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... to the wet, grey weather outside !

 

HBW !

 

A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany

Canon AE-1 Program (1981)

Canon FD 28 mm F:2.8

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

NASA Airborne Science Program HC-130H to Goose Bay

Los fariseos de los últimos días (Programa de variedades)

 

El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25:6). "Mis ovejas oyen mi voz […]" (Juan 10:27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.

 

Recomendación: He aquí yo estoy a la puerta y llamo

 

Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com

  

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:8.0

Speed:1/1000

ISO:280

Focal Length:280 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:133.35 m

Dof:130.54 m (94.71 - 225.25)

HyperFocal:326.16 m

 

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:9.0

Speed:1/800

ISO:250

Focal Length:420 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:199.53 m

Dof:134.31 m (152.87 - 287.18)

HyperFocal:652.33 m

 

Great Blue Heron hiding out in the lake, Wildwood Lake, Harrisburg, Pennsylvania

Shannon O'Shea Wildlife Photography

www.flickr.com/photos/shannonroseoshea

Program:Manual

Lens:70-300mm f/4-5.6 G VR

F:4.0

Speed:1/1250

ISO:64

Focal Length:70 mm

AF Fine Tune Adj:-1

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:Off

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:28.18 m

Dof:74.11 m (16.68 - 90.79)

HyperFocal:40.77 m

 

Program:Manual

Lens:15mm f/2.4 G

F:11.0

Speed:1/80

ISO:64

Focal Length:15 mm

Focus Mode:Manual

Shooting Mode:Single-Frame, [3]

VR:Off

WB:Auto1

Picture Control:Auto

Focus Distance:14.13 m

Dof:inf (0.65 m - inf)

HyperFocal:0.68 m

 

Program:Manual

Lens:24-70mm f/2.8 G VR

F:11.0

Speed:1/250

ISO:560

Focal Length:34 mm

AF Fine Tune Adj:+16

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:3.98 m

Dof:inf (1.87 m - inf)

HyperFocal:3.50 m

 

Program:Manual

Lens:70-300mm f/4-5.6 G VR

F:5.6

Speed:1/640

ISO:280

Focal Length:300.0 mm (35 mm equivalent 300.0 mm)

Focus Mode:AF-C

AF Area:Single Area

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:On

WB:Auto0

Picture Control:Neutral

Focus Distance:14.13 m

Dof:0.73 m (13.77 - 14.50)

HyperFocal:534.89 m

 

PLEASE NOTE - ONE OF THE PROGRAMS OR APPS I USE IS NOT TRANSFERRING THE BASIC CAMERA DATA CORRECTLY. SHOWING CORRECT AGAINST ORIGINALS BUT UPLOADS ARE HOPELESS.

BLAME THE LATEST APPLE IOS, SNAPSEED OR FLICKR! I believe it's Apple this time!

 

Apologies!

  

It's hard to believe that today's two images were shot on the same day and within about two miles and ten minutes of each other. This is also at Caloundra on the Sunshine Coast but looking out into Moreton Bay from Bulcock Beach. All of the sand in the image joins the mainland to what was once the northern part of Bribie Island but until about 30 years ago the Pumicestone Passage which separated the island from the mainland flowed swiftly through here. Then things began to change and over many of those subsequent years sand was washed in and across what was the bar, through which prawn trawlers once entered the small port of Caloundra. Eventually, in more recent times, the sand built up even more and closed it off completely.

 

To balance that, in time, the relentless ocean began to create an opening into the same passage a little way south through a narrow strip in Bribie Island, opening up the Caloundra suburb of Golden Beach to the ocean. That gap eventually grew larger and larger threatening the beach with the full force of the ocean, in particular during inclement weather. Eventually the Queensland Government had to step in and stabilise the erosion and the island creating quite a wide but somewhat fortified new bar and seemingly permanently joining North Bribie to the mainland as seen in the image. Will it change again one day, quite possibly!

 

Ocean going ships to and from the Pacific Ocean to the Port of Brisbane pass down the shipping channel which at this point passes quite close to the beach before heading way over the far side of Moreton Bay all the way until they are opposite the Port at the mouth of the Brisbane River at which point they make a hard turn to the west and head straight into the wharves.

 

Back in the 1981, the Anro Asia (see below) container ship ran aground just along this stretch of coast and created quite a sight until it was eventually pulled off and made its merry way for assessment and further work!

 

oursc.com.au/council/backward-glance-do-you-remember-the-...

Program:Manual

Lens:24-70mm f/2.8 G VR

F:6.3

Speed:30

ISO:400

Focal Length:34.0 mm (35 mm equivalent 51.0 mm)

Focus Mode:Manual

Shooting Mode:Continuous, IR Control

VR:Off

EV:-1/3

Metering Mode:Multi-segment

WB:Auto1

Focus Distance:14.13 m

Dof:inf (5.56 m - inf)

HyperFocal:9.16 m

AF Fine Tune:+11

 

Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.

And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.

Why sign their death? Why exterminate them?

 

Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.

Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.

Pourqui signer leur mort? Pourqui les exterminer?

When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.

Pentax program A, 35mm, Fuji superia X-tra 400

Athens, GA (Clarke County) Copyright 2008 D. Nelson

 

Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.

 

Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.

Program:Manual

Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED

F:8.0

Speed:1/200

ISO:160

Focal Length:18.0 mm (35 mm equivalent 27.0 mm)

Focus Mode:AF-A

AF Area:Dynamic Area

Shooting Mode:Single-Frame, [3]

VR:On

WB:Auto

Flash:Normal

Flash type:Optional,TTL

Focus Distance:5.62 m

Dof:inf (1.49 m - inf)

HyperFocal:2.02 m

 

Our children's childen are the crown of old men .

Canon AE1 Program | Centuria 100

 

Contis plage, France | July 2022

[Status Update] ={Link Gridbourne}

{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."

 

Decision 1: "Lightsword Attack"

Decision 2: "Redirect + Escape"

Decision 3: "Use Item, SEO Lantern"

Decision 4: "Use Item, Save & Restore Potion"

Decision 5: " Use Item, Energy Crystal"

-end session-"]

 

Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮

 

More #castleTRON soon!

A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.

This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.

View the APF set

[1Jul70_35sE31]

Nanjing, January 2022

 

This is China~~

 

500px

 

Facebook

 

Instagram

original abstract art

 

Art prints and image rights StacyYoungArt.com

Program:Manual

Lens:70-300mm f/4-5.6 G VR

F:10.0

Speed:1/800

ISO:72

Focal Length:200 mm

AF Fine Tune Adj:-1

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:Off

EV:-2

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:28.18 m

Dof:12.40 m (23.29 - 35.68)

HyperFocal:133.13 m

 

158/365

This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.

 

And i guess the concept behind this photo is all explained in the title.

 

View Large Please!

 

I really appreciate any constructive feedback/ critiques :)

 

website|facebook|tumblr<---- Reblog On TUMBLR :)

Canon AE1 Program | Kodak Color Plus 200

 

Lyon, France | August 2018

River Dredging Program, now finished in Code River Yogyakarta

Program:Manual

Lens:24-70mm f/2.8 G VR

F:6.3

Speed:1/800

ISO:140

Focal Length:24 mm

AF Fine Tune Adj:+16

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO

VR:On

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:11.89 m

Dof:inf (2.43 m - inf)

HyperFocal:3.04 m

 

The challenges of Night Photography. ( :

For 31 years Christian Celebration Center in Midland, Michigan has been putting on extravagant Christmas programs with Choirs, soloists, and now dancers; all of professional recording star talent.

 

216e 12 - DSC_8492 - lr-ps-wm - B&W

Program:Manual

Lens:24-70mm f/2.8 G VR

F:2.8

Speed:1/250

ISO:125

Focal Length:70 mm

AF Fine Tune Adj:+16

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:On

EV:-1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:5.96 m

Dof:1.22 m (5.41 - 6.63)

HyperFocal:58.24 m

 

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