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The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Orientation Programme 2018 Welcome Session to New Exchange Students at ISCTE-IUL took place at Grand Auditorium on september 10th 2018. Fotografia de Hugo Alexandre Cruz.
The Civil Society Programme took place on Wednesday 11 May and Thursday 12 May and provided an opportunity for dialogue between civil society and EBRD staff, senior management, the President and Board Directors. It was an occasion for civil society stakeholders to learn more about the Bank and discuss issues of interest and concern regarding the EBRD’s policies and investment projects.
The Programme also featured multi-stakeholder roundtable sessions on key strategic themes related to the role of civil society as an important actor in transition and development processes. Special features of the Civil Society Programme 2016 were discussions on:
•25 years of Transition - The Role of Civil Society in Central and Eastern Europe and Central Asia
•Engaging civil society to promote transparent procurement
•EBRD’s Strategy for the Promotion of Gender Equality (2016-2020): the role of civil society
•Inclusion through skills and innovatiom
In addition, a panel organised by the youth organisation AIESEC looked at the role of youth in shaping the 2030 Agenda for Sustainable Development.
25 years of Transition: The Role of Civil Society in Central and Eastern Europe and Central Asia
A fire-side chat with Sergei Guriev, Professor of Economics, Sciences Po (incoming EBRD Chief Economist)
Civil society, operating in the space between public and private sectors, has played an important role in socio-political and economic transition processes around the world, including the EBRD’s traditional countries of operations. In 25 years since the establishment of the EBRD, civil society’s contribution to transition has varied across the post-communist transition region. In some countries, the work of civil society organisations (CSOs) has contributed to more democratic political systems and more open market based economies as a ‘reputational actor’ performing a ‘watchdog’ function and as a generator of ‘social capital’ necessary to sustain the change process through the difficult early years. In other countries, the focus of CSOs has been on providing a variety of social services particularly to disadvantaged and vulnerable people negatively affected by the transition process. Many civil society actors have been operating in restrictive regulatory environments, and have relied heavily on international donor funding.
What has been civil society’s input into promoting good governance, sustainable development and economic inclusion in EBRD’s traditional region over the past few decades? What are the key lessons learned, from both its successes and failures that can be applied to other countries embarking on a transition process? What steps could be taken to increase the role of civil society in promoting positive changes in societies and economies?
The discussion looked back at the key achievements and setbacks of the civil society sector in contributing to transition since the Bank’s establishment. It also reflected upon the challenges ahead for civil society in building well-governed, sustainable and inclusive economies and societies.
Aston Villa versus Blackburn Rovers Sat (1-0 Baros 11) 27th August 2005.
Pie and programme, Villa Park North Stand T5 Row C seats 137-8
Before launching Fail Forward, Ashley worked in Cairo with the United Nations Environment Programme and as a management consultant in Vancouver, Canada. In both lines of work, Ashley saw a fear of failure inhibit innovation, adaptation, and general growth. In response, she launched both AdmittingFailure.com and the consulting firm, Fail Forward, to spark a shift in how civil society perceives and talks about failure, and to help organizations learn, innovate and build resilience. Since early 2011 Ashley has worked with organizations – from grantmakers and nonprofits to government and private sector companies – to use failure as a learning tool and culture driver to support and foster innovation. She is well known for building the Organizational Learning Team at Engineers Without Borders Canada, and continuing to lead the development of their annual Failure Report.
Her work on failure has received coverage in a wide range of media and news outlets, including the Stanford Social Innovation Review, The Guardian, Harvard University’s Hauser Center for NonProfit Organizations, TED talks, BBC World, The New York Times, The Wall Street Journal, The Globe and Mail and, most recently in interview with Arlene Dickinson on CBC. Ashley was also the 2013 recipient of the prestigious Harvard Business Review and McKinsey Innovating Innovation Award.
Fail Forward is a mission-driven consulting organization founded by award-winning innovator Ashley Good, that aims to foster a culture of intelligent failure on both the individual and organizational level. By creating a safe space to openly discuss failure, and offering clients a set of tools and practices to deal with failure intelligently, Fail Forward helps organizations to turn failure into a catalyst for adaptation, innovation, and resilience. Founded in 2011, Fail Forward works with a variety of business and non-profit organizations, including Engineers Without Borders Canada and The International Fund for Agricultural Development (IFAD), a specialized agency of the United Nations. Ashley Good is a sought-after speaker who has traveled throughout Europe, Scandinavia and North America to share her ideas and practices on intelligent failure.
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Photos by Luana Suciu (luanasuciu.com)
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Laura Stewart, Kelly McShane, Michelle Abbey and Jennifer Kane from Ernst & Young, with Seamus McConomy from the University of Ulster and Gavan O'Brien from gradireland.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
EduTour Programme for Utsunomiya University 2019
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Programme for Chelsea v West Ham United 29/03/86 cover fetures Doug Rougvie, Colin Pates and Graeme Sharp (Everton). Match ended 4-0 to West Ham.
Programmes, programmes, get your match day programmes here. LFC programme seller with the roof of the Spion Kop behind.
Liverpool v Arsenal - Premiership - Anfield - 21/04/2009.
Page from the programme for musical play "Rio Rita", performed by Keighley Amateur Operatic & Dramatic Society at the Hippodrome theatre in Keighley between 20th and 25th October 1947. The music was by Harry Tierney, with words by Joseph McCarthy, from the book by Guy Bolton and Fred Thompson. The original 1927 stage musical was turned into a RKO film in 1929, directed by Luther Reed.
The story is set on the US/Mexico border, where cabaret singer Rita Ferguson falls for Texas Ranger Captain Jim Stewart, while pursued by Mexican General Esteban. Meanwhile, Captain Stewart is seeking the notorious bandit Kinkajou, whose real identity is unknown (but could be Rita's brother Roberto!). The climax is reached onboard the pirate barge owned by Esteban, which serves as a floating cabaret...
The Keighley production starred Hylda Saville Smith as Rio Rita, Arthur Day as Captain Jim Stewart, Eric B. Boster as General Esteban, and Fred W. Pye as Roberto. Supporting roles were played by Albert E. Shepherd, Arthur Shackleton, Ernest Marsden, Dorothy M. Williams, Betty Phillips, Keith Marsden, John H. Crabtree, Pamela Fitzjohn, Victor J. Wood, Frank Hopkinson, Margaret Best and Marjorie Riley. It was produced by T. C. Wray.
The 48-page programme measures approximately 183 mm by 248 mm. It contains details of the production, with cast photographs taken by John Tobin of Keighley, and many adverts for local businesses. It was printed by The Keighley Printers Ltd. of High Street.
This page features an advert for the Keighley News newspaper - "Read in more than 25,600 homes" and "contains full, accurate and impartial reports of all that is going on in Keighley and the surrounding districts".
The item was donated to Keighley and District Local History Society by Tim Neal in 2022. The History Society also holds a second copy of the programme in its collection, given by an anonymous donor later in 2022.
The Trade Facilitation Programme (TFP) currently includes over 113 Issuing Banks in 26 countries in the EBRD region and more than 800 Confirming Banks worldwide. The event offered the opportunity to review and discuss industry challenges with leading specialists, including regulators and lawyers. It also featured the award ceremony for The Most Active EBRD TFP banks and Best Transactions of 2014.
2 - Hugh Viney
3 - Terry Cheshire
7 - Bill Barugh
9 - Roger Maughling
10 - Vic Eastwood [ Senior ]
12 - Bob Manns
24 - Geoff Broadbent
31 - Brian Martin
35 - David Tye
38 - Frank Bentham
39 - Reg Pilling
42 - Geoff Ward
50 - John Avery
Sluishuis housing Amsterdam
At the place where urban, rural areas and water meet in Amsterdam IJburg, Sluishuis has been realised: the iconic housing project designed by Bjarke Ingels Group (BIG) and Barcode Architects. Sluishuis forms a welcoming entrance to Amsterdam IJburg. The volume is elevated on one side to allow the water into the courtyard and stepped down on the other side to make an inviting gesture towards IJburg with friendly green terraces. From every angle, you experience the Sluishuis volume differently. Whether you are standing on the dyke, motorway or bridge, walking across the jetties or public route over the roof, or even viewing the building from the air: Sluishuis knows how to surprise you from all sides. The residential programme consists of 442 apartments. Rental and owner-occupied homes alternate throughout the building and provide space for various target groups, income levels and age categories. All apartments are accessible via the central courtyard. There, the cantilever and the water welcome you to the building. Each home has optimal views and daylight thanks to the special shape of Sluishuis with its double-cut volume.
Sluishuis has a rich diversity of housing typologies, such as compact urban studios and water sports apartments. On the top two floors are duplex penthouses with both a relationship with the courtyard and a view over the IJmeer. Premium flats with luxurious and sunny wooden roof terraces with views over IJburg are located on the stepped part. Extra special are the apartments at the bottom of the cantilever, with stunning views over the IJ and directly on the water. What makes these apartments so unique is that they hang over the water and in the part of the floor that runs along with the sloping façade, there is a large window through which you can see the boats sail right underneath you. The plinth will accommodate a varied programme including a sailing school, water sports centre and restaurant with a spacious terrace in the sun. Residents and visitors enter through the courtyard. The walkway to the roof of Sluishuis offers visitors and residents a spectacular view of the water and the neighbourhood. There is also a jetty promenade with 34 houseboats around the building. The jetty landscape stimulates contact with the water with various mooring places, sitting decks, and floating gardens. The carefully designed landscape also stimulates flora and fauna with local plant species and a bird island. In this way, the plinth and the surrounding landscape form a high-quality addition to the environment.
In its materiality, the building seeks contrast but also a connection with its surroundings. In the material palette, natural materials have been chosen so that the building will have a rich and natural appearance over the years. The abstract, untreated aluminium of the façade reflects the water and gives the volume a different appearance at any time of day. In contrast, the stepped roof terraces and the jetty promenade are made of wood, which gives a tactile appearance. Sluishuis is one of the most sustainable buildings recently completed (2022). It has an energy performance coefficient (EPC) of -0.02. The building's heating requirements have been minimised by combining excellent insulation techniques, triple glazing and heat recovery from the ventilation systems and showers. The building is heated by a combination of energy-efficient district heating and heat pumps for hot water and cooling. The building's energy consumption for heating, heat pumps, ventilation and LED lighting is fully provided by approximately 2,200 m2 of solar panels. In addition to these technical aspects, a great deal of attention was paid to the greenery and water collection in the development of Sluishuis. At the front, sides and in the courtyard are gardens with local plant species. The greenery runs across the roof terraces upwards in built-in planters. On the roof, this creates a pleasant green atmosphere.
Commonwealth Youth Programme Regional Director Afu Billy shakes hands with the Duchess of Cambridge amid jokes about the tropical rain.
Copyright: Commonwealth Youth Programme
www.thecommonwealth.org/news/34580/249948/170912royalvisi...
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
Participants in the Southeast Asia Young Leaders' Programme at the 20th IISS Shangri-La Dialogue 2023 enjoyed a lively programme of seminars and exclusive networking sessions and played a full part in the proceedings of the Dialogue’s plenary and special sessions.
Humanitarian action in Iraq, Kurdistan - assessments, information management activities - Joint Humanitarian Information Center (JHIC) - building national capacity to assess and monitor a large scale humanitarian programme.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The London East Asia Film Festival's programme launch was held at Electric Cinema in Notting Hill on 12th September.
We are incredibly excited to have announced our programme. The Fortress is being screened as our Opening Gala at Odeon Leicester Square as an international premiere. We are thrilled to say that there will be a Q+A with Director Hwang Dong-hyuk and Actor Lee Byung-hun! Our Closing Gala, Outrage Coda, directed by Takeshi Kitano is a must see, action-packed film which we are honoured to be screening at our festival this year. LEAFF’s Festival Director, Hyejung Jeon, gave an inspiring speech at the beginning of our press launch to start out festival season off with a bang.
You can discover our full programme on our website. www.leaff.org.uk/programme-2/
I recently got the job of scanning a batch of football programmes, magazines and comics for sale on www.ebay.co.uk under the seller name of the_genies_cave. I thought that they might have a wider interest. Further, I discovered a Flickr group dedicated to them!
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
programme
(I didnt actually want to go to this event, didnt think it was my scene, cuppa tea whatever you wanna call it, but I am pleased I did ... see my blog for more on the event in days to come)
Global Day of Prayer, West Ham United Football Stadium, Celebrating Pentecost
27/5/07
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
1995 Tetsuo HARADA
TRICOT DE LA TERRE
LE BARRAGE DE TAZAWAKO
Longueur 120 mètres, hauteur 16 mètres. 500 pièces sculptées en granit rose.
6 années de travail. 300 tonnes de granit.
Tazawako, Akita, Japon
Granit rose et bleu de Bretagne, et granit de l’Inde. Carrières Clolus de Lanhélin et Gem Granit de Madras en Inde.
C’est le premier ouvrage d’Art commandé par le Ministère de l’Equipement dans le programme écologique du Japon.
Les études sont réalisées en étroite collaboration avec les ingénieurs. L’apport de l’Art et la volonté d’humaniser l’espace en font une merveilleuse sculpture dans un écrin de verdure.
Le soleil, des vagues et des rochers sont mis en scène sur le barrage dans une sculpture en bas-relief de 120 m de long et 16 m de haut et de 250 tonnes. Le soleil fait 7 tonnes, il est posé à 16 m de haut.
La sculpture “Rivière” en granit bleu de 22 tonnes est gravée de son idéogramme, et de l’autre “le banc de l’amitié” de 12 tonnes est en granit noir, il est constitué d’assises et d’une plate-forme.
L’entrée du parc est signalée par un ensemble de sculptures en granit rose de Bretagne
Commande du Ministère de l’Equipement et la Ville de Tazawako
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< 除幕式、モニュメント「地球を縫う」砂防カルチャーパーク レリ ーフ 赤御影石
幅120m 高さ16m、制作設置 小先達第一ダム、左モニュメント「川」青御影石 高さ 290cm 床面積32m2 右モニュメント「調和」黒御影石 環状径6m 敷石500×500cm（秋田県 田沢湖町）
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1995 TETSUO HARADA
EARTH WEAVING
THE TAZAWAKO DAM
Length 120 meters, height 16 meters. 500 pieces carved in pink granite.
6 years of work. 300 tons of granite.
Tazawako, Akita, Japan
Pink and blue granite from Brittany, and granite from India. Clolus quarries of Lanhélin and Gem Granite of Madras in India.
It is the first work of Art commissioned by the Ministry of Public Works in the ecological program of Japan.
The studies are carried out in close collaboration with the engineers. The contribution of Art and the will to humanize the space make it a marvellous sculpture in a green setting.
The sun, waves and rocks are staged on the dam in a bas-relief sculpture 120 m long and 16 m high and weighing 250 tons. The sun weighs 7 tons and is 16 m high.
The sculpture "River" in blue granite of 22 tons is engraved with its ideogram, and on the other "the friendship bench" of 12 tons is in black granite, it is made of seats and a platform.
The entrance to the park is marked by a group of sculptures in pink granite from Brittany.
Commissioned by the Ministry of Equipment and the City of Tazawako
PROGRAMME NATIONAL ECOLOGIQUE
Dans le parc culturel de Tazawako, ville balnéaire et station de ski, le Ministère de l’Equipement construit un immense barrage (120 m de long et 16 m de haut) destiné à retenir les boues et les cailloux du tumultueux volcan Komagatake. Les ingénieurs et HARADA mettent au point le “Parc culturel de Tazawako”. La rivière laissera transiter les poissons et la nature sera rehaussée d’une grandiose intégration de sculptures monumentales en granit de Tetsuo HARADA. “le Tricot de la Terre” s’enrichit de sculptures bas-relief, de lieux de rencontres au pied du barrage et de symboles repères. Pas moins de 270 tonnes de granit méticuleusement sculpté sont un écrin de beauté au paysage s’harmonisant au gré des saisons et du temps qui passe.
NATIONAL ECOLOGY PROGRAMME
In the cultural park of Tazawako, a seaside town and ski resort, the Ministry of Equipment is building a huge dam (120 m long and 16 m high) to retain the mud and stones of the tumultuous volcano Komagatake. Engineers and HARADA are developing the "Tazawako Cultural Park". The river will let the fish pass through and nature will be enhanced by a grandiose integration of monumental granite sculptures by Tetsuo HARADA. The "Knitting of the Earth" will be enriched with bas-relief sculptures, meeting places at the foot of the dam and landmark symbols. No less than 270 tons of meticulously sculpted granite are a showcase of beauty with a landscape that harmonizes with the seasons and the passage of time.
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In the cultural park of Tazawako, which is a seaside station and a ski resort, the Minsitry of the Equipment has constructed a huge dam (16 m high and 120 m large) intended to retain the mud and the stones of the turbulent Komagatake volcano. The engineers and Tetsuo Harada designed the “Tazawako Cultural Park”. A small river will let the fish pass through it and the nature will be embellished by a grandiose integration of monumental scupltures in granite by Tetsuo Harada. With this artwork. The “Earth weaving” is enriched by a peaceful meating place. No less than 270 tons of granite were meticulously sculpted, create the welcoming and warm site.
En el parque cultural de Tazawako, cindad balnearia y estacion de esqui, el Ministerio del Equipo ha construido una inmensa presa (16 metros de altura, 120 m de anchura) para nyetar el barro y las piedras del tumultuoso volcan Komagatake. Los ingenieros y Tetsuo Harada han puntualizado el “parque cultural de Tazawako”. Unrio deja pasar los peces y la naturaleza esta, embelledida de una grandiosa integracion de esculturas monumentales en granito de Tetsuo Harada. Asi “le tricot de la terre” se enrignece de ma escultura bajo-relieve, lugar de encuentros y putito de referencia al pie de la presa. No nemos que 270 toneladas de granito fuecon méticulosamente tallados para harmonizar esta dora de ingeniera en el medio ambiente.
Akita Tazawako (Japan)
NATIONALES ÖKOLOGIEPROGRAMM
Un Kulturparke von Tazawako, einem Ski une Badeort errchtet das Bauministerium eine resige Talsperre (120 m dänge, 16 m Höche), die darauf ausgerichtet ist, Schlamm und Kies des aktiven Vulkans Komagatake aufruhalten. Die suständigen Ingenieure und Harada sind dabei, den “Kulturpark von Tazawako” zu entwickeln. Ein Wassergraben lässt die Fische durch und die Wirkung der Nature wine durch die Einberiehung grandioses Skulpturnenumente aus granit, an deisen Tetsuo Harada momenten arbeitet, verstärkt. Das Projekt “die Verwebung der Erde” wird somit um einige Reliefskulpturen Treffpunkte als Ort des Austauschs am Fusse der Talsperre und um Symbolische zeichen berlichest.
Nicht weniger als 270 tonnen mergsam bearbeiten granits dienen des Landschaft als eine sich den Saisonwechsel und dem Laufe der Zeit anpassende Zierde.
Akita Tazawako (Japan)
NATIONALES ÖKOLOGIEPROGRAMM
Un Kulturparke von Tazawako, einem Ski une Badeort errchtet das Bauministerium eine resige Talsperre (120 m dänge, 16 m Höche), die darauf ausgerichtet ist, Schlamm und Kies des aktiven Vulkans Komagatake aufruhalten. Die suständigen Ingenieure und Harada sind dabei, den “Kulturpark von Tazawako” zu entwickeln. Ein Wassergraben lässt die Fische durch und die Wirkung der Nature wine durch die Einberiehung grandioses Skulpturnenumente aus granit, an deisen Tetsuo Harada momenten arbeitet, verstärkt. Das Projekt “die Verwebung der Erde” wird somit um einige Reliefskulpturen Treffpunkte als Ort des Austauschs am Fusse der Talsperre und um Symbolische zeichen berlichest.
Nicht weniger als 270 tonnen mergsam bearbeiten granits dienen des Landschaft als eine sich den Saisonwechsel und dem Laufe der Zeit anpassende Zierde.