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... to the wet, grey weather outside !

 

HBW !

 

A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany

Avatar: BeSpoke Designs - Monster Nemesis

 

Outfit: E.K. - JOEL Jumpsuit Orange

 

Pose: Lavarock Poses - Male Bento Pose Set 5

Canon AE-1 Program (1981)

Canon FD 28 mm F:2.8

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Los fariseos de los últimos días (Programa de variedades)

 

El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25:6). "Mis ovejas oyen mi voz […]" (Juan 10:27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.

 

Recomendación: He aquí yo estoy a la puerta y llamo

 

Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com

  

Windsurfing Fuerteventura April 2005

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:8.0

Speed:1/1000

ISO:280

Focal Length:280 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:133.35 m

Dof:130.54 m (94.71 - 225.25)

HyperFocal:326.16 m

 

Strobist: AB800 with gridded HOBD-W overhead. Triggered by Cybersync.

Program:Manual

Lens:15mm f/2.4 G

F:11.0

Speed:1/80

ISO:64

Focal Length:15 mm

Focus Mode:Manual

Shooting Mode:Single-Frame, [3]

VR:Off

WB:Auto1

Picture Control:Auto

Focus Distance:14.13 m

Dof:inf (0.65 m - inf)

HyperFocal:0.68 m

 

Program:Manual

Lens:24-70mm f/2.8 G VR

F:11.0

Speed:1/250

ISO:560

Focal Length:34 mm

AF Fine Tune Adj:+16

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:On

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:3.98 m

Dof:inf (1.87 m - inf)

HyperFocal:3.50 m

 

Hard Working Honey Bee.

An Eastbound UP tank train passes by the Oak Park green line Subway station, in Oak Park outside Chicago. Leading is UP’s Employee Assistance Program unit, which caught me off guard completely until I saw the stickers on the side.

Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.

And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.

Why sign their death? Why exterminate them?

 

Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.

Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.

Pourqui signer leur mort? Pourqui les exterminer?

When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.

From Larva to Adult, lady Bird Bugs are Hunting for Aphids.

Chanee jee, September 2010

Program:Manual

Lens:50mm f/1.4 G

F:13.0

Speed:1/200

ISO:64

Focal Length:50 mm

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, [3], Auto ISO, [9]

VR:Off

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:11.89 m

Dof:inf (4.17 m - inf)

HyperFocal:6.40 m

 

Bronze Star Medal Recipient Staff Sgt. (P) James Slough, the Harrisburg Opportunity Center assistant station commander, talks about how motivation and preparation has helped him have a successful career in the U.S. Army Sept. 30 during the discussion panel at the Youth and Education Services Career Day at the Maple Grove Raceway in Mohnton, Pa. Slough was chosen as the Harrisburg Recruiting Battalion’s Hometown Hero as part of the U.S. Army participation in the 27th Annual Toyo Tires National Hot Rod Association Nationals at the Maple Grove Raceway. Other members of the discussion panel were NHRA Seven-Time World Champion Tony “Sarge” Schumacher and -Time Motorcycle Champion Steve Johnson. U.S. Army photo by Christine June.

Our children's childen are the crown of old men .

The early 393 led me to the start path, chasing through Mechanic Falls, Oxford, Paris and Bryant Pond. Here at Mechanic Falls, you can already see the light starting to draw lower, so the challenge again this time of year is to get some great parting shots but luck was with me today as I had light all the way through Oxford. Seen at the 'Dish' Apartment in downtown Mechanic Falls with a bit of hustle.

Program:Manual

Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED

F:8.0

Speed:1/200

ISO:160

Focal Length:18.0 mm (35 mm equivalent 27.0 mm)

Focus Mode:AF-A

AF Area:Dynamic Area

Shooting Mode:Single-Frame, [3]

VR:On

WB:Auto

Flash:Normal

Flash type:Optional,TTL

Focus Distance:5.62 m

Dof:inf (1.49 m - inf)

HyperFocal:2.02 m

 

Athens, GA (Clarke County) Copyright 2008 D. Nelson

 

Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.

 

Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.

Hunter recites his part during the Worland 4th Grade Veteran's Day program.

Canon AE1 Program | Konica SGX100

 

Lac d'Aiguebelette, France | August 2020

[Status Update] ={Link Gridbourne}

{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."

 

Decision 1: "Lightsword Attack"

Decision 2: "Redirect + Escape"

Decision 3: "Use Item, SEO Lantern"

Decision 4: "Use Item, Save & Restore Potion"

Decision 5: " Use Item, Energy Crystal"

-end session-"]

 

Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮

 

More #castleTRON soon!

"The Canon AE-1 Program builds upon the legacy of its predecessor, the Canon AE-1, which revolutionized the photography industry upon its release in 1976. The AE-1 was among the first SLR cameras to feature a microprocessor, making it more accessible to amateur photographers with its aperture-priority auto-exposure mode. With its user-friendly design and reliability, the AE-1 became one of the best-selling cameras of its time, solidifying Canon's reputation as a leader in the industry.

 

The AE-1 Program, introduced in 1981, further refined the original AE-1 model by adding program auto-exposure mode, hence the "Program" designation. This new feature allowed the camera to automatically select both aperture and shutter speed, providing even greater convenience for photographers while still offering manual control options.

 

Together, these cameras represent milestones in the evolution of SLR photography, combining technological innovation with user-friendly design to make high-quality photography accessible to enthusiasts of all levels."

 

Above written with help from ChatGPT.

 

Bought mine when 15ish year old, still work like a watch.

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Nanjing, January 2022

 

This is China~~

 

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A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.

This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.

View the APF set

[1Jul70_35sE31]

Pentax program A, 35mm, Fuji C200

Camera: Canon AE-1 Program

Lens: Canon FD 50mm 1.8

Filter: Hoya Infrared R72

Film: Rollei Infrared 400

D-76 1:1 8 Min. 73 F.

Scanned from lith print

Slavich Unibrom 160 BP Grade 3

Arista Liquid Lith

 

SEE THE CAMERA AT THE LINK BELOW:

 

www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...

original abstract art

 

Art prints and image rights StacyYoungArt.com

And now, back to our regularly scheduled program! After my previous street photo upload, I'm happily back to long exposure monochromes! Only 3 days ago, I was writing about how, lately, I've had no patience for processing and, all of a sudden, I'm back in the game. Funny how these things work!

 

This week, I've suddenly rediscovered why I just adore b&w photography. There's just such an amazing emotion that is evoked when I look at a really good b&w photo. Yea, I dabble in the odd colour image or two when I'm feeling a little stale, but b&w is really where it's at for me.

 

This image is probably one of the darker ones I've done and it's inspired by one of the best b&w photographers around these parts - Andy Brown. He is the king of the dark moody monochrome. Do check out his work if you can.

 

Hope everyone has a rocking weekend ahead!

 

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