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More heavily processed pictures of Tigger. The original image was of Tigger getting my attention while standing in a warm sunbeam in the Kitchen.
An old pre decimal English pound note given the cyanotype treatment after being laid on sensitised Fabriano watercolour paper, and being exposed to sunlight for 5 mins.
I think I may have been better scanning the bank note into Photoshop, and making a digital negative of the face image only, to print from, as the details on the reverse can also be faintly seen.
So in this phot the Reds have been manipulated to exposed the faded pictographs. Two have been exposed and hints of other. I have photos of these from another trip and sun exposure can be a problem as it reflects of the rock and makes color retrieval harder. I have actual foun multiple nets in the back.
Here's another look at the software loom system I'm building, again rendering a segment of an endless pattern.
Here you can see that the textile being generated is 3D - you can get into any section of it to examine the details.
Also worth noting is that it's a 'live' system, so you can watch the loom weaving thread by thread. Will post a video shortly.
Built with Processing 2.0
Winter Haven, FL. April 2019.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
www.tiemenrapati.com/blog/?p=529
Even though we're not working on the visuals yet, some good looking vistas occasionally pop up
Tasmanian Archive and Heritage Office: NS392/1/21
A selection of glass plate negatives taken by C.P. Ray. View the entire NS392 series
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fog + humber river * 3 min. = this
110 ND filter
post processed from RAW
etienne brule park (old mill)
humber river, toronto
mathiole and i just finished up a collab! I had a lot of fun working on it and he did a crazy good job with his colors. He's a mad man.
1 - Mathiole sent me his idea and sketch
2 - I inked it out digitally with a tablet using Manga Studio
3 - Mathiole throws on some sweet baby colors
4 - We decide on a good shirt color and Mathiole throws in the rest of the coloring detail goodness.
He has a much more in depth step by step process on his blog if anyone's interested. it's really quite cool!
www.threadless.com/profile/445545/mathiole/blog/456313/WI...
The TIME CONSUMING selection process for Silent conversations Exhibition that I am curating. Editing down from the 145 entries that have come in, to a realistic number that can go into the show.
SILENT CONVERSATIONS
Which will be Group exhibition: 12 March – 30 April 2009
We all participate in frequent conversations as part of our daily lives – with family, friends and colleagues and even complete strangers. Through this interaction we exchange ideas and information, express our feelings, learn and grow as people. However, almost 50% of all communication is unspoken – relying on human actions, reactions and expressions. As a result of differences in culture, education and experience these can frequently be misinterpreted.
Artists constantly seek to provoke external responses through articulation of an internal dialogue, creating a non-verbal form of communication that might have universal resonance.
As an artist you should articulate your innermost thoughts through a creative voice that can speak as loud as words. Through your art you may use your voice to express a very personal reflection or observation, or you may wish to make a social comment, a response to worldwide events or even a proposed solution to specific issues. We are looking to you to provoke a silent conversation through an artwork that may be created in any medium that best describes this theme.