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Here, the chine colle sheet was trimmed more precisely, such that the border of the ink and the border of that paper are nearly indistinguishable. Beige kitikata paper on Hahnemuller 'german etching' backing paper. Dark brown-red ink.
Curated by Lorraine Tady.
Left:
xtine burrough and Allison Jauregui, Tarot Cards for Working Women in a Global Pandemic, Selections from a complete deck of tarot cards developed during the COVID-19 pandemic with illustrations made by Allison Jauregui and fabricated by xtine burrough, copper plate laser etching with sandblasting and polishing, 3.75” x 5.75”
Right:
Julie England, Chama River Fork at 330 feet, 2019, oil monotype, 9” x 12”
Julie England, Chama River at 300 feet 2, 2019, oil monotype, 9” x 12”
Julie England, Fields, 2019, oil monotype, 9” x 12”
The three blocks for Jaguar Masks print, carved out of poplar wood.
There is actually a forth block not pictured, however is it just a solid woodblock without any carved areas. I used this as the white and is the first block printed.
Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.
Artist: Favianna Rodriguez
This piece is also from the Intersection for the Arts Show. This piece contains the stories of undocumented youth and their support, disillusion, and at times, rejection of the DREAM Act. My linoleum block prints focus on the stories of three undocumented students: Prerna Lal, Julio Salgado, and an anonymous Oakand high school student.