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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
On the left the photo displays color, the vibrant red of the raspberries and the yellow color of the mug create a focus point. On the bottom left the rock fire pit creates a a circular shape. Now the top middle shows texture, the three dimension of the moss and it’s magnification makes the object look slimy. The picture to the right of the moss shows space because while there are clouds in the sky there is nothing else, allowing for room.The bottom middle photograph shoes both grey and black vertical lines. The top right photo shows form because the cat curled up sleeping creates an oval like form. Lastly, the bottom right photo shows value because it contains both a mixture of light and dark colors that create depth.
Event: The Annual Women’s Empowerment Principles, entitled “Unlimited Potential: Business Partners for Gender Equality”
hosted by UN Women and the UN Global Compact in ECOSOC chambers at United Nations Headquarters on 10 March 2015.
Welcoming remarks by:
Master of Ceremonies: Jo Confino, Executive Editor, The Guardian and Chairman & Editorial Director of Guardian Sustainable Business
Georg Kell, Executive Director, UN Global Compact
Phumzile Mlambo-Ngcuka, Under-Secretary-General and Executive Director, UN Women.
Opening remarks by: UNSGKeynote Speaker: Hon. Hillary Rodham Clinton, former US Secretary of State
Photo: UN Women/Ryan Brown
VCAD's Interior Design program allows you to develop a skill set that compliments your creative vision so you can excel in interior design. The program introduces students to design principles, color theory, space planning, drafting and industry-standard software.
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'Too Precious to be Cut' David Ricardo's 'Principles' (1817) photographed as an image for the appeal.
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God Spilled Buckets of Paint Joshua Tree National Park Superbloom! California Spring Wild Flower Super Bloom Elliot McGucken Fine Art Landscape & Nature Photography! Joshua Tree NP Spring Flowers Blooming! Sony A7R III & Carl Zeiss Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens SEL1635Z !
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All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Playa Racetrack Death Valley Gathering Thunder Storm! Death Valley National Park Racetrack Fine Art Landscape Photography! High Resolution California Desert Sailing Rocks Sunset! McGucken High Res American West Landscape & Nature Fine Art! Nikkor 14-24mm
Death Valley's Playa Racetrack is a most magical place! Wikipedia reports: "The Racetrack Playa, or The Racetrack, is a scenic dry lake feature with "sailing stones" that inscribe linear "racetrack" imprints. It is located above the northwestern side of Death Valley, in Death Valley National Park, Inyo County, California, U.S. The Racetrack Playa is 3,714 feet (1,132 m) above sea level, and 2.8 mi (4.5 km) long (north-south) by 1.3 mi (2.1 km) wide (east-west). The playa is exceptionally flat and level with the northern end being only 1.5 inches (3.8 cm) higher than the southern. This occurrence is due to major influx of fine-grained sediment that accumulates at the north end. The highest point surrounding the Racetrack is the 5,678-foot (1,731 m) high Ubehebe Peak, rising 1,964 feet (599 m) above the lakebed 0.85 miles (1.37 km) to the west."
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Enjoy my physics!! Light Time Dimension Theory dx4/dt=ic: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
John Muir: "Nature is always lovely, invincible, glad, whatever is done and suffered by her creatures. All scars she heals, whether in rocks or water or sky or hearts."
John Muir: "All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best."
2001 China TCDC International Training Course on Bamboo Technology
DESCRIPTION:
Training Course
China National Bamboo Research Center
CHINA
FOR MORE INFORMATION:
Mr. Ding Xingcui,
Mr. Wu Jintao cbrc@mail.hz.zj.cn
+86 571 8869217 or 8863888 ext. 8915
PRESS RELEASE:
Participants are required to master the basic theories and principles of cultivation processing and utilization of bamboo so as to enhance their awareness and capacity of integrated development of bamboo, and create a chance leading to further mutual fruitful exchange and cooperation.
Enrollment Information for Course Guangzhou - 10-May-2001
ENROLLMENT INFORMATION 2001
China TCDC International Training Course on Bamboo Technology
Totally, there are 1250 species of bamboo or more belonged to 150 genera with a bamboo forest area of 1700 million ha. in the world, among which, there are more than 500 species belonging to 39 genera with a bamboo forest area of 500 million ha. in China, or about 1/3 of the world total, therefore, China is reputed as a "Bamboo Kingdom". China not only is a big country of bamboo resources, but also has already accumulated so much experience in bamboo research, exploitation, production, and management, etc., as a result, has been in advanced position of the world in many aspects of bamboo, especially marked achievements have been scored in bamboo integrated processing and utilization. The total production value of bamboo sector in China in 1999 is over US$ 2.2 billion. Bamboo sector has been becoming a new sunrising industry.
China National Bamboo Research Center (CBRC) was established in 1988 in Hangzhou, a picturesque city in eastern China, which is located in one of the China's biggest bamboo grown centers, and well-known for its West Lake. CBRC has three missions as enshrined by the Ministry of Science and Technology, the State Administration of Forestry: (a) to undertake, organize and coordinate major international and domestic bamboo projects of research and exploitation; (b) to undertake international technical and economic exchange and cooperation and personnel training in bamboo; and (c) to be managed and operated by modality of share-holding and gradually grow into a locomotive and backbone enterprise of China's bamboo sector so as to enhance China bamboo industry as a whole.
In order to disseminate bamboo technology, CBRC has already held with success several training courses/workshops entrusted by United Nations Development Program (UNDP), the Ministry of Foreign Trade & Economic Cooperation (MOFTEC), P.R. China, etc.
"2001 China TCDC International Training Course on Bamboo Technology" is the course sponsored by the Chinese Government. CBRC is entrusted by the MOFTEC to organize this training course. We should invite famous experts, professors all over the China, even an academician to give lectures.
1. Objectives
Participants are required to master the basic theories and principles of cultivation, processing and utilization of bamboo so as to enhance their awareness and capacity of integrated development of bamboo, and create a chance leading to further mutual fruitful exchange and cooperation.
2. Date and Duration
From May 8 to June 22, 2001.
3. Venue
China National Bamboo Research Center (CBRC) No. 138 Wenyi Rd., Hangzhou, Zhejiang Province, 310012 P.R. China
4. Main Course Contents
Present situation of bamboo resources, cultivation, processing, utilization in China and in the world; Bamboo sustainable development; Bamboo classification and introduction; Bamboo genetic pool set-up and maintenance; Bamboo biology and ecology, including individual and population growth and development; Bamboo propagation; Oriented cultivation of in-kind bamboo stands, such as for shoot, timber, both shoot and timber, coastal shelter, water and soil conservation, landscape, and pulp etc.; Bamboo landscaping; Bamboo pest control; Bamboo shoot production and processing; Production technologies of bamboo flooring and 10-plus bamboo artificial boards; Bamboo food, Bamboo integrated utilization (bamboo mats, bamboo charcoal, bamboo chemical utilization, etc); and Bamboo timber and shoot preservation; Bamboo social economy, etc.
5. Training Methods
Lectures, Field Practice, Demonstration, Seminar on Special Topics, Field Tours, Discussion and Report Presentation, Term Paper, etc.
6. Medium of Instruction
English
7. Source of Trainees
Technical, management and research personnel or officials in the field of forestry, bamboo, agriculture and others from developing countries.
8. Methods for Evaluation
The evaluation for the participants will be done on the basis of written tests, field practice, site study and comprehensive performance. Successful completion of the training program will lead to a diploma offered by CBRC. The allotment of marks will be as follows: a) Written tests 50% b) Comprehensive performance 50%
9. Participant's Qualifications and Requirements for Admission
Participants are requested: 1) To be nominated by his/her related government department; 2) To be less than 45 years old, better with a minimum educational background of college graduate, better with an agriculture, forestry and bamboo background and with a minimum of two years' practice in the relative profession; 3) To be in good health conditions with no infectious diseases and not handicapped. Physically fit to completing all course activities; 4) To be proficient in English reading, listening, speaking and writing; 5) To prepare a review paper or report on the bamboo (forestry) production or research of the participant's country and brief introduction of the participant's professional experiences for the purpose of experiences exchange; 6) Not to bring family members to the training course; and 7) To observe all the laws, rules and regulations of P. R. China and respect the Chinese customs during the training period.
10. Training Expenses
1) The expenses of training, boarding and lodging, local transportation, pocket money of RMB 30 Yuan per person per day during the training period in China will be borne by the Chinese Government and distributed by CBRC. 2) The International travel costs including round trip tickets, transit fares are to be covered by the participants themselves, or their respective Governments, or their employers or sponsored by some international organizations, like UNDP, ESCAP, FAO, etc. through proper application and consultations. 3) The expenses of medical care, insurance and domestic salaries for the participants are to be borne by the participants' governments.
11. Application and Admission
1) The applicants should be nominated by their respective Governments. The nominated participants are requested to fill up the Application Forms, which should be endorsed by the departments concerned of their respective Governments, and submit with valid Health Certificates provided by authorized physicians or hospitals to the Economic and Commercial Counselor's Office of the Chinese Embassy ( ECCOCE ) for examination, recommendation and endorsement; 2) After endorsed by the Economic and Commercial Counselor's Office of the Chinese Embassy, Admission Notices will be issued to the accepted participants by the ECCOCE through the related governmental departments of the participants. With the Admission Notices, the participants are requested to go through all necessary formalities for entering into China and bring all the documents like Admission Notices, Application Forms, Health Certificates to China for attending the Course on time.
12. Insurance
The training course organizer dose not hold any responsibility for such risks as loss of life, accidents, illness, loss of properties incurred by the participants during the training period.
13. Liaison Address
Attn: Mr. Ding Xingcui, Mr. Wu Jintao China National Bamboo Research Center No. 138, Wenyi Rd., Hangzhou 310012 Zhejiang Province P.R. China Phone:+86 571 8869217 or 8863888 ext. 8915 Mobile: +86 13805791796 Fax: +86 571 8869217, 8860944
E-mail: cbrc@mail.hz.zj.cn
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine New Statesman to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy.
In the UK anti-establishment figures and groups are seen as those who argue or act against the ruling class. Having an established church, in England, a British monarchy, an aristocracy, and an unelected upper house in Parliament made up in part by hereditary nobles, the UK has a clearly definable[citation needed] Establishment against which anti-establishment figures can be contrasted. In particular, satirical humour is commonly used to undermine the deference shown by the majority of the population towards those who govern them. Examples of British anti-establishment satire include much of the humour of Peter Cook and Ben Elton; novels such as Rumpole of the Bailey; magazines such as Private Eye; and television programmes like Spitting Image, That Was The Week That Was, and The Prisoner (see also the satire boom of the 1960s). Anti-establishment themes also can be seen in the novels of writers such as Will Self.
However, by operating through the arts and media, the line between politics and culture is blurred, so that pigeonholing figures such as Banksy as either anti-establishment or counter-culture figures can be difficult. The tabloid newspapers such as The Sun, are less subtle, and commonly report on the sex-lives of the Royals simply because it sells newspapers, but in the process have been described as having anti-establishment views that have weakened traditional institutions. On the other hand, as time passes, anti-establishment figures sometimes end up becoming part of the Establishment, as Mick Jagger, the Rolling Stones frontman, became a Knight in 2003, or when The Who frontman Roger Daltrey was made a Commander of the Order of the British Empire in 2005 in recognition of both his music and his work for charity.
Anti-establishment in the United States began in the 1940s and continued through the 1950s.
Many World War II veterans, who had seen horrors and inhumanities, began to question every aspect of life, including its meaning. Urged to return to "normal lives" and plagued by post traumatic stress disorder (discussing it was "not manly"), in which many of them went on to found the outlaw motorcycle club Hells Angels. Some veterans, who founded the Beat Movement, were denigrated as Beatniks and accused of being "downbeat" on everything. Lawrence Ferlinghetti wrote a Beat autobiography that cited his wartime service.
Citizens had also begun to question authority, especially after the Gary Powers U-2 Incident, wherein President Eisenhower repeatedly assured people the United States was not spying on Russia, then was caught in a blatant lie. This general dissatisfaction was popularized by Peggy Lee's laconic pop song "Is That All There Is?", but remained unspoken and unfocused. It was not until the Baby Boomers came along in huge numbers that protest became organized, who were named by the Beats as "little hipsters".
"Anti-establishment" became a buzzword of the tumultuous 1960s. Young people raised in comparative luxury saw many wrongs perpetuated by society and began to question "the Establishment". Contentious issues included the ongoing Vietnam War with no clear goal or end point, the constant military build-up and diversion of funds for the Cold War, perpetual widespread poverty being ignored, money-wasting boondoggles like pork barrel projects and the Space Race, festering race issues, a stultifying education system, repressive laws and harsh sentences for casual drug use, and a general malaise among the older generation. On the other side, "Middle America" often regarded questions as accusations, and saw the younger generation as spoiled, drugged-out, sex-crazed, unambitious slackers.
Anti-establishment debates were common because they touched on everyday aspects of life. Even innocent questions could escalate into angry diatribes. For example, "Why do we spend millions on a foreign war and a space program when our schools are falling apart?" would be answered with "We need to keep our military strong and ready to stop the Communists from taking over the world." As in any debate, there were valid and unsupported arguments on both sides. "Make love not war" invoked "America, love it or leave it."
As the 1960s simmered, the anti-Establishment adopted conventions in opposition to the Establishment. T-shirts and blue jeans became the uniform of the young because their parents wore collar shirts and slacks. Drug use, with its illegal panache, was favored over the legal consumption of alcohol. Promoting peace and love was the antidote to promulgating hatred and war. Living in genteel poverty was more "honest" than amassing a nest egg and a house in the suburbs. Rock 'n roll was played loudly over easy listening. Dodging the draft was passive resistance to traditional military service. Dancing was free-style, not learned in a ballroom. Over time, anti-establishment messages crept into popular culture: songs, fashion, movies, lifestyle choices, television.
The emphasis on freedom allowed previously hushed conversations about sex, politics, or religion to be openly discussed. A wave of radical liberation movements for minority groups came out of the 1960s, including second-wave feminism; Black Power, Red Power, and the Chicano Movement; and gay liberation. These movements differed from previous efforts to improve minority rights by their opposition to respectability politics and militant tone. Programs were put in place to deal with inequities: Equal Opportunity Employment, the Head Start Program, enforcement of the Civil Rights Act, busing, and others. But the widespread dissemination of new ideas also sparked a backlash and resurgence in conservative religions, new segregated private schools, anti-gay and anti-abortion legislation, and other reversals. Extremists[clarification needed] tended to be heard more because they made good copy for newspapers and television.[citation needed] In many ways, the angry debates of the 1960s led to modern right-wing talk radio and coalitions for "traditional family values".
As the 1960s passed, society had changed to the point that the definition of the Establishment had blurred, and the term "anti-establishment" seemed to fall out of use.
In recent years, with the rise of the populist right, the term anti-establishment has tended to refer to both left and right-wing movements expressing dissatisfaction with mainstream institutions. For those on the right, this can be fueled by feelings of alienation from major institutions such as the government, corporations, media, and education system, which are perceived as holding progressive social norms, an inversion of the meaning formerly associated with the term. This can be accounted for by a perceived cultural and institutional shift to the left by many on the right. According to Pew Research, Western European populist parties from both sides of the ideological spectrum tapped into anti-establishment sentiment in 2017, "from the Brexit referendum to national elections in Italy." Sarah Kendzior of QZ opines that "The term "anti-establishment" has lost all meaning," citing a campaign video from then candidate Donald Trump titled "Fighting the Establishment." The term anti-establishment has tended to refer to Right-wing populist movements, including nationalist movements and anti-lockdown protests, since Donald Trump and the global populist wave, starting as far back as 2015 and as recently as 2021.
Francis Jeffrey - Law Lord - Owner and early Editor of ‘The Edinburgh Review’. 23 October 1773 – 26 January 1850.
Stone sculptured likeness in Old Dean Cemetery on ‘The Lords Row’.
He was born at 7 Charles Street near Potterow in south Edinburgh, the son of George Jeffrey, a clerk in the Court of Session (first clerk to Robert Sinclair, advocate).
After attending the Royal High School for six years, he studied at the University of Glasgow from 1787 to May 1789, and at Queen's College, Oxford, from September 1791 to June 1792. He had begun the study of law at Edinburgh before going to Oxford, and returned to it afterwards. He became a member of the Speculative Society, where he measured himself in debate with Sir Walter Scott, Lord Brougham, Francis Horner, the Marquess of Lansdowne, Lord Kinnaird and others. He was admitted to the Scottish bar in December 1794, but, having abandoned the Tory principles in which he had been educated, he found that his Whig politics hampered his legal prospects.
In consequence of his lack of success at the bar he went to London in 1798 to try his hand at journalism, but without success; he also failed in his attempts to obtain a salaried position. His marriage to Catherine Wilson in 1801 made the question of a settled income even more pressing. A project for a new review, brought up by Sydney Smith in Jeffrey's flat (on Buccleuch Place) in the presence of Henry Brougham (afterwards Lord Brougham), Francis Horner and others, resulted in the appearance on 10 October 1802 of the Edinburgh Review.
At the outset the Review did not have an editor. The first three numbers were effectively edited by Sydney Smith. On his leaving for England the work devolved chiefly on Jeffrey, who, by an arrangement with Archibald Constable, the publisher, was eventually appointed editor at a fixed salary.
The Edinburgh Review, or The Critical Journal, Scottish magazine that was published from 1802 to 1929, and which contributed to the development of the modern periodical and to modern standards of literary criticism. The Edinburgh Review was founded by Francis Jeffrey, Sydney Smith, and Henry Brougham as a quarterly publication, with Jeffrey as its first and longtime editor. It was intended as an outlet for liberal views in Edinburgh. The magazine soon earned wide esteem for its political and literary criticism, and by 1818 it had attained a circulation of 13,500. Its contributors included the novelist Sir Walter Scott, the essayist William Hazlitt, the historian Thomas Babington Macaulay, the educator Thomas Arnold, and the legal historian Sir James Stephen. The Edinburgh Review’s prestige and authority among British periodicals during the 19th century were matched only by that of The Quarterly Review.
Most of those involved were Whigs; but, although the general bias of the Review was towards social and political reforms, it was at first so little of a party organ that it numbered Sir Walter Scott among its contributors; and no distinct emphasis was given to its political leanings until the publication in 1808 of an article by Jeffrey himself on the work of Don Pedro Cevallos on the French Usurpation of Spain. This article expressed despair of the success of the British arms in Spain, and Scott at once withdrew his subscription, the Quarterly being soon afterwards started in opposition.
According to Lord Cockburn the effect of the first number of the Edinburgh Review was "electrical." The English reviews were at that time practically publishers' organs, with articles by hack writers instructed to obey the publishers' interests.
The Edinburgh Review, on the other hand, enlisted a brilliant and independent staff of contributors, guided by the editor, not the publisher.
They received sixteen guineas a sheet (sixteen printed pages), increased subsequently to twenty-five guineas in many cases, instead of the two guineas earned by London reviewers.
The review was not limited to literary criticism but became the accredited organ of moderate Whig public opinion. The particular work which provided the starting-point of an article was in many cases merely the occasion for the exposition, always brilliant and incisive, of the author's views on politics, social subjects, ethics or literature. These general principles and the novelty of the method ensured the success of the undertaking even after the original circle of exceptionally able men who founded it had been dispersed. It had a circulation of 12,000. Jeffrey's editorship lasted about twenty-six years, ceasing with the ninety-eighth number, published in June 1829, when he resigned in favour of Macvey Napier.
Jeffrey's own contributions numbered two hundred, all except six being written before his resignation of the editorship. He wrote quickly, at odd moments of leisure and with little special preparation. Great fluency and ease of diction, considerable warmth of imagination and moral sentiment, and a sharp eye to discover any oddity of style or violation of the accepted canons of good taste, made his criticisms pungent and effective.
But the essential narrowness and timidity of his general outlook prevented him from detecting and estimating latent forces, either in politics or in matters strictly intellectual and moral; and this lack of understanding and sympathy accounts for his distrust and dislike of the passion and fancy of Shelley and Keats, and for his praise of the half-hearted and elegant romanticism of Samuel Rogers and Thomas Campbell.
A criticism in the sixteenth number of the Review on the morality of Thomas Moore's poems led in 1806 to a duel between the two authors at Chalk Farm. The proceedings were stopped by the police, and Jeffrey's pistol was found to contain no bullet. The affair led to a warm friendship, and Moore contributed to the Review, while Jeffrey made ample amends in a later article on Lalla Rookh (1817).
Jeffrey's wife had died in 1805, and in 1810 he became acquainted with Charlotte, daughter of Charles Wilkes of New York, and great-niece of John Wilkes. When she returned to the United States, Jeffrey followed her, and they were married in 1813. Before returning to Scotland, they visited several of the chief American cities, and his experience strengthened Jeffrey in the conciliatory policy (and Whig outlook) he had advocated towards the States.
Notwithstanding the increasing success of the Review, Jeffrey continued to look to the bar as the chief field of his ambition. His literary reputation helped his professional advancement. His practice extended rapidly in the civil and criminal courts, and he regularly appeared before the general assembly of the Church of Scotland.
As an advocate his sharpness and rapidity of insight gave him a formidable advantage in the detection of the weaknesses of a witness and the vulnerable points of his opponent's case, while he grouped his own arguments with an admirable eye to effect, especially excelling in eloquent closing appeals to a jury. Jeffrey was twice, in 1820 and 1822, elected Rector of the University of Glasgow. In 1829 he was chosen dean of the Faculty of Advocates.
On the return of the Whigs to power in 1830 he became Lord Advocate, and entered parliament at a by-election in January 1831 as member for the Perth burghs.
The election was overturned on petition, and in March he was returned at a by-election for Malton, a borough in the interest of Lord Fitzwilliam. He was re-elected in Malton at the general election in May 1831, but was also returned for the Perth burghs and chose to sit for the latter.
After the passing of the Scottish Reform Bill, which he introduced in parliament, he was returned for Edinburgh in December 1832. At this time he was living at 24 Moray Place in the west end of Edinburgh.
His parliamentary career, which, though not brilliantly successful, had won him high general esteem, was terminated by his elevation to the judicial bench as Lord Jeffrey in May 1834. In 1842 he was moved to the first division of the Court of Session.
On the disruption of the Scottish Church he took the side of the seceders, giving a judicial opinion in their favour, afterwards reversed by the House of Lords.
He died at Edinburgh and was buried in the "Lords Row" near the western wall in Dean Cemetery on the west side of the city.
Some of his contributions to the Edinburgh Review appeared in four volumes in 1844 and 1845. This selection includes the essay on "Beauty" contributed to the Encyclopædia Britannica. The Life of Lord Jeffrey, with a Selection from his Correspondence, by Lord Cockburn, appeared in 1852 in 2 vols. Also the Selected Correspondence of Macvey Napier (1877); the sketch of Jeffrey in Carlyle's Reminiscences, vol. ii. (1881); and an essay by Lewis E Gates in Three Studies in Literature (New York, 1899).
Jeffrey Street (a planned street of 1868) in Edinburgh is named in his memory. Another attractive curving street descending from the Royal Mile toward Waverley and the Old Nor Loch is named after his close friend Lord Henry Cockburn.
A bust by Sir John Steell stands on the east wall of Parliament Hall, behind St Giles Cathedral in Edinburgh.
The character Beau Nardi in John Paterson's Mare, James Hogg's allegorical satire on the Edinburgh publishing scene first published in the Newcastle Magazine in 1825, was based on Francis Jeffrey.
Francis Jeffrey's first wife, Catherine Wilson, died 8 August 1805, aged only 28, and is buried in Greyfriars Kirkyard, with their infant child George (d.1802). His brother, John Jeffrey (1775-1848) is also buried there.
Universally useful design principles of Dieter Rams are on display at SF MOMA's exhibit, 'Less and More' from August 27, 2011 - February 20, 2012.
Michael Parker, Global Industry Head of Shipping & Logistics, Citi and Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Responsible design strategy in this case means planting trees - any trees - which will withstand the wind at the top of a hill. Only then can we begin to consider food, colour, form and other uses.
Death Valley Lake! Death Valley National Park River Lake Fine Art Photography! Spring Rains & Floods Elliot McGucken Fine Art Landscape & Nature Photography! Sony A7R III & Wide Angle Sony FE 16-35mm f/2.8 GM (G Master) E-Mount Camera Lens! Death Valley NP Spring Rain Nature Photography!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Universally useful design principles of Dieter Rams are on display at SF MOMA's exhibit, 'Less and More' from August 27, 2011 - February 20, 2012.
These One Planet Principles are the DNA for our projects through design, construction, and into operation. Here's how they benefit communities.
Health & Happiness commitments will help create a more genuinely wealthy community, where residents are healthier and safer, know their neighbors, and have more time to spend with friends and family, exercising, and being outdoors in bountiful nearby nature.
Zero Carbon sets standards for ultra-efficient buildings powered by 100% renewable energy - giving you lower energy bills that are "future-proofed" from the ever-rising costs of oil, coal, and natural gas.
Zero Waste means spending less on unnecessary disposable consumer goods and packaging; knowing that your food/organic waste is being used as fertilizer in local landscaping and gardens; providing more materials for recycling businesses to put to re-use; reducing the impact of contaminated landfills and eliminating the production of the potent greenhouse gas methane.
Sustainable Transport means less time stuck in traffic jams and more time with family or friends; spending less on the rising cost of gasoline; getting more exercise bicycling or walking to nearby stores and jobs; safer streets for children; saving the planet and our lungs with less harmful smog, less pavement, and a massive reduction in greenhouse gases from our cars.
Local & Sustainable Materials strengthens the local economy with more jobs and a higher tax base. It means living in healthy, non-toxic buildings with unbeatable indoor air quality; spending less money maintaining imported materials designed for other climates; building with recycled materials; and greatly reducing smog and greenhouse gas emissions in material transport.
Local & Sustainable Food grown organically in on-site gardens and on nearby farms means a healthier diet; convenient and affordable in-season meals that are fresher, better-tasting and more nutritious; a stronger local agricultural economy; fewer impacts from pesticides and petroleum-based fertilizers; and less smog and greenhouse gas emissions from food transport.
Sustainable Water initiatives will slash water bills and lower energy bills by using less hot water. Fewer chemicals will be used for water treatment. Less water will be contaminated in sewers, ending up instead where nature intended – in ponds, wetlands, rivers, and coastal zones.
Natural Habitats & Wildlife protection and enhancement hosts a wide variety of outdoor recreation and leisure activities; provides free ecological services, like carbon sequestration, water and air purification; contributes to the beauty and value of the District; and helps reverse habitat loss with benefits for local endangered species
Culture & Heritage efforts enhance a sense of local identity, history, and civic pride, with regular events, festivals, and farmer’s markets.
Equity & Fair Trade will create new green-collar jobs; provide new affordable homes; and ensure that stores have a large selection of fair trade goods, giving poor producers in developing countries a fair price for their hard work.
Event: The Annual Women’s Empowerment Principles, entitled “Unlimited Potential: Business Partners for Gender Equality”
hosted by UN Women and the UN Global Compact in ECOSOC chambers at United Nations Headquarters on 10 March 2015.
Welcoming remarks by:
Master of Ceremonies: Jo Confino, Executive Editor, The Guardian and Chairman & Editorial Director of Guardian Sustainable Business
Georg Kell, Executive Director, UN Global Compact
Phumzile Mlambo-Ngcuka, Under-Secretary-General and Executive Director, UN Women.
Opening remarks by: UNSGKeynote Speaker: Hon. Hillary Rodham Clinton, former US Secretary of State
Photo: UN Women/Ryan Brown
Universally useful design principles of Dieter Rams are on display at SF MOMA's exhibit, 'Less and More' from August 27, 2011 - February 20, 2012.
Upper Antelope Canyon Summer Landscape Photography! Red & Orange Slot Canyons Sandstone! Upper Antelope Ghosts, Phantoms, & Light Beams! High Resolution Arizona Desert Landscape Photos! Dr. Elliot McGucken High Res American West Landscape & Nature Fine Art
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Enjoy my physics!! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Antelope Valley Poppy Reserve California Poppies Wildflower Superbloom! Spring Wild Flower Super Bloom Elliot McGucken Fine Art Landscape & Nature Photography! Springtime Flowers Blooming! Nikon D850 & AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR from Nikon!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
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Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
4D Spacetime Worldline Serpent Lightning Secret Petroglyph Temple Volcanic Tablelands Chidago Canyon Petroglyphs Bishop California Red Canyon! Fuji GFX100s Fine Art Landscape Nature Photography Eastern Sierra Petroglyphs Dr. Elliot McGucken Night Drone Art GFX100 Fujinon GF 20-35mm F4 R WR Wide Angle Zoom Lens
In Einstein's relativity, a "worldline" is the path an object traces through 4D spacetime.
Zoom in to see all the amazing petroglyph art on all the rocks! One often sees winding seprents and snakes in the petroglyphs, and on this night lighting struck and a serpent came to life!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Pretty Blonde Hair Bikini Model Ballerina! Malibu Beach Surf Girl ! Epic Swimsuit Portrait & Landscape Photography! Golden Ratio Composition Fitness Model Abs! Athletic Portraits of Swimsuit Bikini Models! Sexy Hot Portraiture dx4/dt=ic Venus!
Sony A7 R RAW Photos of Pretty, Tall Blonde Ballerina Model Goddess at the Beacht! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
My physics equation dx4/dt=ic graces the swimsuits and bikinis, while the golden gun is designed in proportion with the golden ratio, and the photos are oft cropped in divine proportions!
Beautiful Golden Ratio Composition Photography Surf Goddesses! dx4/dt=ic Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite! Athletic Fitness Models!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
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Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
This book is the Russian equivalent of the 1959 trilobite treatise volume (Treatise on Invertebrate Paleontology).
"Osnovy Paleontologii" means "Principles of Paleontology". This is the trilobites and crustaceans volume, published in 1960 and edited by Nina Evgenevna Chernysheva.
Chernysheva, N.E., ed. 1960. Osnovy Paleontologii, Chlenistonogie, Trilobitoobraznye i Rakoobraznye [Principles of Paleontology, Arthropods, Trilobitomorphs and Crustaceomorphs]. Moscow. Gosudarstvennoe Nauchno-Tekhnicheskoe Isdatelstvo Literatury po Geologii i Okhrane Nedr. 515 pp.
The example plate shows Cambrian and Ordovician trilobites.
Figure 1: Dipharus attleborensis (Lower Cambrian, North America)
Figure 2: Glabrella ventrosa (Middle Cambrian, central Asia)
Figure 3: Weymouthia nobilis (Lower Cambrian, North America)
Figure 4: Schmalenseeia amphionura (Upper Cambrian, eastern Siberia)
Figure 5: Solenopleura flerovae (Middle Cambrian, eastern Siberia)
Figure 6: Erdelia venusta (Lower Ordovician, Gornaya Shoriya)
Figure 7: Granularia protolenorum (Lower Cambrian, eastern Siberia)
Figure 8: Binodaspis spinosa (Lower Cambrian, eastern Siberia
Figure 9: Lecanopleura glabella (Upper Cambrian, eastern Siberia)
Figure 10: Esseigania tolli (Upper Cambrian, eastern Siberia)
Figure 11: Anomacarioides limbataeformis (Middle Cambrian, eastern Siberia)
Figure 12: Tuvanella communis (Lower Cambrian, Tuva)
Figure 13: Bailiaspis dalmani (Middle Cambrian, eastern Siberia)
Figure 14: Liostracus allachjunensis (Middle Cambrian, eastern Siberia)
This image is split using the divine proportion, or ground thirds, along a horizontal axis. The first third is the awning of the bakery, along with its shadow on the window display beneath it. The second third is the blue square making up the window, and the final third is from the window's bottom frame to the edge of the poster. This final third contains the majority of Minnie, and the trays of pastries and the bottom layer of the cupcake display. Minnie and the cupcake tiers cross over the ground thirds lines, adding flow and sequence to the image.
This poster was part of a 2013 calendar collection from the Disneyland Resort. Photograph by me.
The Fee Glade, a green space with winding paths, is designed for both personal contemplation and community gatherings. There are stones engraved with quotations from Fee and a copy of the Great Commitments. The Glade reclaims a ravine formerly occupied by Berea’s utilities operations.
At one entrance to the glade, there is an engraved copy of the College’s Great Commitments to educate and inspire those walking through the glade to pause, reflect and re-consider Berea’s inclusive Christian principles, such as the power of “love over hate, human dignity and equality, and peace with justice,” the eternal ideals to which Bereans aspire.
Berea’s Story, Motto, and the Great Commitments
In 1855, the Rev. John G. Fee started a one-room school that eventually would become Berea College. Fee, a native of Bracken County, Ky., parted with the church in which he had been ordained because it was not sufficiently against slavery and eventually was disowned and disinherited by his slaveholding father.
Fee's uncompromising faith and courage in preaching against slavery attracted the attention of Cassius M. Clay, a well-to-do Kentucky landowner and prominent leader in the movement for gradual emancipation. In 1853, Clay offered Fee the 10-acre Madison County homestead on the edge of the mountains if Fee would take up permanent residence there. Fee accepted and established an anti-slavery church with 13 members on a ridge above an area known simply as "The Glade." They named it "Berea" after the biblical town whose populace was open-minded and receptive to the gospel (Acts 17:10).
In 1854, Fee built his home upon the ridge. The following year, a one-room school, which also served as a church on Sundays, was built on a lot contributed by a neighbor. Berea's first teachers were recruited from Oberlin College, an anti-slavery institution of higher learning in Ohio.
Fee and his colleagues believed that "God made of one blood all peoples of the earth," which would become the school's motto. The second bylaw established another characteristic of Berea by asserting, "This college shall be under an influence strictly Christian."
Fee worked with other community leaders to develop a constitution for the new school, which he and Principal J.A.R. Rogers insisted should ensure its interracial character. They also agreed that the school would furnish work for as many students as possible, in order to help them pay their expenses and to dignify labor at a time when manual labor and slavery tended to be synonymous in the South.
The first articles of incorporation for Berea College were adopted in 1859. But that also was the year Fee and the Berea teachers were driven from Madison County by Southern pro-slavery sympathizers. Fee spent the Civil War years raising funds for the school; in 1865, he and his followers returned. A year later, the articles of incorporation were recorded at the county seat in Richmond, and in 1869 the College Department became a reality.
Berea's commitment to interracial education was overturned in 1904 by the Kentucky Legislature's passage of the Day Law, which prohibited education of black and white students together. When the U.S. Supreme Court upheld the Day Law, Berea set aside funds to assist in the establishment of the Lincoln Institute in Simpsonville, near Louisville, for the education of black students through the high-school level. The College also provided financial aid to send black students to colleges such as Knoxville College, Hampton Institute, Tuskegee, and Wilberforce. When the Day Law was amended in 1950 to allow voluntary integration above the high school level, Berea was the first college in Kentucky to reopen its doors to black students.
Berea's Motto
“God has made of one blood all peoples of the earth.”
The Great Commitments of Berea College
Berea College, founded by ardent abolitionists and radical reformers, continues today as an educational institution still firmly rooted in its historic purpose “to promote the cause of Christ.” Adherence to the College’s scriptural foundation, “God has made of one blood all peoples of the earth,” shapes the College’s culture and programs so that students and staff alike can work toward both personal goals and a vision of a world shaped by Christian values, such as the power of love over hate, human dignity and equality, and peace with justice. This environment frees persons to be active learners, workers, and servers as members of the academic community and as citizens of the world. The Berea experience nurtures intellectual, physical, aesthetic, emotional, and spiritual potentials and with those the power to make meaningful commitments and translate them into action.
To achieve this purpose, Berea College commits itself
To provide an educational opportunity primarily for students from Appalachia, black and white, who have great promise and limited economic resources.
To provide an education of high quality with a liberal arts foundation and outlook.
To stimulate understanding of the Christian faith and its many expressions and to emphasize the Christian ethic and the motive of service to others.
To provide for all students through the labor program experiences for learning and serving in community, and to demonstrate that labor, mental and manual, has dignity as well as utility.
To assert the kinship of all people and to provide interracial education with a particular emphasis on understanding and equality among blacks and whites.
To create a democratic community dedicated to education and equality for women and men.
To maintain a residential campus and to encourage in all members of the community a way of life characterized by plain living, pride in labor well done, zest for learning, high personal standards, and concern for the welfare of others.
To serve the Appalachian region primarily through education but also by other appropriate services.
Altar of the Twelve Gods
This altar ("bômos" in Greek) in the center of the agora was dedicated to the twelve great gods of Greece : Zeus, Hera, Poseidon, Demeter, Hestia, Apollo, Artemis, Hephæstus, Athena, Ares, Aphrodite and Hermes. It was the point from which distances were reckoned (see Herodotus, II, 7).
Bouleuterion
This was the meeting room of the Council of Five-Hundred, in Greek boulè (the word meaning "council"), hence the name "bouleuterion (see the section on Athenian institutions for more on the boulè). When Cleisthenes reformed the boulè in 508 B. C., he also had a new meeting room built next to the older one.
Colonos Agoraios
The Greek word "kolônos" means "hill". Hence, "Colonos Agoraios" means "the hill next to the agora". It was a meeting place for the craftsmen, close to the temple of their tutelary god, Hephæstus, further north on the same hill.
Enneacrounos
A Greek word meaning "nine spouts", that was used as the name of a public well built in the time of Pisistratus on the location of a spring formerly called Kallirhoè ("beautiful flow") (see Thucydides, II, 15, 5). The exact location of this well is not known and this location on the agora is only one among several suggested locations (other possible locations include : at the foot of the Pnyx, east of the Acropolis, next to the Olympeion or near the Ilisus).
Heliæa (law court)
This is the building where the chief law-court of Athens, the Heliæa, met and trials of its jusrisdiction were held. It is here that the trial of Socrates took place in 399 B. C.
Hephaisteion
The temple of Hephæstus, the tutelary god of craftsmen.
Peristylar Court
Another law-court of Athens, besides the Heliæa (peristylar means "surrounded by pillars).
Poikile Stoa
Greek for "Painted Porch". This is the porch were the Greek philosopher Zeno of Citium used to teach, toward the beginning of the IIIrd century B. C., the first principles of what would become known as a result as "Stoic" philosophy, from the Greek word "stoa", meaning "porch".
Royal Stoa
This porch (stoa in Greek) was the seat of the King-Archon (see the section on Athenian institutions for more on the King-Archon). It is next to this porch that Plato's Euthyphro takes place, when Socrates has been called by the King-Archon to answer the charges brought against him by Meletus and Anytus (see Euthyphro, 2a).
Statues of Eponym Heroes
This monument included a statue of each one of the ten eponym heroes of the ten tribes instituted by Cleisthenes Erechtheus, Ægeus (Theseus' father), Pandion, Leos, Acamas (one of Theseus' sons), Oeneus, Cecrops, Hippothoon, Ajax and Antiochus (a son of Heracles). It is on this monument that official decrees and annoucements were posted.
Stoa of Zeus
Another porch (stoa in Greek), this one dedicated to Zeus.
Strategeion
The meeting room of the 10 strategoi (see the section on Athenian institutions for more on the strategoi).
Temple of Aphrodite Urania
Aphrodite, the goddess of love, like most Greek gods and goddesses, was worshiped under different qualifications. Under the name "Urania" (celestial), she was praised as the goddess of conjugal love. In Plato's Symposium, Pausanias speech on love (Symposium, 180c-185c) centers on the opposition between two Aphrodites, Urania (celestial) and Pandemos (popular), and the two kinds of love (heavenly and vulgar) they inspire.
Temple of Apollo Patrôos
Under the epithet "Patrôos" (meaning "from the fathers"), Apollo was worshiped as the protector of families.
Tholos
The round residency of the prytanes, or presidents of the boulè, during their tenure (see the section on Athenian institutions for more on the boulè and prytanes).
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
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Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
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Two Golden ''Means'' ie Ratios of The Fibonacci Spiral Vortex, of The (''Ramjet, Scramjet ie Ramscoop - Warp Nacelles'') of Quantum Electromagnetic Spiral Propulsion. /// /// ///
((Updated Information In Diagram Description)) How To Have A Real Working and Functioning Bussard Collector, ''Warp Nacelle'' For The ''Added Benefit To The ''Warp Drive Engine'' Warp Core.
First you will ned to construct a [[[(''Warp Plasma Conduit ''COILS'') in which Directs High Energy OF Electro-Plasma Known As Warp Drive Plasma From The ''Warp Drive Engine Warp Core. then you will need to build a (''Bussard (Ramjet and Scramjet) inside of ''Warp Nacelle'') Housing, in which would have the ''Warp Coils''. Then you will be to build and construct a (''Bussard Ramscoop ''Hydrogen Collector'' ''Matter Anti-Matter'') Collector. (''CNO - Carbon, Nitrogen, Oxygen ''H-2''). which would add to the already Collected Hydrogen Gas ''Fuel'' Inside inside of the ''Warp Nacelle'' Housing. Then you will need to build and construct the (''Warp Nacelle Particle Aperture & Bussard Collector.'')]]] This will help Increase The Energy Output of The ''Warp Drive Engine'' Warp Core to create and to expand the ''Warp Bubble'' and The Fuel and Thrust that is Needed to push the ''Starship Forward'' Into ''Warp'' Then it will be traveling faster Then the ''Speed of Light''. thus the ''Starship'' thus flies and travels at ''Incredible Velocities'' at ''Enormous Distances'' in a ''Shorter Amount of Time''.
I believe that the Same Principles applies went it comes to the Creation of a ''Warp Drive Engine, Warp Core / Electromagnetic Hydrogen Plasma Fusion Reactor'' and that it has a whole lot of Potential for ''Warp Travel ie Star Travel''. Including the creation of a (''Bussard (Ramjet and Scramjet) inside of ''Warp Nacelle'') Housing, in which would have the ''Warp Coils''. Then you will be to build and construct a (''Bussard Ramscoop ''Hydrogen Collector'' ''Matter Anti-Matter'') Collector. (''CNO - Carbon, Nitrogen, Oxygen ''H-2''). ''Bussard Collectors // Warp Nacelles'' -
I am planning on doing some ''Scientific Experiments'' using and with ''Liquid Hydrogen'', ''Tesla / Rodin Coil'', ''Neodymium Magnets'', ''A High-Powered, ie Powerful Red Photon Laser Beamer / Shooter'', ''Aluminum Foil Plating'', ''Lithium Crystal'', to generate a ''Warp Field Generating Electromagnetic Hydrogen Plasma Field'' inside of a ''Home-Made Warp Drive Engine / Hydrogen Plasma Fusion Reactor''. I am going to be starting the very first steps in the First Developments of my ''Warp Drive Engine / Hydrogen Plasma Fusion Reactor Core'' in hopes that I can and will somehow produce ''Exceptional Results'' in the very first Stages of my ''Warp Drive Engine / Warp Core Concept''. I am going to go ahead with the Project in hopes that I can begin to gain new members and people to the Project I will have to start by myself in order for an Already Existing Project that others might want to join. I have to find out where I can get my Materials and Resources from first.!!!!
I plan on putting a ''Tesla/Rodin Coil Tower ie Cylinder'' inside of my ''Hydrogen Plasma Fusion Reactor Core, ie Warp Drive Engine Warp Core'' I will be incorporating ''Tesla Coil Technology With Hydrogen Plasma Fusion Technology'' I have studied the Scientific Works of people like (((''Nikolai Tesla'', ''Dr. Robert W. Bussard'', ''Hans Bethe'', ''Ernest Rutherford'', ''Ray Davis'', ''Stanley Pons & Martin Fleischmann'', ''Farrokh Najmabadi'', ''Dr. Edward Moses'', ''Paul Dirac'', and ''Franklin Chang-Diaz'',))). I am Planing on Combining the ''Works of (((''Nikolai Tesla'', ''Dr. Robert W. Bussard'', ''Hans Bethe'', ''Ernest Rutherford'', ''Ray Davis'', ''Stanley Pons & Martin Fleischmann'', ''Farrokh Najmabadi'', ''Dr. Edward Moses'', ''Paul Dirac'', and ''Franklin Chang-Diaz'',))).
ISTANBUL, TURKEY - 24 MAY 2016: General view of the Special Session on “Humanitarian Principles” within the World Humanitarian Summit. OCHA / Berk Ozkan
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats