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Thank you to Inky Cuttlefish Print Shop, where I was given a tutorial in the fascinating and beautiful process of intaglio printing. I learned that printmaking can be a focus of artistic intent which brings incredible richness beyond that available to the engraver armed with just the engraving tools.
6 Listopada 2008
Wystawa "Młoda Grafika", Galeria "Spokojna", Instytut Sztuki Mediów, ul. Spokojna 15
November, 6th 2008
Exhibition: "Young Printmaking", “Spokojna" Gallery, Media Art Institute, 15, Spokojna St
Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.
Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.
We invited Seniors from the Rhode Island School of Design to come see what we're up to downtown and enjoy a beer with us.
During the "Printmaking in the Age of Rembrandt" exhibition at the Currier Museum of Art, Manchester, NH (on view September 29, 2012- January 6, 2013) visitors were invited to carve prints throughout October. Those plates will then be inked and printed during a "Steamroller Printmaking" event on Sunday, November 4 where we'll use an actual steamroller (yes, we mean the road construction vehicle) to produce multiple large-scale prints. These prints will be displayed in the museum's Community Gallery and Art Center.
"In the Shadow of Your Tread," linocut. Artist: Erich Neitzke. The artist will teach a three-part class on screen printing starting Saturday, March 21, 10 am-noon at the SLC Arts Academy in Downtown Snell Hall, Potsdam, NY. Preregistration required.
Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.
Here, the chine colle sheet was trimmed more precisely, such that the border of the ink and the border of that paper are nearly indistinguishable. Beige kitikata paper on Hahnemuller 'german etching' backing paper. Dark brown-red ink.
Curated by Lorraine Tady.
Left:
xtine burrough and Allison Jauregui, Tarot Cards for Working Women in a Global Pandemic, Selections from a complete deck of tarot cards developed during the COVID-19 pandemic with illustrations made by Allison Jauregui and fabricated by xtine burrough, copper plate laser etching with sandblasting and polishing, 3.75” x 5.75”
Right:
Julie England, Chama River Fork at 330 feet, 2019, oil monotype, 9” x 12”
Julie England, Chama River at 300 feet 2, 2019, oil monotype, 9” x 12”
Julie England, Fields, 2019, oil monotype, 9” x 12”