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... to the wet, grey weather outside !
HBW !
A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany
Canon AE-1 Program (1981)
Canon FD 28 mm F:2.8
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Nik Silver Efex Pro 2
Lightroom 3
Arista Edu 100
Kodak D-76
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25:6). "Mis ovejas oyen mi voz […]" (Juan 10:27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:8.0
Speed:1/1000
ISO:280
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:130.54 m (94.71 - 225.25)
HyperFocal:326.16 m
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:9.0
Speed:1/800
ISO:250
Focal Length:420 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:199.53 m
Dof:134.31 m (152.87 - 287.18)
HyperFocal:652.33 m
Great Blue Heron hiding out in the lake, Wildwood Lake, Harrisburg, Pennsylvania
Shannon O'Shea Wildlife Photography
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:4.0
Speed:1/1250
ISO:64
Focal Length:70 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:74.11 m (16.68 - 90.79)
HyperFocal:40.77 m
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:1/80
ISO:64
Focal Length:15 mm
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:Off
WB:Auto1
Picture Control:Auto
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:5.6
Speed:1/640
ISO:280
Focal Length:300.0 mm (35 mm equivalent 300.0 mm)
Focus Mode:AF-C
AF Area:Single Area
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:0.73 m (13.77 - 14.50)
HyperFocal:534.89 m
PLEASE NOTE - ONE OF THE PROGRAMS OR APPS I USE IS NOT TRANSFERRING THE BASIC CAMERA DATA CORRECTLY. SHOWING CORRECT AGAINST ORIGINALS BUT UPLOADS ARE HOPELESS.
BLAME THE LATEST APPLE IOS, SNAPSEED OR FLICKR! I believe it's Apple this time!
Apologies!
It's hard to believe that today's two images were shot on the same day and within about two miles and ten minutes of each other. This is also at Caloundra on the Sunshine Coast but looking out into Moreton Bay from Bulcock Beach. All of the sand in the image joins the mainland to what was once the northern part of Bribie Island but until about 30 years ago the Pumicestone Passage which separated the island from the mainland flowed swiftly through here. Then things began to change and over many of those subsequent years sand was washed in and across what was the bar, through which prawn trawlers once entered the small port of Caloundra. Eventually, in more recent times, the sand built up even more and closed it off completely.
To balance that, in time, the relentless ocean began to create an opening into the same passage a little way south through a narrow strip in Bribie Island, opening up the Caloundra suburb of Golden Beach to the ocean. That gap eventually grew larger and larger threatening the beach with the full force of the ocean, in particular during inclement weather. Eventually the Queensland Government had to step in and stabilise the erosion and the island creating quite a wide but somewhat fortified new bar and seemingly permanently joining North Bribie to the mainland as seen in the image. Will it change again one day, quite possibly!
Ocean going ships to and from the Pacific Ocean to the Port of Brisbane pass down the shipping channel which at this point passes quite close to the beach before heading way over the far side of Moreton Bay all the way until they are opposite the Port at the mouth of the Brisbane River at which point they make a hard turn to the west and head straight into the wharves.
Back in the 1981, the Anro Asia (see below) container ship ran aground just along this stretch of coast and created quite a sight until it was eventually pulled off and made its merry way for assessment and further work!
oursc.com.au/council/backward-glance-do-you-remember-the-...
Program:Manual
Lens:24-70mm f/2.8 G VR
F:6.3
Speed:30
ISO:400
Focal Length:34.0 mm (35 mm equivalent 51.0 mm)
Focus Mode:Manual
Shooting Mode:Continuous, IR Control
VR:Off
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Focus Distance:14.13 m
Dof:inf (5.56 m - inf)
HyperFocal:9.16 m
AF Fine Tune:+11
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
Program:Manual
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:8.0
Speed:1/200
ISO:160
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
Focus Mode:AF-A
AF Area:Dynamic Area
Shooting Mode:Single-Frame, [3]
VR:On
WB:Auto
Flash:Normal
Flash type:Optional,TTL
Focus Distance:5.62 m
Dof:inf (1.49 m - inf)
HyperFocal:2.02 m
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/800
ISO:72
Focal Length:200 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:-2
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:12.40 m (23.29 - 35.68)
HyperFocal:133.13 m
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:24-70mm f/2.8 G VR
F:6.3
Speed:1/800
ISO:140
Focal Length:24 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (2.43 m - inf)
HyperFocal:3.04 m
For 31 years Christian Celebration Center in Midland, Michigan has been putting on extravagant Christmas programs with Choirs, soloists, and now dancers; all of professional recording star talent.
216e 12 - DSC_8492 - lr-ps-wm - B&W
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/250
ISO:125
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:5.96 m
Dof:1.22 m (5.41 - 6.63)
HyperFocal:58.24 m