre un jueves, dos jueves, tres jueves… hasta siete jueves. Jueves con halo y presencia. Presencias que te encuentras al subir, antes de entrar, presencias que tratas de imaginarte en ese vagón junto a pelucas de Móstoles, de Madrid al servicio
de una manta
de una yegua
de un chorro
Cuerpos del mar del bar de tu mirada, cuerpos que interrumpen una conversación banal. Conversaciones banales entre cuerpos eruditos. Uno, otro… el de más allá dialogando con sustancias esparcidas por suelos reflectantes, pieles de colores que bailan éxitos musicales sin parar de resbalar. Leerán frases sueltas, huellas de mujeres perdidas, exorcismo antropofágico...“raro oficio gratuito, ir perdiendo el pelo y los dientes” dijo Bolaño; esos cuerpos extraños que todos poseemos. Fotografías de cuerpos estampados en carpetas de instituto. Cyborgs y bellezas, rarezas, destrezas, asperezas. Mitad Dolly Parton, mitad Walter Benjamin. Sombras con patas, como la única imagen que guardas de E.T. Texturas desnudas. Electrodos en off. Voces con piernas largas y lenguas madre. Una voz que surge como un vómito revelador. Cuerpos celestes vestidos con trajes de burbujas que explotan muy cerca de tu cuerpo. Tu cuerpo ahí, ningún extraño es también un cuerpo extraño. Y nuestras manos llenas de subtítulos. Fragmentos de tardes y noches lentas que simplemente no existirán, porque hay cosas que guardamos para el cuerpo, tu texto, tu hacer, tu baile, tu tiempo...un jueves, un picnic”.
En esta edición hemos contado con la presencia de:
CLÉDAT & PETITPIERRE / ANTONIO FERREIRA / INGA «LOLINA» COPELAND
BÁRBARA SÁNCHEZ Y JAIME CONDE-SALAZAR/ MÚSICA PREPOST/
AMAIA URRA / JUANA MOLINA
MÅRTEN SPÅNGBERG
ARANTXA MARTÍNEZ / CLAUDIA PAGÈS
MERCEDES AZPILICUETA / ANTO RODRÍGUEZ
IGNACIO DE ANTONIO / PABLO URIZAL / CHANCHA VÍA CIRCUITO / GNUČČI
Every Thursday from 1 June to 13 July, the roof terrace here at CA2M will be hosting a programme of activities based on an educational and participative mix of sound and body.
“Hairy bodies, headless bodies, plastic bodies. Bodies in strips, cut through by cables, while images speak out. Silver bodies dancing to the sound of cotton, putting on revolving objects between a pre-disc and a post-disc. Amorphous bodies that say things that nobody wants to hear: “Hello, I am a chancha”, and meanwhile, others revolve on a turntable sipping a Hawaiian cocktail. Talking bushes and long hairs that caress the terrace at nightfall. A bone that isn’t; a cemetery for a dog. Among the trees along the road, which are not trees, we arrive at a film that happens continuously and oscillates between one Thursday, two Thursdays, three Thursdays … up to seven Thursdays. Thursday with halo and presence. Presences that you meet when going up, before you go in, presences you try to imagine in this carriage with wigs from Móstoles, from Madrid at the service
of a blanket
of a mare
of a jet
Bodies of the sea of the bar of your gaze, bodies that interrupt a banal conversation. Banal conversation between erudite bodies. One, another … from the great beyond in dialogue with substances sprinkled on shiny floors, coloured skins dancing to hit songs while constantly slipping. They will read disconnected sentences, traces of lost women, anthropophagic exorcism … “strange free trade, losing one’s hair and teeth” said Bolaño; those strange bodies that we all have. Photos of bodies printed on school folders. Cyborgs and beauties, rarities, skills, roughnesses. Half Dolly Parton, half Walter Benjamin. Shadows with legs, like the only image you have of E.T. Naked textures. Off-screen electrodes. Voices with long legs and mother tongues. A voice that comes out like a revealing vomit. Celestial bodies dressed in bubble suits that explode close to your body. Your body there, no stranger is also a strange body. And our hands full of subtitles. Fragments of slow evenings and nights that simply will not exist, because there are things that we keep for the body, your text, your action, your dance, your time...a Thursday, a picnic”.
Curators: Magui Dávila and María Jerez
CLÉDAT & PETITPIERRE / ANTONIO FERREIRA / INGA «LOLINA» COPELAND
BÁRBARA SÁNCHEZ Y JAIME CONDE-SALAZAR/ MÚSICA PREPOST/
AMAIA URRA / JUANA MOLINA
MÅRTEN SPÅNGBERG
ARANTXA MARTÍNEZ / CLAUDIA PAGÈS
MERCEDES AZPILICUETA / ANTO RODRÍGUEZ
IGNACIO DE ANTONIO / PABLO URIZAL / CHANCHA VÍA CIRCUITO / GNUČČI
Fotografía: Patricia Nieto
Enlaces: WEB CA2M | FACEBOOK CA2M | YOUTUBE CA2M | TWITTER CA2M
A family day - learning and entertainment for the kids and input for parents. After the Very Hungry Caterpillar interactive show, the parents had a discussion and the kids went to a classroom for singing about colours.
Programme kindly provided by Mrs. Alex Garden of St Catherine's Book Shop, Ashton, courtesy of Heather Crook.
Maitland Gilbert & Sullivan Musical Society
April 1977
Souvenir Programme
Programme courtesy of Mrs R. Sharkey
Pages 5 and 6
“Brigadoon” a musical tale of love and mystery in a Scottish Village was first performed in 1947. This musical featured the song “Almost Like Being in Love” and was performed in Maitland over four nights in April 1977 by the Maitland Gilbert and Sullivan Musical Society.
This image may be used for study and personal research purposes. Please observe copyright where applicable and acknowledge source of all images.
If you wish to reproduce this image for any other purpose you can contact us at Maitland City Library.
If you have any further information about the image, you are welcome to contact us or leave a comment in the box below.
Page from the programme for musical play "Rio Rita", performed by Keighley Amateur Operatic & Dramatic Society at the Hippodrome theatre in Keighley between 20th and 25th October 1947. The music was by Harry Tierney, with words by Joseph McCarthy, from the book by Guy Bolton and Fred Thompson. The original 1927 stage musical was turned into a RKO film in 1929, directed by Luther Reed.
The story is set on the US/Mexico border, where cabaret singer Rita Ferguson falls for Texas Ranger Captain Jim Stewart, while pursued by Mexican General Esteban. Meanwhile, Captain Stewart is seeking the notorious bandit Kinkajou, whose real identity is unknown (but could be Rita's brother Roberto!). The climax is reached onboard the pirate barge owned by Esteban, which serves as a floating cabaret...
The Keighley production starred Hylda Saville Smith as Rio Rita, Arthur Day as Captain Jim Stewart, Eric B. Boster as General Esteban, and Fred W. Pye as Roberto. Supporting roles were played by Albert E. Shepherd, Arthur Shackleton, Ernest Marsden, Dorothy M. Williams, Betty Phillips, Keith Marsden, John H. Crabtree, Pamela Fitzjohn, Victor J. Wood, Frank Hopkinson, Margaret Best and Marjorie Riley. It was produced by T. C. Wray.
The 48-page programme measures approximately 183 mm by 248 mm. It contains details of the production, with cast photographs taken by John Tobin of Keighley, and many adverts for local businesses. It was printed by The Keighley Printers Ltd. of High Street.
This page features an advert for Keighley & Craven Building Society on Cooke Street.
The item was donated to Keighley and District Local History Society by Tim Neal in 2022. The History Society also holds a second copy of the programme in its collection, given by an anonymous donor later in 2022. The second copy has been signed throughout by members of the cast.
Programme kindly provided by Mrs. Alex Garden of St Catherine's Book Shop, Ashton, courtesy of Heather Crook.
Programme kindly provided by Mrs. Alex Garden of St Catherine's Book Shop, Ashton, courtesy of Heather Crook.
Contents inside the vitrine dedicated to the project "DOMINION", 2005.
Performance in three acts (“Circle of Fashion”, “Circle of the Market” and “Circle of Art”), lasting approximately two hours each, carried out in three locations in the city of Terrassa, Barcelona (the former AEG motor factory, the headquarters of the CECOT trade association and the Sagrerahouse-museum). By invitation only.
DOMINION was a trilogy of performances that took place in the city of Terrassa. It drew from Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom (1975), a film whose depiction of sexual and physical torture has made it one of the most contentious works of 20th-century cinema. Pasolini based his film on a notoriously
explicit novel by the Marquis de Sade ("The 120 Days of Sodom", 1785) and on Dante Alighieri’s 14th-century poem "The Divine Comedy", in which the protagonist journeys through Hell, Purgatory, and Paradise. "DOMINION" centred on hostile, sexualised encounters and staged acts of cruelty as metaphors for the uses and abuses of power, commodification and consumerism, and the objectification of the human body.
Furthermore, each part of "DOMINION" responded to the history and function of one of three venues. The “Circle of Fashion” took place in the former AEG motor factory and adopted the format of a ready-to-wear fashion collection and runway show, with 29 performer-models presenting fetishistic clothing and accessories.
For example, outfit no. 21 comprised a gag bit with a heavy resin skull, rope bindings that secured the model’s hands behind the back, tight-fitting briefs and customised Nike trainers. The “Circle of the Market” took place at the headquarters of CECOT, a federation of business and trade associations. A series of scenes
reimagined all of the submissive positions which the captives in Pasolini’s film are made to assume. The first scene comprised a composition of two bodies, while the final figure incorporated a circle of 12 individuals. The “Circle of Art” took place in the 18th-century Casa Alegre de Sagrera, the house of the Sagrera family,
industrialists in the textile sector, and now run as a house-museum. The audience, in small groups, was permitted to witness a series of masque-like dramatic pieces, readings and tableaux vivants. Each “circle” concluded brusquely, with the audience being driven out by excessively loud industrial music by the Belgian band Vomito Negro and shouts of “Get out!”.
Text by Latitudes.
—
Exhibition by Joan Morey "COLLAPSE. Desiring machine, working machine", Centre d’Art Contemporani de Barcelona - Fabra i Coats, 20 September 2018–13 January 2019. Photo: Latitudes.
Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.
COLLAPSE encompasses three parts. The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.
The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.
Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019 at an especially resonant – yet, for the moment, deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.
COLLAPSE is curated by Latitudes.
—> info: www.lttds.org/projects/morey/
Official closing event of the UN-NYG Mentoring Programme, held at the Agency headquarters in Vienna, Austria. 8 March 2019
Speech by Mentors and Mentees
Ms Patricia Gody-Kain - Mentor
Mr Christophe Xerri - Mentor
Ms Johanna Slaets - Mentee
Mr Joseph Hiess - Mentee
Ms Melissa Buerbaumer - Mentor
Photo Credit: Dean Calma / IAEA
UN NYG OFFICERS:
Chirayu Batra - President
Denis Subbotnitskiy - Vice President
Kirsten Virginia Glenn - Communications and Liaison Officer
Marianne Nari Fisher – Treasurer
Babatunde Adigun – Programme Manager
Amelia Lee Zhi Yi - Mentoring Coordinator
Rong Liu - Intern Coordinator
The UN-NYG Mentoring Programme is a project initiated by the UN-NYG and led by Ms Amelia Lee Zhi Yi, the UN-NYG Mentoring Coordinator. The programme is implemented with support from the IAEA Office of the Deputy Director General, Ms Mary Alice Hayward, Head of the Department of Management.
The key vision of the mentoring programme is to act as a platform for IAEA staff to strengthen their professional skills at the workplace and improve networking capacity through the cultivation of cross departmental and generational relationships.
The goals of the Mentoring Programme are to:
1. Strengthen staff resources through mutual learning experiences for mentors and mentees, to nurture high performance leaders with the capacity to “give back” at the workplace
2.Develop self-sustaining professional relationships between mentors and mentees that narrow the gap between different departments and age groups at the IAEA
Launch of the IAEA Marie Sklodowska-Curie Fellowship Programme held at the Agency headquarters in Vienna, Austria. 9 March 2020
Photo Credit: Dean Calma / IAEA
Moderator:
Sophie Boutaud de la Combe, Moderator and IAEA Director, Office of Public Information and Communication, Director General’s Office for Coordination
PANELISTS:
Ms Karen Hallberg, Principle Researcher, Bariloche Atomic Centre, National Atomic Energy Commission and Professor, Physics, Balseiro, Institute, Argentina
HE Mr Xavier Sticker, Resident Representative of France to the IAEA
HE Ms Dominika Anna Krois, Resident Representative of Poland to the IAEA
Official closing event of the UN-NYG Mentoring Programme, held at the Agency headquarters in Vienna, Austria. 8 March 2019
Speech by Mentors and Mentees
Ms Patricia Gody-Kain - Mentor
Mr Christophe Xerri - Mentor
Ms Johanna Slaets - Mentee
Mr Joseph Hiess - Mentee
Ms Melissa Buerbaumer - Mentor
Photo Credit: Dean Calma / IAEA
UN NYG OFFICERS:
Chirayu Batra - President
Denis Subbotnitskiy - Vice President
Kirsten Virginia Glenn - Communications and Liaison Officer
Marianne Nari Fisher – Treasurer
Babatunde Adigun – Programme Manager
Amelia Lee Zhi Yi - Mentoring Coordinator
Rong Liu - Intern Coordinator
The UN-NYG Mentoring Programme is a project initiated by the UN-NYG and led by Ms Amelia Lee Zhi Yi, the UN-NYG Mentoring Coordinator. The programme is implemented with support from the IAEA Office of the Deputy Director General, Ms Mary Alice Hayward, Head of the Department of Management.
The key vision of the mentoring programme is to act as a platform for IAEA staff to strengthen their professional skills at the workplace and improve networking capacity through the cultivation of cross departmental and generational relationships.
The goals of the Mentoring Programme are to:
1. Strengthen staff resources through mutual learning experiences for mentors and mentees, to nurture high performance leaders with the capacity to “give back” at the workplace
2.Develop self-sustaining professional relationships between mentors and mentees that narrow the gap between different departments and age groups at the IAEA
Preparing young Queenslanders for life in the 1990s, we saw personal computers make their way into schools during the 80s with a strong focus on health, regional education and the arts by Queensland Education.
The photographic unit at the Premier’s Department, Office of State Affairs, captured a snapshot of various events, programmes and initiatives for school children throughout Queensland. This collection contains several arts, music and drama as well as students participating in computer usage.
In the early 1980s, several different computer manufacturers were vying for a foothold in the education market, Apple, Tandy, Atari, Sinclair, Amstrad, Microbee and many others. By 1985 Apple Macintosh was considered a standard system (alongside several others) for all states except Western Australia which adopted the BBC Model B and Microbee computer systems as a standard.
These photos are part are the photographic records held at Queensland State Archives, www.archivessearch.qld.gov.au/series/S189
1985
The discussion paper, Education 2000: Issues and options for the future of Education in Queensland was released.
The use of technology to enhance distance education, work in schools and educational administration was supported.
Approval was given for schools to alter the placement of the three pupil free days.
The Department of Education developed a policy on the education of gifted children.
The Special Education Resource Centres were formed as state-wide services, as part of the Division of Special Education.
Early special education officially commenced.
1986
The age of first attendance at primary school increased. Children had to turn five years by 31 January to be eligible for enrolment in Year 1.
There was an expansion of the curriculum in secondary schools and TAFE colleges evident in the further development of co-operative secondary-TAFE programs.
The Advisory Committee which reviewed submissions made in response to Education 2000 reported to the Minister.
The distance education trial began through the Mt Isa School of the Air.
A Preschool to Year 10 (P–10) Syllabus Framework was developed.
Endeavour Foundation schools transferred to Department of Education.
Policy Statement 15 Integration: Mainstreaming of Students with Special Needs introduced.
1987
Children had to turn 5 years by 31 December to be eligible for enrolment in Year 1 in the following year.
The Department of Education launched a series of documents entitled Meeting the Challenge which highlighted a corporate style of management.
The Department reshaped its central administration by strengthening the role of the Policy Committee, appointing a Chief Inspector and adopting comprehensive strategic planning processes.
In regions, initiatives were built on the commitment to decentralisation, while further devolution of responsibility occurred in the operational management of educational programs.
Two new education regions were formed (South Coast and Sunshine Coast regional offices).
The P–10 Curriculum Framework was developed and curriculum documents revised.
The Roma Middle School opened and catered for students in Years 4–10.
A post-compulsory college, the Alexandra Hills Senior College opened.
Two new centres of distance education opened at Longreach and Charters Towers.
1988
The Inspectorate was regionalised.
There was continued development of an integrated P–10 curriculum.
The senior secondary curriculum was broadened to cater for all learners.
Cooperative programs between secondary schools and TAFE colleges were conducted.
The use of computers and information technology in schools was given a high priority.
The Special Education Resource and Development Centres were formed as a consequence of the reorganisation of the Division of Special Education.
Individual education plans for students with disabilities were introduced as part of the new policy Policy Statement 16: Policy and Practice for Special Education Services.
The report National Overview of Educational Services for Isolated Severely Handicapped Children resulted from a Project of National Significance undertaken as a joint project of the Commonwealth Department of Employment Education and Training and the Department of Education Division of Special Services.
The Queensland School for the Deaf closes, as a consequence of decentralisation of services to students with hearing impairments during the 1980's. Programs for students with vision impairment were also decentralised during this period.
1989
A new Education Act 1989 was enacted.
The Department of Education's first strategic plan was adopted.
Decisions about school budgets were devolved to the school level.
There was an amalgamation of correspondence schools which became the School of Distance Education — Brisbane Centre P–12.
The first high school built to a new design opened at Bribie Island.
New prototype buildings for preschool, primary and special education units were assessed.
1989–1990
A comprehensive internal review of the Department of Education commenced through the consultation process, Education Have Your Say.
Professor Nancy Viviani reviewed Tertiary Entrance and produced the report, A Review of Tertiary Entrance in Queensland.
The Offices of Higher Education and Non-State Schooling were established.
The Department developed The Corporate Vision for Senior Schooling in Queensland to accommodate the diverse needs of students in Years 11 and 12.
The first entire primary school based on the new building model opened to students.
1990–1991
The report, Focus on Schools was released. A major restructure of the Department of Education followed.
The Public Sector Management Commission (PSMC) reviewed the Department of Education including its role, operations, responsibilities and management.
Greater responsibilities were devolved to 11 regions for resource, financial administration and human resource management.
A new English Language Arts Syllabus was introduced.
Priority was given to expanding languages other than English (LOTE).
The Viviani Report recommended the establishment of the Tertiary Entrance Procedures Authority (TEPA).
Consultants were engaged to assist in the development of an Equal Employment Opportunity (EEO) management plan.
The Equity Directorate (Workforce and Studies) was established. A social justice strategy was developed.
The PSMC developed guidelines for recruitment and selection based on merit and equity principles.
The inspectorate ended.
The report Focus on Schools recommended that a strategy for managing the integration policy in Queensland schools be developed as a matter of urgency, and that a state-wide support centre for students with low incidence disabilities be established. A restructure of the Department of Education followed.
Occupational therapists and physiotherapists were employed by the Department of Education to work in schools with students with disabilities. (These services were transferred from the Department of Families).
Policy Statement — Management of Support Teaching: Learning Difficulties (P–7) was introduced.
education.qld.gov.au/about-us/history/chronology-of-educa...
Official closing event of the UN-NYG Mentoring Programme, held at the Agency headquarters in Vienna, Austria. 8 March 2019
Speech by Mentors and Mentees
Ms Patricia Gody-Kain - Mentor
Mr Christophe Xerri - Mentor
Ms Johanna Slaets - Mentee
Mr Joseph Hiess - Mentee
Ms Melissa Buerbaumer - Mentor
Photo Credit: Dean Calma / IAEA
UN NYG OFFICERS:
Chirayu Batra - President
Denis Subbotnitskiy - Vice President
Kirsten Virginia Glenn - Communications and Liaison Officer
Marianne Nari Fisher – Treasurer
Babatunde Adigun – Programme Manager
Amelia Lee Zhi Yi - Mentoring Coordinator
Rong Liu - Intern Coordinator
The UN-NYG Mentoring Programme is a project initiated by the UN-NYG and led by Ms Amelia Lee Zhi Yi, the UN-NYG Mentoring Coordinator. The programme is implemented with support from the IAEA Office of the Deputy Director General, Ms Mary Alice Hayward, Head of the Department of Management.
The key vision of the mentoring programme is to act as a platform for IAEA staff to strengthen their professional skills at the workplace and improve networking capacity through the cultivation of cross departmental and generational relationships.
The goals of the Mentoring Programme are to:
1. Strengthen staff resources through mutual learning experiences for mentors and mentees, to nurture high performance leaders with the capacity to “give back” at the workplace
2.Develop self-sustaining professional relationships between mentors and mentees that narrow the gap between different departments and age groups at the IAEA
My intention this visit was to photograph churches as possible but to heavy rain I was unable to complete the programme.
On entering Saint Malachy's I noticed that two teachers where there with their classed preparing for first communion. As I did not wish to disturb them I decided to leave and return later. On leaving the church a priest followed me out and asked me if I was there to take photographs. I said that as I had wished to avoid the first communion rehearsal I had decided to leave and come back later in the day and he said “don’t be silly, come back in and take all the photographs that you need”.
Saint Malachy's Church is a Catholic Church in Belfast, Northern Ireland. It is located in Alfred Street, a short distance from Belfast City Hall. The Church is the focal point of the local parish community and Saint Malachy's Parish is one of the 88 parishes in the Diocese of Down and Connor. After Saint Mary's Church in Chapel Lane and Saint Patrick's Church in Donegall Street, Saint Malachy's is the 3rd oldest Catholic Church in the city of Belfast.
The area of the city around Saint Malachy's has been dramatically developed in the last number of years. That, and its age, have led to the deterioration in the condition of the brickwork which has meant that a full scale Restoration Programme began in January 2008 and was completed in 2009 at a cost of £3,500,000. The interior of the Church has also been restored. The ornate stencilling around the Sanctuary, painted over in the 1950s, was restored as were the Altar Rails and the intricate mosaic floor. The Solemn Re-Opening and Dedication of the Altar was celebrated on March 29, 2009 by the Bishop of Down and Connor Dr Noel Treanor in the presence of the Bishop Emeritus Dr Patrick Walsh.
Village Champaguga, Dumriguda Block, Dist. Vishakhapatnam, Andhra Pradesh, INDIA..Killo Padma, left, with her one year old daughter Rajashri Killo along with other mothers sit outside Killo Rukmini, a Angawadi worker's house. Killo Rukmini has been spearheading the meal programme in her village against all odds. With a total population of 76 households comprising 356 people (175 females), the village is one of the several remote areas that are heard to reach due to non-existent roads. The One Full Meal is a state government programme that aims at improving the nutrient intake of pregnant women and breastfeeding mothers and reducing the prevalence and severity of maternal anemia. The programme reaches over 350,000 pregnant women and breastfeeding mothers across some 26,000 anganwadi centres (about 30 per cent of ICDS projects in state) located in villages where malnutrition rates are high. Some 7,600 (29 per cent) of these anganwadi centres are located in hard to reach Adivasi villages. UNICEF aids this ICDS programme with training officials, development and capacity building in aganwadis.One Full Meal entitles pregnant women and breastfeeding mothers to receive a free nutritious meal every day between 11 am and 2 pm at the village anganwadi centre 25 days per month. The hot-cooked meal - prepared daily by the anganwadi helper - contains 125 grams of cereal, 30 grams of pulses, 50 grams of green leafy vegetables, 50 grams of egg and 200 ml of milk, and provides 1052 kilocalories, 33 grams of protein, and about 500 mg of calcium (i.e. about 40 per cent of the daily requirement of these nutrients). After the meal, the women who participate in the programme receive on-the-spot iron and folic acid supplements for the control of iron deficiency and anemia, are counseled by the anganwadi worker on how to improve their dietary intake and nutrition, and are encouraged to use the services provided at the monthly Village Health and Nutrition Day.The anganwadi worker keeps a record of the women who are enrolled in the programme, the services they receive, the weight they gain during pregnancy and the weight of their children at birth. UNICEF India/2014/Dhiraj Singh........
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Front cover from the theatre programme for a production of "Annie Get Your Gun" at the Hippodrome Theatre, Keighley, staged by Keighley Amateur Operatic and Dramatic Society in October 1952.
Keighley Amateur Operatic and Dramatic Society's production of "Annie Get Your Gun" played at the Hippodrome Theatre in Keighley for six nights (and a Saturday matinee) from Monday 13th October 1952. The musical had lyrics and music by Irving Berlin, on the book by Herbert and Dorothy Fields. The audience were probably familiar with the musical as the MGM film version had only come out in the UK almost exactly two years earlier. The KAODS production was produced and directed by Douglas T. Bailey, with musical director R. Lewis Scargill.
The story is loosely based on the life of real-life sharpshooter Annie Oakley. Annie (played by Marian Walker) and her brother Jake (Dennis Crocker) meet up with 'Buffalo Bill' (Frederic W. Pye) and his Wild West Show when it visits Cincinnati. Annie's sharpshooting skills attract Bill's attention and he signs her up for the show. Annie falls in love with fellow performer Frank Butler (Edwin Smith), whose position in the show she is inadvertently usurping, leading Frank to leave the show. Indian Chief Sitting Bull (Leonard M. Stockdale) finances the show on a European tour (which, in the real world, included Keighley in its itinerary!) which is a financial disaster. Ultimately Buffalo Bill's Wild West Show combines with the show of Pawnee Bill (John H. Crabtree), which has recruited Frank. Annie and Frank settle their professional rivalry and reunite.
The show also starred Alan Shuttleworth, Frank Hopkinson, Norman Raistrick, Geoffrey Rundle, Marjorie J. Riley, Elsie Greenwell, Keith Marsden, Jean Sellars, Jesse G. Hamshaw, Anne Irving, Mary Wade, F. Bottomley, J. Street, L. Waite, J. D. Lee, A. Ridding, Janet Ogden, Eric S. Butterfield, Arthur Hague, N. Moulding, J. Derek Lee and Gwenda Binns. The dancing mistress was Irene Ogden.
The 40-page programme was printed by The Keighley Printers Ltd. of High Street, Keighley. It measures approximately 188 mm by 246 mm. The programme was part of an anonymous donation given in 2022.
after yesterdays lesson
www.flickr.com/photos/horsesqueezing/5768380045/in/photos...
Mr peabody has turned his attention to the boys fitnesse, touching their toes seemed very difficult.
59 - Ted Ogden
61 - Les Archer
62 - Brian Stonebridge
64 - Bob Ray
66 - Jack Stocker
68 - Phil Nex
So sixty nine riders in a mass start for just the one ten lap race. Course length is given as 3 miles, and the event was won by Brian Stonebridge in a time of 1 hr 19 min 21 2/5 sec. So - an average speed of 22.68 mph. No wonder there was an argument about 'proper' mud and rocks [ - course plan shows a quarry ] scrambles in the north, and 'path racing' in the south.
Other awards -
Fastest Lancashire or Yorkshire rider [ The 'Ashes' Casket ] - Geoff Broadbent
500cc - Les Archer
350cc - David Tye
250cc - Bill Barugh
Manufacturer's Team - BSA [ Fred Rist, David Tye and John Avery ]
Club Team - South Reading MCC [ Jack Stocker, Geoff Ward and Les Archer ]
Maitland Repertory Society Production
Maitland Town Hall
June 2nd and 3rd 1959
Souvenir Programme
Programme courtesy of Mrs R. Sharkey
Formed in 1947 the Repertory Theatre has being entertaining the people of Maitland for over 70 years. Their first production was a farcical play called “Tons of Money” presented at the Town Hall, with the continued production of plays ever since. The Repertory Theatre used the Methodist Hall for performances in 1950 followed by St Paul's Hall until finally taking ownership of the Congregational Church on High Street in 1964. After years of using a variety of locations in which to hold meetings, such as the loft of a large hay shed and a three-room hut purchased from the Greta Army Camp, the purchase of the old church finally provided a permanent location for productions and meetings.
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Regional conference to mark the 10th anniversary of the South Programme, a joint initiative between the European Union and the Council of Europe.
by jwcurry.
Ottawa, [A Onion Printshop for] Ottawa International Writers Festival, for 1 may 2o11. [1o3 copies].
8 pp/6 printed, photocopy. 5-1/2 x 8-1/2, stapled wrappers.
programme for the reading by curry with Alastair Larwill, Christine McNair, Sandra Ridley & Grant Wilkins at the Mayfair Theatre as part of the Ottawa International Writers Festival. cover text by Steve McCaffery.
2.oo
The kindergarten presented a programme of singing and dancing for their end-of semester graduation celebration. Once again introduced by the inimitable Grace and her blue-suited off-sider, these kids performed an epic hip-hop battle terminated abruptly by a gangsta with a gun - who was in turn brought to a sad end by a pair of free-floating super-heroes!
Programme from the Damned's two "10th Birthday Tea Parties" in Finsbury Park, London, July 1986. Pretty badly organised and laid out, but fun to be at. Highlight was when Sensible was invited on as a guest on the second night, and foul-mouthed chaos once again reigned supreme!
Official closing event of the UN-NYG Mentoring Programme, held at the Agency headquarters in Vienna, Austria. 8 March 2019
Speech by Mentors and Mentees
Ms Patricia Gody-Kain - Mentor
Mr Christophe Xerri - Mentor
Ms Johanna Slaets - Mentee
Mr Joseph Hiess - Mentee
Ms Melissa Buerbaumer - Mentor
Photo Credit: Dean Calma / IAEA
UN NYG OFFICERS:
Chirayu Batra - President
Denis Subbotnitskiy - Vice President
Kirsten Virginia Glenn - Communications and Liaison Officer
Marianne Nari Fisher – Treasurer
Babatunde Adigun – Programme Manager
Amelia Lee Zhi Yi - Mentoring Coordinator
Rong Liu - Intern Coordinator
The UN-NYG Mentoring Programme is a project initiated by the UN-NYG and led by Ms Amelia Lee Zhi Yi, the UN-NYG Mentoring Coordinator. The programme is implemented with support from the IAEA Office of the Deputy Director General, Ms Mary Alice Hayward, Head of the Department of Management.
The key vision of the mentoring programme is to act as a platform for IAEA staff to strengthen their professional skills at the workplace and improve networking capacity through the cultivation of cross departmental and generational relationships.
The goals of the Mentoring Programme are to:
1. Strengthen staff resources through mutual learning experiences for mentors and mentees, to nurture high performance leaders with the capacity to “give back” at the workplace
2.Develop self-sustaining professional relationships between mentors and mentees that narrow the gap between different departments and age groups at the IAEA