View allAll Photos Tagged Presents
Typhon was flying through the spirit of consciousness, when I designed thus engine in 1987 for Alice v W.......
There is also a shining white comet with silver "hair,"
shining in such a way that it can scarcely be looked at,
and of human appearance,
showing in itself the form of a god.
―Joannes Lydus, in De Ostentis
I suppose that the comets may be the agents
which have already effected great changes in all the planets,
and that they may be destined to effect many others―
till, in defined periods, the planets, by means of these agents,
may be all reduced to a state of fusion or gas ....
―Godfrey Higgins, Anacalypsis, Volume II
Typhon (/ˈtaɪfɒn, -fən/; Greek: Τυφῶν, Tuphōn [typʰɔ̂ːn]), also Typhoeus (/taɪˈfiːəs/; Τυφωεύς, Tuphōeus), Typhaon (Τυφάων, Tuphaōn) or Typhos (Τυφώς, Tuphōs), was a monstrous snaky giant and the most deadly creature in Greek mythology. According to Hesiod, Typhon was the son of Gaia and Tartarus. However one source has Typhon as the son of Hera alone, while another makes Typhon the offspring of Cronus. Typhon and his mate Echidna were the progenitors of many famous monsters. Typhon attempted to overthrow Zeus for the supremacy of the cosmos. The two fought a cataclysmic battle, which Zeus finally won with the aid of his thunderbolts. Defeated, Typhon was cast into Tartarus, or buried underneath Mount Etna, or the island of Ischia. In later accounts Typhon was often confused with the Giants.According to Hesiod's Theogony (c. 8th – 7th century BC), Typhon was the son of Gaia (Earth) and Tartarus: "when Zeus had driven the Titans from heaven, huge Earth bore her youngest child Typhoeus of the love of Tartarus, by the aid of golden Aphrodite".The mythographer Apollodorus (1st or 2nd century AD) adds that Gaia bore Typhon in anger at the gods for their destruction of her offspring the Giants.Numerous other sources mention Typhon as being the offspring of Gaia, or simply "earth-born", with no mention of Tartarus.However, according to the Homeric Hymn to Apollo (6th century BC), Typhon was the child of Hera alone. Hera, angry at Zeus for having given birth to Athena by himself, prayed to Gaia, Uranus, and the Titans, to give her a son stronger than Zeus, then slapped the ground and became pregnant. Hera gave the infant Typhon to the serpent Python to raise, and Typhon grew up to become a great bane to mortals.
Depiction by Wenceslas Hollar
Several sources locate Typhon's birth and dwelling place in Cilicia, and in particular the region in the vicinity of the ancient Cilician coastal city of Corycus (modern Kızkalesi, Turkey). The poet Pindar (c. 470 BC) calls Typhon "Cilician,"and says that Typhon was born in Cilicia and nurtured in "the famous Cilician cave",[8] an apparent allusion to the Corycian cave in Turkey.[9] In Aeschylus' Prometheus Bound, Typhon is called the "dweller of the Cilician caves",and both Apollodorus and the poet Nonnus (4th or 5th century AD) have Typhon born in Cilicia.
The b scholia to Iliad 2.783, preserving a possibly Orphic tradition, has Typhon born in Cilicia, as the offspring of Cronus. Gaia, angry at the destruction of the Giants, slanders Zeus to Hera. So Hera goes to Zeus' father Cronus (whom Zeus had overthrown) and Cronus gives Hera two eggs smeared with his own semen, telling her to bury them, and that from them would be born one who would overthrow Zeus. Hera, angry at Zeus, buries the eggs in Cilicia "under Arimon", but when Typhon is born, Hera, now reconciled with Zeus, informs him.
According to Hesiod, Typhon was "terrible, outrageous and lawless",immensely powerful, and on his shoulders were one hundred snake heads, that emitted fire and every kind of noise:
Strength was with his hands in all that he did and the feet of the strong god were untiring. From his shoulders grew a hundred heads of a snake, a fearful dragon, with dark, flickering tongues, and from under the brows of his eyes in his marvellous heads flashed fire, and fire burned from his heads as he glared. And there were voices in all his dreadful heads which uttered every kind of sound unspeakable; for at one time they made sounds such that the gods understood, but at another, the noise of a bull bellowing aloud in proud ungovernable fury; and at another, the sound of a lion, relentless of heart; and at another, sounds like whelps, wonderful to hear; and again, at another, he would hiss, so that the high mountains re-echoed.
The Homeric Hymn to Apollo describes Typhon as "fell" and "cruel", and neither like gods nor men.Three of Pindar's poems have Typhon as hundred-headed (as in Hesiod), while apparently a fourth gives him only fifty heads, but a hundred heads for Typhon became standard. A Chalcidian hydria (c. 540–530 BC), depicts Typhon as a winged humanoid from the waist up, with two snake tails below.Aeschylus calls Typhon "fire-breathing".For Nicander (2nd century BC), Typhon was a monster of enormous strength, and strange appearance, with many heads, hands, and wings, and with huge snake coils coming from his thighs.
Apollodorus describes Typhon as a huge winged monster, whose head "brushed the stars", human in form above the waist, with snake coils below, and fire flashing from his eyes:
In size and strength he surpassed all the offspring of Earth. As far as the thighs he was of human shape and of such prodigious bulk that he out-topped all the mountains, and his head often brushed the stars. One of his hands reached out to the west and the other to the east, and from them projected a hundred dragons' heads. From the thighs downward he had huge coils of vipers, which when drawn out, reached to his very head and emitted a loud hissing. His body was all winged: unkempt hair streamed on the wind from his head and cheeks; and fire flashed from his eyes.
The most elaborate description of Typhon is found in Nonnus's Dionysiaca. Nonnus makes numerous references to Typhon's serpentine nature,giving him a "tangled army of snakes",snaky feet,and hair.According to Nonnus, Typhon was a "poison-spitting viper",whose "every hair belched viper-poison", and Typhon "spat out showers of poison from his throat; the mountain torrents were swollen, as the monster showered fountains from the viperish bristles of his high head",and "the water-snakes of the monster's viperish feet crawl into the caverns underground, spitting poison!".
Following Hesiod and others, Nonnus gives Typhon many heads (though untotaled), but in addition to snake heads,Nonnus also gives Typhon many other animal heads, including leopards, lions, bulls, boars, bears, cattle, wolves, and dogs, which combine to make 'the cries of all wild beasts together',and a "babel of screaming sounds". Nonnus also gives Typhon "legions of arms innumerable", and where Nicander had only said that Typhon had "many" hands, and Ovid had given Typhon a hundred hands, Nonnus gives Typhon two hundred.
According to Hesiod's Theogony, Typhon "was joined in love" to Echidna, a monstrous half-woman and half-snake, who bore Typhon "fierce offspring".First, according to Hesiod, there was Orthrus,the two-headed dog who guarded the Cattle of Geryon, second Cerberus,the multiheaded dog who guarded the gates of Hades, and third the Lernaean Hydra,the many-headed serpent who, when one of its heads was cut off, grew two more. The Theogony next mentions an ambiguous "she", which might refer to Echidna, as the mother of the Chimera (a fire-breathing beast that was part lion, part goat, and had a snake-headed tail) with Typhon then being the father.
While mentioning Cerberus and "other monsters" as being the offspring of Echidna and Typhon, the mythographer Acusilaus (6th century BC) adds the Caucasian Eagle that ate the liver of Prometheus, the mythographer Pherecydes of Leros (5th century BC), also names Prometheus' eagle,and adds Ladon (though Pherecydes does not use this name), and the dragon that guarded the golden apples in the Garden of the Hesperides (according to Hesiod, the offspring of Ceto and Phorcys).The lyric poet Lasus of Hermione (6th century BC) adds the Sphinx.
Later authors mostly retain these offspring of Typhon by Echidna, while adding others. Apollodorus, in addition to naming as their offspring Orthrus, the Chimera (citing Hesiod as his source) the Caucasian Eagle, Ladon, and the Sphinx, also adds the Nemean lion (no mother is given), and the Crommyonian Sow, killed by the hero Theseus (unmentioned by Hesiod).
Hyginus (1st century BC),in his list of offspring of Typhon (all by Echidna), retains from the above: Cerberus, the Chimera, the Sphinx, the Hydra and Ladon, and adds "Gorgon" (by which Hyginus means the mother of Medusa, whereas Hesiod's three Gorgons, of which Medusa was one, were the daughters of Ceto and Phorcys), the Colchian Dragon that guarded the Golden Fleece and Scylla.The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra,[48] in one source, are said to be the daughters of Typhon.
The sea serpents which attacked the Trojan priest Laocoön, during the Trojan War, were perhaps supposed to be the progeny of Typhon and Echidna.
According to Hesiod, the defeated Typhon is the source of destructive storm winds.
Typhon challenged Zeus for rule of the cosmos.The earliest mention of Typhon, and his only occurrence in Homer, is a passing reference in the Iliad to Zeus striking the ground around where Typhon lies defeated.Hesiod's Theogony gives us the first account of their battle. According to Hesiod, without the quick action of Zeus, Typhon would have "come to reign over mortals and immortals".In the Theogony Zeus and Typhon meet in cataclysmic conflict:
[Zeus] thundered hard and mightily: and the earth around resounded terribly and the wide heaven above, and the sea and Ocean's streams and the nether parts of the earth. Great Olympus reeled beneath the divine feet of the king as he arose and earth groaned thereat. And through the two of them heat took hold on the dark-blue sea, through the thunder and lightning, and through the fire from the monster, and the scorching winds and blazing thunderbolt. The whole earth seethed, and sky and sea: and the long waves raged along the beaches round and about at the rush of the deathless gods: and there arose an endless shaking. Hades trembled where he rules over the dead below, and the Titans under Tartarus who live with Cronos, because of the unending clamor and the fearful strife.
Zeus with his thunderbolt easily overcomes Typhon,who is thrown down to earth in a fiery crash:
So when Zeus had raised up his might and seized his arms, thunder and lightning and lurid thunderbolt, he leaped from Olympus and struck him, and burned all the marvellous heads of the monster about him. But when Zeus had conquered him and lashed him with strokes, Typhoeus was hurled down, a maimed wreck, so that the huge earth groaned. And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount, when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.
Defeated, Typhon is cast into Tartarus by an angry Zeus.
Epimenides (7th or 6th century BC) seemingly knew a different version of the story, in which Typhon enters Zeus' palace while Zeus is asleep, but Zeus awakes and kills Typhon with a thunderbolt.Pindar apparently knew of a tradition which had the gods, in order to escape from Typhon, transform themselves into animals, and flee to Egypt.Pindar calls Typhon the "enemy of the gods",and says that he was defeated by Zeus' thunderbolt.In one poem Pindar has Typhon being held prisoner by Zeus under Etna,and in another says that Typhon "lies in dread Tartarus", stretched out underground between Mount Etna and Cumae.In Aeschylus' Prometheus Bound, a "hissing" Typhon, his eyes flashing, "withstood all the gods", but "the unsleeping bolt of Zeus" struck him, and "he was burnt to ashes and his strength blasted from him by the lightning bolt."
According to Pherecydes of Leros, during his battle with Zeus, Typhon first flees to the Caucasus, which begins to burn, then to the volcanic island of Pithecussae (modern Ischia), off the coast of Cumae, where he is buried under the island.Apollonius of Rhodes (3rd century BC), like Pherecydes, presents a multi-stage battle, with Typhon being struck by Zeus' thunderbolt on mount Caucasus, before fleeing to the mountains and plain of Nysa, and ending up (as already mentioned by the fifth-century BC Greek historian Herodotus) buried under Lake Serbonis in Egypt.
Like Pindar, Nicander has all the gods but Zeus and Athena, transform into animal forms and flee to Egypt: Apollo became a hawk, Hermes an ibis, Ares a fish, Artemis a cat, Dionysus a goat, Heracles a fawn, Hephaestus an ox, and Leto a mouse.
The geographer Strabo (c. 20 AD) gives several locations which were associated with the battle. According to Strabo, Typhon was said to have cut the serpentine channel of the Orontes River, which flowed beneath the Syrian Mount Kasios (modern Jebel Aqra), while fleeing from Zeus,and some placed the battle at Catacecaumene ("Burnt Land"),a volcanic plain, on the upper Gediz River, between the ancient kingdoms of Lydia, Mysia and Phrygia, near Mount Tmolus (modern Bozdağ) and Sardis the ancient capital of Lydia.
In the versions of the battle given by Hesiod, Aeschylus and Pindar, Zeus' defeat of Typhon is straightforward, however a more involved version of the battle is given by Apollodorus.No early source gives any reason for the conflict, but Apollodorus' account seemingly implies that Typhon had been produced by Gaia to avenge the destruction, by Zeus and the other gods, of the Giants, a previous generation of offspring of Gaia. According to Apollodorus, Typhon, "hurling kindled rocks", attacked the gods, "with hissings and shouts, spouting a great jet of fire from his mouth." Seeing this, the gods transformed into animals and fled to Egypt (as in Pindar and Nicander). However "Zeus pelted Typhon at a distance with thunderbolts, and at close quarters struck him down with an adamantine sickle"Wounded, Typhon fled to the Syrian Mount Kasios, where Zeus "grappled" with him. But Typhon, twining his snaky coils around Zeus, was able to wrest away the sickle and cut the sinews from Zeus' hands and feet. Typhon carried the disabled Zeus across the sea to the Corycian cave in Cilicia where he set the she-serpent Delphyne to guard over Zeus and his severed sinews, which Typhon had hidden in a bearskin. But Hermes and Aegipan (possibly another name for Pan)stole the sinews and gave them back to Zeus. His strength restored, Zeus chased Typhon to mount Nysa, where the Moirai tricked Typhon into eating "ephemeral fruits" which weakened him. Typhon then fled to Thrace, where he threw mountains at Zeus, which were turned back on him by Zeus' thunderbolts, and the mountain where Typhon stood, being drenched with Typhon's blood, became known as Mount Haemus (Bloody Mountain). Typhon then fled to Sicily, where Zeus threw Mount Etna on top of Typhon burying him, and so finally defeated him.
Oppian (2nd century AD) says that Pan helped Zeus in the battle by tricking Typhon to come out from his lair, and into the open, by the "promise of a banquet of fish", thus enabling Zeus to defeat Typhon with his thunderbolts.
The longest and most involved version of the battle appears in Nonnus's Dionysiaca (late 4th or early 5th century AD).Zeus hides his thunderbolts in a cave, so that he might seduce the maiden Plouto, and so produce Tantalus. But smoke rising from the thunderbolts, enables Typhon, under the guidance of Gaia, to locate Zeus's weapons, steal them, and hide them in another cave.Immediately Typhon extends "his clambering hands into the upper air" and begins a long and concerted attack upon the heavens.Then "leaving the air" he turns his attack upon the seas.Finally Typhon attempts to wield Zeus' thunderbolts, but they "felt the hands of a novice, and all their manly blaze was unmanned."
Now Zeus' sinews had somehow – Nonnus does not say how or when — fallen to the ground during their battle, and Typhon had taken them also.But Zeus devises a plan with Cadmus and Pan to beguile Typhon.Cadmus, desguised as a shepherd, enchants Typhon by playing the panpipes, and Typhon entrusting the thuderbolts to Gaia, sets out to find the source of the music he hears.Finding Cadmus, he challenges him to a contest, offering Cadmus any goddess as wife, excepting Hera whom Typhon has reserved for himself.Cadmus then tells Typhon that, if he liked the "little tune" of his pipes, then he would love the music of his lyre – if only it could be strung with Zeus' sinews.So Typhon retrieves the sinews and gives them to Cadmus, who hides them in another cave, and again begins to play his bewitching pipes, so that "Typhoeus yielded his whole soul to Cadmos for the melody to charm".
With Typhon distracted, Zeus takes back his thunderbolts. Cadmus stops playing, and Typhon, released from his spell, rushes back to his cave to discover the thunderbolts gone. Incensed Typhon unleashes devastation upon the world: animals are devoured, (Typhon's many animal heads each eat animals of its own kind), rivers turned to dust, seas made dry land, and the land "laid waste".
The day ends with Typhon yet unchallenged, and while the other gods "moved about the cloudless Nile", Zeus waits through the night for the coming dawn.Victory "reproaches" Zeus, urging him to "stand up as champion of your own children!"Dawn comes and Typhon roars out a challenge to Zeus. And a cataclysmic battle for "the sceptre and throne of Zeus" is joined. Typhon piles up mountains as battlements and with his "legions of arms innumerable", showers volley after volley of trees and rocks at Zeus, but all are destroyed, or blown aside, or dodged, or thrown back at Typhon. Typhon throws torrents of water at Zeus' thunderbolts to quench them, but Zeus is able to cut off some of Typhon's hands with "frozen volleys of air as by a knife", and hurling thunderbolts is able to burn more of typhon's "endless hands", and cut off some of his "countless heads". Typhon is attacked by the four winds, and "frozen volleys of jagged hailstones."Gaia tries to aid her burnt and frozen son.Finally Typhon falls, and Zeus shouts out a long stream of mocking taunts, telling Typhon that he is to be buried under Sicily's hills, with a cenotaph over him which will read "This is the barrow of Typhoeus, son of Earth, who once lashed the sky with stones, and the fire of heaven burnt him up".
Most accounts have the defeated Typhon buried under either Mount Etna in Sicily, or the volcanic island of Ischia, the largest of the Phlegraean Islands off the coast of Naples, with Typhon being the cause of volcanic eruptions and earthquakes.
Though Hesiod has Typhon simply cast into Tartarus by Zeus, some have read a reference to Mount Etna in Hesiod's description of Typhon's fall: And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.
The first certain references to Typhon buried under Etna, as well as being the cause of its eruptions, occur in Pindar:Son of Cronus, you who hold Aetna, the wind-swept weight on terrible hundred-headed Typhon, and:among them is he who lies in dread Tartarus, that enemy of the gods, Typhon with his hundred heads. Once the famous Cilician cave nurtured him, but now the sea-girt cliffs above Cumae, and Sicily too, lie heavy on his shaggy chest. And the pillar of the sky holds him down, snow-covered Aetna, year-round nurse of bitter frost, from whose inmost caves belch forth the purest streams of unapproachable fire. In the daytime her rivers roll out a fiery flood of smoke, while in the darkness of night the crimson flame hurls rocks down to the deep plain of the sea with a crashing roar. That monster shoots up the most terrible jets of fire; it is a marvellous wonder to see, and a marvel even to hear about when men are present. Such a creature is bound beneath the dark and leafy heights of Aetna and beneath the plain, and his bed scratches and goads the whole length of his back stretched out against it. Thus Pindar has Typhon in Tartarus, and buried under not just Etna, but under a vast volcanic region stretching from Sicily to Cumae (in the vicinity of modern Naples), a region which presumably also included Mount Vesuvius, as well as Ischia.
Many subsequent accounts mention either Etna[98] or Ischia. In Prometheus Bound, Typhon is imprisoned underneath Etna, while above him Hephaestus "hammers the molten ore", and in his rage, the "charred" Typhon causes "rivers of fire" to pour forth. Ovid has Typhon buried under all of Sicily, with his left and right hands under Pelorus and Pachynus, his feet under Lilybaeus, and his head under Etna; where he "vomits flames from his ferocious mouth". And Valerius Flaccus has Typhon's head under Etna, and all of Sicily shaken when Typhon "struggles". Lycophron has both Typhon and Giants buried under the island of Ischia. Virgil, Silius Italicus and Claudian, all calling the island "Inarime", have Typhon buried there. Strabo, calling Ischia "Pithecussae", reports the "myth" that Typhon lay buried there, and that when he "turns his body the flames and the waters, and sometimes even small islands containing boiling water, spout forth." In addition to Typhon, other mythological beings were also said to be buried under Mount Etna and the cause of its vocanic activity. Most notably the Giant Enceladus was said to be entombed under Etna, the volcano's eruptions being the breath of Enceladus, and its tremors caused by the Giant rolling over from side to side beneath the mountain. Also said to be buried under Etna were the Hundred-hander Briareus,and Asteropus who was perhaps one of the Cyclopes.
Typhon's final resting place was apparently also said to be in Boeotia.The Hesiodic Shield of Heracles names a mountain near Thebes Typhaonium, perhaps reflecting an early tradition which also had Typhon buried under a Boeotian mountain.And some apparently claimed that Typhon was buried beneath a mountain in Boeotia, from which came exhaltations of fire.
Homer describes a place he calls the "couch [or bed] of Typhoeus", which he locates in the land of the Arimoi (εἰν Ἀρίμοις), where Zeus lashes the land about Typhoeus with his thunderbolts.[107] Presumably this is the same land where, according to Hesiod, Typhon's mate Echidna keeps guard "in Arima" (εἰν Ἀρίμοισιν). But neither Homer nor Hesiod say anything more about where these Arimoi or this Arima might be. The question of whether an historical place was meant, and its possible location, has been, since ancient times, the subject of speculation and debate. Strabo discusses the question in some detail. Several locales, Cilicia, Syria, Lydia, and the island of Ischia, all places associated with Typhon, are given by Strabo as possible locations for Homer's "Arimoi".
Pindar has his Cilician Typhon slain by Zeus "among the Arimoi",[111] and the historian Callisthenes (4th century BC), located the Arimoi and the Arima mountains in Cilicia, near the Calycadnus river, the Corycian cave and the Sarpedon promomtory.[112] The b scholia to Iliad 2.783, mentioned above, says Typhon was born in Cilicia "under Arimon",and Nonnus mentions Typhon's "bloodstained cave of Arima" in Cilicia. Just across the Gulf of Issus from Corycus, in ancient Syria, was Mount Kasios (modern Jebel Aqra) and the Orontes River, sites associated with Typhon's battle with Zeus,and according to Strabo, the historian Posidonius (c. 2nd century BC) identified the Arimoi with the Aramaeans of Syria.
Alternatively, according to Strabo, some placed the Arimoi at Catacecaumene, while Xanthus of Lydia (5th century BC) added that "a certain Arimus" ruled there. Strabo also tells us that for "some" Homer's "couch of Typhon" was located "in a wooded place, in the fertile land of Hyde", with Hyde being another name for Sardis (or its acropolis), and that Demetrius of Scepsis (2nd century BC) thought that the Arimoi were most plausibly located "in the Catacecaumene country in Mysia".[119] The 3rd-century BC poet Lycophron placed the lair of Typhons' mate Echidna in this region.
Another place, mentioned by Strabo, as being associated with Arima, is the island of Ischia, where according to Pherecydes of Leros, Typhon had fled, and in the area where Pindar and others had said Typhon was buried. The connection to Arima, comes from the island's Greek name Pithecussae, which derives from the Greek word for monkey, and according to Strabo, residents of the island said that "arimoi" was also the Etruscan word for monkeys.
Typhon's name has a number of variants. The earliest forms of Typhoeus and Typhaon, occur prior to the 5th century BC. Homer uses Typhoeus,Hesiod and the Homeric Hymn to Apollo use both Typhoeus and Typhaon. The later forms Typhos and Typhon occur from the 5th century BC onwards, with Typhon becoming the standard form by the end of that century.
Though several possible derivations of the name Typhon have been suggested, the derivation remains uncertain.Consistent with Hesiod's making storm winds Typhon's offspring, some have supposed that Typhon was originally a wind-god, and ancient sources associated him with the Greek words tuphon, tuphos meaning "whirlwind".Other theories include derivation from a Greek root meaning "smoke" (consistent with Typhon's identification with volcanoes), from an Indo-European root meaning "abyss" (making Typhon a "Serpent of the Deep"), and from Sapõn the Phoenician name for the Ugaritic god Baal's holy mountain Jebel Aqra (the classical Mount Kasios) associated with the epithet Baʿal Zaphon.
Mythologist Joseph Campbell makes parallels to the slaying of Leviathan by YHWH, about which YHWH boasts to Job. Ogden calls the Typhon myth "the only Graeco-Roman drakōn-slaying myth that can seriously be argued to exhibit the influence of Near Eastern antecedents", connecting it in particular with Baʿal Zaphon's slaying of Yammu and Lotan, as well as with the Hittite myth of Illuyankas. From its first reappearance, this latter myth has been seen as a prototype of the battle of Zeus and Typhon. Walter Burkert and Calvert Watkins each note the close agreements.
Comparisons can also be drawn with the Mesopotamian monster Tiamat and her slaying by Babylonian chief god Marduk.The similarities between the Greek myth and its earlier Mesopotamian counterpart do not seem to be merely accidental. A number of west Semitic (Ras Shamra) and Hittite sources appear to corroborate the theory of a genetic relationship between the two myths.
Typhon's story seems related to that of another monstrous offspring of Gaia: Python, the serpent killed by Apollo at Delphi, suggesting a possible common origin. Besides the similarity of names, their shared parentage, and the fact that both were snaky monsters killed in single combat with an Olympian god, there are other connections between the stories surrounding Typhon, and those surrounding Python. Although the Delphic monster killed by Apollo is usually said to be the male serpent Python, in the Homeric Hymn to Apollo, the earliest account of this story, the god kills a nameless she-serpent (drakaina), subsequently called Delphyne, who had been Typhon's foster-mother. Delphyne and Echidna, besides both being intimately connected to Typhon—one as mother, the other as mate—share other similarities.Both were half-maid and half-snake,a plague to men,and associated with the Corycian cave in Cilicia.
Python was also perhaps connected with a different Corycian Cave than the one in Cilicia, this one on the slopes of Parnassus above Delphi, and just as the Corcian cave in Cilicia was thought to be Typhon and Echidna's lair, and associated with Typhon's battle with Zeus, there is evidence to suggest that the Corycian cave above Delphi was supposed to be Python's (or Delphyne's) lair, and associated with his (or her) battle with Apollo.
Typhon bears a close resemblance to an older generation of descendants of Gaia, the Giants.They, like their younger brother Typhon after them, challenged Zeus for supremacy of the cosmos,were (in later representations) shown as snake-footed,and end up buried under volcanos.
While distinct in early accounts, in later accounts Typhon was often confused or conflated with the Giants.The Roman mythographer Hyginus (64 BC – 17 AD) includes Typhon in his list of Giants,while the Roman poet Horace (65 – 8 BC), mentions Typhon, along with the Giants Mimas, Porphyrion, and Enceladus, as together battling Athena, during the Gigantomachy.The Astronomica, attributed to the 1st-century AD Roman poet and astrologer Marcus Manilius,and the late 4th-century early 5th-century Greek poet Nonnus, also consider Typhon to be one of the Giants.
From apparently as early as Hecataeus of Miletus (c. 550 BC – c. 476 BC), Typhon was identified with Set, the Egyptian god of destruction.This syncretization with Egyptian mythology can also be seen in the story, apparently known as early as Pindar, of Typhon chasing the gods to Egypt, and the gods transforming themselves into animals.Such a story arose perhaps as a way for the Greeks to explain Egypt's animal-shaped gods.Herodotus also identified Typhon with Set, making him the second to last divine king of Egypt. Herodotus says that Typhon was deposed by Osiris' son Horus, whom Herodutus equates with Apollo (with Osiris being equated with Dionysus),and after his defeat by Horus, Typhon was "supposed to have been hidden" in the "Serbonian marsh" (identified with modern Lake Bardawil) in Egypt.
Para nuestro proyecto Two Across the Sea Con mi compañera y amiga Eva Ruiz
Nota: fotos de Miranda tratando de tomar fotos conmigo, en los comentarios.
For our blog Two Across the Sea with my dear friend Eva Ruiz
Note: bonus shots of Miranda trying to take pictures with me, in the comments.
Still looking through old negatives, I think this was taken about 3 or 4 years ago with Hasselblad 500cm (on fuji400).
Somewhere I should have a whole serie of stuff the cats dragged in over the years (at one point I even started drawing chalklines around the cadavres and photographing those :-) , haven't found those yet. If I do, more will follow.
(bad scan: colors are somewhat of, newton rings, ... - but since I going back to darkroom printing, I'm glad the negative itself looks ok)
I got my presents already and I'm soooo happy :3!
I got Ariel & Ursula Fairy Tale Designer Dolls, Ballgown Flora by Mattel, a Bluetooth Box by JBL, Chocolate, Aquarell Pads & a lot of clothes (which are not on the picture) :3
Available for The Liaison Collaborative's December round, the Presents set features five poses using the included props. The ribbons on the box are
Thursday 10th of March 6pm
Address LO-FI Gallery:
Floor 3, 383 Bourke Street
Surry Hills 2010
Sydney, Australia
Email:
loficollective@gmail.com
♥YOU - A WONDERFUL PERSON PRESENTS IN MY HEART♥
Lúc anh nhìn người anh yêu
Mắt anh rực sáng
Khóe môi nồng nàn anh nở ra nụ cười ấm áp
Những điều thật tự nhiên mà em đã trông thấy được
Và em biết tình yêu của em thật nhỏ bé
Lúc em hiểu mình yêu anh
Tim em quặn đau
Cũng chỉ vì người đã có riêng khung trời phía trước
Bàn chân chẳng thể bước
Dẫu đã thấy con đường
Để không một ai trong chúng ta phải khóc
Tình yêu đó đã có lúc lòng mong nói ra những điều
Rằng em đã đã trót nhớ anh thật nhiều
Trái tim này người có thấu
Nỗi đau này người có hay
Mà tại sao nhìn anh cười em không hé môi
Đành chôn dấu những nỗi nhớ vào sâu kín trong tâm hồn
Vì có lẽ em đã có câu trả lời
Anh bên người được hạnh phúc
Đó cũng là điều em mong
Nhìn anh vui thì em càng vui anh biết không?
Lúc em nhìn người anh yêu
Tim em nồng ấm
Đã không còn ngàn đau đớn, hay giận hờn óan trách
Những điều thật tự nhiên mà em đã suy nghĩ được
Và em xin thật tâm chúc phúc cho tình yêu
Của hai người
www.nhaccuatui.com/nghe?M=Z6dQWetXBb
♥Dường như e đã yêu,từ lần đầu tiên khi e gặp a.Một tình yêu như thắp sáng tâm hồn.Luôn thao thức nhớ a từng đêm.
♥Vì e qá ngốc nghếch nên chẳng biết ai ngoài a.lúc a bên người khác..a k biết cảm nhận của e sao?Từ khi quen a.E không còn là e.Ký ức ngày xưa trong e cũng chẳng còn.Chỉ biết hướng về a.Người e chờ đợi.Trong nước mắt tuôn trào !
♥Chỉ cần nhìn a từ phía sau.E đã cảm thấy rất hạnh phúc..Nhưng a vẩn không nhận ra nỗi lòng của e và a vẫn cứ thế bước đi ..
♥Tháng ngày qa e nhớ a vô hạn,tháng ngày qa nỗi đau ấy cứ bám lấy e.Chỉ biết mấp máy vài câu " e nhớ a" " e yêu a" .Cô đơn khóc vì a lần nữa.Cô đơn nhớ a lần nữa .
♥E tạo nên ký ức của riêng mình,để 1khi nào đó,e vẩn điều nhớ đến chuyện chúng mình..Với e có lẽ tình yêu như 1 vết thương .. Đẹp !
♥E sẽ k sống đễ chờ tình yêu đến và rời khõi lần nữa..Nếu e có thể bảo trái tim ngừng nhớ a.E sẽ qên a ngay bây giờ..E sẽ k cần khóc và nhói đau khi nhớ a từng ngày,từng ngày...Chỉ vì e k tốt như a.trái tim e đau đơn khi nghĩ về a.Không phãi vì e yêu mềm Nhưng cố gắng qên tình yêu thật sữ k dễ dàng !
♥ e đang tập làm người lớn đây! tin không? từ tình yêu của a,e mở cửa trái tim mình...A xa qá,con đường đời lại thăm thẳm.Kỷ niệm tình cờ khoảng vắng lặng khinh ~ e chẵng dám mơ rằng a lại nói yêu e sau những tháng ngày xa nhau ~ sau những niềm đau dăng dẳng...
◘a có thời gian nc cùng e chứ? bây giờ a vẫn khỏe chú?E đã làm mọi thứ trở nên thật tệ ~ e cảm thấy thật buồn ...E chỉ biết a đã cướp mất trái tim e rồi.e hy vọng vẫn chưa phải là qá muộn đễ e có thể yêu a lại lần nữa
A có thể trở thành bạn trai của e k? trái tim e đã nghĩ về a từ lâu.E đã có thêm tự tin .để nói "là a đó"...a có thể tl e được k? Bởi vì trái tim e đã tràn đầy tình yêu dành cho a rồi ..A vẫn muốn trở thành bạn trai của e chứ ...?
A có biết e đã sống trong chờ đợi với trái tim trống vắng..Rồi e nhận ra ai là người qan trọng trong e!!
Không tệ đâu ~ bởi vì e hiễu rồi..e đã yêu a :>
E biết mình đã đánh mất a rồi .Hi vọng thật nhiều mong rằng vẫn chưa muộn ..A Sẽ yêu lại e lần nữa được k?
E tự hõi con tim từ lâu..giờ e đã có thêm tự tin đễ nói là a đó...A TL E NHÉ? Bỡi vì trái tim e dành trao a mất rồi! a có thễ trỡ thành bạn trai của e k?...!!
E Muốn chúng ta tay trong tay đi dạo phố ..Ngồi cạnh a khi đi xem phim :> Người đầu tiên e nghĩ vào mỗi buổi sớm mai đó là a :> E nhớ a lắm !a biết không?con tim e đong đầy tình yêu dành cho a....
EM BIẾT BÂY GIỜ LÀ KHÔNG THỂ ...NHƯNG E MÃI NGUYỆN CẦU ĐIỀU ĐÓ THÀNH SỰ THẬT !!
(...)
hôm nay tâm trạng mình đong đầy :>>
KHÔNG THÍCH NGƯỜI KHÁC CHÙA FLICKR THÌ ĐỪNG CHÙA FLICKR NGƯỜI KHÁC
The best gift isn't flowers, but rather transforming and preserving the woman you love into a beautiful and unique flower. Powerful women don't give Christmas presents... They are the Christmas presents.
Saw these presents all lined up in the beauty shop this weekend and thought they were so pretty. :) Hope you're having a great evening!
Christmas presents, le custom Ariel was from my boyfriend, the showcase figures were off my boyfriends family. Gaga was just a present to myself when she went up for pre order.
Credits:
Photos by Uollka. Stuff, decorations and partly outfits by Uollka, milo_59 and me. ^^
Dolls:
Switch SHIHO (Uollka) – Oles
Switch WASEON (Uollka) - Naile
Switch SOSEO Dreamlike Ver. (Uollka) – Artyom
Switch Mara (milo_59)– Misaki
Switch SEOLROK (Uollka) – Kotya
Switch Soseo (milo_59)– Hayato
Switch Ryun:R : MOCHA BROWN (Uollka) - Jan
Switch Haji: R (Legend_chii) - Ludwig aka Luthik
Dollstown Ariel (Legend_chii) - Michelle
Flower Junior Char (Legend_chii) - Luthik
Miadoll Baby Lamb (Legend_chii) - Leo
Miadoll Baby Lamb sleeping (Legend_chii) - Matilda
Marvel Presents / Heft-Reihe
featuring: The Guardians of the Galaxy
Death-Bird Rising!
cover: Al Milgrom
Marvel Comics Group / USA 1977
ex libris MTP
First of all, Merry Christmas everyone!
Here's a quick shot of my doll related Christmas presents. I really like them all. More pictures will be posted later when I have more time. I also look forward to seeing what everyone else got too!