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When I Leave This World (Cuando Deje Este Mundo) es una instalación de vídeo de dos canales que se centra en la vida y obra de la artista de performance y modificación corporal Tiamat Legion Medusa, junto con el artista Carlos Motta como colaborador e interlocutor. Adoptando los nombres de monstruos mitológicos y los pronombres la/su, Tiamat Legion Medusa hizo la transición simultánea de hombre a mujer y de humano a reptil; siendo su objetivo final transformarse en un dragón. El par complementario de vídeos presenta los mundos internos y externos de Medusa, combinándolos para formar un retrato doble. Esta colaboración artística continúa las investigaciones de Motta en las contra-historias queer, desenterrando y visualizando narrativas marginadas que resisten la hegemonía heteronormativa. Sin embargo, también va más allá del pasado archivado para abrazar un futuro potencialmente posthumano en donde la monstruosa metamorfosis de Medusa permite llevar la alteridad más allá de la suposición de una humanidad común. Esta pieza se pondrá en contexto junto con otras obras del artista que a través de procesos colaborativos examinan las identidades y las experiencias vividas de grupos marginados, así como las repercusiones interseccionales del colonialismo.
Ian Tregillis, Sarena Ulibarri, Martha Wells, and Melinda Snodgrass considering worlds where humans aren't the central characters. One interesting point they came up with is that the needs of the non-humans need to be taken into account. While there will be an infrastructure, it may not resemble that of a human society.
Adolfo Vásquez Rocca
Instituciones
Pontificia Universidad Católica de Valparaíso
Universidad Complutense de Madrid
Universidad Andrés Bello
Universidad Mayor
Área de conocimiento
Filosofía
Periodo de publicación recogido
2004 - 2021
Dialnet Métricas: 197 Citas
(Índice H: 6)
Artículos de revistas (196)Reseñas (1)Libros (1)
Artículos de revistas
Peter Sloterdijk: Normas para el parque humano, del humanismo al posthumanismo
Adolfo Vásquez Rocca
Encuentros multidisciplinares, ISSN-e 1139-9325, Vol. 21, Nº 62, 2019 (Ejemplar dedicado a: ENERGÍA, MEDIO AMBIENTE Y AVANCES CIENTÍFICOS)
ResumenTexto completo
Artículo
Jacques Derrida: Espectros de Marx. Más allá de 'El Capital' y el fin de la historia
Adolfo Vásquez Rocca
Nómadas: Critical Journal of Social and Juridical Sciences, ISSN-e 1578-6730, Nº. 55, 2018, págs. 159-177
ResumenTexto completo
Artículo
Ciudades del anonimato: diáspora, fronteras y cronotopías
Adolfo Vásquez Rocca
Eikasia: revista de filosofía, ISSN-e 1885-5679, Nº. Extra 78, 2017 (Ejemplar dedicado a: Frontera, linde, otredad / coord. por Pablo Posada Varela), págs. 397-410
Texto completo
Exhibition Review - Juha Pekka Matias Laakkonen:'Within a Hollow Sphere' Tommaso Corvi-Mora, London till 23rd Dec 2015.
With Juha, I am eavesdropping on a log
a cinema of unspoken thought.- Drenched Co
Comment: "Juha harbours post human ideals. His perspectives are fluid and his identities many. He is at once the maker and the made. His art wants you to experience, through his artifacts, the 'performance', the landscape, the trees and allow the event to become central, to change you. Either that or you leave in a hurry!" - Raj.
See www.corvi-mora.com/exhibitions/juha-pekka-matias-laakkone...
See also www.woundsthatbind.com/2015/12/exhibition-review-juha-pek...
See also www.soaked.space/2015/12/exhibition-review-juha-pekka-mat...
Caption: Image above: Juha Pekka Matias Laakkonen© Installation view Corvi-Mora, London 2015
Image courtesy of the artist and Corvi-Mora, London.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #corvimora #tcorvimora #JuhaPekkaMatiasLaakkonen #WithinaHollowSphere #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artexhibition #artinstallation #installationart #helsinkiart #artinhelsinki #finnishart #Artfinland #artinfinland #posthuman #performanceart #artperformance #meditationart #spiritualart #artspirit #unspokenthought
iMAL, Brussels, September, 2015
An exhibition by Grégory Chatonsky and Dominique Sirois on posthuman archeology.
Animation. Installation. With Boštjan Čadež.
Tekstomlat at Zig Zag exhibition curateted by Lenka Đorojević for festival Mesto Žensk 2015, Škuc, Ljubljana
A real-time generated animation Tekstom(l)at by the Croatian-Slovenian duo Lina Rica and Boštjan Čadež transforms linguistic space into a rhizomatic structure in which linear reading is replaced by a multidirectional link between text (on the subject of feminist theory – transfeminism, posthumanism, performing arts) and external, empirical processes of nonlinear reading and thinking. Lenka Đorojević
iMAL, Brussels, September, 2015
An exhibition by Grégory Chatonsky and Dominique Sirois on posthuman archeology.
Make-up artist Toni Marlo, who has two features in deadCENTER this year (The Posthuman Project and Light from the Darkroom) will host a discussion with Oscar winner Matthew Mungle as he demonstrates the process for creating special effects make-up.
Animation. Installation. With Boštjan Čadež.
Tekstomlat at Zig Zag exhibition curatetd by Lenka Đorojević for festival Mesto Žensk 2015, Škuc, Ljubljana
A real-time generated animation Tekstom(l)at by the Croatian-Slovenian duo Lina Rica and Boštjan Čadež transforms linguistic space into a rhizomatic structure in which linear reading is replaced by a multidirectional link between text (on the subject of feminist theory – transfeminism, posthumanism, performing arts) and external, empirical processes of nonlinear reading and thinking. Lenka Đorojević
Animation. Installation. With Boštjan Čadež.
Tekstomlat at Zig Zag exhibition curatetd by Lenka Đorojević for festival Mesto Žensk 2015, Škuc, Ljubljana
A real-time generated animation Tekstom(l)at by the Croatian-Slovenian duo Lina Rica and Boštjan Čadež transforms linguistic space into a rhizomatic structure in which linear reading is replaced by a multidirectional link between text (on the subject of feminist theory – transfeminism, posthumanism, performing arts) and external, empirical processes of nonlinear reading and thinking. Lenka Đorojević
iMAL, Brussels, September, 2015
An exhibition by Grégory Chatonsky and Dominique Sirois on posthuman archeology.
“After the Rain”
29.7cm X 42cm
Collage
2005
“Colourful forms gleam in the dim sunlight, half crystalline, half organic shapes that intimate a posthuman world growing from our leftovers. Man's presence in this landscape inevitably signifies his own demise. The painting doesn't tell us whether they are perfectly still, cliff-like, or whether they pulsate and move. We are in Europe after the Rain, Max Ernst's depiction of a world regenerating from mass destruction, sprouting new life forms from decaying bodies and weapons. WW2 images of American bombers over the Japanese mainland, fighter jets exploding in the dark sky over the ocean and the blinding mushroom that hung above Hiroshima are transformed, incorporating the potential for regeneration and not just destruction, where life grows from the ruins”.
A fragmented humanoid AI stares outward, its luminous eyes frozen in an eerie expression as its digital structure deteriorates into cascading blocks. This image, created by Duncan Rawlinson, explores the unsettling possibility of fear manifesting in a synthetic being—blurring the boundary between code and emotion, expression and malfunction.