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Dang...I am shooting tons of video it seems these days...but, it is so rare to get these weather patterns coming through Las Vegas with those delicious "marshmellow" like clouds that are screaming to be shot in a timelapse mode. I shot the bulk of this short snippet with the FX30 and then some with the Ace Pro.
This photo is/was part of the first flickr@paris exhibition.
Official flyer here.
See all my sold, published, and exhibited photos in this collection : [Sold - Published - Exhibited Works]
[Taken in Paris (France) - 28Mar06]
Taken in Gainsville, Florida, USA at the Gainsville Raceway at the Gainsville International Qualifications.
was this a a groupset?.. anybody got info, cant seem to google anything but the rear d on disrailigears
cheers
This is a model of a 2009 Mac Pro, with an upgrade. Created in Cinema 4D and Rendered with Arnold. The bar interior is a free model from ThePixelLab, with some changes by me.
The eager to compensate with a long exposure, that is. I mean... after what it managed to nab just after Christmas, I understand that this iPhone 12 Pro Max flagship phone wants to prove just how much light its little three eyes can find, and that Apple feels their native camera app must in turn conceal all notion of this process’ true complexity, but dang.. somehow I am no longer able to turn the exposure down at capture without some wacko blind amplifier trying to compensate immediately.
* Personal use only *
Hoje chegaram meus pincéis Pro Art... O primeiro é de blush, o segundo é de sombra e o terceiro de corretivo. Esse segundo acho que só serve pra sombras iluminadoras porque é grandão e achatado! O de corretivo...sei lá... Achei pequeno... É assim mesmo? Alguém mais tem?
O de blush achei muito fofinho, adorei... :)