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Fabriano 5 watercolour paper once again give the citric acid pre soak, and dried before coating.
The rings were little multi coloured plastic things that once adorned the body of a novelty ball point pen.
Thought I'd find a use for them one day.
Native plant seeds ready for processing at the Dane County Seed Shed attached to the William G. Lunney Lake Farm County Park, part of the Capital Springs Recreation Area.
The project begins with a 1980’s home-builder house fronting on lake austin. The original design did not harness views to the lake and Mount Bonnell, nor did it respect the ecological sensitivity of its site. The challenge was to develop a sensitive and inventive result out of a pre-existing condition. Through the use of glass, steel, detailing and light the home has been adaptively reinvented. Reflection, translucency, color and geometry conspire to bring natural light deep into the house. A new solarium, pool, and vegetative roof are tuned to interact with the natural context. Exterior materials and refined detailing of the roof structure give the volume clean lines and a bold presence, while abstracting the form of the original dormers and gable roof. Further connecting the home to its site, the roof begins to dissolve where a glass clad chimney and slatted wood screen stand in relief against the sky.
Bercy Chen Studio LP
Selected for 2010 AIA Homes Tour
www.aiaaustin.org/event/2010-aia-austin-homes-tour
Photo by Paul Bardagjy
Photograph taken at an altitude of One hundred and forty one metres, at 17:20pm on Wednesday 11th September 2013 following torrential rain showers, off the A821 Duke's Pass on the Three Loch's Achray Forrest Drive, in front of Loch Achray, where the River Turk feeds into it's Southern forest edge.
Loch Achray is a small but extremely beautiful loch right at the heart of the Trossachs and only a mile from its larger neighbour, Loch Katrine. A popular fishing loch for brown trout, sea trout, perch, pike and salmon, it is situated near Callander where we were staying at the Abbotsford Lodge, in the Stirling Council area of Scotland.
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Nikon D800 125mm 1/125s f/10.0 iso200 RAW (14-bit) Handheld with VRII. AF-S Single point. Manual exposure.
Nikkor AF-S 70-24mm f/2.8G ED IF VRII. 77mm Jessops UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17a magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon GP-1 GPS unit.
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LATITUDE: N 56d 13m 13.43s
LONGITUDE: W 4d 23m 51.43s
ALTITUDE: 141.0m
RAW (TIFF) FILE: 103.00MB
PROCESSED FILE: 19.13MB
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Processing power:
HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.90 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
created using processing.py.
Based on the chaos game, but cycling through a set of various polygon vertex counts, and using different weights for each cycle.
Pixel brightness represents how often each pixel has been visited.
as seems to happen a lot, this series started out as something else entirely--in fact, it was just going to be a one-off image. my original model had to cancel, but i really wanted to shoot while i had access to this space.
so i set about thinking, and through machinations i can't remember, got to thinking about the creative process, and how we all start with a sort of blank slate (literally and figuratively) and go from there. and as i thought about it some more, i realized this vast, empty space could serve as a visual representation.
only catch was that i had just under a week to find people to actually do this. miraculously, i was able to pull it off, and by thursday of that week, i had all five models lined up and ready to go.
what these pictures won't really convey is just how hot it was--we were in the middle of a run of hot days. i think it topped out at 98 the day we were shooting. and this place, while amazing visually, has no AC or anything. heck, not even a good cross breeze. so we had to work fast, since after about 10 minutes, the sweat started setting in, and making things generally uncomfortable. but we got it all in, and everyone i worked with was a real trooper.
jarel's trumpet sounded really cool reverberating throughout the room. haunting, but in a good way.
These images document progress in my latest attempt to visualize data from the NYTimes API. These images are chronological, and show the evolution of this small project as it progressed over the course of a day.
This project was built in Processing, v. 1.0
You can find out more about these and other newspaper visualizations on my blog: blog.blprnt.com
I brought the 'baseline ring' out a bit further in this render, and extended the time to see what it would look like with more data points. Here, we see all 5 presidencies since 1984 on the same graph.
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These images document progress in my latest attempt to visualize data from the NYTimes API. These images are chronological, and show the evolution of this small project as it progressed over the course of a day.
This project was built in Processing, v. 1.0
You can find out more about these and other newspaper visualizations on my blog: blog.blprnt.com
Climate controlled storage area in seed shed at the Dane County Seed Shed attached to the William G. Lunney Lake Farm County Park, part of the Capital Springs Recreation Area.
Long Giang Thinh factory.
Credit: ©2015CIAT/GeorginaSmith
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: ciat-comunicaciones@cgiar.org
Hyperconsciousness
Subatomic Nuclei
The Eye is the Human Camera
about the movie Watchmen
flickr today
Yesterday I used a manual HDR process to generate this shot, and commenters noted that I was correct in noticiing probems in detail areas and should possibly have contented myself to an HDR treatment. This is such a treatment (I had plenty of bracketed exposure to work with). I could have toned down the saturation a bit. Note that my manual HDR from yesterday has less detail, but also more texture. I wouldn't have thought this possible, but that's the best way I can describe the effect.
Google Photos auto-created a stylized version of the picture by upping the saturation, which gave it a completely different mood.
I ended up redoing it, though, because I had taken the original photo in Portrait Mode, and once I looked at it on a bigger screen than my phone, I realized it had decided to focus on the rosebud rather than the bloom, so I went back to the unaltered photo to start with.
Social network graph of #slaname tweet replies October 14, 2009 to December 11, 2009. In color.
The more lines you have, the more @replies to different people you sent. If you don't appear on the graph, but know that you sent out @replies, it's because the person you sent your @reply to never sent out an @reply and so that person won't appear on the graph and unfortunately, you can't either!
Based on the code of eskimoblood.
Created using Processing with data from the #slaname Twapper Keeper archive setup by iBraryGuy.