www.facebook.com/PncaYouthProgram

Printmaking

4"x6" Woodblock Print, blue variant

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

Intaglio print - drypoint.

Reduction print, my daughter and my dog on the living room floor playing cards

The entrance porch to my studio - the display explains the sequence of printing the 'Fieldfare' and 'Running Deer' prints

Interim 2021

Ray with plate

'Untitled'

Collagraph

the negative space left after I cut GW out of the paper

Learning techniques to print without the need for a printing press with

Hester Cox.

Sep 2019 with Hester Cox

Karen Nunley, Pony Tails, monotype, 10x8 in

Detail of white on white lithography printing.

This is a project I designed, hand cut, and printed based on a classic song that everyone should know and love. The blue ink is a relief print from a woodcut design. The white lithography printed portion (yes, white on white) is a clue as to what the song is if you can't figure it out from the images. If you can't figure out the song, send me an e-mail and I will give you a hint.

Printmaking

Lithography stone graining sink, and large stainless-steel washup sink.

carbon transfer method

From Jo Hollier's weekend workshop

Stencil Print

Printmaking

www.facebook.com/PncaYouthProgram

mcad.edu Photograph ©Erin Nicole Johnson for the Minneapolis College of Art and Design

with Hester Coc - Spring 2019

Printmaking

I was fairly pleased with how the bicycle pattern we made turned out. I think this was a test print on a pillowcase.

checking an edition

Printmaking class project.

Summer Camp students learned to make plates from Styrofoam, carving blocks, and ready-to-use screens.

Printmaking class visit, 2/5/2014. Photos by Sarah Meadows '08.

1919, woodcut.

on verso: "rare! 2 prints only"