View allAll Photos Tagged Positioning.

but underneath it she's a broken girl.

 

"The Castle sits on a commanding position on the summit of a small hill just east of the busy A172 close to the lovley village of Swainby. Whorlton Castle is a late 11th century earthwork motte and bailey fortress, founded by the de Meynell family. The low motte is encased by a wide, deep ditch and a counterscarp bank, with the ditched kidney-shaped bailey and an attached burgus to the east. Standing at the west end of a spur, with steep slopes to the north and west, the castle was described as ruinous in 1343. In the mid to late 14th century, Sir John or Sir Philip Darcy founded the stone castle when adding a tower house and gatehouse to the motte. The rectangular three storey gatehouse stands partially within the ditch and its entrance passage was protected by inner and outer portcullises. Projecting from the north west angle, is a spiral stair which is only accessible from the inner ward and the roof line on this side, is from a late 16th century, a two storey house. Standing on the north-west angle of the motte platform, are the remains of vaulted cellars from the demolished tower house"

GPS là tên viết tắt của cụm từ Global Positioning System – Hệ thống định vị toàn cầu, xác định vị trí dựa vào vệ sinh. Hệ thống được Mỹ xây dựng từ năm 1995 và được ứng dụng, tích hợp trong hầu hết các thiết bị di động, điện tử.

 

GPS gồm có 3 phần chính: Không gian, kiểm soát và sử dụng. Trong đó, các vệ sinh GPS sẽ truyền tín hiệu từ không gian về trái đất cho máy thu GPS và thực hiện tính toán vị trí theo 3 chiều: kinh độ, vĩ độ và độ cao.

 

dovenhanh.com/ung-dung-cong-nghe-gps-vao-cuoc-song/

#dovenhanh #bvu

A close-up view of the lamp on a pedestal type position light signal.

... just by moving your external flash.

 

Check out the Lighting 102 Tutorial over on Strobist - Less Gear - More Brain - Better Light

Day 2 of Mini Festival at Brands Hatch and after a Superb Day of Both Racing and High Speed Action on the Saturday Sunday Was Promising to be a lot of the Same but with even more Racing to Look forward too.

 

With 2 Races for both Miglia class and Dunlop Mini Sevens as well as Formula 3 The Days events were already shaping up to be One for The History Books with Multiple Fierce and Competitive Drivers from Saturday Looking to Improve and Win their Respective Classes.

 

Lets take a Look at what Will be Racing Today and see which of the Drivers can Push Hard and Aim for a Win in their Respective Class.

 

Dunlop Mini Challenges Supported by Mini Spares - Miglia (Race 9 Results)

 

First up onto the Track was The Dunlop Mini Miglia Challenge and after a Very Intense Qualifying Battle Yesterday (Aron Smith) Took the Pole with (Andrew Jordan) Second and (James Cuthbertson) in Third Place. Will all Three Men be able to Keep their Positions come the Race or will they start to fall down the order once Racing Gets Underway. Lets find out.

 

In First Place was (Endaf Owens) in his Miglia with a Best Lap Time of 54.221 and a Top Speed of 78.76mph. Fantastic Drive there Endaf who was Definitely not Afraid to get that Miglia Sideways as he Raced his Way through the Field to take a Dominant Victory.

 

In Second Place was (Andrew Jordan) In His Miglia with a Best Lap Time of 54.498 and a Top Speed of 78.64mph. Amazing Driving from Andrew Showing what a Fantastic Mini Racer he is as well as a Superb BTCC Driver as well using his Skills Learned from his BTCC Racing to Hold on for Second Place.

 

In Third Place was (Aaron Smith) in His Miglia with a Best Lap Time of 54.449 and a Top Speed Of 78.63mph. Awesome Work there Aaron Putting on an Incredible Display Of Driving Commitment and Skill to Keep 3rd Place and Take the Final Podium Spot.

 

What a Start to the Days Racing with Three Top Drivers Battling out for a Victory and Showing what they can do when it comes to Competitive Miglia Racing. What New Challenges will be Seen in Race 2 as each Drivers Gets Ready to do Battle once again and this Time who will be the one to Claim that All Important Victory.

 

Lets Find out

 

Dunlop Mini Challenges Supported by Mini Spares - Miglia (Race 17 Results)

 

In First Place was (Endaf Owens) In His Miglia with a Best Lap Time of 54.862 and A Top Speed of 54.862mph. Very Fast and Quick Racing from Endaf who was Pushing as Hard as he Could to keep the Gap wide Open and ensure a Victory. Amazing Driving

 

In Second Place was (Aaron Smith) in His Miglia with a Best Lap Time of 54.773 and a Top Speed of 75.23mph. Fantastic Drive there Aron Really Great Work and taking Second Place away from the Previous Second Place Winner (Andrew Jordan)

 

In Third Place was (Andrew Jordan) in His Miglia with a Best Lap Time of 54.913 and a Top Speed of 75.21mph. Another Storming Drive from Andrew to take Third Place this Time Well Done.

 

What Another Amazing Race will all three Top Drivers Pushing their Miglia's Hard and all wanting to achieve that 1st Place Finish. To all other Drivers out there Good Luck and Keep Pushing Yourselves to Work Harder and you will Achieve what it is that you so Desire.

 

Dunlop Mini Challenges Supported by Mini Spares - Se7en (Race 13 Results)

 

Dunlop Mini Sevens were next up onto the Circuit and with Cars that all Have a Very Colourful set of Liveries and Drivers Ready to go this Next Race was going to be One that would be a Fantastic Watch from either Paddock Hill or The Main Straight as the Minis would be Blasting Past at Nearly 75mph.

 

Previously Yesterday During Qualifying it was (Jeff Smith) who took the Pole with (Nick Fowler) in Second Place and (Spencer Wanstall) in Third Place with all Three Drivers being Separated by Less than Half a Second as they Crossed the Line to Finish Qualifying.

 

With Three Very Experienced Drivers at the Front and a Whole Grid of other Great Drivers Ready Lets see what Results this Race will bring.

 

In First Place was (Jeff Smith) in his Mini Seven with a Best Lap Time of 59.566 and a Top Speed of 72.29mph. Amazing work Jeff Pushing that Little Mini Seven to its Limits and taking First Place.

 

In Second Place was (Jonathan Lewis) in his Mini Seven with a Best Lap Time of 59.197 and a Top Speed of 71.91mph. Another Incredible Drive from Jonathan Keeping Hold of Second Place and taking Home the Spoils from the First Race.

 

In Third Place was (Nick Fowler) in his Mini Seven with a Best Lap Time of 59.688 and a Top Speed of 71.83mph. Fantastic Drive there Nick Racing Hard and Managing to Hold onto Third Place on the Podium Well Done.

 

Mini Racing is Really Turning out to be Very Exciting and Fantastic This Year with so Many Different Winners and Other Drivers working Hard to Keep their Cars is Running and Race Ready condition. A Big Congratulations to Jeff Jonathan and Nick for showing some Seriously Impressive Racing and to all other Drivers Taking Part and enjoying what They Love.

 

Lets Dive into Race 2 and See who Might make a Leap to 1st Second or Third and who will be able to challenge the Top Three Drivers.

 

Dunlop Mini Challenges Supported by Mini Spares - Se7en (Race 19 Results)

 

Race 2 Up Next and things were not going as Smoothly as Most Drivers would Have Wanted as they all Gripped their Steering wheels and Prepared for Battle The Heavens Opened and a Large Rain Shower Engulfed the Track and with already Dark Conditions now getting even Darker it was only a matter of Time before Visibility would be Very Difficult.

 

Who has the Nerve to Push Hard and Take The Victory and who will be Brave Enough to take Second and Third Place? Lets Find out

 

In First Place was (Joe Thompson) in His Mini Seven with a Best Lap Time of 1:06.615 and a Top Speed of 60.38mph. Extremely Well Driven there Joe Pushing Hard but keeping the Mini Under Control in Very Damp and Dark Conditions to take a Superb Victory.

 

In Second Place was (Mike Jordan) in His Mini Seven with a Best Lap Time of 1:06.801 and a Top Speed of 60.33mph. Amazing Drive there Mike Well Deserved and Driven too.

 

In Third Place was (Spencer Wanstall) in His Mini Seven with a Best Lap Time of 1:05.178 and a Top Speed of 60.32mph. Incredible Bravery from Spencer and to Keep that Car on the Track Must Have Taken some Incredible Skill thought the Entire Race.

 

What a Fantastic Finish to the Mini Sevens Racing Today at Brands Hatch with Multiple Different Winners on the Podium and Some Very Changeable Conditions it made for some Remarkable Racing and Brilliant Overtakes thought.

 

Congratulations to Joe Mike and Spencer on their Podium Places and Well Done to all Other Mini Seven Drivers for Braving the Conditions to put on a Race that Shows What the British Spirit of Racing is all About. Alex Issigonis would be Proud.

 

Formula 3 Cup (Race 12 Results)

 

Formula 3 up Next and with the Track being Mostly Dry before the Start of This Race Each Drivers was Ready to Push Hard and try to take the Victory from the other. Qualifying Yesterday Proved that even a Smaller Grid can still Make for some Intense Racing with Drivers such as (George Line) (Robbie Watts) and (Shane Kelly) showing some Incredible Speed and Capable Car Control thought the Entire Qualifying Session.

 

With Lots of Aero and a Very Fast set of Dallara F308 Engines Powering them Lets See what the Formula 3's Get up to.

 

In First Place was (George Line) in his F3 Dallara F308 with a Lap Time of 43.825 and a Top Speed of 96.55mph. Incredible Speed and Confidence shown from George behind the wheel of that Formula 3 showing that he was Almost Fearless and in a League of his own. Incredible Driving.

 

In Second Place was (Robbie Watts) in his F3 Dallara F308 with a Lap Time of 43.926 and a Top Speed of 96.39mph. Another Super Driver in Robbie Pushing Hard and Defending Second Place thought the Entire Race and Keeping George Busy on his Toes Most of the Time.

 

In Third Place was (Shane Kelly) in his F3 Dallara F308 with a Lap Time of 44.071 and a Top Speed of 95.88mph. Very Well Done there Shane Racing Hard and Keeping up the Pace with Both Robbie and George in Second and First.

 

What an Exciting First Race for the Formula 3 Drivers who are all Showing that they All Have the Nerve and Skill to Race Hard and Push where it matters. Congratulations to Stefano George and Dominic and Good Luck to All other F3 Drivers out there for Race 2 Coming up Next.

 

Formula 3 Cup (Race 21 Results)

 

With Race 2 About to Start all of the Drivers took off for their Formation Lap and Plenty of Water and Spray was seen Shooting up from the Back of Each Car and Having had the First Race take Place in Dry Conditions thease New Track Conditions would be Very Different for Each Driver and Driving Ability is a Must for Survival Out there. With the 5 Red Lights illuminated the Race Began but who would Finish and take Home The Victory. Lets Find Out

 

In First Place was (Stefano Leaney) in his F3 Dallara F317 with a Best Lap Time of 50.532 and a Top Speed of 84.71mph. Stefano is Really Proving to be a worthy Drivers to Drive in Formula 3 as Once Again his Sheeree Bravery and Fearless Nature was on Display once again in Conditions that Most other Divers would have thought Twice about Pushing their Machinery to Hard in. Congratulations Stefano.

 

In Second Place was (George Line) in his F3 Dallara F308 with a Best Lap Time of 52.738 and a Top Speed of 81.07mph. Fantastic Work there George Once Again Demonstraighting how to Race an F3 In Wet Conditions with Beautiful Lines taken thought the Corse of the Race and a Well Deserved Second Place.

 

In Third Place was (Shane Kelly) in his Dallara F308 with a Best Lap Time of 52.771 and a Too Speed of 80.96mph Another Very Brave and Quick Driver in Wet Conditions with Shane Really Defending Hard and Fast in order to Keep hold of that Well Deserved Third Place.

 

What an Astonishing Race with Winners in Stefano George and Shane all taking spots on the Podium and Hopefully One Day Having their Chance in Formula 1. Each Driver put on a Super Display of Driving Skill and Keeping their Cars at High Speed on a Wet Track is no Easy Feat. Well Done to all the Other Formula 3 Drivers too Keep Pushing Hard and Making sure you do Everything you Can To One Day Achieve That Victory.

 

Fastest Mini in the World (Race 11 Results)

 

Fastest Mini In The World was Up Next and this Racing Series Features Many Familiar Looking Minis and yet Each one has a trick up its Sleeve and that is that their Standard 1275gt Engines have all been Replaced with Engines from Cars that have Considerably more Horse Power. The Goal of the Race is to not Just Win but to also Prove to Everyone that You Have The Fastest Mini in the World.

 

With Qualifying Yesterday showing Very Quick Pace from (Bill Richards) in his Maguire Club Estate it was clear to see that The Drivers and their cars were in a completely different League to all other Racing Minis there that Weekend. Lets Find out who came First in the First Race and who took the First Title of Fastest Mini in the World.

 

In First Place was (Harvey Death) in his Austin Mini Cooper S V8 with a Best Lap Time of 51.294 and a Top Speed of 82.01mph. Fantastic Driving from Harvey to Push his V8 Mini to the Limit and take Home First Place and the Top Step on the Podium.

 

In Second Place was (Bill Richards) in his Maguire Clubman Estate with a Best Lap Time of 53.391 and a Top Speed of 80.15mph. Epic Drive there from Bill Pushing Hard and making sure to Keep Harvey Behind Him.

 

In Third Place was (Richard Billingham) in his Austin Mini Clubman with a Best Lap Time of 53.347 and a Top Speed of 79.91mph. Very Well Driven there Richard showing the Insane Horse Power thease Mini's have and how they Accelerate and Decelerate much Faster than a Standard Cooper S or even a Racing Mini Seven.

 

What an Epic Race and Display of Incredible Driving and Battling for the Victory of Fastest Mini in the World. Each Driver Held their Nerve and Push Very Hard Indeed which was Fantastic to see. Congratulations to our Race Winners Harvey Bill and Richard. Lets see what Luck Race 2 Brings.

 

Fastest Mini in the World (Race 16 Results)

 

In First Place was (Harvey Death) in his Austin Mini Cooper S V8 with a Best Lap Time of 52.256 and a Top Speed of 79.02mph. Another Fantastic Victory for Harvey who has proven to Have The Fastest Mini in the World and is Really Capable of Driving it as well. Congratulations

 

In Second Place was (Fabio Luffarelli) in his Mini Classic Saloon with a Best Lap Time of 55.949 and a Top Speed of 76.21mph. Amazing work there Fabio Fantastic to see such an Iconic Mini Out there but with a Twist by putting a Far more Powerful Engine under the hood to Have even more Fun with it. Amazing Build and Super Drive.

 

In Third Place was (Matthew Skidmore) in his Austin Mini with a Best Lap Time of 55.257 and a Top Speed of 75.71mph. Brilliant Drive Matthew Showing the Real Power and Driver Ability of a car Pushing right onto the limits all the Time.

 

What an Incredible Days Racing for the Fastest Mini in the World Showcasing Many Classic Favourites that Everyone Loves but with some surprises under each Bonnet. Congratulations to Harvey Fabio and Matthew for their Incredible Victories and Good Luck to all other Teams in the Series.

 

Mighty Minis & Super Mighty Mini Championship (Race 10 Results)

 

Mighty Mini's and Super Mighty Mini's were up Next and with a Massive Grid of Both Mighty and Super Mighty Mini's on Display This was going to be another Race that would be well worth the Watch.

 

From Qualifying Yesterday (Bobby Thompson) took the Pole setting a Very Fast Time of Just 1:00.205 Round the Brands Hatch Indy Circuit with (Ian Slark) and (Stuart Coombs) following Closely Behind in both Second and Third.

 

With So Many Different Drivers on the Grid and Plenty of Traffic to Navigate Through this First Race was going to be an Epic One to Witness.

 

In First Place was (Bobby Thompson) in his Super Mighty Mini 1293 with a Best Lap Time of 1:00.331 and a Top Speed of 61.14mph. Fantastic Work Bobby Racing at High Speeds and Pushing that Mini around the Circuit in Record Time. Congratulations

 

In Second Place was (Ian Slark) in his Super Mighty Mini 1293 with a Best Lap Time of 1:00.319 and a Top Speed of 61.13mph. Amazing Driving Ian Top Driver and a Fantastic Mini Racer

 

In Third Place was (Neven Kirkpatrick) in his Super Mighty Mini 1293 with a Best Lap Time of 1:00.426 and a Top Speed of 61.07mph. Well Done Neven a Really Well crafted Drive and a truly deserved Third Place.

 

What a Start to an Amazing Race with so many different Mini's taking to the track and Pushing hard keeping the top Three on their Toes the Entire Time due to How evenly matched each Mini is. Congratulations to Bobby Ian and Neven and See You all in the Final Race.

 

Mighty Minis & Super Mighty Mini Championship (Race 18 Results)

 

The Last Race of the Day for the Mighty and Super Mighty Mini's Championship and with a Very Tight Battle at the Top Between Bobby Ian and Neven which one of them will be able to take Home Victory for the Last Time today. Lets Get straight to finding out.

 

In First Place was (Neven Kirkpatrick) in his Super Mighty Mini 1293 with a Best Lap Time of 1:01.029 and a Top Speed of 70.35mph. Phenomenal Drive Neven Fending off Ian in Second Place and Keeping yourself up Front to Win and a Fantastic Way to End the Day with a Victory

 

In Second Place was (Ian Slark) in his Super Mighty Mini 1293 with a Best Lap Time of 1:00.756 and a Top Speed of 70.34mph. Another Brilliant Drive by Regular Ian Slark with Tremendous Car Control and Ability he Really is an Incredible Driver.

 

In Third Place was (David Kirkpatrick) in his Super Mighty Mini 1293 with a Best Lap Time of 1:00.991 and a Top Speed of 70.23mph. Amazing Work David Driving Hard and so Great to see Neven up there In First Place, Always Something to be Proud of.

 

And So that Ends the Days Racing for The Super Mighty Mini's and Mighty Mini's Racing, A Big Congratulations to Neven Ian and David on their Race Wins and also a Huge Well Done to all of the Other Mini Racers out there who Enjoy what they Do and show the World their Dedicated Passion and Commitment to Keeping British Racing Alive and Well.

 

Pre 66 Mini's (Race 15 Results)

 

Pre 66 Mini's were up Next and a whole Host of Classic Minis had taken to the track during their Formation Lap with Mini's from a By Gone Era that Showed Beauty and a Really Fierce Competitive Nature during the Pre 66 Category of Mini Racing.

 

During Qualifying the Previous Day (Ian Curley) Narrowly Beat Endaf Owens to Pole by just 0.254 with a Very Fast and Committed Lap Endaf Had to settle for Second Place while (Phil Brown)would take Third.

 

But today out of all three drivers who would be Brave Enough to challenge Ian and Endaf both Drivers who are very Competitive in their Racing and who both want to Win This One Race.

 

In First Place was (Endaf Owens) in his Mini Cooper S with a Best Lap Time of 58.026 and a Top Speed of 73.85mph. A Very Fast and Fearless Drive from Endaf who looked like he was Really Enjoying throwing that Mini Around in his Very Aggressive Driving Style. Congratulations Endaf

 

In Second Place was (Jeff Smith) in his Mini Cooper S with a Best Lap Time of 57.993 and a Top Speed of 73.84mph. Well Done Jeff an Awesome Drive and Keeping up with Endaf was no Easy Task.

 

In Third Place was (Ian Curley) in his Mini Cooper S with a Best Lap Time of 58.053 and a Top Speed of 73.32mph. Amazing Work Ian A Very Strong Drive for Third Place on the Podium.

 

What an Exciting Race for the Pre 66 Mini's with Both Endaf Owens and Jeff Smith Really Driving Hard and Defending both of their positions thought the Course of the entire Race. Also Well Done to Ian for Another 3rd Place Victory as Well as all other Drivers Racing.

 

Teekay Couplings Production GTI Championship (Race 14 Results)

 

The Teekay Couplings and Production GTI Championship was up next and with a whole Range of VF Golf GTI'S in one Race it was Going to be a Very Quick and Action Packed Race to Watch.

 

During Qualifying (Martyn Walsh) took the Pole with (Adam Hance) and (John Beale) in Second and Third Place Respectively.

 

With So Many Evenly Matched Cars Taking Part in the Race This was Really going to be About Driver Ability and Car Control to see who could extract that little bit more performance out of their Machine for a Victory.

 

In First Place was (Simon Hill) in his VW Golf GTI with a Best Lap Time of 56.824 and a Top Speed of 71.05mph. Amazing Driving Simon Pushing that VW to its Limits and Really showing off the Complete Understanding of Driver and their Car around the Race Track.

 

In Second Place was (Adam Hanke) in his VW Golf GTI MK5 with a Best Lap Time of 56.682 and a Top Speed of 71.02mph. Very Well Done Adam and a Really Spirited Drive from a Fantastic Driver to gain Second Place.

 

In Third Place was (Hendry Riley) in his VW Golf GTI With a Best Lap Time of 57.212 and a Top Speed of 71.01mph. Fantastic Work Hendry Driving the Wheels off that Thing and Taking Home Third Place.

 

What a Fantastic Starting Race with Plenty of Action and Drivers Working Hard at the Wheel and Thought the entire Race to try and Gain a Spot on the Podium.

 

Lets see what Race 2 Brings and Who May be able to Mount a challenge to the Top Three Drivers.

 

Teekay Couplings Production GTI Championship (Race 20 Results)

 

In First Place was (Simon Vercoe) in his VW Golf GTI with a Best Lap Time of 1:08.465 and a Top Speed of 62.13mph. What A Drive from Simon Vercoe Pushing that Golf to the Edge of the Track through Paddock Hill Bend and Making sure to Keep the Power on High thought the Entire Race for a Successful 1st Place Victory

 

In Second Place was (Hendry Riley) in his VW Golf GTI with a Best Lap Time of 1:08.886 and a Top Speed of 61.88mph. Amazing Driving there Once again Hendry for Second Place

 

In Third Place was (Simon Hill) in his VW Golf GTI with a Best Lap Time of 1:08.853 and a Top Speed of 61.81mph. Well Done Simon Pushing Hard and Making sure to Stay on the Podium Position for Third Place

 

What a Fantastic Set of Drivers and Race Cars all showing Different Racing styles and Lines but with Equally Matched Machinery. a Big Congratulations to Simon Vercoe Hendry and Simon for their Incredible Victories and Race Craft when out on the Track and Good Luck To Everyone Else.

 

Z Cars Racing & New Generation Production BMW Championship (Race 8 Results)

 

The Last Race of The Day and its the BMW New Generation and Z Cars Championship. With Many Different BMW'S Taking Part in this Race Speed Skill and Concentration will all be key Factors in Getting either a Win or a Podium Position.

 

During Qualifying on Saturday Chris Murphy took the Pole with Jack Wood Second and Edd Giddings Third. Three Drivers all with Many Hours of Racing Experience under their belt.

 

With The Race About to Start Lets Find out Who Will be The Last Ones to take First Second and Third Place on the Podium in Todays Racing.

 

In First Place was (Chris Murphy) in his BMW Z4 with a Best Lap time of 55.880 and a Top Speed of 75.95mph. Incredible Drive there Chris Taking the Win and Showing just how to Drive a Z4 BMW around the Brands Hatch Indy Circuit. Congratulations.

 

In Second Place was (Edd Giddings) in his BMW Z4 with a Best Lap Time of 56.481 and a Top Speed of 75.90mph. Amazing work there Edd with Some Incredible Driving and Keeping Pace with Chris Made for a Really Entertaining Battle.

 

In Third Place was (Matthew Dance) in his BMW Z4 With a Best Lap Time of 56.526 and a Top Speed of 75.16mph. Well Done Matthew Finishing in Third Place and Taking Home a Wonderful Victory.

 

And With that The End of Another Perfect and Incredible Days Racing comes to an End at Brands Hatch. The Mini Festival always knows How to Bring out the Best in both Drivers and Cars and Has a Real Atmosphere about the Love for the Little British Icon. The Spectators and The Raving Drivers a Like Really Cherish this Event and I Hope to see it and Document it Many More Times.

 

A Final Congratulations to Chris Edd and Matthew for their Superb Drives and to all Other Competitors Across the Entire Weekend for sharing their Love and Passion for Motorsport Helping to inspire the Many Different Young Talent's to One Day Achieve their own Racing Dreams.

 

See You All Again Next Year!

    

There is more on this binding system on my website www.judyofthewoods.net/dcmc_binder.html

MUSA QAL’EH, Helmand province, Islamic Republic of Afghanistan –Marines with 1st Combat Engineer Battalion, 1st Marine Division (Forward), begin constructing a defensive position in Musa Qal’eh district, Dec. 19, 2010. (U.S. Marine Corps photo by Cpl. John M. McCall)

160524-N-XX999-002 BELGRADE, Serbia (May 24, 2016) Lance Cpl. Barry Cheeney, from Fifth Platoon assigned to Fleet Anti-terrorism Security Team Company, Europe (FASTEUR), establishes a designated marksman over-watch position during an embassy engagement exercise at the United States Embassy Belgrade, Serbia May 24, 2016. Fifth Platoon, headquartered in Rota, Spain, conducts rapid response expeditionary anti-terrorism and security operations in order to protect vital national and naval assets. (U.S. Navy photo by Petty Officer 3rd Class, Russell Rhodes Jr/Released)

This is to show the different positions for text when using Adobe Premiere Elements 4

 

www.adobe.com/products/premiereel/

Instagram: ww.instagram.com/justingilbertt

Website: www.justin-gilbert.com/

2016 - Chrisitian getting to his position after a play.

File name: 08_06_009005

 

Title: Los Angeles dancer Gertrude Fisher takes an unusual position to read the latest novel of her husband M.S. Meritt

 

Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)

 

Date created: 1932-11-26

 

Physical description: 1 negative : glass, black & white ; 4 x 5 in.

 

Genre: Glass negatives; Portrait photographs

 

Subjects: Contortionists; Reading

 

Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.

 

Collection: Leslie Jones Collection

 

Location: Boston Public Library, Print Department

 

Rights: Copyright © Leslie Jones.

 

Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.

  

Position the concrete blocks and level the frame. Use a shovel and a little common sense to accomplish this.

Rad na visini; Uže za pozicioniranje, podesivo; SRPS EN 358

Bain News Service,, publisher.

 

Tripoli - Artillery taking position at Sciara Sciat

 

[1911 or 1912]

 

1 negative : glass ; 5 x 7 in. or smaller.

 

Notes:

Title from data provided by the Bain News Service on the negative.

Forms part of: George Grantham Bain Collection (Library of Congress).

 

Subjects:

Tripoli

 

Format: Glass negatives.

 

Rights Info: No known restrictions on publication.

 

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

 

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

 

Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.10034

 

Call Number: LC-B2- 2343-12

  

I asked the couple to pose for me.

This curious chicken suddenly sauntered out of nowhere and into the middle of the Miao welcoming procession like he owned the place, no one paid him any notice. Taken with Canon EF 24-105mm L on 7D

Profil und Position 2 im Kunstverein Duisburg - Henrietta Weithorn

Highest position: 473 on Monday, June 27, 2011

#sexkull #skull #skullart #luannalita #hikki10 #chineseartist #contemporaryart #chinesecontemporaryart

Bekah's gift to Terese, something she'll cherish for years to come.

3) Really close and down to 1/64 on the flash

Finale sportsman 3e position Martine Pelletier #92

LSL Mk3b DVT no. 82139 (now carrying the name 'My Lovely Horse') is seen passing Longniddry at the head of 3Z87, the 14:07 Drem to Edinburgh Waverley empty stock positioning move.

 

The InterCity set does look very well, even if a couple of ScotRail FOs have snuck in!

Illustration for a magazine about the myth of women not wanting high positions at work.

Highest position: 303 on Friday, August 1, 2008

Dear Peter:

 

Although we missed your lunch suggestions, we thank you for your interest in

our Art Director position at Sugar Publishing. You are among many

interested and qualified applicants for the job.

 

Just as we¹ve asked our editorial and video producer candidates to submit

writing samples and concept videos, respectively, we are asking candidates

interested in our Art Director position to complete an assignment. The

purpose is to not only assess the breadth and depth of your skills and

capabilities, but also to get a sense of your creative style.

 

Background:

* Your goal is to produce compelling creative assets that both highlight and

leverage the content and editorial of the Sugar Publishing Network to keep

our readers and viewers engaged

* The Sugar Publishing Network currently has 4 sites (and we¹re launching 4

more in the near future: BuzzSugar, FitSugar, GeekSugar, GiggleSugar):

> * PopSugar.com (celebrity gossip ­ entertainment news)

> * FabSugar.com (fashion)

> * DearSugar.com (advice)

> * TeamSugar.com (community)

* Our demographics (your audience):

> * Over 87% are between the ages of 18 and 35

> * Over 95% are female

> * Over 48% have an annual family income over $75k

> * Over 68% have a college education

> * 36% spend 20+ hours a week online

> * 26% have children in the household

 

Assignment:

1. Redesign TeamSugar.com homepage

> * Use existing TeamSugar.com content to create a layout that:

>> * Maximizes usability through design and organization of content (text,

>> images, banner ads, etc.)

>> * Makes most efficient use of space

> * Photoshop submissions are adequate

2. Design 3 banner ads

> * Ads should promote our new site, BuzzSugar.com, which is to ³Entertainment

> Weekly² what PopSugar.com is to ³Us Weekly²

>> * Content on site will cover tv, movies, books, music, etc.

>> * Features will include:

>>> * What to Tivo

>>> * What to Netflix

>>> * What do download, MP3s of the day

>>> * CD reviews

>>> * Coming attractions/embedded video trailers

>>> * Chick lit and other book reviews

>>> * TV/Movie/Music industry news

> * Creative units include:

>> * 728x90 Leaderboard

>> * 160x600 Wide Skyscraper

>> * 300x250 Medium Rectangle

> * Ads can be one of each size or any combination of the 3

> * Flash is preferred, so if you have those skills, please flex them.

> Otherwise, animated .gif or static images are okay, too.

3. Dress Fab

> * Each site has a unique personality (e.g., Pop, Fab, Dear, etc.) - please see

> the sites.

> * From time to time, advertising and marketing partners will commission us to

> dress the girls in their clothes (for example head-to-toe in Banana Republic

> or Gap)

> * Download this zip file which contains the two files you¹ll need at

> www.sugarpublishing.com/uploads/SugarPubArtDirector.zip

>> * Photoshop file of FabSugar

>> * Image of Gap outfit

> * Please dress FabSugar in the Gap outfit.

>> * Fab¹s pose will remain the same

>> * Fab¹s clothing, accessories, etc. should be changed to match the outfit

 

After creating your submissions, please ask yourself:

* Do I share the same passion for the content as the rest of the Sugar

Publishing team?

* Was this fun?

* Could I do this every day and deliver stylish and compelling creative

assets to highlight our addictive editorial and user-created content, drive

traffic, and resonate with our readers?

 

If you can answer yes to the above, then by all means, please submit your

best effort. If not, please reconsider your interest in joining our team.

 

Please submit your creative assets directly to me by Monday, October 30th

(end of day):

* Via e-mail (if < 20MB attachments)

* Post them online and send me the link

* In electronic format via regular mail to Sugar Publishing Inc., One Sutter

Street, 6th Floor, San Francisco, CA 94104, ATTN: Jason Rhee

 

PLEASE NOTE: All creative submissions become the property of Sugar

Publishing Inc. and will not be returned. Sugar Publishing Inc., however,

will not publish your art without permission from you.

 

We look forward to seeing your work. Please e-mail or call me with any

questions. Good luck!

 

Best regards,

Jason

 

--

Jason Rhee

VP Marketing

Sugar Publishing Inc.

jason@sugarpublishing.com

415-601-6373 (Mobile)

 

From: Peter Weiss

Reply-To: Peter Weiss

Date: Thu, 26 Oct 2006 16:23:53 -0700

To: ^Jobs

Conversation: Art Director (financial district)

Subject: Art Director (financial district)

 

Peter Weiss

peterweiss@gmail.com

www.360dvd.com 2741 College Avenue

Berkeley, CA 94705

510-689-3394

 

Multi-Media Publishing Objective Currently I am focused on how to

agnostically deliver online interactive video, photo, audio content in the

form of flash and java multimedia deployed and automatically published

within the web 2.0 online community with the use of creative deployment and

delivery methods across a variety of platforms including Blogs, Wikis, RSS

feeds, and Social Networking Portals.

 

TECHNOLOGY W2k XP XPe MAC UNIX Linux c++ java scripts php pearl web 2.0

html dhtml actionscripts SOFTWARE TMPGEnc VFAPI DVD2AVI Xilisoft Squeeze

4.2 Cleaner XL Windows Media Flash Dreamweaver Fireworks Photoshop

PageMaker Filemaker Visio Real Player QuickTime Vegas Video Virtual Dub

Premiere Pro Fraps Camtasia Sonic DVDit QuickBooks VNC Snag it Skype

Smart FTP NetDrive HARDWARE DV, NLE, 1394 Audio Mics Cables Connectors

Firewire 1394 Osprey video 16ch. DVR Card VOIP Routers Network hubs

Switchers PC Hardware JustPLAYS.com - September 2003 ­ August 2006

Interactive Multi-Media Consultant ~ In development of a mobile phone

video, photo, audio content management publishing system ~ Managed a team

of programmers, actionscripters, database engineers, and web developers

~ Designed and produced interactive flash video players, playlist, and hot

spot integration ~ Custom developed a online 400+ CCTV camera network for

Bay Area McDonalds Restaurants ~ Maintain technical documents, created

screencast tutorials, tech support via web & phone Rooster Media

³Emuzed, Inc.² September 2001-August 2003 Director of Media Services

~ Reduced video production equipment and accessories expenses by 50% to 80%

~ Created E-Learning Video Application for Sun Microsystems, UC Berkeley

Medical and Kaiser ~ Technically produced Live Webcast using Windows

Media using Speedera Networks ~ Custom built Video Capture and Optibase

MPEG I encoding lab for Wal-Mart Game Previews ~ Launched a successful

video Windows Media DRM campaign with RocketCASH & Sprite ~ Researched,

wrote and designed DVD Encoding & Internet Video whitepapers & diagrams

MyPrimeTime, Inc. November 1999 - January 2001 Director of Broadband

Technology ~ Managed by three former CNN executives ~ Invented ³patent

pending² a Broadband Digital Asset Management Infrastructure ~ Managed

Web Developers and Programmers using HTML, XML, C, C++, Java and FLASH ~

Coordinated Broadband Projects with Sales, Marketing, IT, and Web

Development Department ~ Videotaped and edited Television Shows for

Nightly Business Report and for the Web ~ Maintained Relationships with

Excite@Home, NBCi, NBR and PBS Affiliate Television Stations NASA Ames

Research Center ³Symtech Corporation² August 1998 ­ September 1999

Astrobiology Internet Video Producer ~ Produced, Videotaped and Edited a

series of Educational Astrobiology Videos ~ Configured Macintosh G3

computer with video editing compression software description ~ Optimized

Real Producer Plus to Stream Video at 28k, 56k and 100k Bit Rates PAST

EXPERIENCE & PROJECTS ~Technical Director for the San Francisco

International Fashion Show in 2005 ~Consulted with D1Athlethes.com on

interactive video backend platform on 2004 ~Guest speaker at DVExpo in

2001 and at StreamingMedia in 2002 ~Invented a Patent Pending DAM

Streaming Video Process in 2001 ~Recieved Television Certification at

Diablo Valley College in 1991 ~Video Production, DVD Authoring, Desktop

Publishing, since 1987 ~Won 1st Grade Art Contest titled "Creature Land"

in 1981 Online Portfolios

photobot.vieweye.net

whitepaper.vieweye.net Justplays.com

 

phoneit.vieweye.net sony.vieweye.net

peterweiss.info

gif20.vieweye.net myspace.vieweye.net

 

White Stork Synagogue / Synagoge Zum Weißen Storch / Synagoga pod Białym Bocianem, Wrocław

Enrico Caruso’s ascendancy coincided with the dawn of the twentieth century, when the world of opera was moving away from the contrived bel canto (“beautiful singing”) style, with its emphasis on artifice and vibrato, to a verismo (“realism”) approach. The warmth and sincerity of his voice—and personality— shone in this more natural style and set the standard for contemporary greats like Luciano Pavarotti, Placido Domingo, and José Carreras. Through his exploitation of the nascent phonograph industry, Caruso is also largely responsible for the sweeping interest in opera of the 1910s and ’20s. And for this, Stanley Jackson wrote in his book Caruso, he may never be rivaled, for later tenors could not hope to find themselves in a similarly fortuitous position and thus would most certainly “find it more difficult to win such universal affection as the bubbly, warm-hearted little Neapolitan whose voice soared and sobbed from the first wheezy phonographs to bring a new magic into countless lives.”

 

Born in Naples, Italy, in 1873, the third of seven children (early sources erroneously state that he was the 18th of 21), Caruso was raised in squalor. His birthplace, according to Jackson, was a “two-storeyed house, flaky with peeling stucco, [accommodating] several families, who shared a solitary cold-water tap on the landing, and like every other dwelling in that locality it lacked indoor sanitation.” As a boy, Caruso received very little formal education; his only training in a social setting came from his church choir, where he displayed a pure voice and a keen memory for songs. More often than not, however, he skipped choir practice to sing with street minstrels for café patrons.

 

At the age of ten Caruso began working a variety of menial jobs—mechanic, jute weaver—but his passion for singing often led him back to the streets. Eight years later, an aspiring baritone named Eduardo Missiano heard Caruso singing by a local swimming pool. Impressed, Missiano took Caruso to his voice teacher, Guglielmo Vergine. Vergine on hearing Caruso, compared the tenor’s voice to “the wind whistling through the chimney,” Michael Scott recounted in The Great Caruso. Although he disliked Caruso’s Neapolitan café style, flashy gestures, and unrefined and unrestrained vocalizing, Vergine finally agreed to accept Caruso as his student. But “the lessons ended after three years,” John Kobler wrote in American Heritage, “and Caruso’s formal musical training thereafter remained almost as meager as his scholastic education. He could read a score only with difficulty. He played no musical instrument. He sang largely by ear.”

 

On March 15, 1895, Caruso made his professional debut in L’Amico Francesco, a now-forgotten opera by an amateur composer. He was not an immediate sensation.

For the Record…

 

Bom Errico Caruso (adopted more formal Enrico for stage), February 27 (some sources say 25), 1873, in Naples, Italy; died of pneumonia and peritonitis in 1921 in Naples; son of Marcellino (a mechanic) and Anna (Baldini) Caruso; married Dorothy Park Benjamin, 1918; children: Gloria; (with Ada Giachetti) Rodolfo, Enrico Jr. Education: Studied voice with Guglielmo Vergine, 1891-94, and Vincenzo Lombardi, 1896-97.

 

Worked as laborer, including jobs as mechanic and jute weaver, beginning c. 1883; debuted in L’Amico Francesco at Teatro Nuovo, Naples, 1894; expanded repertoire to include La Traviata, Rigoletto, Aida, and Faust, among others; first sang Canio in I Pagliacci, 1896, and Rodolfo in La Bohème, 1897; debuted in La Bohème at La Scala, Milan, 1899; performed internationally, including appearances in Moscow, Buenos Aries, Monte Carlo, and London, beginning in 1899; made first recordings, 1902; debuted in U.S. at Metropolitan Opera, New York City, 1903. Appeared in silent films My Cousin and A Splendid Romance, 1918; subject of fictional film biography The Great Caruso, 1950.

 

Awards: Order of the Commendatore of the Crown of Italy; Grand Officer of the French Legion of Honor; Order of the Crown Eagle of Prussia; honorary captain of the New York City Police Department.

 

His vocal range was limited; he often had to transpose the musical score down a halftone since he had trouble in the upper register, especially hitting high C. But impresarios who heard Caruso recognized his innate gift and cast him in significant productions such as Faust, Rigoletto, and La Traviata. With stage experience and brief training with another vocal teacher, Vincenzo Lombardo, the singer made steady progress, refining the natural beauty of his voice.

“Who Has Sent You to Me? God?”

 

In 1897, studying for the part of Rodolpho in Giacomo Puccini’s La Bohème, Caruso went to the composer’s villa to secure Puccini’s consent of his interpretation. As told by author Jackson, after Caruso sang a few measures of the first-act aria, “Che gelida manima,” Puccini “swivelled in his chair and murmured in amazement, ’Who has sent you to me? God?’”

 

Caruso’s instrument was “a voice of the South, full of warmth, charm, and lusciousness,” described a commentator of the era who was quoted in Howard Greenfeld’s book Caruso. But what truly set Caruso apart—from his predecessors, contemporaries, and successors—was his ability to eliminate the space between singer and listener, to intensify “the emotional effects upon his audience,” testified American Heritage contributor Kobler. “His vocalized feelings, variously spiritual, earthy, carnal, seemed to resonate within the hearer’s body. Rosa Ponselle, the American soprano who made her debut opposite Caruso, called it “a voice that loves you.’”

 

And his timbre was matched by sheer power; at the height of his career, Caruso gave concerts in venues as large as New York City’s Yankee Stadium without microphones and was clearly heard by all. Still, he reached his greatest audience, across both distance and time, through the small, recorded medium of the phonograph. “Few performers deserve . . . recognition more than Caruso,” David Hamilton proclaimed in the New York Times. “[His] records made him the universal model for later generations of tenors, while his reputation played a major role in establishing the phonograph socially and economically.”

Recording Pioneer

 

Caruso made his first recording on April 11, 1902, in a hotel suite in Milan, Italy. Over the remaining 19 years of his life he made an additional 488 recordings, almost all for the Victor label. He earned more than two million dollars from recording alone, the company almost twice that. But, most important, his recordings brought grand opera to the uninitiated. Millions cried along with his version of Canio’s sobbing “Vesti la giubba,” from/Pagliacci. The development of the American opera audience from a rarefied community at the turn of the century to a diverse populace in modern times can be directly attributed to Caruso’s recordings.

 

But Caruso’s allure was not solely the result of his singing. “Quick to laughter and to tears, amorous, buffoonish,... speaking a comically fractured English, round and paunchy, Caruso presented an image that appealed enormously to multitudes of ordinary Americans,” Kobler pointed out. Indeed, his offstage behavior was as interesting to the public as that of his onstage personas. He had numerous affairs with women, which often ended in court. He had an 11-year relationship, beginning in 1897, with soprano Ada Giachetti, who had left her husband and son for the much younger tenor. She bore Caruso two sons, then ran off with the family chauffeur. Three years later, Giachetti sued Caruso for attempting to damage her career and for theft of her jewelry. The suit was eventually dismissed.

Offstage Shenanigans

 

Caruso was not exonerated, however, in what became known as the “Monkey House Case.” On November 16, 1906, Caruso went to the Monkey House in the Central Park Zoo, one of his favorite retreats in his adopted hometown of New York City. There a young woman accused him of pinching her bottom. A policeman on the scene immediately took Caruso—confused and sobbing—to jail. The woman failed to appear at the consequent trial, and police were unable to produce any witnesses other than the arresting officer, who turned out to have been best man at the accuser’s wedding. The judge found Caruso guilty of disorderly conduct and fined him ten dollars. The public, for its part, though initially unsure of Caruso’s innocence, soon returned to its thunderous approval of his performances.

 

Despite these episodes, Caruso’s life outside the theater was not entirely tumultuous. His marriage to Dorothy Park Benjamin in 1918 was happy and secure. His celebrated earnings allowed him to collect art, stamps, and coins. His clothing and furnishings were luxurious. He ate with gusto. And he was extremely generous. A gifted caricaturist, Caruso often gave drawings away. He would fill his pockets with gold coins and shower stagehands with them at the end of Christmastime productions. He also supported many family members, gave numerous charity concerts, and helped raise millions of dollars for the Allied cause during World War I. This remarkable man even paid his taxes early. “If I wait, something might happen to me, then it would be hard to collect,” Caruso reasoned, as recounted by Kobler. “Now I pay, then if something happen to me the money belongs to the United States, and that is good.”

 

Caruso’s expansive approach to life, however, rendered his own short. Constant recording and performance demands and the singer’s unchecked appetites took their toll on his health; he died in Naples, in 1921, from pneumonia and peritonitis. He was 48 years old. “Caruso may have been a greater master of comedy than tragedy,” Great Caruso author Scott wrote, “yet there was no levity in his approach to his art, for as each year passed and he became an ever more celebrated singer, his fame—ably demonstrated by frequent new issues of ever improving records—made increasing demands of him. In those last years he rode a tiger.”

Selected discography

 

Enrico Caruso: 21 Favorite Arias, RCA, 1987.

 

Enrico Caruso, Pearl, 1988.

 

Enrico Caruso in Arias, Duets, and Songs, Supraphon, 1988.

 

Caruso in Opera, Nimbus, 1989.

 

Caruso in Song, Nimbus, 1990.

 

The Compíete Caruso, BMG Classics, 1990.

 

Enrico Caruso in Opera: Early New York Recordings (1904-06), Conifer, 1990.

 

The Caruso Edition: Volume 1 (1902-1908), Pearl, 1991.

 

The Caruso Edition: Volume 2 (1908-1912), Pearl, 1991.

 

The Caruso Edition: Volume 3 (1912-1916), Pearl, 1991.

 

The Caruso Edition: Volume 4 (1916-1921),, Pearl, 1991.

 

Caruso in Ensemble, Nimbus, 1992.

 

Addio Mia Bella Napoli, Replay/Qualiton, 1993.

Sources

Books

 

Caruso, Enrico, Jr., and Andrew Farkas, Enrico Caruso: My Father and My Family, Amadeus Press, 1990.

 

Greenfeld, Howard, Caruso, Putnam, 1983.

 

Jackson, Stanley, Caruso, Stein & Day, 1972.

 

Scott, Michael, The Great Caruso, Knopf, 1988.

Periodicals

 

American Heritage, February/March 1984.

 

Economist, March 9, 1991.

 

New Republic, August 8, 1988.

 

New York Times, January 6, 1991.

 

—Rob Nagel

 

Cite this article

Pick a style below, and copy the text for your bibliography.

 

#enrico-picciotto, enrico picciotto

BB 303 84 03(46) diesel locomotive change position.

The Church may have lost its dominant position in Irish society but there is plenty of hope for Christians today. That was the resounding message from Ecumenical Bible Week’s 2019 symposium which took place in the Holy Cross Diocesan Centre, Dublin, last Thursday (June 13).

 

Three speakers – the Revd Dr Patrick McGlinchey of the Church of Ireland Theological Institute, the Rt Hon Sir Jeffrey Donaldson, MP for Lagan Valley, and Patricia Devlin who is an environmentalist and part of the Orlagh in the City Eucharistic community – tackled the subject: ‘How can we be Christian in Ireland Today? Voices of Hope in a Secularised Ireland’. The thought-provoking discussion, covering the spheres of theology, politics and ecology, was chaired by Archbishop Michael Jackson.

  

Church and Theology

 

Proceedings were opened by Dr McGlinchey who outlined the changes which ushered in the secular age. Increased media influences challenged the monolithic religious culture; Vatican II brought about changes in understanding among the faithful which had a knock on effect on the younger generation; there was a distancing among the church–going population; and clerical sexual abuse and institutional cover up alienated people.

 

However, he said he was convinced that this was not the end of the story and gave three reasons to be encouraged in the face of discouragement. Firstly, the end of Christendom is not evidence that the Christian faith is untrue. He said that we don’t have to mourn the time when the church ruled the roost: “Christianity is a movement, not an institution”. Secondly, the secular narrative that we no longer need God is not true to human nature. Dr McGlinchey said that we live in an age of distraction and the reality of God is not immediately obvious. Thirdly, the secular withdrawal from God will not be maintained because life will become unsatisfying.

 

He suggested that there were three imperatives for the Church. We must communicate Christ by living out the faith; individual Christians must allow themselves to be transformed by Christ thus making the invisible God visible; and the Church must become a community that serves.

 

Dr McGlinchey concluded by delivering three unshakeable grounds for hope: Christ has been raised bodily from the grave; the gates of hell shall not prevail against his Church and while it may be challenged it will not be overcome; and we have a hope which is not just for this life, Christians can die well.

 

Church and Politics

 

Sir Jeffrey Donaldson said that while the standing of the Church had diminished, it was not the end of the story and that maybe it had to happen. “I’ve seen society changing,” he said. “It is now difficult for me as a Christian to speak publically of my Christian faith … Where tolerance is the mark of this more liberal secular society, I wonder how much tolerance there is for freedom of religious belief. I’ve seen it more so in Great Britain but it is increasing in Northern Ireland.”

 

Living in the public square, Sir Jeffrey said he had seen the media influence on secularising our culture. “It’s very subtle. They’ve stolen our language. They’ve learned that softening their language can win votes. But by their fruits ye shall know them. It’s what the Church does rather than what the Church knows that will help it regain influence, and by having influence I don’t mean having power,” he stated.

 

As an MP, he deals with people who are broken and said he could see that there was a hole in their lives. Increasingly people are experiencing mental health problems. Living in the fast lane creates pressure, he said. “When I deal with people who are broken I try to show them that there is something different in how I do business. I don’t put the Bible in front of them … but I do try to show them the love of Jesus. Jesus said that we are to be the salt and the light. I say that the salt is not the main thing but it improves the meal. The Church isn’t the main thing in our society and we have to accept that but what we have to offer can change the main thing and make it better,” he explained.

 

Turning to the issue of human rights, Sir Jeffrey said that social issues were now presented as human rights. He said in Northern Ireland, recognising that the narrative about abortion is changing, they have sought to push back in the debate with a new approach proclaiming that both lives matter. “We have to look at the narrative and we have to show respect. But we're also entitled to receive respect. The media narrative tends to lean against that. People who come from a Christian perspective can be torn apart in the media. We need to stand up and say that if you believe in human rights, then freedom of expression is part of that,” he stated. He reported that the Council of Europe was exploring the concept of reasonable accommodation in seeking ways of accommodating people who have a conscientious difficulty with the laws that have been put in place.

 

“As a politician and primarily a Christian, I am not despondent or without hope. The relevance of the Church is still there. The message of Jesus is still there. We should be putting Jesus front and centre at the heart of what we do. We shouldn’t be afraid to say it and it concerns me that on the big debates either the media leave the voice of the Church out or that Church leaders don’t want to enter that very difficult arena,” he said. He argued that he did not feel that Christianity could not be progressive but he said he was not sure that taking the life of a baby was progressive. He added that after 30 years of Troubles in Northern Ireland, there was a lot of healing and reconciliation to be done across the island and the Church had a role to play in this.

 

Church and Ecology

 

“The house is on fire,” said Patricia Devlin. In searching for all the possible ways of being Christian in Ireland today she said this was the message that spoke loudest to her. “The message of being a Christian in Ireland today has to include ecological conversion,” she stated.

 

Focusing on Pope Francis’s Laudato Si encyclical, she said that climate change called Christians to seek a more equitable distribution of materials and a more equitable version of consumerism. “We who live this style of life must be aware that we can and must learn from those who have less than we have at the very point where we want more and more,” she said.

 

Human choice can change the tide of global warming, she stated. She added that for the first time in history we are recognising that our choices affect the environment and that we can do something about it. “Life on earth as we know it is changing. We have 12 years to get control of carbon emissions before irreparable damage is done and I pray that the ecumenical movement can grasp this,” she said. The greatest contribution Christians can make is to understand the challenge and contribute to the transformation of consciousness.

 

Personal, community and global economic relationships need to change and this cannot happen without a change in morality, she contended. This will affect what we eat, what we wear, what we buy, our assets, where we shop, where we go on holidays, where we educate our children … in short it will change everything. It also means changing our perception of our relationship with God, she said. The good news is that more people are now taking notice and taking action, she said.

 

Pope Francis’s vision for the environment is tripartite, she stated, involving God, Nature and human ecologies. She explained that the human root causes of the environment crisis stemmed from misuse of creativity and the power of technology, our anthropocentric perspective, practical relativism and our reductionist perceptions of human beings. She said the Church could contribute to change by educating for the covenant between humanity and the environment and facilitating ecological conversion. “Christians are being challenged to speak for the climate in the public square, in their churches, in their places of work and in their lifestyles,” Mrs Devlin concluded.

This scene is a perfect illustration of the conditions which most soldiers had to cope with at the Front. There is large group of men straining and heaving to slide a heavy gun carriage through thick, deep mud. In the process they have become muddy and wet themselves. The rest of the battle is visible in the background and the whole scene has a sense of immediacy to it.

 

This photograph, of what was probably an everyday occurrence for these soldiers, has been given a further biased twist by its caption. It implies that the artillery is kept mighty busy, bombarding the enemy - a sign of an aggressive and virile offensive against the enemy, but without the implication of defeat or loss of life.

 

[Original reads: 'OFFICIAL PHOTOGRAPHS OF THE RECENT BRITISH ADVANCE ON THE WESTERN FRONT. Our ever moving artillery - setting a field gun into position.']

 

digital.nls.uk/74548540

Fleur a gauche

Flower on the left

 

Montreal

Quebec

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