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Washington, DC, USA September 28, 2015

Wall Street Journal middle market conference.

Photo by Ian Wagreich / © Ian Wagreich Photography

Example of self created stitch design chart for a Singer ~ Superba System 624 electronic knitting machine I made using Microsoft Excel for Mac.

SPRINGDANCE SERIES 2024 PROGRAM A

UARTS School of Dance

Photographed on 4.24.24

Gold Rush (2024) Choreographers Wayne David + Arabia Richardson

Performers Aaliyah Fisher, Abigail Scaggs, Cassie Wheeler, Cecille Abreu Ciani Taylor, Destiny Williams, Earlisia Schumaker, Elizabeth Abel, Emma Gignac Jalilah Alli, Kylie Rinaldi, Livia Drift, Maria DeFeo, Micah Robinson, Nyah Brown Ravyn Hutton, Rylee Johnson, Samantha Cobb Teagan Tillman, Zaire Moorer-Washington Music Brighter Days ( 'the ReOPENed 3am mix) + (Acappella) by Cajmere feat. Dajae

Through Noise, Log #2 (2024) Choreographer Jason Vu

Rehearsal Director Song Aziza Tucker

Performers Catherine Bauermann, Kiara Braswell, Jayson Britton,

Brooke Brookshire, Nyah Brown, Kiki Carruth, Ina Kwayana, Symaya Miller,

Nailah Morsell, Lauren Mueller, Janiya Pearson, Alex Sanchez,

Noah Sylvia, Michaela Taylor

Sound Design Jason Vu + Dylan Gilbert, including music / sounds from Thundercat, Ernest Hood, Natasha Barrett, Sade, D'Angelo, GoTrails Youtube and Lidl

Mixed and Mastered by Dylan Gilbert

Perfect Failures (2024)

Sophomore Performance & Coaching Project

Directors Shayla-Vie Jenkins and Song Aziza Tucker Performers Andrea Agostini, Sydney Coffman, D’Anthony Gray, Jazmin Harris Naiya Mason Jones, Arden Moscowitz, Amira Mumford, Megumi Oshikiri Hope Ridley, Lauryn Ruff, Donatella Scaturchio, Jordan Smith, Monica Thomas Jasmine Todd, Kaitlyn Vivian, De’Jai Williams Music Forgettings by Holland Andrews; text excerpts from Dionne Brand’s A Map to the Door of No Return: Notes to Belonging

Delicate Power (an excerpt)(2022) Choreographer Hélène Simoneau Rehearsal Director Sara Procopio

Staging Assistants Jie-Hung Connie Shiau, Maya Addie

Performers Nella Biacs, Olivia Eaton, Megan Hasou, Rece Komorn, Kaia Martin, Ashleigh McGown, Will Meadows, Kayleigh Morrison, Lauren Mueller,

Nailah Murray, Hayley Newell, India Patterson, Aleesha Polite, Arianna Polite, Donyae Reaves, Luna Rous, Lena Solomon, Deziah Thomas, Ally Wilson

Music Carolina Shaw

Delicate Power was co-commissioned by the American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Works.

intermission

Astral.Shift.Mirror.Body (2024) Choreographers + Directors Kaijo Caggins, Curt Haworth, Kayliani Sood

Performers Abigail Mosier, Ainsley Black, Alex Sanchez Amanda “dragon” Rattigan, Charly, Eleanor Redgrave, Ella Martin, Evie Bondon Isabelle Cattie, Lucienne Parker, Lucy Shapiro, Noah Sylvia Paige Sheldon, seven tackes, Sophia Baker Music created and performed by Julius Masri

another gathering (2024)

Sophomore Performance & Coaching Project

Director Sidra Bell

Co-Directors Sara Procopio and Kimie Parker (Sidra Bell Dance New York) Performers Freesia Bornstein, Jack Estep, Allyson Feltner, Dani Gazzilli, Trey Hoskins, Hannah Kellis, Noelle Malone, Aspen Nell, Bek Palmer, Zoë Robertson,

Aimee Smith, Gaby Sower, Darrell Spearman, Rose Williams

Music sound engineering by Sidra Bell

I wait for you in moonlight (2024) Choreographer Tommie-Waheed Evans

Rehearsal Director kira shiina Performers Jahnell Boozer, Jayson Britton, Lilia Cardosi, Kiki Carruth, Livia Drift Lily Fyfe, Rylee Johnson, Paula Martinez, Nailah Morsell, Janiya Pearson Ciani Taylor, Angelina Torres, José Torres Music Cantus in memoriam Benjamin Britten by Arvo Pärt; If I Should Lose You by Nina Simone; Da Pacem Domine by Arvo Pärt

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Photo credit: Stephanie Berger.

Albany Technical College Honors Program 2017

Using an Arduino Uno to program an ATTiny85 microcontroller.

Victory Programs' annual Dinnerfest RED Party + Auction included a celebrity-style step-and-repeat banner this year! Photographer Anand Parikh gave guests star treatment on the red carpet during the event.

Majlis Perasmian Program Latihan TRIZ: UNIMAS Ideal Campus

 

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I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their mainstage production of Puccini’s Tosca. The next slides in the album feature every spread in the 36-page program. the program was set up in Adobe InDesign and features elements from Photoshop and Illustrator. I worked hard to infuse the show's branding wherever possible.

 

Tosca was the most challenging of the seven productions to create artwork for because I had so much to work with. The artwork for Susannah leapt fully formed from my mind onto the computer canvas, while the artwork for Tosca had many rounds of revisions and went back to the drawing board on several occasions.

 

I worked on the artwork for the two mainstage shows first and in tandem because this branding would be carried through the entire season. The result of their marriage is dark and brooding artwork that combines the themes and iconography from the two seemingly unrelated operas. Lust, loss of innocence and faith – strong women are torn down by their corrupt and supposedly religious leaders in both shows.

 

Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, as opposed to the traditional year 1800 Napoleonic setting. This new World War II setting added yet another layer of meaning to an already emotionally complex show. Because I had plenty to work with, it was at first hard to narrow down what I wanted the focus of the artwork to be.

 

The artwork for Tosca relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. Besides the hand-lettered title lockup, the other fonts used for the show are Rhodes for subheadings and Gotham for all body copy.

 

The end result has the title of Tosca larger than life, hand-lettered in a way that is reminiscent of World War II propaganda posters. The “T” in Tosca is the dagger that is used to kill Scarpia, and it drips blood onto a cross designed to resemble the German Iron Cross. The dagger itself is modeled after one owned by Benito Mussolini. In this production Mussolini is represented in the ruthless Scarpia. I wanted to include the figures of Tosca and Scarpia in the artwork but ended up choosing to exclude them so as to keep the messaging clear and uncluttered.

 

Bill and Susan Goodman perform the "Best of Broadway" on April 12, 2008.

The School of Science, Engineering, and Technology at Penn State Harrisburg hosted a STEM Program for high school juniors and seniors.

Dr. Vânio Cardoso Lisboa - Tesoureiro do SIMESC e Diretor Jurídico da FENAM

Foto: Juliana Stadnik / Agência AL

  

Mt Talbert, OR

March, 2012

A one-week program bringing together 40 talented students of 14 different nationalities from 9 international business schools, to deal with the #BusinessCase “#Benetton Sales Distribution Channel Strategy – The Franchising Expansion”, in #Rome and #Treviso. Born from the collaboration of LUISS Business School and Benetton Group, the initiative challenged the participants to devise an action plan to realise a strategic change of Benetton from a #BusinessModel based on licensed small stores to an eventual franchise oriented business model.

My teens voiced to me that they disliked that Valentine's Day focuses on romantic love. I created a set of passive programs for Valentine's Day that promoted self love/self esteem, appreciation for others, and self care.

DREAMS kickoff celebration, Ngwerere Library, 22 February 2017

Sandra McMasters, a Nutrition Educator from the UC Davis Food Stamp Nutrition Education Program talks about how to shop for and prepare fruis and vegetables at the Summer Fun Program. The free day-camp is provided by the City of Anderson Parks and Rec. department at three sites and serves low-income families. Many of the children in the program had never tasted fruits like papaya and daikon. Physical activity is a major focus and collaboration with the local school districts brings free lunch sites, providing healthy lunches to the participating children. The Parks and Recreation staff also use their connections with local farmers to increase the amount of fresh fruit at lunch.

Ações do programa Justiça Itinerante Cooperativa na Amazônia Legal, na região da Ilha do Marajó.

 

Foto: Letícia Antun/CNJ

No one wants to show up to a store or restaurant and only see this!

 

Portland, Oregon

February 2012

U.S.-Election-Program-USEP-GEO-Conference-DC,Conference-Event-Photography-DC-Marriott Marquis Washingtonphotographers-DC,eventphotojournalism

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