View allAll Photos Tagged Processor
A MOC for the ROBOT LEGO Collectible Minifigures.
At Lego City's Extraterrestrial processing facility (EPF). Robots process new arrivals from other planets. From the control stations, the robots man the conveyor belt and the extraplanetary disinfect machine (on right). The robots keep Lego City safe from extraterrestrial creatures. :-)
The project begins with a 1980’s home-builder house fronting on lake austin. The original design did not harness views to the lake and Mount Bonnell, nor did it respect the ecological sensitivity of its site. The challenge was to develop a sensitive and inventive result out of a pre-existing condition. Through the use of glass, steel, detailing and light the home has been adaptively reinvented. Reflection, translucency, color and geometry conspire to bring natural light deep into the house. A new solarium, pool, and vegetative roof are tuned to interact with the natural context. Exterior materials and refined detailing of the roof structure give the volume clean lines and a bold presence, while abstracting the form of the original dormers and gable roof. Further connecting the home to its site, the roof begins to dissolve where a glass clad chimney and slatted wood screen stand in relief against the sky.
Bercy Chen Studio LP
Selected for 2010 AIA Homes Tour
www.aiaaustin.org/event/2010-aia-austin-homes-tour
Photo by Paul Bardagjy
Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org
Trying to smooth out the transitions from the crown to the double tangs. One pic in this set shows what I got to work with. Took pretty much all day to get to this point, which is half way, sadly. Haven’t even touched the other pair or any part of the actual crown. Why am I so slow?
Playing around with particles moving according to various rules, like accelerating toward a certain particle unless some distance condition is satisfied in which case they accelerate toward something else.
More like this in my set
www.flickr.com/photos/31382652@N00/sets/72157633365213026/
Made with Processing (processing.org).
U.S. Air Force Academy -- Basic cadets from the class of 2023 arrived here today to begin their journey of becoming an officer in the U.S. Air Force. Incoming personnel transitioned quickly into a military mindset after saying goodbye to family and friends. (U.S. Air Force photo/Darcie L. Ibidapo)
another from my "process" series which attempts to capture the creative process of local artists of various mediums, while at work.
Check out more of my work and like my page
www.facebook.com/rhbillustrations
Will be selling prints soon, and giving some away on my page
Visually describing eigenvectors with associated Legendre polynomials. Made with Shodor's AssocLegendre class - www.shodor.org/refdesk/Resources/Libraries/AssocLegendre/...
Técnicas y Procesos de escultura
Como pueden observar ; la figura de la Virgen esta hecha en bandas de yeso aplicadas directamente a la estructura metálica (tela de gallinero ) .Esta técnica que deja un vaciado interior ayuda a aligerar el peso final y por supuesto a economizar materiales .
Las manos están esculpidas aparte .
Al fondo vemos el niño Jesús donde queda el ir esculpiendo los detalles
(substracción de masa en exceso ) .
==eng
Nativity scene - Sculpture process - Belen sculptured production; figure of the Virgin
Sculpture Techniques and Processes
As you can observe ; the figure of the Virgin is made in plaster bands applied directly to the metal structure (henhouse cloth).
This technique that leaves an internal void helps to lighten the final weight and of course to save materials.
The hands are sculpted separately.
In the background we see the baby Jesus where the carving remains, the details...
(subtraction of excess mass).
fr========
Techniques et procédés de sculpture
Comme vous pouvez le voir la figure de la Vierge est faite en bandes de plâtre appliquées directement sur la structure métallique (toile de poulailler) .Cette technique qui laisse une vidange intérieure permet d'alléger le poids final et bien sûr d'économiser des matériaux.
Les mains sont sculptées séparément.
En arrière-plan, nous voyons le bébé Jésus où la sculpture reste, les détails
(soustraction de la masse excédentaire).
ff mendoza
I believe this cyanotype may be a portrait of Mrs. Kühn from the "Sunlight and Darkroom" Album.
Since the title page was in German we naturally believed that the album was made in Germany. I did notice that one view was a site that is very familiar, the monument on the top of Calton Hill in Edinburgh, Scotland. Closer examination showed that hotels pictured were also in Edinburgh and a cemetery had English inscriptions. Did Wilhelm Kühn take a trip to Scotland? I could find no information about Kühn and assumed I would never know. Several years passed before I tried again. After checking dozens of Google entries for other Wilhelm Kühns I finally found him on a Scottish genealogy site! Someone from Germany wrote looking for information on relatives who had lived in Scotland. The answer was as follows:
1901 Census Scotland
Wilhelm Kühn 44, Shopkeeper Picture Frame Maker Printseller & Artist's Colourman, b. German Sreb, Germany
Susanne Kühn 41, b. German Sreb, Germany
Bertha Kühn 8, b. Edinburgh
Luise Kühn 5, b. Edinburgh
Lizzie Campbell 15, servant
Address: The Linden Craigcrook Rd, Crammond, Midlothian
This has to be our Wilhelm Kühn! The new baby in the photographs must be Bertha who would have been born in 1893 when the album was produced. Wilhelm profession seems to fit really well with the artist/photographer who produced this album.
I love to put a name to the mother and baby!
Vancouver, Canada - U.S. Customs and Border Protection (CBP) preclearance operations at Vancouver International Airport. Handheld devices are used for faster processing of passengers through airports on international travel.
Photographer: Donna Burton
I wrote some code in Processing that averaged a minute's worth of video frames into one still. The first thing I unleashed it on was Terry Gilliam's "Brazil". These are some of the results.
if you would like to follow my newest hobby. I got a facebook page for my luxury dresses that I’m going to make in about two weeks from now. I can hardly wait to begin sewing. I got to draw a lot of dresses before I make them so I’ll know what I’m going to make. Thank you. my facebook page is «ROOS dresses» These dresses I’m going to make are for rental use. If you are a photographer, stylist and so on you can rent these by sending me a message on facebook. ❤️
Taken in Brentwood California. Kodak slide film cross processed.
Made it to Flickr Explore : Jun 21, 2009 #416
This one is using some tricks and optimisations found by a new friend of mine who is really really good at realtime graphics....
so a big big thanks to Inigo Iquilez (iq / rgba) for this!
The main optimisation is about the creation of the boxes in opengl... with all the tricks together the frame rate change from 15fps for 1800 cubes to 35 fps for 4500 cubes! (and that on my old crappy computer)
I'll post something on my website as soon as possible for all the boxes junkies that lives around here.
Illustrative Visualization of a german climate change adaption research network – using processing and a metaball force field fpr moving agents
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.